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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:06Uh...
01:09Cecilia Brooks?
01:11Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:52Until then, we cannot proceed.
01:54Okay, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24A gift? In exchange for being kidnapped? No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What? Like a doll collar?
02:54Do you think you owe me now?
02:56I wouldn't do that.
02:57Come on, let's go.
02:58This is insane.
02:59Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What? Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:42It's not...
03:43It's not...
03:45Satisfying.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:22Don't make me regret this risk.
04:23I don't plan to.
04:24The position's been filled.
04:25Go home.
04:26Get out!
04:28Damn.
04:29He doesn't have to be so rude.
04:31Pappy.
04:32Your phone's upside down.
04:33Okay, pardon.
04:34What are you doing?
04:35You're welcome.
04:36Mate.
04:37What are you doing?
04:38I'm sorry.
04:39I'm sorry.
04:40I need to be reallyuntax.
04:41You're waiting for this risk.
04:42I don't plan to.
04:44The position's been filled.
04:46Go home.
04:47Get out.
04:49Damn.
04:50He doesn't have to be so rude.
04:53Pappy.
04:54Your phone's upside down.
04:56Pappy, your phone's upside down.
05:00Hi, how are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:12I have some good news today, though.
05:16I'm sorry.
05:16Uh, I think that's my landlord.
05:18I have to go.
05:18Love you.
05:19Bye-bye.
05:22Oh.
05:24What the hell is he doing here?
05:26What are you doing here?
05:28Oh, what the hell?
05:31Hey, whoa, whoa, whoa.
05:33Guys, whoa.
05:34Hey, don't take that.
05:39I did not agree to this.
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:54How long?
05:54Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:07A gift in exchange for being kidnapped?
06:11No, thanks.
06:16I need to know where you're at at all times.
06:20It's a tracker.
06:21What?
06:21Like a dog collar?
06:23Do you think you own me now?
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:28This is insane.
06:29Just give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:33There are no animals in the mansion.
06:36You must say goodbye to your little Crumpet.
06:39What?
06:40Absolutely not.
06:41I told you in the contract that I will take care of everything.
06:46I don't care about the contract.
06:48What?
06:48Oh my God.
06:50Goodbyes are always so hard.
06:51Put me down.
06:52What are you doing?
06:53Welcome back, Miss Brooks.
06:59So, I'm not allowed to leave?
07:01If you leave, your contract will be terminated immediately.
07:05And what?
07:05You're just going to leave me all alone here?
07:07Would you like me to join you?
07:19No, no, no, no.
07:20Why is it making that sound?
07:21Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my God, is this really happening?
07:29I'm stuck.
07:41This is your uniform.
07:43Work hours have started already.
07:45Tidy yourself up.
07:47Report to Mr. Mercer.
07:48Oh, and, uh, chop chop, Miss Brooks.
07:55Mr. Mercer does not like to be kept waiting.
07:58Enjoying the view?
08:21No, I, um, just didn't want to disturb you.
08:27I don't mind if you stare.
08:29Sorry, sir.
08:30I was just interested in your build.
08:33The building.
08:34The build of the mansion that we're building to work on today.
08:41What time are we leaving for?
08:42Car leaves in ten minutes.
08:44Great.
08:45I'll be ready.
08:57How much further?
09:00Patience, Miss Brooks.
09:02Oh, my fucking fucker.
09:18Hey, Foxy!
09:19I got something that'll keep that jaw clenched.
09:22Wow.
09:23Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:26Get off my property.
09:28What?
09:28You're fired.
09:30Leave.
09:30Oh, what the hell?
09:32I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:38If I collapse your lung...
09:39Wait, did he just stand up for me?
09:42Sir, how about you?
09:44Continue your work with Miss Brooks, and I'll handle this.
09:49Come on.
09:51Everything's nearly finished.
09:53I'm gonna have a team come in and make some final measurements over here,
09:56and I'll ensure they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:07Seeing her in my house gives me a strange feeling.
10:10It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:15Wow, an elevator?
10:23By the way, what you did out there, thank you.
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:35Your first task for the client.
10:37I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed
10:57into their BDSM chambers.
11:00I hope she doesn't see right through me.
11:06So, how would you do it?
11:10Uh, um...
11:12Make me a picture.
11:14Right.
11:16Over here, I would put a chaise lounge.
11:22Velvet, obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right, right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:53Anyway, uh...
11:56This would be a great place to mount wall cuffs.
12:19Don't pick up.
12:23Phone ringing.
12:28Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:01I'm sorry.
13:03I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:21Your jacket.
13:26Uh, Mr. Mercer.
13:30I won't ask twice.
13:38Uh, what's this for?
13:41It's perfect.
13:48Now go get dressed.
13:48No need to pout, Miss Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:16Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:35Ladies and gentlemen.
14:38It is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:46I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:17May I have this dance?
15:26Okay.
15:30Sterling.
15:32I was hoping that maybe we could walk and talk.
15:36Or maybe dance and discuss.
15:40You must be working so hard.
15:43I was thinking.
15:45Maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing old relationships, no.
15:55It was just a flint.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:06No.
16:06You know you can come to me if you need anything.
16:16Get your hands off of her.
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:31Get him out of here.
16:31It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Yeah, you're okay.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:52Crazy night, huh?
16:54Yeah.
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:17Oh!
17:19Oh, how embarrassing.
17:23What are you doing in here?
17:26Cecilia, I'm sorry.
17:27I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel, excuse me.
18:19I have work to do.
18:20This hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:07Okay.
19:07Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:35You can do it again.
19:37Don't you think?
19:38Maybe, just maybe, that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:23Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30I mean, he's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:43Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
21:01Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:06Five designs by tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:32Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:55I'm going to deliver these designs to everyone.
21:56I have a surprise for you.
22:02To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom?
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well...
22:28I need to keep track of you.
22:30I mean, what if...
22:32Sterling...
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06Yeah.
23:06And that's why I can't let you go.
23:24What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no.
24:01It's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:10Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom...
24:39and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:49Would you like to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12it's not that.
25:12It...
25:13The power went up.
25:18There's no signal.
25:20Yeah, the...
25:20soundproofing they put up, uh...
25:23cuts signal.
25:24What?
25:25No.
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44I don't know.
25:44An hour.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I wanted you.
26:41Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:30What am I doing?
27:32This is Agnes, my nurse. She's taking care of me.
27:36Oh, I'm sorry. I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.
27:49Ceci, you're ruining my chances.
27:52Go back, Ceci.
27:53Everything's all right. Agnes has taken very good care of me.
27:58Okay, okay, Pappy. I'll go.
28:00Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03What the hell? He has a girlfriend?
28:16What was I thinking?
28:21What was I thinking?
28:23What was I thinking?
28:25What was I thinking?
28:26Oh.
28:27It's all great.
28:28I didn't know what I thought about it.
28:29You're
28:46Gotcha now, bitch.
29:08I found her address.
29:16Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42Or a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks!
31:07In my office immediately.
31:09Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir?
32:06She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33Not to.
32:35You not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to resist.
33:22You're too hard to influence.
33:24Touch me with a light and glow.
33:28Love me deep, love me slow.
33:32Kiss me in the thought, take all our heart.
33:36Let's go inside.
33:37Touch your fire.
33:39Hold me inside.
33:43Oh, love me.
33:46Oh, love me.
33:47Oh, love me.
33:48Oh, love me.
33:48Oh, love me.
33:49Oh, love me.
33:49Oh, love me.
33:49Oh, love me.
33:50Oh, love me.
33:50Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:00You're the secret I can't keep
34:04Breath on glass you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give, and I pray
34:16Well, hello, I'm here for Mr. Brooks
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse, I'll be taking him to his appointment for today
34:27Oh, Mr. Brooks doesn't have an appointment today
34:29I can assure you he does
34:31Well, thank you for coming
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks, bring the cat
34:46Hello, Cecilia
35:01I'll need your full cooperation
35:03I have something of yours you might want back
35:06Now that I've got your attention
35:08I need a little favor
35:10Bring me Mercer's Legacy One design
35:12You can't do this
35:13But see, I already have, sweetheart
35:16Give me the designs
35:17Tell Sterling and your sweet old pappy guys
35:21And your little cat, too
35:22Your choice
35:23I've been reviewing project management assets
35:26Four days late on the Hudson property
35:29The client is not happy
35:30Mr. Mercer is not happy
35:33Pick it up or I'll give your work to her
35:35She's three days ahead
35:36Is that a personal email?
35:39Sweetie, you don't have to do this
36:00Too late, old man
36:01Who the fuck are you?
36:04Your worst nightmare
36:06Baby
36:07I'm glad I'm so glad you made it
36:09I set all this up for you
36:11This better work
36:14No, no, you won't eat
36:17No, no
36:18No, no, no, you won't eat
36:25No, no, no, no
36:26Oh, no
36:28I'll turn this to your wife
36:31I'll try
36:31all
36:33Oh, on
36:33Oh, Lord
36:34Oh, oh, oh
36:36Oh, oh
36:37Oh, oh
36:38Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:05Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling, you're not working from home today?
37:27What are you doing here? Who have you been talking to?
37:30No one. I just, I needed to pick up some paint samples and this was on the way.
37:34On the way to what? We're like 20 miles south of home.
37:39I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:55I've just been working a lot.
37:57The drafting table is super dusty and I don't want to get messed up.
38:02It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:29Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia. Do it.
39:00Sterling Mercer's legacy designs.
39:07Just like I asked.
39:09Oh.
39:10Sterling, you won't even know what hit you.
39:13Now let my grandfather go.
39:15He's all yours.
39:17A deal is a deal, pretty lady.
39:19Oh, my head.
39:24Cece, don't.
39:25Get out of here.
39:27Look, look.
39:40I've had a change of heart.
39:42Please.
39:43No.
39:44This way.
39:47Wow.
39:48You really know how to tie the room together, darling.
40:03Sterling has my location.
40:05You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:10You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hail designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh.
40:39Oh.
40:40Oh.
40:41Oh.
40:42But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:12Hmm.
41:13Who's the client?
41:14How much was the bid offer?
41:15I don't know.
41:16Will you remember?
41:17Trust me.
41:18Even if I did, I wouldn't tell you.
41:20No!
41:21No!
41:22I don't know.
41:25Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:42So, tell me.
41:46Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:20You're going to tell me,
42:22and then you, Pappy, and little Kitty can go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:38And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling.
42:47Wait, no.
42:47No, I'll tell you.
42:48I'll tell you anything you want to know.
42:49Please, just don't touch him.
42:51I'll tell you.
42:51Tell me everything.
43:04Everything.
43:05I don't...
43:07I don't know a lot.
43:09I just...
43:10I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar.
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion,
43:30and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then, I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:03Well, then.
44:04Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss,
44:11but our short little affair is over.
44:15Excuse me.
44:17Well, obviously, I don't need your services any longer.
44:22Besides,
44:24I don't do witnesses.
44:33Sterling!
44:33Help me, please!
44:34Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:06Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One
45:13and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:19That little bitch.
45:20She told Vincent everything!
45:22No, she's lying!
45:24It's all because of her!
45:25No!
45:25It's all because of her!
45:25She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then how you lost the designs?
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:48Stop the knife!
45:53No!
45:53No!
45:53No!
45:53No!
45:53No!
45:54No!
45:55Vincent, you!
45:57Please!
45:57You stabbed the white woman!
45:58No!
45:58No!
45:59You're silent!
46:00Anything you say,
46:01can't move against you and you're going to fall!
46:03No!
46:03Wait, no, no, I'm Heinzverse!
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent won't be able to touch the project.
46:18I'm so happy you found me.
46:26I thought...
46:28What ways I'll find you?
46:31How?
46:36Because I know you.
46:38That moment in the parking lot,
46:40I knew from your eyes
46:42that you needed me.
46:48I will always keep you safe.
46:53Hey!
46:54Hey!
46:54Would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:09I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows,
47:21he knows.
47:25Agnes,
47:26it's been a long time
47:27since I've met someone
47:28as caring as you.
47:30And I'd like you to be my wife.
47:31I love you, Agnes.
47:45Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:27Come here.
48:28And I don't know what you do.
48:31But love just fits like truth.
48:34You got a...
48:35This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:52I have something
48:53I need to tell you.
48:56About?
48:58There isn't
48:59a legacy, Cecilia.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:15Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other,
49:46it would create balance.
49:48Balance?
49:48But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33I said yes to you
50:44To forever, too
50:47To every dream
50:49We're walking through
50:52ì „ modworkers
50:54To every dream
50:54And you can imagine
50:55To every dream
50:56We have you
50:57From every dream
50:58To every dream
50:59and that afternoon
51:00To you
51:01Mr. Zola
51:01To every dream
51:02So what?
51:02To every dream
51:03Look
51:04For this
51:05The display
51:06And you're
51:06To every dream
51:06That all
51:07Be with other
51:07We are
51:08You
51:08To every dream
51:09To every ideal
51:11And you're
51:11phosphoring
51:11To
51:12people
51:13Erde
51:15Du
51:16ulu
51:17ụ
51:17You
51:19uting
51:192
51:20son
51:20schaft
51:21Help
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