- yesterday
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00Coffee delivery girl trying to make ends meet.
00:02Little did I know, I'm about to land my dream job
00:05and meet the love of my life.
00:12Okay.
00:19This is insane.
00:24Hi, did anyone order these?
00:26Artless Pervert!
00:28You've got to be kidding me!
00:32Look, you've got it all over me!
00:34Do you have any idea how much this costs?
00:36And if they can't get it out...
00:37That's enough!
00:42You.
00:46In my office. Now.
00:48What?
00:57What's your name?
01:04Cecilia Brooks?
01:05Ms. Brooks.
01:06Ms. Brooks.
01:07Is there a reason why you came here to interview you as a designer dressed like this?
01:11Oh.
01:12I think you have the wrong idea, Mr.
01:14Um...
01:15Mercer.
01:17I'm not here for-
01:18I don't want to hear excuses.
01:26Change into this.
01:27Excuse me?
01:28Yolid thinks they're very fast-paced here.
01:29Excuse me?
01:30Yolid thinks they're very fast-paced here.
01:32I don't have time to ask twice.
01:34I don't have time to ask twice.
01:56I don't have time to ask twice.
02:22Hello? This is Cecilia.
02:24Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:28Until then, we cannot proceed.
02:30Okay, w-one second.
02:33Hello?
02:34Ms. Brooks?
02:35Shit.
02:40Who is this woman?
02:41His girlfriend or something?
02:43I wasn't done with my interview.
02:45We'll touch base soon, okay?
02:50Oh!
02:52Good luck.
02:55I thought you weren't interested.
02:57Take off your clothes.
02:58Right now.
02:59So, Ms. Brooks, what do you see in this room?
03:04So, Ms. Brooks, what do you see in this room?
03:21Well, it's deliberate, controlled, powerful. It's impressive, but...
03:25What?
03:26It's not... satisfying.
03:28Bold again.
03:29Tell me.
03:30How do you know it's satisfying?
03:31How do you know it's satisfying?
03:32Satisfaction lies somewhere in between.
03:34You think you can give me that?
03:36Think you can take the risk and find out?
03:37All yours.
03:38Hey.
03:39Hey.
04:10To be in the position you're in.
04:11To be in the position you're in.
04:13Unless you have other ideas.
04:20Don't make me regret this risk.
04:22I don't plan to.
04:26The position's been filled.
04:27No.
04:28Go home.
04:29Get out!
04:30Damn.
04:31He doesn't have to be so rude.
04:33Pappy, your phone's upside down.
04:48Hi, how are you feeling?
04:53Hey, jubilation?
04:54Not doing too well, honey.
04:57Damn hospital postponed my surgery again.
05:00I'm so sorry, Pappy.
05:02I'm working things out with the hospital.
05:04I have some good news today, though.
05:07I'm sorry.
05:08Uh, I think that's my landlord.
05:09We have to go.
05:10Love you.
05:11Bye-bye.
05:14Oh.
05:15What the hell is he doing here?
05:19What are you doing here?
05:21Oh.
05:22What the hell?
05:23Hey!
05:24Whoa, whoa, whoa.
05:25Guys, whoa.
05:26Hey, don't take that!
05:27I did not agree to this!
05:28Actually, you did.
05:29The signing must reside on Mr. Mercer.
05:30I can't quite hear you.
05:31Must reside with Mr. Mercer for the duration of the project?
05:32Mm-hmm.
05:33How long?
05:34How long?
05:35Keep reading.
05:36And definitely without exception?
05:38A gift?
05:39A gift?
05:40In exchange for being kidnapped?
05:41No thanks.
05:42I need to know where you're at.
05:43At all times?
05:44I need to know where you're at.
05:45At all times.
05:46How long?
05:47Keep reading.
05:49And definitely without exception?
05:57A gift.
05:59What the fuck?
06:01A gift in exchange for being kidnapped?
06:04No thanks.
06:08I need to know where you're at at all times.
06:12It's a tracker.
06:13What? Like a dark color?
06:16Do you think you own me now?
06:18I wouldn't do that.
06:20Come on. Let's go.
06:21This is insane. Just...
06:23Give me a second to put Crumpet in his carrier and call my grandfather.
06:25No. There are no animals in the mansion.
06:29You must say goodbye to your little Crumpet.
06:32What? Absolutely not.
06:34I told you in the contract that I will take care of everything.
06:39I don't care about the contract. What? Oh my god!
06:42Goodbyes are always so hard.
06:44Put me down! What are you doing?
06:49Welcome back, Miss Brooks.
06:52So, I'm not allowed to leave?
06:54If you leave, your contract will be terminated immediately.
06:58And what? You're just going to leave me all alone in here?
07:00Would you like me to join you?
07:01No, no, no, no. Why is it making that sound?
07:15Damn, if I leave, Pappy dies.
07:18Shit, I'm trapped with this monster.
07:20Oh my god, is this really happening?
07:22I'm... I'm stuck.
07:32This is your uniform.
07:36Work hours have started already.
07:38Tidy yourself up.
07:40Report to Mr. Mercer.
07:41Oh, and, uh, chop-chop, Miss Brooks.
07:48Mr. Mercer does not like to be kept waiting.
07:51Enjoy the view?
08:14No, I, um, just didn't want to disturb you.
08:20I don't mind if you stare.
08:22Sorry, sir. I was just interested in your build.
08:26The building.
08:27The build of the mansion that we're building to work on today.
08:33What time are we leaving for?
08:36Car leave's in ten minutes.
08:38Great.
08:39I'll be ready.
08:50How much further?
08:54Patience, Miss Brooks.
08:55Oh, my fucking pussy.
09:11Hey, Foxy!
09:13I got something that'll keep that jaw clenched.
09:15Wow. Original.
09:17Mr. Mercer!
09:18We didn't know you was coming in today.
09:20Get off my property.
09:21What?
09:22You're fired.
09:23Leave.
09:24Oh, there.
09:24Well, I worked on the last nine Mercer mansions,
09:28and now I'm fired because of this bitch?
09:31If I collapse your loan...
09:33Wait, did he just stand up for me?
09:36Sir, how about you?
09:38Continue your work with Miss Brooks,
09:40and I'll handle this.
09:43Come on.
09:46Everything's nearly finished.
09:47I'm gonna have a team come in
09:48and make some final measurements over here,
09:50and I'll ensure they know where to keep their mouth shut.
09:53Uh, is this all marble?
10:01Seeing her in my house gives me a strange feeling.
10:04It's so beautiful.
10:06What is it about her?
10:07Why do I want to...
10:08Follow me.
10:09Wow, an elevator?
10:17By the way,
10:18what you did out there,
10:20thank you.
10:20I'd dismiss you just as fast
10:22if I wasn't pleased with your work, Miss Brooks.
10:24Remember that.
10:30Your first task for the client.
10:31I don't know anything about the client.
10:35Who is...
10:36We don't ask about the client.
10:38We only worry about what they desire.
10:41Okay.
10:42Am I allowed to know
10:43what the purpose of this room is?
10:45Yes.
10:46Great.
10:47The client
10:48would like this room transformed
10:51into their BDSM chambers.
10:54I hope she doesn't see right through me.
11:01So,
11:02how would you do it?
11:04Uh,
11:06um...
11:07Paint me a picture.
11:08Right.
11:11Uh,
11:11over here,
11:12I would
11:13put a
11:14chaise
11:15lounge
11:16velvet.
11:18Obviously.
11:18Obviously.
11:19And over here
11:20would be a great place
11:21to mount a swing.
11:22One of the adjustable heights
11:23and
11:24handles.
11:26And next to it,
11:27we could put a cabinet
11:28for whips and toys and
11:29things.
11:30You're very well versed.
11:33I
11:33read a lot.
11:35Certain
11:36genres of certain books
11:37have certain
11:38details.
11:39Right.
11:40Right.
11:40Of course.
11:42Yeah,
11:42it's perfectly normal.
11:43A lot of women read
11:44fantasy and
11:45romance
11:47and
11:47fantasy romance.
11:48Anyway,
11:50uh,
11:52this would be
11:52a great place
11:53to
11:54mount
11:55wall cuffs.
12:14Don't pick up.
12:18hello?
12:24Miss Brooks,
12:24I'm sorry.
12:25We need the payment.
12:27Uh,
12:27I understand.
12:29Is there anything I could do now
12:30to hold him there?
12:31Anything that could be done
12:32right now?
12:33We need your payment,
12:34Miss Brooks,
12:34by tomorrow morning.
12:36All $200,000.
12:38Okay,
12:39I'll get it to you.
12:40I promise.
12:43Sorry.
12:43Your contract explicitly states
12:45that I receive
12:46100% of your attention
12:47at work.
12:50Who was that?
12:53It's personal.
12:54There are no personal calls
12:55at work.
12:57I'm sorry.
12:58I...
12:58Mr. Mercer,
13:05it won't happen again.
13:06I'll get to work right away.
13:08I'll have designs to you
13:09by tomorrow morning.
13:13Take it off.
13:15What?
13:19Your jacket.
13:22Mr. Mercer...
13:22I won't ask twice.
13:33Uh,
13:34what's this for?
13:40It's perfect.
13:43Now go get dressed.
13:52No need to pout,
14:05Miss Brooks.
14:06You'll be reading
14:07some of the top designers.
14:08I don't understand.
14:09How does this
14:10take priority over work?
14:12Am I your date
14:13or your designer?
14:14You are...
14:17when I say you are.
14:22Ladies and gentlemen,
14:33it is my pleasure
14:34to welcome you all
14:35to the annual
14:36architectural ball
14:38proudly hosted
14:39by the Mercer Group.
14:44I'd also like
14:45to welcome and introduce
14:46our newest interior designer,
14:49Miss Cecilia Brooks.
14:51I thought you said
14:56you had the job.
14:57I did everything
14:58that I could.
14:59Bitch must have slept
15:00with him in the interview.
15:01Fine.
15:03I'll fix it myself.
15:08So without further ado,
15:09please enjoy your drinks
15:10and have a wonderful night.
15:12Let me have this dance.
15:22Okay.
15:23Okay.
15:25Sterling!
15:27I was hoping
15:29that maybe we could
15:30walk and talk
15:31or maybe
15:32dance and discuss.
15:35You must be working
15:36so hard.
15:37I was thinking
15:39maybe you would benefit
15:41from a designer
15:42who really knows you.
15:45Your past.
15:47I'm not interested
15:48in rehashing
15:48old relationships,
15:49no.
15:51It was just a fling.
15:52It doesn't mean
15:53we can't be close.
15:56Sterling could be
15:57a difficult person
15:59to work for.
16:03You know you can
16:04come to me
16:05if you need
16:06anything.
16:11Get your hands off
16:13of her!
16:13What the hell
16:18are you doing
16:19here, Vincent?
16:20Folks,
16:20looks like
16:21the jester
16:21came to play!
16:26Get him out of here.
16:31It's alright, folks.
16:33Enjoy the party.
16:33It's okay.
16:35Yeah, you're okay.
16:37Why don't you go
16:37grab a drink
16:38and we'll take care of this.
16:43Crazy night, huh?
16:49Yeah, too crazy.
16:50I'm Nora,
16:51a close friend
16:52of Sterling's.
16:53So,
16:54tell me,
16:55how's the new position
16:56treating you?
16:58It's demanding.
17:00I'm the client.
17:02What's your feel
17:02on them?
17:03Oh, I'm not at liberty
17:04to discuss that.
17:05Come on,
17:06it must be crazy, right?
17:08I really can't.
17:11Oh!
17:13Oh, how embarrassing.
17:20What are you doing
17:20in here?
17:21Cecilia,
17:22I'm sorry.
17:23I'm so done
17:24with their whole world.
17:28The head of the board
17:29was barking my ear off.
17:31Stop it!
17:32What?
17:33I'm just trying to help.
17:34Help?
17:35Really?
17:36That's rich.
17:37I mean,
17:38I am rich.
17:40You.
17:41You are a lot of things.
17:43From the moment I met you,
17:44you've controlled
17:44every aspect of my life,
17:45every movement I make.
17:47You're obsessive,
17:48cryptic,
17:49a perfectionist.
17:51But you're not rich.
17:53Not where it counts.
17:54Feel, excuse me.
18:14I have work to do.
18:15I have work to do.
18:30Hmm.
18:30Hmm.
18:30This hand.
18:32What if?
18:34Maybe cuffs?
18:36What if we hang something
18:38around here?
18:38Is that me?
18:57Did I say you could come in here?
18:59Uh, you'll be happy to know that I worked on these all night.
19:08Maybe if you stayed at the gala, you would have learned something.
19:15Learned what?
19:16You follow through with your obligations so you wouldn't waste your time working on garbage.
19:20Garbage?
19:22I'll need five more by tomorrow morning.
19:24That will take me all night.
19:25Even making those two took me all night and I barely got them done in time.
19:29You've done it once before.
19:31You can do it again.
19:32Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:37Maybe. I don't care.
19:39Wait.
19:41I should have remembered.
19:42It's not in the contract.
19:52Oh my god.
19:59Excuse me, miss.
20:00Where's my grandfather?
20:02I'm sorry.
20:03Usually if they're not in the room, it's because the insurance ran out or...
20:06Miss Brooks?
20:20Yes?
20:21I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:26He's being very well taken care of.
20:27I don't understand.
20:28How is that possible?
20:30I can't afford that.
20:31I told you.
20:34I'll take care of everything.
20:35What?
20:37I can't believe this.
20:38Oh, but, but why?
20:48Why would you do that?
20:49Well, when I said I needed your undivided attention, I meant it.
20:56Now the only thing you have to worry about is me.
21:00I'm not your slave.
21:01Five designs by tomorrow morning.
21:14You're welcome.
21:21I've been expecting you.
21:23I have a feeling I'll be impressed.
21:25Brushed work is not work to be proud of.
21:27Is this you?
21:34And my parents.
21:34They must be so proud of you.
21:36They never got to see it.
21:37I inherited this company before I was old enough to run it.
21:41I'm so sorry.
21:42It was a long time ago.
21:43What happened?
21:44They vanished.
21:45On a work trip into Europe.
21:47Guess I don't control everything after all.
21:50I'm going to deliver these designs to everyone.
21:51I have a surprise for you.
21:59To your first approval.
22:05It's beautiful.
22:08I do have a request, though.
22:11I was wondering if I could have a little freedom.
22:15From what?
22:16Me?
22:17No.
22:17No, not you.
22:20From this.
22:21Well, I need to keep track of you.
22:25I mean, what if...
22:27Sterling, I'm not your parents.
22:31I'll be fine.
22:32I just don't know if I'm ready for that yet.
22:35But you continue to impress me.
22:36I mean, you'll be free as a bird.
22:38I mean, you'll be free as a bird.
22:51I do have more surprises to show you.
22:54But, um...
22:56You're going to have to wait until tomorrow.
22:58Hmm.
22:59Full of surprises.
23:00Aren't you?
23:06And that's why I can't let you go.
23:07What are you two doing here?
23:24There's not supposed to be anyone working today.
23:25We were just swinging by to assess a minor electrical concern.
23:28It seems that the search...
23:29It's nothing urgent.
23:29We're going to come back tomorrow with the rest of the crew and get it resolved.
23:34Okay.
23:36Thank you for the update.
23:38Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces.
23:45White marble.
23:45What the hell?
23:54It's kind of beautiful.
23:56No, no.
23:56It's a mistake.
24:00It's not too perfect.
24:02It's bold.
24:03It's not trying hard.
24:03It just...
24:05is.
24:06Well, I like my work to be...
24:08intentional.
24:11Well, I would argue that this...
24:13elevates the intention of the space.
24:15the juxtaposition between control and chaos.
24:19You have good eyes, Ms. Brooks.
24:22Follow me.
24:29Your second task for the client.
24:32Master bedroom and nursery.
24:35Oh.
24:36The client's a family man.
24:37We don't discuss the client.
24:39Only satisfy their needs.
24:43Would you like to see your designs?
24:45Is it not what you thought?
25:06No, it's...
25:07it's not that.
25:07It...
25:08The power went up.
25:13There's no signal.
25:15Yeah, the...
25:15soundproofing they put up, uh...
25:17cuts signal.
25:19What?
25:20No.
25:20It's not funny.
25:34I'm not laughing.
25:36How long until someone notices that we're gone?
25:38I don't know.
25:39An hour?
25:41Maybe two?
25:42Is it Nora?
25:44The client?
25:45What?
25:45No, no, you're not supposed to ask about the client.
25:49Just tell me.
25:50No, it's not.
25:52Is she...
25:53more?
25:55I built this room because I believed in your vision.
25:59I cleared your schedule.
26:01I cleared your stressors.
26:03All because...
26:05I wanted you.
26:06I managed to answer that one.
26:19Sir, your 7 o'clock is waiting upstairs.
26:49Tuck your shirt in, sir.
26:59I know.
27:04I know.
27:07Who the hell are you?
27:10Calm down, sweetie.
27:12Crump it down.
27:15Listen, sweetie.
27:16I work for Mr. Mercer.
27:17He hired me to take care of your grandpa and Crump it until you return.
27:21Sweetie!
27:22What are you doing home?
27:24What am I doing?
27:26This is Agnes, my nurse.
27:28She's taking care of me.
27:30Oh.
27:31I'm sorry.
27:32I'm so embarrassed.
27:36Hello?
27:38Why are you in your apartment?
27:40If you're there, there's no need for Agnes to stay employed.
27:43Cece, you're ruining my chances.
27:46Go back, Cece.
27:47Oh, okay.
27:48Okay.
27:49Everything's all right.
27:50Agnes has taken very good care of me.
27:52Okay.
27:53Okay, Pappy.
27:54I'll go.
27:55It was nice meeting you, Agnes.
27:56Nice to meet you, dear.
28:08What the hell?
28:09He has a girlfriend?
28:17What was I thinking?
28:19What did you do?
28:20I know?
28:21I need you.
28:22I need you.
28:24I need you too.
28:26I need you.
28:33I need you.
28:36I need you.
28:38Love you.
28:40I need you.
28:42That's right.
28:44I need you.
28:45I need you.
28:46Gotcha now, bitch.
29:03I found her address.
29:16Sterling.
29:24Sterling, can we talk?
29:25I don't have the time, Ms. Brooks.
29:27Sterling, it's important, please.
29:28Well, I'm dealing with something.
29:29Figure it out yourself.
29:40You might want to ask me why I'm here, you psycho.
29:43I don't give a damn what you have to say.
29:45I don't trust you.
29:47Well, maybe you should start.
29:49Because I know a dirty little secret about you.
29:55You're about to be broke.
29:59I'm here to offer you a buyout.
30:02Get out.
30:03Hear me out.
30:05Instead of your accounts being compromised, facing bankruptcy,
30:10and becoming the embarrassment of architecture,
30:12we could merge as Hale Mercer.
30:16Even has a nice name.
30:18Oh, you're way out of line.
30:19Am I?
30:21Because someone pretty close to you seems to be worried about you.
30:24Besides, if you don't accept this buyout,
30:28I'll publish the information,
30:31and Mercer Designs will go bye-bye.
30:34Is that a threat?
30:35Think of it more of a bribe.
30:43Get the hell out of my property.
30:45And out of my sight.
30:47Now!
30:48Miss Brooks,
31:02in my office immediately.
31:04Are you sure you want me in there,
31:05or not your other woman friend?
31:07What are you talking about?
31:08Hand me your sketches.
31:09I have designs, but they're not the originals.
31:14The originals are missing or lost.
31:18What do you mean, lost?
31:19I finished the designs last night, and I fell asleep,
31:22but when I woke up, they weren't in my room anymore.
31:24You're lying.
31:25I'm lying?
31:27Why don't you tell that to the next girl you bring over?
31:31Excuse me?
31:32You're so careless.
31:33Careless?
31:34Me?
31:35I'm pretty sure you're the one who's talking about losing sketches.
31:37Something you won't have to deal with anymore.
31:42Marley's going to be taking you to the project mansion.
31:45Hopefully you can figure out your sketches problems there.
31:49You may go.
31:56Take her and her belongings to the project mansion.
31:59Anything I should know, sir.
32:01She can't be trusted.
32:04And check the cameras.
32:06We have a mole.
32:07Yes, sir.
32:13Miss Brooks.
32:16What are you doing here?
32:18Well, um, I, uh, had to get some artwork for the client.
32:24You don't trust me.
32:28That, too.
32:30You're not trusting me?
32:32You were the one with another woman after all that,
32:34I did this all for you bullshit.
32:36Okay, what woman are you talking about here?
32:38You can't lie to me.
32:39I saw you with her.
32:40I saw you with her.
32:41Okay, okay.
32:42Okay.
32:43If it makes you feel any better, I...
32:44I promise I'm looking into her.
32:50You promise?
32:53I promise.
32:54I thought you didn't trust me.
33:15Say you were mad at me?
33:16No, you're too hard to her, sir.
33:31Let's go inside.
33:32Let's go inside.
33:35Okay.
33:37Say, enjoy.
33:38Bye, bye, bye, bye, bye, bye, bye, bye, bye.
33:42eyes like knives you cut right through every look says what you do pull me under soft and deep
33:56you're the secret i can't keep breath on glass you trace my name no one else can play this game
34:05you don't ask you just take and i give and i pray
34:12well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll
34:20be taking him to his appointment for today oh mr brooks doesn't have an appointment today
34:24i can assure you he does
34:26well thank you for coming can i bring crumpet yes mr brooks bring the
34:35cat
34:35hello cecilia i'll need your full cooperation i have something of yours you might want back
35:01now that i've got your attention i need a little favor
35:05bring me mercer's legacy one design you can't do this but see i already have sweetheart
35:11get me the designs tell sterling and your sweet old pappy dies and your little cat too
35:17your choice i've been reviewing project management assets you're four days late on the hudson property
35:24the client is not happy mr mercer is not happy pick it up or i'll give your work to her she's three
35:31days ahead is that a personal email
35:37sweetie you don't have to do this too late old man who the fuck are you your worst nightmare
36:01baby baby i'm glad i'm glad you made it i set all this up for you this better work
36:08no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no no
36:38show me the video yes sir
36:51she knew how to invade the cameras
36:56i can't identify her but
36:58you knew her enough to let her in
37:00keep this video between us
37:04yes sir
37:05cecilia
37:19sterling you're not working from home
37:22today what are you doing here
37:23who have you been talking to no one i
37:26uh just i needed to pick up some paint
37:28samples and this was on the way on the
37:31way to what we're like 20 miles south of
37:34home
37:34i'm getting my necklace cleaned so if
37:39you can't find me or track me for any
37:42reason that's why
37:44why do you need your necklace cleaned
37:50i've just been working a lot
37:52the drafting table is super dusty and i
37:55don't want to get messed up
37:56i'm trusting you right now i know
38:09what the hell is going on
38:25good girl right on time well don't hesitate now sweetheart or they're dead
38:47come on cecilia do it
38:55sterling mercer's legacy designs just like i asked
39:04oh sterling you won't even know what hit you
39:08now let my grandfather go
39:10he's all yours
39:12a deal is a deal pretty lady
39:14i've had a change of heart
39:36please no this way
39:45wow you really know how to tie the room
39:58together darling sterling has my location
40:00you have no idea what you're in for oh but i think i do
40:04you see when that timer goes off
40:09you and that little tracker and this entire place will go bye-bye
40:14and then that will pave way for the construction site
40:17of all hail designs
40:19he'll find me and when he does
40:22that's very unlikely cecilia now that sterling has this video
40:28no one's coming to save you
40:30screw you
40:32screw both of you
40:33oh oh oh
40:36but i almost have everything i need
40:40his financials his accounts
40:42you see the only thing that is missing my dear
40:47is the contact for sterling's project mansion
40:50what
40:52why does that matter
40:53well
40:55once i have the contact
40:57i can put in a bid under his
41:00therefore mercer will no longer have any names
41:03attached to any property
41:07that will never happen
41:12who's the client
41:15how much was the bid offer
41:18i don't know
41:21will you remember
41:24trust me
41:26even if i did
41:28i wouldn't tell you
41:32so tell me
41:39who is the client
41:43he took care of my family
41:45i'm never going to sell him out
41:48unless you forget sweetheart
41:52you already gave me
41:55the plans
41:56so therefore you are already a betrayer
41:59promise
42:01promise
42:01i don't know anything
42:03well i can see that you're a lady of your word which makes it kind of harder to believe you
42:10so
42:11tell you what
42:12this is how it's gonna go
42:14you're gonna tell me
42:17and then you
42:18pappy
42:19and little kitty
42:20can go free
42:22while mercer designs burns to the ground
42:25or
42:27i could kill you
42:30right here
42:31right now
42:33and mercer designs falls anyway
42:36okay
42:39decisions decisions
42:41wait no
42:42no i'll tell you
42:43i'll tell you anything you want to know
42:44please don't touch him
42:45i'll tell you
42:46tell me
42:57everything
42:59i don't
43:02i don't know a lot
43:04i just
43:05i know she's very private
43:07very secretive
43:09she only talks to serling
43:11she's an older
43:13conservative
43:14woman
43:15liar
43:16that night that i dosed
43:19sterling with that sleeping elixir
43:21i found your little project mansion
43:25and that newly built bdsm room
43:27oh and then all the plans that i stole from cecilia's bedroom
43:30they were for a nursery
43:32both rooms that an elderly woman wouldn't need in a new home
43:36you drugged him
43:38yes
43:38i drugged him
43:40and then i ransacked his mail
43:48that's where i found you
43:49your address
43:51and your little cat too
43:55well then
43:59looks like you chose
44:02oh
44:03oh i'm sorry my sweetness
44:06but
44:06our short little affair
44:08is over
44:10excuse me
44:11well
44:12obviously i don't need your services any longer
44:16besides
44:17i don't
44:19do
44:20witnesses
44:21sterling
44:28help me please
44:29sterling wait it's a trap
44:31sterling please you have to help me
44:33watch out
44:33tell me how to disarm it
44:42now
44:44pack water
44:47you little bitch
44:55oh norah stop
44:56put down the knife
44:57she kidnapped me
44:59i've been waiting here for hours for you
45:01put down the knife
45:03come on
45:03let me at her one last time
45:04she betrayed you
45:06she's the one who gave up the legacy one in the third floor
45:09wait how do you know about the legacy one project
45:12that was confidential
45:13that little bitch
45:14she told vincent
45:16everything
45:16no
45:17she's lying
45:18it's all because of her
45:20she drugged you
45:24no i didn't you bitch
45:25when i thought i saw you with that woman
45:27then now you lost the designs
45:30no
45:31no that wasn't me
45:33okay vincent made me do it
45:35he said he threatened my family
45:36i had no other choice
45:38i don't believe you
45:40arrest her
45:42no
45:43no
45:43no
45:44no
45:45no
45:46stop the knife
45:47come on
45:48get my face
45:49stop
45:49no
45:49they saved you please
45:52you have the white man
45:53you're silent
45:54anything you say
45:56can i move this against you
45:57i'm gonna fall
45:57no get this
45:58my son
45:58wait no no i'm hindverse
46:00i'm so sorry
46:02it's okay
46:02it's okay
46:03but i gave him your designs
46:05i didn't know what else to do
46:06i was trying to save them
46:07i didn't mean to
46:08you're safe
46:09you're safe
46:09okay
46:10vincent will be able to touch the project
46:13i'm so happy you found me
46:21i thought
46:22what ways
46:23i find you
46:24how
46:27because i know you
46:32that moment in the parking lot
46:35i knew
46:35from your eyes
46:37that you needed me
46:39i will always keep you safe
46:44hey
46:48hey
46:49would you two take it someplace else
46:51sorry papi
46:54i'll take you and crump at home
46:56oh thank goodness you're okay
47:04i want to tell you something sweetheart
47:07i love agnes
47:09i really mean it
47:10okay papi
47:12just get some rest
47:13i mean it
47:14it's easy
47:15when a man knows
47:16he knows
47:17agnes
47:21it's been a long time
47:22since i've met someone as caring as you
47:24and i'd like you to be my wife
47:26yes
47:29i love you agnes
47:32marley
47:40what are you doing here
47:41miss brooks
47:42mind coming with me
47:44will you give me a second
47:46i want to change first
47:47give me a second
47:49thanks
47:50i want to change it
47:50i want to change it
47:52i want you to make a Ihrbuk
47:53now
47:54go to the 2nd
47:55even if you're not
47:55over
47:55don't you think i want to change the way
47:56and i want to change the way
47:58if you have that
47:59it's a lovely
47:59so that we can be
48:00you can see
48:01that you can change it
48:02and you can change it
48:03so that you can change it
48:04i'll be the same
48:05and you know
48:06make me
48:07your health
48:07and you know
48:08i'm gonna be the same
48:08Coffee tastes like sugar dreams
48:12Traffic sounds like melodies
48:15So sweet and a lot
48:17Everything feels brand new
48:19Sunlight dancing in my
48:22Come on
48:22This is really beautiful
48:35We work well together
48:39I'm glad you think so, Cecilia
48:41Um
48:44Yes, Sterling?
48:47I have something I need to tell you
48:49About?
48:53There isn't a legacy, Kalai
48:55Well, there is, but
48:57It's not who you think
49:00I don't follow
49:05It's me
49:07What?
49:08This, this is my legacy
49:10Come here
49:14I need to show you something
49:16I made this for you
49:25Wait, one second
49:28I thought
49:39If we put them next to each other
49:41It would create balance
49:43Yes
49:43But then you came in
50:00You're kind
50:03Bold
50:04Intuitive
50:07Sterling
50:08Beautiful
50:10Beautiful
50:10You gave this place
50:13A soul
50:14Cecilia Brooks
50:18Would you share the love
50:22We built together?
50:26Yes
50:27Yes, Sterling
50:28I said yes to you
50:39To forever too
50:42To every dream
50:44We're walking through
50:48How could we find
51:05Women
51:06You
51:06Stop
51:07tir
51:08You
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