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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:06Uh...
01:09Cecilia Brooks?
01:11Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:52Until then, we cannot proceed.
01:54Okay, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24A gift? In exchange for being kidnapped? No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What? Like a doll collar?
02:54Do you think you owe me now?
02:56I wouldn't do that.
02:57Come on, let's go.
02:58This is insane.
02:59Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What? Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:42It's not...
03:43It's not...
03:45Satisfying.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:22Don't make me regret this risk.
04:23I don't plan to.
04:24The position's been filled.
04:25Go home.
04:26Get out!
04:28Damn.
04:29He doesn't have to be so rude.
04:30Pappy, your phone's upside down.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:56Pappy, your phone's upside down.
04:57Hi, how are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:12I have some good news today, though.
05:15I'm sorry.
05:16Uh, I think that's my landlord.
05:18I have to go.
05:18Love you.
05:19Bye-bye.
05:22Oh.
05:24What the hell is he doing here?
05:25What are you doing here?
05:28Oh.
05:29What the hell?
05:31Hey.
05:32Whoa, whoa, whoa.
05:33Guys, whoa.
05:34Hey, don't take that.
05:39I did not agree to this.
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53How long?
05:55Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:08A gift in exchange for being kidnapped?
06:11No thanks.
06:12I need to know where you're at at all times.
06:20It's a tracker.
06:21What?
06:21Like a dog collar?
06:23Do you think you own me now?
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:28This is insane.
06:29Just give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:33There are no animals in the mansion.
06:36You must say goodbye to your little Crumpet.
06:39What?
06:40Absolutely not.
06:41I told you in the contract that I will take care of everything.
06:46I don't care about the contract.
06:48What?
06:48Oh my God.
06:50Goodbyes are always so hard.
06:51Put me down.
06:52What are you doing?
06:56Welcome back, Miss Brooks.
06:59So, I'm not allowed to leave?
07:01If you leave, your contract will be terminated immediately.
07:05And what?
07:05You're just going to leave me all alone here?
07:07Would you like me to join you?
07:08No, no, no, no.
07:20Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit.
07:25I'm trapped with this monster.
07:27Oh my God.
07:28Is this really happening?
07:30I'm stuck.
07:30I'm stuck.
07:31I'm stuck.
07:31I'm stuck.
07:31I'm stuck.
07:32I'm stuck.
07:33I'm stuck.
07:34I'm stuck.
07:35I'm stuck.
07:35I'm stuck.
07:36I'm stuck.
07:37This is your uniform.
07:43Work hours have started already.
07:45Tidy yourself up.
07:47Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks, Mr. Mercer, does not like to be kept waiting.
07:58Enjoying the view?
08:21No, I, um, just didn't want to disturb you.
08:27I don't mind if you stare.
08:29Sorry, sir.
08:30I was just interested in your build.
08:33The building.
08:34The build of the mansion that we're building to work on today.
08:40What time are we leaving for?
08:42What time are we leaving for?
08:43Car leave's in ten minutes.
08:45Great.
08:46I'll be ready.
08:57How much further?
08:58Will she play hard, but she know the deal?
09:00Patience, Miss Brooks.
09:02She'll press her deep, but make hearts near.
09:03She'll press her deep, but make hearts near.
09:05She like the danger of eating the rye.
09:07Can't fake the hunger, nowhere to hide.
09:10Oh, my fucking fucking.
09:12She all the power, takes the control.
09:14Hey, Foxy.
09:19I got something that'll keep that jaw clenched.
09:21Wow.
09:22Original.
09:23Mr. Mercer, we didn't know you was coming in today.
09:26Get off my property.
09:27What?
09:28You're fired.
09:29Leave.
09:30What the hell?
09:31I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your lung...
09:39Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:50Everything's nearly finished.
09:52I'm going to have a team come in and make some final measurements over here.
09:55And I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:05Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:12Why do I want to...
10:13Follow me.
10:14Follow me.
10:21Wow, an elevator?
10:22By the way, what you did out there?
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:31You're first to ask for the client.
10:38I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:15Uh, over here I would...
11:18collect a chaise lounge.
11:21Velvet.
11:22Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29handles.
11:31And next to it we could put a cabinet for whips and toys and...
11:34things.
11:35You're very well versed.
11:37I...
11:38read a lot.
11:40Certain...
11:41genres of certain books have certain details of...
11:44Right.
11:45Right.
11:46Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read...
11:49fantasy and...
11:51romance and...
11:52fantasy romance.
11:55Anyway, uh...
11:56This would be a great place to...
11:59announce...
12:00walk us.
12:19Don't pick up.
12:20Hello?
12:21Miss Brooks, I'm sorry.
12:22We need the payment.
12:23I...
12:24I understand.
12:25Is there anything I could do now to hold him there?
12:26Anything that could be done right now?
12:27We need your payment, Miss Brooks.
12:28By tomorrow morning.
12:29All $200,000.
12:30Okay.
12:31I...
12:32I'll get it to you.
12:33I promise.
12:34Sorry.
12:35Your contract explicitly states that I received 100% of your attention...
12:36at work.
12:37Who was that?
12:38It's personal.
12:39There are no personal calls...
12:40at work.
12:41I'm sorry.
12:42okay i'll get it to you i promise
12:45sorry your contract explicitly states that i receive 100 of your attention at work
12:53who was that it's personal there are no personal calls at work i'm sorry
13:03mr mercer it won't happen again i'll get to work right away i'll have designs to you by tomorrow
13:14morning take it off what
13:21your jacket mr mercer
13:28i won't ask twice
13:32uh what's this for
13:41it's perfect now go get dressed
13:58no need to pout miss brooks
14:11you'll be reading some of the top designers
14:13i don't understand how does this take priority over work
14:16am i your date or your designer
14:19you are
14:20when i say you are
14:24ladies and gentlemen
14:37it is my pleasure to welcome you all to
14:40the annual architectural ball
14:43proudly hosted by the mercer group
14:45i'd also like to welcome and introduce our newest interior designer
14:53miss cecilia brooks
14:56i thought you said you had the job
15:02i did everything that i could
15:03bitch must have slept with him in the interview
15:06fine
15:07i'll fix it myself
15:09so without further ado please enjoy your drinks and have a wonderful night
15:17we have this dance
15:26oh
15:27sterling
15:31i was hoping that maybe we could walk and talk
15:36or maybe dance and discuss
15:39you must be working so hard
15:42i was thinking
15:44maybe you would benefit from a designer who
15:47really knows you
15:49your past
15:50i'm not interested in rehashing old relationships
15:54no
15:55it was just a flight
15:57doesn't mean we can't be close
15:59sterling could be a difficult person to work for
16:04you know you can come to me
16:10if you need
16:11anything
16:12get your hands off
16:18what the hell are you doing here vincent
16:24folks looks like the jester came to play
16:27get him out of here
16:32it's all right folks enjoy the party it's okay
16:39yeah you okay
16:40why don't you go grab a drink i'm gonna take care of this
16:44crazy night huh
16:54too crazy i'm nora a close friend of sterling so
16:59tell me how's the new position treating you
17:01it's demanding
17:04the client
17:06what's your feel on them
17:08oh i'm not at liberty to discuss that
17:10come on it must be crazy right
17:13i really can't
17:15oh
17:17oh
17:19how embarrassing
17:21what are you doing in here
17:26uh cecilia i'm sorry
17:27i'm so done with their whole world
17:30yeah i the head of the board was barking my ear off
17:36stop it what i'm just trying to help help really that's rich
17:42i mean i mean i am rich
17:45you you are a lot of things from the moment i met you you've controlled every aspect of my life
17:50every movement i make you're obsessive cryptic a perfectionist
17:55but you're not rich not where it counts
18:16i feel excuse me i have work to do
18:35this hand what if
18:39maybe cuffs what if we hang something around here
18:59is that me
18:59did i say you could come in here
19:04uh you'll be happy to know that i worked on these all night
19:17maybe if you stayed at the gala you would have learned something
19:20learned what you follow through with your obligations so you wouldn't waste your time
19:24working on garbage garbage i'll need five more by tomorrow morning
19:29that will take me all night even making those two took me all night and i barely got them done
19:33in time you've done it once before you can do it again don't you think maybe just
19:39maybe that's an unreasonable amount of time maybe i don't care wait i should have remembered
19:48it's not in the contract
19:49oh my god
20:04excuse me miss where's my grandfather i'm sorry usually if they're not in the room it's because
20:09the insurance ran out or
20:21miss brooks
20:25yes i just wanted to inform you that your grandfather just received his first round of stem cell treatment
20:29stem cell treatment he's being very well taken care of i don't understand how is that possible
20:35i can't afford that i told you i'll take care of everything what i can't believe this
20:43oh but but why why would you do that well when i said i needed your undivided attention i meant it
21:01now the only thing you have to worry about is me i'm not your slave
21:06five designs by tomorrow morning
21:19you're welcome
21:26i've been expecting you i have a feeling i'll be impressed
21:30brushed work is not work to be proud of
21:36is this you and my parents they must be so proud of you they never got to see it
21:42i inherited this company before i was old enough to run it
21:46i'm so sorry it was a long time ago what happened they vanished on a work trip into europe
21:52guess i don't control everything after all i'm going to deliver these designs to everyone um
21:58i have a surprise for you
21:59to your first approval
22:10it's beautiful
22:13i do have a request though i was wondering if i could i could have a little freedom from what
22:20is that me no no not you i'm this well i need to keep track of you i mean what if
22:32sterling
22:34i'm not your parents i'll be fine i just don't know if i'm ready for that yet
22:40but you continue to impress me i mean you'll be free as a bird
22:50i do have more surprises to show you but um you're gonna have to wait till tomorrow
23:04full of surprises aren't you
23:11and that's why i can't let you go
23:20what are you two doing here there's not supposed to be anyone working today we were just swinging
23:31by to assess a minor electrical concern it seems that the search is nothing urgent we're gonna
23:35come back tomorrow with the rest of the crew and get it resolved okay thank you for the update thank
23:43you mr mercer
23:48i've ordered these beautiful pieces white marble
23:53what the hell
23:59it's kind of beautiful no no it's a mistake
24:05it's not too perfect it's bold it's not trying hard it just
24:09is well i like my work to be intentional
24:16well i would argue that this elevates the intention of the space
24:21the juxtaposition between control and chaos you have good eyes miss brooks follow me
24:28your second task for the client master bedroom and nursery oh the client's a family man we don't discuss
24:43the client only satisfy their needs would you like to see your designs
24:58is it not what you thought no it's it's not that it
25:17the power went up there's no signal yeah the soundproofing they put up uh cuts signal what no
25:28it's not funny i'm not laughing how long until someone notices that we're gone i don't know an hour
25:46maybe two is it nora the client what no no you're not supposed to ask about the client just tell me
25:54no it's not is she more i i built this room because i believed in your vision
26:04i cleared your schedule i cleared your stressors all because i wanted you
26:24so
26:47sir your seven o'clock is waiting upstairs
26:54so
27:01tuck your shirt in sir
27:09i know i know
27:14who the hell are you calm down sweetie put crap it down
27:18listen sweetie i work for mr mercer he hired me to take care of your grandpa and crumpet until you return
27:27sweetie what are you doing home what am i doing this is agnes my nurse she's taking care of me oh
27:35i'm sorry i'm sorry i'm so embarrassed
27:42um hello why are you in your apartment if you're there there's no need for agnes to stay employed
27:48cecilia you're ruining my chances go back cecilia okay okay everything's all right agnes has taken
27:56very good care of me okay okay pappy i'll go um it was nice meeting you agnes nice to meet you dear
28:02what the hell he has a girlfriend
28:17what was i thinking
28:23what was i thinking
28:37what was i thinking
28:38Got you now, bitch.
29:08I found her address.
29:26Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:38You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:06Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised facing bankruptcy and becoming the embarrassment
30:16of architecture, we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information and Mercer Designs
30:38will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42Or a bribe.
30:47Get the hell out of my property and out of my sight.
30:51Miss Brooks, in my office immediately.
31:09Are you sure you want me in there and not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep, but when I woke up, they weren't in
31:28my room anymore.
31:29You're lying.
31:30I'm lying?
31:31Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um, I, uh, had to get some artwork for the client.
32:29You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one with another woman after all that, I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:50I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I promise.
33:00Oh!
33:18I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to resist.
33:24Touch me where the light won't go.
33:27Love me deep, love me slow
33:31Kiss me and let I take all I hide
33:36Let's go inside
33:37Eyes like knives, you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:00You're the secret I can't keep
34:04Breath on glass, you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give and I pray
34:16Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat.
34:40Hello, Cecilia. I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling and your sweet old pappy guys and your little cat, too, your choice.
35:23I've been reviewing project management assets four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby!
36:07I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No, no, you won't.
36:17Mm-mm-mm-mm-mm-mm!
36:47Show me the video.
36:55Yes, sir.
36:59She knew how to evade the cameras.
37:01I can't identify her, but we knew her enough to let her in.
37:06Keep this video between us.
37:08Yes, sir.
37:17Cecilia!
37:24Sterling, you're not working from home today?
37:27What are you doing here?
37:28Who have you been talking to?
37:30No one. I, uh, just...
37:32I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:36We're, like, 20 miles south of home.
37:39I'm getting my necklace cleaned.
37:42So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:57The drafting table is super dusty, and I don't want to get messed up.
38:03It's a woman thing.
38:05I'm trusting you right now.
38:12I know.
38:28What the hell is going on?
38:35Good girl.
38:49Right on time.
38:52Well, don't hesitate now, sweetheart.
38:54Or they're dead.
38:58Come on, Cecilia. Do it.
39:05What?
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cecilia, don't!
39:26Get out of here!
39:27Look! Look!
39:28Look!
39:40I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:05You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:11You see, when that timer goes off,
40:14you and that little tracker and this entire place will go bye-bye,
40:19and then I will pave way for the construction site of all Hale designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:44Hm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:51is the contact for Sterling's Project Mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:36No!
41:42So!
41:44Tell me.
41:46Who is the client?
41:47Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:07I don't know anything.
42:08Hmm.
42:09Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's gonna go.
42:20You're gonna tell me, and then you, Pappy, and Little Kitty can go free.
42:27While Mercer Designs burns to the ground.
42:31Or...
42:33I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Just don't touch him!
42:51I'll tell you!
43:01Tell me...
43:03everything.
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home!
43:41You drugged him?
43:42Yes!
43:43I drugged him!
43:51And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat too.
43:59Well then...
44:01Looks like you chose...
44:03Oh!
44:05Oh, I'm sorry, my sweet miss, but...
44:07Our short little affair is over.
44:09Excuse me.
44:10Well, obviously I don't need your services any longer.
44:21Besides, I don't do witnesses.
44:25Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:37Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:06Put down the knife.
45:07Only the knife.
45:08Come on, let me at her one last time!
45:09She betrayed you!
45:10She's the one who gave up the Legacy One in the third floor!
45:15Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch.
45:19She told Vincent everything!
45:22No!
45:23She's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then how you lost the designs?
45:35No!
45:36No, that wasn't me!
45:37Okay, Vincent made me do it!
45:39He said he threatened my family!
45:41I had no other choice!
45:44I can't believe you.
45:46Arrest her!
45:47No!
45:49No!
45:50No!
45:51No!
45:52No!
45:53No!
45:54No!
45:55No!
45:56No!
45:57No!
45:58No!
45:59No!
46:00No!
46:01No!
46:02No!
46:03No!
46:04No!
46:05I'm Heinzverse!
46:06I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09It's okay.
46:10But I gave them your designs.
46:11I didn't know what else to do.
46:12I was trying to save them.
46:13I didn't mean to.
46:14You're safe.
46:15Okay?
46:16Vincent won't be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27Always...
46:28I'll find you.
46:31How?
46:36Because I know you.
46:38That moment in the parking lot, I knew, from your eyes, that you needed me.
46:48I will always keep you safe.
46:53Hey!
46:54Hey!
46:55No place else.
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I...
47:11I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I...
47:19I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes.
47:26It's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:35I love you, Agnes.
47:36I love you, Agnes.
47:45Marley!
47:46What are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
47:53Thanks.
47:55I love you guys.
48:01I love you, between two and three.
48:03I'm not.
48:05I know you're fine.
48:06I'm not.
48:09My gross is a old man.
48:11I'm not.
48:12I'm not.
48:13My gross is a little.
48:14I love you, and you're so cold.
48:15I'm not my gross.
48:16I moth my flesh.
48:17I hate it.
48:19I'm not my gross.
48:20I'm not my gross.
48:21Come here.
48:38This is really beautiful.
48:42We work well together.
48:45Glad you think so, Cecilia.
48:49Yes, Sterling?
48:51I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:19Come here. I need to show you something.
49:21I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance?
49:48But then you came in.
50:05You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Close.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:23Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33Yes.
50:34Yes.
50:34Yes.
50:34Yes, Sterling.
50:36I said yes to you.
50:45To forever, too.
50:47To every dream we're walking through.
50:53från förut.
50:54Did you?
50:54Yes.
50:54Yes.
50:55Yes.
50:55Yes.
50:55Yes.
50:56Hoo.
51:00Yes.
51:01Yes.
51:01Yes.
51:02Yes.
51:02Yes.
51:03I said Yes.
51:03Yes.
51:04Yes.
51:05Yes.
51:10Yes.
51:10Exactly.
51:10Yes.
51:11Yes.
51:12Yes.
51:12Yes.
51:13Yes.
51:13Yes.
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