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00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30Via Napoli.
00:01:31Avile 그랬are con di Monti Paolo.
00:01:33Questa è si chiama al primo posto.
00:01:44Shit.
00:01:45Campo in mio cuore.
00:01:51C'è un vestito in casa?
00:01:52C'è un vestito in casa?
00:01:53Non c'è un vestito in casa.
00:01:55Che c'è un vestito in casa.
00:01:56C'è un vestito in casa.
00:01:58What did you see?
00:02:03She has lost her purse.
00:02:06She didn't have anything.
00:02:08She popped back.
00:02:09Did you give her a minute?
00:02:10You were standing here?
00:02:13Can I take it?
00:02:14It's ridiculous.
00:02:17I'm trying to질 everything on the ground.
00:02:19Just give her a minute.
00:02:20She stood here sit here.
00:02:21At least a minute.
00:02:22If that's a big moment of audio,
00:02:23go ahead and leave the room!
00:02:25La.
00:02:26What?
00:02:27Where did you have it last?
00:02:33The train station, I think. The exchange group.
00:02:42Oh, Jamie. I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:53This is 170, not 70.
00:02:55Where do we need to go?
00:02:57We need, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:21Thanks, man.
00:03:25It's nice.
00:03:26Yes, I have a credit card. The number's on file on my computer.
00:03:30Yes, I have them here.
00:03:31Okay.
00:03:32Five, five, three, three.
00:03:33Seven, six, four, five.
00:03:35Eight, seven, eight, seven.
00:03:36Okay.
00:03:37Five, five, three, three.
00:03:38Seven, six, four, five.
00:03:39Eight, seven, eight, seven.
00:03:40Nine, nine, nine, nine, nine, nine, nine, five, seven.
00:03:41Five, seven.
00:03:42Yeah.
00:03:43Expires 12.50.
00:03:44It's bad.
00:03:45$��, eight, nine, nine, eight, nine.
00:03:46Five, seven.
00:03:47Yeah.
00:03:48Expires 12.50.
00:03:50Okay.
00:03:51Nice.
00:03:52Yeah.
00:03:53Yes, I have her credit card.
00:03:54My number's on file on my computer.
00:03:55Yes, I have them here.
00:03:56Six, four, five, eight, seven, eight, seven, nine, one, five, seven, five, seven, yeah, expires 12.15, no, she'll definitely need another card sent out immediately, we're here for two weeks, no, I'm working here,
00:04:18yes, I'll hold, you love how they ask, as if I have a choice, do you know what I'm going to try to do while I'm here, besides learn Italian, I don't know why you think that's so ridiculous, I don't at all, I admire you, I just think it's too late for me, that's not true, you can't teach an old dog new tricks,
00:04:43and besides, what's the point, the whole bloody world speaks English, well I, am going to finally transcribe the tapes, yes, alright, okay, well if you can see it through to the end, I think that's wonderful, what does that mean, nothing, nothing,
00:05:13I think it's a fantastic idea, Jane, I always have, you know that.
00:05:21You shouldn't sound very supportive.
00:05:25You have my support, I'm sorry if that came out wrong, I just know how emotional listening to them can be, has been, for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:21Do you think he recognised a blank infinity, just stretching out?
00:06:34He got to this point maybe where, it was just day after day after day.
00:06:39I really don't know, do you know?
00:06:40Just so tedious.
00:06:42And then of course he felt guilty, most people think life is too short, and there he was, all the talent in the world, and it wasn't it not.
00:06:50Jane, can I, can we not talk about this?
00:06:54Just, just, just a bit more, then.
00:07:12Love you.
00:07:13Love you too.
00:07:14Love you too.
00:07:15Love you too.
00:07:17Do you feel alright?
00:07:19Do you feel okay?
00:07:20Yeah.
00:07:21Are you sure?
00:07:22Mm-hmm.
00:07:23Do you feel alright?
00:07:24You feel okay?
00:07:25Yeah.
00:07:26Are you sure?
00:07:27Mm-hmm.
00:07:28Mm-hmm.
00:07:35Do you feel alright?
00:07:36Do you feel okay?
00:07:37Yeah.
00:07:38Are you sure?
00:07:39Mm-hmm.
00:07:41Mm-hmm.
00:08:58Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:19I think you're boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list, God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19He had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:32I hope you'll have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parla tu inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the month.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:41Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:57That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:11Because even though you know it's coming,
00:15:15there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, ten, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker.
00:15:49Fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:07What brought you out of here today?
00:16:35Barry?
00:16:37Barry.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:42It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48Can you imagine dying by just sitting there?
00:16:50That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights is a 72 hour plane ride, but you know, it was worth it.
00:17:47My first time out of the US.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah, so I left the program after like a month.
00:17:59Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so...
00:18:24I show up, he answers the door, and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall, and he mumbles a couple of things to me in some crazy dialect,
00:18:39ushers me inside, pours me a glass of wine, and leads me to this basement apartment, and, uh, yeah, I never left.
00:18:54I've never left.
00:18:55I know.
00:18:56But when he falls away.
00:18:57It's okay, I see.
00:18:58I never left.
00:18:59I'm trying to reach out.
00:19:00But he's soagem I have to take him out.
00:19:03You're doing anything else.
00:19:04I know things in your head…
00:19:05So it's all about me.
00:19:06I know things in my head, I'm trying to get her to go.
00:19:07I know things in place.
00:19:08I know things in the way, but it's all about him.
00:19:09You remember things in my head.
00:19:10There's a lot of stuff.
00:19:12I know things like that.
00:19:13I know things in a way that could be a dream-like.
00:19:14That's not a hard place.
00:19:15What do you think.
00:19:16And, uh, that's not a good place.
00:19:18I know things in the world.
00:19:20Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:59Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't stop her from loving him.
00:20:28Let's hear it then. In Italian. Let's hear the poem. Come on.
00:20:35Okay.
00:20:36Okay.
00:20:37De lacrime a de faco nutria l'alma. Con secca speme reinvedia la voglia. Lega de nuovo il cuor quando de scioglia. Segna maggiore la vista tierra ed alma.
00:20:58I'm impressed. Thank you. You hungry? Why, you gonna take me out? Yeah. All right then. Okay.
00:21:20Two pastas with the house sauce, please.
00:21:27Red. Red, please. Uh-huh. Grazie.
00:21:32So you're really not gonna tell me what you do?
00:21:35I write freelance articles about parties and fashion trends in town and country UK.
00:21:46There's something else.
00:21:50I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours. But now, I don't know.
00:22:07What don't you know?
00:22:12You wanna listen? A little?
00:22:15Yeah. Yeah?
00:22:16Yeah, I know it. I love to listen.
00:22:20That's tangled up.
00:22:35Don't laugh. Okay.
00:22:41Awful as it was, it made you stronger. These days people whine about all sorts of things.
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars every era, but it was nothing like it.
00:22:59It really brought people together, the war. We helped each other during that time.
00:23:04We had to laugh. We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off. Would you get it out of my face?
00:23:15That is like, it's like a window in time.
00:23:21The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:43Buongiorno.
00:23:44Signori.
00:23:53I got pregnant so we got married.
00:24:00I lost the baby.
00:24:05I'm sorry.
00:24:09I didn't go back after that to the States.
00:24:27Did you, uh, did you ever hear that story about the Red Strain?
00:24:40I think I might have. Tell me.
00:24:44It's like this Asian proverb says that anyone you're destined to meet, like your soulmate or your family or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape. I'm sitting, waiting in the airport bar for my flight. And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show World War II from a totally different perspective.
00:25:37But...
00:25:38I don't know if it's that interesting.
00:25:47That's the whole point, isn't it? Keeping it interesting for yourself.
00:25:54Maybe.
00:25:55Maybe.
00:25:56Maybe.
00:25:57Maybe I just wanna write about nothing.
00:26:00Everything is nothing.
00:26:01All the best.
00:26:02Compliano.
00:26:03Grazie.
00:26:04Grazie.
00:26:05Make a wish.
00:26:06Oh, yeah.
00:26:07Make it great.
00:26:08Okay.
00:26:09Bravo.
00:26:11Bravo!
00:26:13Bravo!
00:26:14Yay.
00:26:15Yeah.
00:26:16Go ahead.
00:26:17Okay.
00:26:18Bravo!
00:26:19Bravo!
00:26:20Yeah.
00:26:22You ready?
00:26:23What do you mean, Amanda?
00:26:24Ready?
00:26:25What?
00:26:26Grab my hands.
00:26:27Yeah!
00:26:28Thanks, wait.
00:26:30Thanks, Elia.
00:26:31Hey!
00:26:32Oh, why are you ready?
00:26:33You ready?
00:26:34Yeah.
00:26:35What are you ready?
00:26:37What?
00:26:38Grab my hand.
00:26:39Wait!
00:26:40Go, go, go!
00:26:41Oh my gosh!
00:26:42Oh my gosh!
00:26:43Oh no!
00:26:44What?
00:26:45What do you mean?
00:26:46Stronzo!
00:26:47Hey!
00:26:48Hey!
00:26:49Hey!
00:26:50It's the carabinieri!
00:26:52Hey!
00:26:53Hey!
00:26:54Hey!
00:26:55Hey!
00:26:56Hey!
00:26:57Hey!
00:26:58Hey!
00:26:59Hey!
00:27:00Hey!
00:27:01Hey!
00:27:02Hey!
00:27:03Hey!
00:27:04Hey!
00:27:05Hey!
00:27:06Hey!
00:27:07Hey!
00:27:08Hey!
00:27:09Hey!
00:27:10Hey!
00:27:11Hey!
00:27:12Hey!
00:27:13Hey!
00:27:14Hey!
00:27:15Hey!
00:27:16Hey!
00:27:17Hey!
00:27:18Hey!
00:27:19Hey!
00:27:20Hey!
00:27:21Hey!
00:27:22Hey!
00:27:23Hey!
00:27:24Hey!
00:27:25Hey!
00:27:26Hey!
00:27:27Hey!
00:27:28Hey!
00:27:29Hey!
00:27:30Hey!
00:27:31Hey!
00:27:32Hey!
00:27:33Hey!
00:27:34Hey!
00:27:35I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:28:05Oh, my gosh.
00:28:14What about my nose?
00:28:21We come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number.
00:28:33For cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:57Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:19Why?
00:29:20So they can park in a handicapped spot.
00:29:29Oh.
00:29:32Happy birthday.
00:29:35Happy birthday.
00:29:50Happy birthday.
00:29:52Happy birthday.
00:30:52Wow, there's so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:22She's a lady who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me too.
00:31:29Jane.
00:31:30Jane.
00:31:31Janey.
00:31:32Got some pastries.
00:31:46You're still asleep?
00:31:52Jane.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:57Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:24Janey.
00:32:25Janey.
00:32:26Janey.
00:32:27Janey.
00:32:28Janey.
00:32:29Janey.
00:32:30Janey.
00:32:31Janey.
00:32:32Janey.
00:32:33Janey.
00:32:34Janey.
00:32:35Janey.
00:32:36Janey.
00:32:37Janey.
00:32:38Janey.
00:32:39Janey.
00:32:40Janey.
00:32:41Janey.
00:32:42some of them. They were nice boys, but I didn't want to leave my mom and dad. I wish I had
00:32:53sometimes. You know when you were 19 and the world just felt so open and carefree and full
00:32:59of possibility? You reminded me of that at that time. You were 19 when we met? Yeah.
00:33:08I wouldn't have described it as carefree back then. Not at all. Well, I felt nostalgia or something for youth.
00:33:16You're not old, Jane. We ran out on the bill. You just ran out? What do you mean you ran out on the
00:33:23bill? Perhaps I'm not explaining it well. It was fun. It was just fun.
00:33:38How's work? The conductor's actually a descendant of Walter Lake, which is fascinating. The three of us
00:33:49should plan a dinner before we leave. I'd like that. Jane? Oh my God. This is Caleb.
00:34:02Hi. No, no. We were just talking about you. We were? That's so weird. Sit. Please. Sit down. Join us.
00:34:10What? What? I'm obviously going to get back pretty soon. That's okay. I already ate, so I'll just
00:34:24grab a coffee. Can I have the check, please? In a cafe, pour, pour, pour? Oh, no thank you.
00:34:44Jane. Jane, you don't smoke. Yes, I do. Sometimes, at parties. You know that. Well, I don't do it a lot.
00:35:01Grazie? Grazie.
00:35:04Grazie.
00:35:05Italian food's so overrated. I love it. There's no variety. English food, on the other hand.
00:35:16Say what you like about it. There's nothing like a good steak and kidney pie. I went to this party the
00:35:22other day in this villa owned by this old, drunk expat. They had, like, a private chef and
00:35:29everything. And, uh, they were serving this, like, loaf of meat covered in sauce with all
00:35:34these other loaves. And this girl came over to me and said it was cat. No. No joke. Like,
00:35:41a roasted mommy cat and her kittens. That is disgusting. True story.
00:35:47Why don't you tell Leonard one of your viola jokes? Come on.
00:35:59I'm selling my ant. Come on. Let's hear one.
00:36:08Um...
00:36:09I have one.
00:36:09What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:35Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go? Already?
00:36:49Yeah, I'm going to get back to work.
00:36:50So, what's next in your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet. Really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17So pretty.
00:37:18How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28Oh, all right then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen? You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00Vizcria.
00:38:00There you go.
00:38:06And thanks again for yesterday.
00:38:08No problem.
00:38:08Okay.
00:38:11How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him a pop.
00:38:24It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Can we do something fun tonight?
00:38:33Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:38:43See you after work.
00:39:13Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:31I couldn't sleep last night.
00:39:36You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:40:15What are we doing?
00:40:30I think we'll make it out.
00:40:33So sexy and beautiful.
00:40:45I can't do this.
00:41:09What?
00:41:09What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:29Look, you need to be less serious.
00:41:39Don't follow me.
00:41:59Don't follow me.
00:42:29There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:13Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53Two of us.
00:43:55I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59Okay.
00:43:59Okay.
00:44:00Okay.
00:44:00Okay.
00:44:26Don't worry.
00:44:56Can we talk?
00:45:27Say cheese.
00:45:33You should kind of be in the middle.
00:45:38Hold on a second.
00:45:50That's what our living room is missing.
00:45:56What did you do?
00:46:08Put my hand over my mouth.
00:46:10You did?
00:46:11What did you do?
00:46:12Just wave.
00:46:26Don't you?
00:46:31Don't go away.
00:46:42
00:46:45Let's go!
00:48:45Oh, hi.
00:49:01Did I wake you?
00:49:03No.
00:49:04I think I need to be less serious.
00:49:11Yeah.
00:49:13Let me put my pants on.
00:49:14Okay.
00:49:17Okay.
00:49:44Let me put my pants on.
00:50:14Let me put my pants on.
00:50:44Let me put my pants on.
00:51:14Let me put my pants on.
00:51:44Let me put my pants on.
00:52:14Let me put my pants on.
00:52:44Let me put my pants on.
00:52:46Let me put my pants on.
00:52:48Leonard thought you were lying about those cats.
00:52:51He said that?
00:52:53Let me put my pants on.
00:52:54Let me put my pants on.
00:52:59You're delicious.
00:53:01Let me put my pants on.
00:53:02You make me feel nervous.
00:53:08You make me feel calm.
00:53:10You make me feel calm.
00:53:11You make me feel calm.
00:53:18You make me feel calm.
00:53:20You make me feel calm.
00:53:22You make me feel calm.
00:53:23You make me feel calm.
00:53:29You make me feel calm.
00:53:30You make me feel calm.
00:53:36Want a drink?
00:54:06Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:36Yeah, he just shuffled around all night.
00:55:06Yeah, he just shuffled around all night.
00:55:12Yeah, he just shuffled around all night.
00:55:16Yeah, he just shuffled around all night.
00:55:22Yeah, he just shuffled around all night.
00:55:30Yeah, he just shuffled around all night.
00:55:36Yeah, he just shuffled around all night.
00:55:42Yeah, he just shuffled around all night.
00:55:44Yeah, he just shuffled around all night.
00:55:50Yeah, he just shuffled around all night.
00:55:54Yeah, he just shuffled around all night.
00:55:58Yeah, he just shuffled around all night.
00:56:04Yeah, he just shuffled around all night.
00:56:08Yeah, he just shuffled around all night.
00:56:12I didn't sleep at all last night.
00:56:14Where have you been?
00:56:16Just walking.
00:56:18All night.
00:56:20I've been thinking.
00:56:22You left your phone here.
00:56:23I had to plug it in.
00:56:26We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:38Leonard.
00:56:39Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:45People are depending on me.
00:56:47I have to go to work.
00:56:51Okay.
00:57:21If it wasn't the war, it would have been something else.
00:57:28There's always something else, isn't there?
00:57:33That's the thing.
00:57:34That's the thing about struggle.
00:57:48I'm going to make some tea.
00:57:49Do you want some?
00:57:51I'm all right.
00:57:59If you go out like that again, just tell me.
00:58:02No worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:20Do you think everything we've been through actually does us any good in the long run?
00:58:34Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:58:57I don't know what you want me to say, Jane.
00:59:10One little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:41With the book?
00:59:42No, with my life.
00:59:43This is it, you know.
00:59:56It ends with me.
00:59:57In the harvest time we all went to the field where they were cutting the corn.
01:00:09Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:42What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:53Every night when he finished working.
01:00:59They were lovely days, really.
01:01:08They're gone.
01:01:09For me.
01:01:10Jane.
01:01:13But not for you.
01:01:14Jane.
01:01:16You know, it's different for you.
01:01:18In some ways it's easier.
01:01:20You haven't got the war.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the...
01:01:36...of the time.
01:01:38Time is shiftable.
01:01:40Time is shiftable.
01:01:50There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Sorry.
01:02:11Ah!
01:02:13What is it?
01:02:14Ah!
01:02:16Ah!
01:02:18Ah!
01:02:20You all right?
01:02:22You okay?
01:02:23Yeah.
01:02:24Stump my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:37Fuck.
01:02:38I met these backpackers last night, Frank and Elsa. She's French, he's German.
01:02:52They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:08I want you to go now and find the place.
01:04:11Someday.
01:04:12God, when are they not?
01:04:17I don't think I'd chance at doing another stint like this.
01:04:23How's the writing going?
01:04:27I'm feeling inspired.
01:04:31It's fantastic.
01:04:32I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:44You found the key to finishing this project?
01:04:51The water here tastes so funny.
01:04:57Have you ever cheated on me?
01:05:02Oh, Jane.
01:05:03Have you?
01:05:04Can we not?
01:05:05Have you?
01:05:06Absolutely not.
01:05:07Why did you take such a long time to answer that?
01:05:19Because I'm sick.
01:05:20Of what, Leonard?
01:05:21Of it being so hard?
01:05:23Yes.
01:05:24Tedious?
01:05:25I hate talking about sex with you.
01:05:36Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:40And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:47Like what?
01:05:49Is there anything you want to ask me?
01:05:51Why?
01:05:52Is there anything you want to tell me?
01:05:54I just want to connect.
01:05:55So you don't feel that we're connected?
01:06:00Do you?
01:06:01I love you.
01:06:08I get it, Leonard.
01:06:14I get it.
01:06:16It's always been this big, serious, grave thing for us.
01:06:19Sex has consequences.
01:06:20Life and death.
01:06:21Mostly death.
01:06:22Jane, please.
01:06:23Let me guess.
01:06:24You don't want to talk about it?
01:06:25No, that's not what I'm saying.
01:06:27You're just...
01:06:28Do you want to have children, Leonard?
01:06:29Of course I did.
01:06:30Not did.
01:06:31Do you want to have children?
01:06:34So did you.
01:06:36But...
01:06:39Say it.
01:06:40Jane.
01:06:41Say it.
01:06:42I can't have children, Leonard.
01:06:46I never will.
01:06:49And if we keep trying, they keep dying.
01:06:52Please, Jane.
01:06:53And again.
01:06:54Please.
01:06:55How does that make you feel?
01:06:59It's not your father.
01:07:00How does it make you feel, Leonard?
01:07:02How does it make you feel, Leonard?
01:07:03How does it make you feel?
01:07:04You will never be a father.
01:07:05We can adopt.
01:07:06That's not what you want.
01:07:07Is it?
01:07:08Is that what you want?
01:07:09Hmm?
01:07:10Because I think about it all the time.
01:07:11That the one thing you always wanted, I will never be able to give you.
01:07:16What are you trying to do, Jane?
01:07:17I just want to know that there's a reason for it all.
01:07:21What are you trying to do, Jane?
01:07:22I just want to know that there's a reason for it all.
01:07:28You're not curious about me, Leonard.
01:07:35Not really.
01:07:36What do you want me to know?
01:07:37You shouldn't have to ask.
01:07:38I feel as if you want me to be someone I'm not.
01:07:39What are you trying to do, Jane?
01:07:40I just want to know that there's a reason for it all.
01:07:45You're not curious about me, Leonard.
01:07:59Not really.
01:08:00What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:10I'm leaving you.
01:08:14I've been seeing someone else.
01:08:21See him?
01:08:26Caleb.
01:08:27That kid?
01:08:28Yes.
01:08:29That kid?
01:08:30That child?
01:08:31That kid you've known for two days?
01:08:33It's been longer than that.
01:08:34Please tell me you're joking.
01:08:36Time is shiftable.
01:08:38I don't get it.
01:08:39Leonard.
01:08:40I don't get it.
01:08:41He's asked me to travel with him.
01:08:43Are you sleeping with him?
01:08:47What do you think?
01:08:55I kept waiting for you to see it.
01:08:56To smell it.
01:08:57To sense it.
01:08:58So what?
01:08:59I failed your test?
01:09:01You don't see me!
01:09:02I'm sorry.
01:09:03For what?
01:09:15I'm sorry.
01:09:16I shouldn't have done that.
01:09:17For what?
01:09:18I shouldn't have done that.
01:09:19No.
01:09:20For losing my temper.
01:09:21I shouldn't have done that.
01:09:22You had every right to lose your temper!
01:09:23No, no, no, no.
01:09:24If you think that this is what's going to make you feel better, then you should go.
01:09:36You should go with him.
01:09:38You've been through a terrible, terrible thing, Jane.
01:09:41No.
01:09:42That is not what this is about.
01:09:44Of course it is.
01:09:45You don't love me anymore, Leonard.
01:09:46You don't love me!
01:09:47That's rubbish.
01:09:48This is your ticket.
01:09:50The day after my performance, meet me at the train station.
01:09:56Our train is at 4.30.
01:09:58We'll go home together.
01:10:06I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:18No guilt.
01:10:22This is good.
01:10:28That's not bad.
01:10:29Exactly.
01:10:35Happyенсown painter.
01:10:38That's not good.
01:10:39The day after all.
01:10:41No guilt consorses resisted our eyes.
01:11:43Hi.
01:11:48Hi.
01:11:57You want some?
01:12:02Oh, thanks.
01:12:33Frank and Elsa coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:13:13Thanks.
01:13:14Thanks.
01:13:15Thanks.
01:13:16Okay.
01:13:17Mm-hmm.
01:14:03Ciao, buona fortuna.
01:14:10Ciao.
01:14:12Ciao.
01:14:14Ciao.
01:14:16Ciao.
01:14:46Ciao.
01:14:50Ciao.
01:14:52Ciao.
01:14:54Jay.
01:14:56You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:02It's four in the morning, the end of December.
01:15:04I'm ready to go.
01:15:06I'm ready to go.
01:15:08I'm ready to go.
01:15:10I'm ready to go.
01:15:12I'm ready to go.
01:15:14Bye.
01:15:24It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there
01:15:37New York is cold but I like where I'm living
01:15:43There's music on Clinton Street all through the evening
01:15:50I hear that you're building your house deep in the desert
01:16:00Are you living for nothing now?
01:16:05Hope you're keeping some kind of record
01:16:11Yes
01:16:13And Jane came by with a lock of your hair
01:16:21She said that you gave it to her
01:16:27That night when you planned to go clear
01:16:32I wouldn't want to live to be 100
01:16:35Why not?
01:16:36I'm not telling you why not
01:16:38Did you ever go clear?
01:16:42Now shut that thing off

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