[FULL] Designed For Desire

Hanna Cine

[FULL] Designed For Desire  #shortfilm #minidrama #shortdrama #dramaseries #love #romance #revenge #richvspoor #viralvideo #mustwatch #emotional #hearttouching #kdrama #cdrama #webdrama #familydrama #tiktokdrama #dailyshorts #shortcinema #quickstory #dramaedit #dailymotionvideo

Transcript

00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.

00:07Little did I know, I'm about to land my dream job and meet the love of my life.

00:17Okay.

00:24This is insane.

00:26Hi, did anyone order these?

00:31Artless Pervert!

00:32Whoa!

00:35You've got to be kidding me! Look, you've got it all over me!

00:38Do you have any idea how much this costs? And if they can't get it out-

00:42That's enough!

00:47You.

00:51In my office. Now.

00:53What?

00:56What's your name?

01:05Oh.

01:09Cecilia Brooks?

01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?

01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-

01:22I don't want to hear excuses.

01:31Change into this.

01:32Excuse me?

01:33You'll learn things are very fast-paced here.

01:45Okay.

02:01I don't have time to ask twice.

02:06Hello, this is Cecilia.

02:28Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.

02:33Until then, we cannot proceed.

02:35Okay, well, one second.

02:37Hello?

02:39Ms. Brooks?

02:40Shit.

02:44Who is this woman?

02:46His girlfriend or something?

02:47I wasn't done with my interview.

02:50We'll touch base soon, okay?

02:55Oh!

02:56Good luck.

02:59I thought you weren't interested.

03:02Take off your clothes.

03:03Right now.

03:05So, Ms. Brooks, what do you see in this room?

03:25Well, it's deliberate, controlled, powerful.

03:33It's impressive, but...

03:36But?

03:37It's not...

03:40satisfying.

03:41Bold again.

03:45Tell me, how do you know it's satisfying?

03:48Satisfaction lies somewhere in between.

03:52You think you can give me that?

03:54Think you can take the risk and find out?

04:05All yours.

04:09Hey.

04:10The women out there would do anything to be in the position you're in.

04:17Unless you have other ideas.

04:25Don't make me regret this risk.

04:27I don't plan to.

04:28The position's been filled.

04:32Go home.

04:35Get out!

04:36Damn.

04:37He doesn't have to be so rude.

04:38Pappy, your phone's upside down.

04:56Hi.

04:57How are you feeling?

04:58Hey, jubilation?

05:00Not doing too well, honey.

05:02Damn hospital postponed my surgery again.

05:05I'm so sorry, Pappy.

05:07I'm working things out with the hospital.

05:09I have some good news today, though.

05:12I'm sorry.

05:13Uh, I think that's my landlord.

05:14I have to go.

05:15Love you.

05:15Bye-bye.

05:18Oh.

05:20What the hell is he doing here?

05:24What are you doing here?

05:25Oh.

05:26What the hell?

05:28Hey!

05:29Whoa, whoa, whoa.

05:30Guys, whoa.

05:31Hey, don't take that!

05:35I did not agree to this!

05:38Actually, you did.

05:42The signing must reside on Mr. Mercer.

05:44I can't quite hear you.

05:46Must reside with Mr. Mercer for the duration of the project?

05:50Mm.

05:51How long?

05:52Keep reading.

05:54And definitely without exception?

06:02A gift.

06:03What the fuck?

06:06A gift?

06:07In exchange for being kidnapped?

06:09No thanks.

06:13I need to know where you're at.

06:15At all times.

06:17It's a tracker.

06:18What?

06:19Like a dark collar?

06:21Do you think you own me now?

06:23I wouldn't do that.

06:25Come on.

06:25Let's go.

06:26This is insane.

06:27Just...

06:28Give me a second to put Crumpet in his carrier and call my grandfather.

06:30There are no animals in the mansion.

06:34You must say goodbye to your little...

06:36Crumpet.

06:37What?

06:38Absolutely not.

06:39I told you in the contract that I will take care of everything.

06:44I don't care about the contract.

06:45What?

06:46Oh my god!

06:46Goodbyes are always so hard.

06:49Put me down!

06:50What are you doing?

06:54Welcome back, Miss Brooks.

06:57So, I'm not allowed to leave?

06:59If you leave, your contract will be terminated immediately.

07:03And what?

07:03You're just going to leave me all alone in here?

07:05Would you like me to join you?

07:06No, no, no, no.

07:18Why is it making that sound?

07:20Damn, if I leave, Pappy dies.

07:23Shit.

07:23I'm trapped with this monster.

07:25Oh my god, is this really happening?

07:28I'm stuck.

07:36This is your uniform.

07:41Work hours have started already.

07:43Tidy yourself up.

07:45Report to Mr. Mercer.

07:49Oh, and uh...

07:51Chop chop, Miss Brooks.

07:53Mr. Mercer does not like to be kept waiting.

07:56Enjoy the view?

08:21No, I, um, just didn't want to disturb you.

08:25I don't mind if you stare.

08:27Sorry, sir.

08:28I was just interested in your build.

08:31The building.

08:32The build of the mansion that we're building to work on today.

08:39What time are we leaving for?

08:41Car leaves in ten minutes.

08:43Great.

08:44I'll be ready.

08:45How much further?

08:59Patience, Miss Brooks.

09:09Oh, I'm walking tougher.

09:11Hey, Foxy!

09:18I got something that'll keep that jaw clenched.

09:20Wow.

09:21Original.

09:22Mr. Mercer!

09:23We didn't know you was coming in today.

09:25Get off my property.

09:26What?

09:27You're fired.

09:28Leave.

09:29Oh, what the hell?

09:30I worked on the last nine Mercer mansions,

09:33and now I'm fired because of this bitch?

09:36If I collapse your loan...

09:38Wait.

09:38Did he just stand up for me?

09:40Sir, how about you continue your work with Miss Brooks,

09:45and I'll handle this.

09:48Come on.

09:51Everything's nearly finished.

09:52I'm going to have a team come in

09:53and make some final measurements over here,

09:55and I'll ensure they know how to keep their mouth shut.

09:58Uh, is this all marble?

10:01No.

10:06Seeing her in my house gives me a strange feeling.

10:09It's so beautiful.

10:10What is it about her?

10:12Why do I want to...

10:13Follow me.

10:20Wow, an elevator?

10:22By the way,

10:23what you did out there,

10:25thank you.

10:25I'd dismiss you just as fast

10:27if I wasn't pleased with your work, Miss Brooks.

10:29Remember that.

10:30Your first task for the client.

10:38I don't know anything about the client.

10:40Who is...

10:40We don't ask about the client.

10:43We only worry about what they desire.

10:45Okay.

10:47Am I allowed to know what the purpose of this room is?

10:50Yes.

10:51Great.

10:52The client would like this room transformed

10:56into their BDSM chambers.

11:01I hope she doesn't see right through me.

11:03So, how would you do it?

11:09Uh, um...

11:12Paint me a picture.

11:13Right.

11:14Uh, over here,

11:17I would put a chaise lounge.

11:22Velvet.

11:23Obviously.

11:24And over here would be a great place

11:26to mount a swing.

11:27One with adjustable heights

11:28and handles.

11:30And next to it,

11:32we could put a cabinet

11:33for whips and toys and things.

11:35You're very well versed.

11:38I read a lot.

11:40Certain genres of certain books

11:42have certain details.

11:44Right, right.

11:45Of course.

11:47Yeah, it's perfectly normal.

11:48A lot of women read fantasy

11:50and romance

11:52and fantasy romance.

11:55Anyway, uh,

11:56this would be a great place

11:58to mount's wall cuffs.

12:19Don't pick up.

12:27Hello?

12:29Miss Brooks, I'm sorry.

12:30We need the payment.

12:32Uh, I understand.

12:34Is there anything I could do now

12:35to hold him there?

12:36Anything that could be done right now?

12:38We need your payment, Miss Brooks.

12:39By tomorrow morning.

12:41All $200,000.

12:43Okay, I'll get it to you.

12:45I promise.

12:48Sorry.

12:48Your contract explicitly states

12:50that I receive 100%

12:51of your attention at work.

12:55Who was that?

12:56It's personal.

12:58There are no personal calls

13:00at work.

13:02I'm sorry.

13:09Mr. Mercer,

13:10it won't happen again.

13:11I'll get to work right away.

13:13I'll have designs to you

13:14by tomorrow morning.

13:18Take it off.

13:19What?

13:24Your jacket.

13:27Mr. Mercer.

13:30I won't ask twice.

13:31Uh, what's this for?

13:45It's perfect.

13:48Now go get dressed.

13:48No need to pout, Miss Brooks.

14:11You'll be reading

14:12some of the top designers.

14:13I don't understand.

14:14How does this take priority over work?

14:16Am I your date

14:18or your designer?

14:19You are.

14:22When I say you are.

14:35Ladies and gentlemen,

14:38it is my pleasure

14:39to welcome you all

14:40to the annual

14:41architectural ball

14:43proudly hosted

14:44by the Mercer Group.

14:49I'd also like

14:50to welcome and introduce

14:51our newest interior designer,

14:54Miss Cecilia Brooks.

15:00I thought you said

15:01you had the job.

15:02I did everything

15:03that I could.

15:04Mitch must have slept

15:05with him in the interview.

15:06Fine.

15:07I'll fix it myself.

15:13So without further ado,

15:14please enjoy your drinks

15:15and have a wonderful night.

15:17may I have this dance?

15:27Oh,

15:27Sterling.

15:32I was hoping

15:34that maybe we could

15:35walk and talk

15:36or maybe dance

15:39and discuss.

15:40You must be working

15:41so hard.

15:43I was thinking

15:44maybe you would benefit

15:46from a designer

15:47who really knows you,

15:50your past.

15:52I'm not interested

15:53in rehashing

15:53our relationships,

15:54no.

15:55It was just a flight.

15:57It doesn't mean

15:58we can't be close.

16:01Sterling could be

16:02a difficult person

16:04to work for.

16:08You know you can

16:09come to me

16:10if you need anything.

16:16Get your hands off of her!

16:22What the hell

16:23are you doing here,

16:24Vincent?

16:25Folks,

16:25looks like the jester

16:26came to play!

16:30Get him out of here.

16:32It's all right, folks.

16:38Enjoy the party.

16:38It's okay.

16:40Are you okay?

16:42Why don't you go

16:42grab a drink

16:43and we'll take care of this.

16:52Crazy night, huh?

16:54Too crazy.

16:55I'm Nora,

16:56a close friend

16:57of Sterling's.

16:58So,

16:59tell me,

17:00how's the new position

17:01treating you?

17:02It's demanding.

17:05The client?

17:07What's your feel on them?

17:08Oh,

17:08I'm not at liberty

17:09to discuss that.

17:10Come on,

17:11it must be crazy, right?

17:13I really can't.

17:14What are you doing

17:25in here?

17:26Uh, Cecilia,

17:27I'm sorry.

17:28I'm so done

17:29with their whole world.

17:32Yeah,

17:33the head of the board

17:34was barking my ear off.

17:36Stop it!

17:37What?

17:38I'm just trying to help.

17:39Help?

17:40Really?

17:40That's rich.

17:42I mean,

17:43I am rich.

17:45You.

17:46You are a lot of things.

17:48From the moment I met you,

17:49you've controlled

17:49every aspect of my life,

17:50every movement I make.

17:52You're obsessive,

17:53cryptic,

17:54a perfectionist.

17:56But you're not rich.

17:58Not where it counts.

17:59Feel excuse me.

18:19I have work to do.

18:20This hand.

18:37What if?

18:39Maybe cuffs?

18:42What if we hang

18:42something around here?

18:43I'm fine.

18:50Is that me?

19:02Did I say

19:03you could come in here?

19:04Uh,

19:05you'll be happy to know

19:06that I worked on these

19:07all night.

19:17Maybe if you stayed

19:18at the gala,

19:18you would have

19:19learned something.

19:19Learned what?

19:21You follow through

19:22with your obligations

19:22so you wouldn't waste

19:23your time working

19:24on garbage.

19:25Garbage?

19:27I'll need five more

19:28by tomorrow morning.

19:29That will take me

19:30all night.

19:30Even making those two

19:32took me all night

19:32and I barely got them

19:33done in time.

19:34You've done it once before.

19:36You can do it again.

19:37Don't you think

19:38maybe,

19:39just maybe,

19:40that's an unreasonable

19:41amount of time?

19:42Maybe.

19:43I don't care.

19:44Wait.

19:46I should have remembered.

19:47It's not in the contract.

19:49Oh my god.

20:04Excuse me, miss.

20:05Where's my grandfather?

20:07I'm sorry.

20:08Usually if they're not

20:08in the room,

20:09it's because the insurance

20:10ran out or...

20:10Miss Brooks?

20:25Yes?

20:26I just wanted to inform you

20:27that your grandfather

20:28just received his first round

20:29of stem cell treatment.

20:31He's being very well

20:32taken care of.

20:32I don't understand.

20:33How is that possible?

20:35I can't afford that.

20:36I told you.

20:39I'll take care of everything.

20:40What?

20:42I can't believe this.

20:50Oh, but...

20:51But why?

20:53Why would you do that?

20:54Well, when I said

20:55I needed your undivided attention,

20:57I meant it.

20:58Now the only thing

21:01you have to worry about

21:02is me.

21:05I'm not your slave.

21:11Five designs

21:12by tomorrow morning.

21:19You're welcome.

21:19I've been expecting you.

21:28I have a feeling

21:28I'll be impressed.

21:31Brushed work

21:31is not work to be proud of.

21:37Is this you?

21:39And my parents.

21:39They must be so proud of you.

21:41They never got to see it.

21:42I inherited this company

21:43before I was old enough

21:44to run it.

21:46I'm so sorry.

21:47It was a long time ago.

21:48What happened?

21:49They vanished

21:50on a work trip into Europe.

21:52I guess I don't control

21:53everything after all.

21:54I'm going to deliver

21:55these designs to everyone.

21:57I have a surprise for you.

22:04To your first approval.

22:10It's beautiful.

22:13I do have a request, though.

22:16I was wondering if I could

22:17I could have a little freedom.

22:20From what?

22:21Me?

22:22No.

22:22No, not you.

22:25From this.

22:26Well,

22:27I need to keep track of you.

22:30I mean,

22:30what if...

22:32Sterling,

22:32I'm not your parents.

22:36I'll be fine.

22:37I just don't know

22:38if I'm ready for that yet.

22:40But you continue to impress me.

22:41I mean,

22:42you'll be free as a bird.

22:43I do have more surprises

22:58to show you.

22:59But, um,

23:00you're going to have to wait

23:02until tomorrow.

23:03Hmm.

23:04Full of surprises,

23:05aren't you?

23:06And that's why

23:11I can't let you go.

23:27What are you two doing here?

23:29There's not supposed to be

23:29anyone working today.

23:30We were just swinging by

23:31to assess a minor

23:32electrical concern.

23:33It seems that the circuit...

23:34It's nothing urgent.

23:34We're going to come back tomorrow

23:35with the rest of the crew

23:36and get it resolved.

23:39Okay.

23:41Thank you for the update.

23:43Thank you, Mr. Mercer.

23:48I've ordered these beautiful pieces.

23:50White marble.

23:53What the hell?

23:59It's kind of beautiful.

24:01No, no, it's a mistake.

24:04It's not too perfect.

24:07It's bold.

24:08It's not trying hard.

24:08It just...

24:10is.

24:11Well, I like my work

24:12to be intentional.

24:13Intentional.

24:16Well, I would argue

24:17that this elevates

24:19the intention of the space.

24:21The juxtaposition

24:22between control and chaos.

24:24You have good eyes,

24:25Ms. Brooks.

24:27Follow me.

24:28Thank you, Mr. Mercer.

24:29Thank you, Mr. Mercer.

24:30Thank you, Mr. Mercer.

24:31Thank you, Mr. Mercer.

24:32Thank you, Mr. Mercer.

24:33Thank you, Mr. Mercer.

24:34Your second task

24:35for the client.

24:37Master bedroom

24:38and nursery.

24:40Oh, the client's

24:41a family man.

24:42We don't discuss

24:43the client.

24:44Only satisfy

24:45their needs.

24:48Would you like

24:49to see your designs?

24:50Is it not what you thought?

25:11No, it's...

25:12It's not that.

25:12It...

25:13The power went up.

25:18There's no signal.

25:19Yeah, the soundproofing

25:21they put up

25:22cuts signal.

25:24What?

25:25No.

25:38It's not funny.

25:39I'm not laughing.

25:40How long until someone notices

25:42that we're gone?

25:43I don't know.

25:44An hour?

25:46Maybe two?

25:47Is it Nora?

25:49The client?

25:50What?

25:51No.

25:52You're not supposed to ask

25:53about the client.

25:54Just tell me.

25:55No.

25:56It's not.

25:57Is she...

25:58more?

26:00I built this room

26:02because I believed

26:03in your vision.

26:04I cleared your schedule.

26:06I cleared your stressors.

26:08All because...

26:10I wanted you.

26:11I wanted you.

26:41Sir, your seven o'clock is waiting upstairs.

27:01Tuck your shirt in, sir.

27:09I know.

27:12Who the hell are you?

27:15Calm down, sweetie. Put Crumpet down.

27:20Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.

27:27Sweetie, what are you doing home?

27:29What am I doing?

27:32This is Agnes, my nurse. She's taking care of me.

27:35Oh, I'm sorry. I'm so embarrassed.

27:39Um, hello?

27:43Why are you in your apartment? If you're there, there's no need for Agnes to stay employed.

27:48Cece, you're ruining my chances.

27:51Go back, Cece.

27:52Oh, okay, okay.

27:54Everything's all right. Agnes has taken very good care of me.

27:57Okay, okay, Pappy. I'll go.

27:59Um, it was nice meeting you, Agnes.

28:01Nice to meet you, dear.

28:03What the hell? He has a girlfriend?

28:16A girlfriend?

28:23What was I thinking?

28:25I got a girlfriend.

28:26I got her girlfriend.

28:27I got her girlfriend.

28:28I was looking for her now.

28:29I fell on the ring.

28:30I came for her.

28:31She's in the ring.

28:32Let me know.

28:33I fell on the ring.

28:34I fell on the ring.

28:35This is what she was being.

28:36And you said, she is the girl girl.

28:37What?

28:38She is the girl girl.

28:39Then on the ring and the girl.

28:40Phoebe is the girl girl.

28:41I've got her son.

28:42I don't know I'm out.

28:43I'm out.

28:44It's a girl girl.

28:45I'm out.

28:46It's a girl girl.

28:47Gotcha now, bitch.

29:08I found her address.

29:17Sterling.

29:29Sterling, can we talk?

29:30I don't have the time, Miss Brooks.

29:32Sterling, it's important, please.

29:33Well, I'm dealing with something.

29:34Figure it out yourself.

29:35I'm dealing with something.

30:05Do a buyout.

30:07Get out.

30:08Hear me out.

30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture, we could merge as Hale Mercer.

30:21Even has a nice name.

30:23Oh, you're way out of line.

30:24Am I?

30:26Because someone pretty close to you seems to be worried about you.

30:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.

30:39Is that a threat?

30:40Think of it.

30:42More of a bribe.

30:45Get the hell out of my property.

30:50And out of my sight.

30:52Now!

30:53Now!

30:53Miss Brooks, in my office immediately.

31:09Are you sure you want me in there, or not your other woman friend?

31:12What are you talking about?

31:13Hand me your sketches.

31:17I have designs, but they're not the originals.

31:19The originals are missing or lost.

31:23What do you mean, lost?

31:24I finished the designs last night, and I fell asleep, but when I woke up, they weren't in my room anymore.

31:29You're lying.

31:30I'm lying?

31:32Why don't you tell that to the next girl you bring over?

31:36Excuse me?

31:37You're so careless.

31:38Careless?

31:39Me?

31:40I'm pretty sure you're the one who's talking about losing sketches.

31:43Something you won't have to deal with anymore.

31:47Marley's going to be taking you to the project mansion.

31:50Hopefully you can figure out your sketches problems there.

31:54You may go.

32:01Take her and her belongings to the project mansion.

32:04Anything I should know, sir.

32:06She can't be trusted.

32:09And check the cameras.

32:11We have a mole.

32:13Yes, sir.

32:18Miss Brooks.

32:21What are you doing here?

32:22Well, um, I, uh, had to get some artwork for the client.

32:31You don't trust me.

32:33That, too.

32:35You're not trusting me?

32:37You were the one with another woman after all that, I did this all for you bullshit.

32:41Okay, what woman are you talking about here?

32:43You can't lie to me.

32:44I saw you with her.

32:45I saw you with her.

32:46Okay, okay.

32:47Okay.

32:48If it makes you feel any better, I...

32:49I promise I'm looking into her.

32:55You promise?

32:58I promise.

32:59Oh.

33:00Oh.

33:00I thought you didn't trust me.

33:20That you were mad at me?

33:21I know you're too hard to her, sis.

33:36Let's go inside.

33:37That you're going to go inside.

33:51Eyes like knives, you cut right through.

33:54Every look says what you do.

33:57Pull me under, soft and deep.

34:00you're the secret i can't keep breath on glass you trace my name no one else can play this game

34:10you don't ask you just take and i give and i pray

34:16well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll

34:25be taking him to his appointment for today oh mr brooks doesn't have an appointment today

34:29i can assure you he does

34:30well thank you for coming can i bring crumpet yes mr brooks bring the cat

34:40hello cecilia i'll need your full cooperation i have something of yours you might want back

35:06now that i've got your attention i need a little favor bring me mercer's legacy one design you can't

35:13do this but see i already have sweetheart give me the designs tell sterling and your sweet old

35:20pappy dies and your little cat too your choice i've been reviewing project management assets

35:26you're four days late on the hudson property the client is not happy mr mercer is not happy

35:33pick it up or i'll give your work to her she's three days ahead is that a personal email

35:39sweetie you don't have to do this too late old man who the fuck are you your worst nightmare

36:06baby baby i'm glad i'm glad i'm glad you made it i set all this up for you this better work

36:13day out for you this better work

36:20day

36:21day

36:22day

36:23day

36:25day

36:26day

36:27day

36:28day

36:30day

36:32day

36:35day

36:36day

36:38day

36:40day

36:41day

36:42show me the video yes sir

36:56she knew how to evade the cameras i can't identify her but

37:03we knew her enough to let her in

37:05keep this video between us yes sir

37:10cecilia sterling you're not working from home today what are you doing here

37:28who have you been talking to no one i uh just i needed to pick up some paint samples and this

37:34was on the way on the way to what we're like 20 miles south of home

37:39i'm getting my necklace cleaned

37:42so if you can't find me or track me for any reason

37:47that's why

37:49why do you need your necklace cleaned i've just been working a lot

37:57the drafting table is super dusty and i i don't want to get messed up

38:00i'm trusting you right now i know

38:14what the hell is going on

38:30good girl right on time well don't hesitate now sweetheart or they're dead

38:56come on cecilia do it

39:00sterling mercer's legacy designs

39:08just like i asked

39:09oh

39:10sterling you won't even know what hit you

39:13now let my grandfather go

39:15he's all yours

39:17a deal is a deal pretty lady

39:19oh

39:22sissy don't get out of here

39:27look look

39:28i've had a change of heart

39:42please

39:47no

39:48this way

39:50wow

40:00you really know how to tie the room together darling

40:03sterling has my location

40:05you have no idea what you're in for

40:07oh

40:08but i think i do

40:09you see

40:11then that timer goes off

40:14you

40:15and that little tracker

40:17and this entire place will go bye-bye

40:19and then that will pave way for the construction site

40:22of all hail designs

40:24he'll find me

40:26and when he does

40:27that's

40:27very

40:28unlikely cecilia

40:30now that sterling has this video

40:32no one's coming to save you

40:35screw you

40:36screw both of you

40:38oh

40:39but i almost

40:42have everything i need

40:43his financials

40:46his accounts

40:47you see

40:48the only thing that is missing

40:50my dear

40:51is the contact for sterling's

40:54project mansion

40:55what

40:56why does that matter

40:58well

40:58once i have the contact

41:01i can put in a bid

41:03under his

41:04therefore mercer will no longer have any names

41:07attached

41:09attached

41:09to any property

41:10that will never happen

41:13who's the client

41:18how much was the bid offer

41:21i don't know

41:24will you remember

41:27trust me

41:30even if i did

41:32i wouldn't tell you

41:33who is the client

41:48he took care of my family

41:50i'm never going to sell him out

41:52unless you forget sweetheart

41:58you already gave me

42:00the plans

42:01so therefore

42:02you are already a betrayer

42:05promise

42:06i don't

42:07know anything

42:08hmm

42:10well i can see

42:12that you're a lady of your word

42:13which makes it kind of hard

42:14to believe you

42:15so

42:16tell you what

42:17this is how it's gonna go

42:19you're gonna tell me

42:22and then you

42:23pappy

42:24and little kitty

42:25can go free

42:27while mercer designs

42:29burns to the ground

42:30or

42:32i could kill you

42:35right here

42:36right now

42:38and mercer designs

42:40falls anyway

42:41okay

42:44decisions decisions

42:46wait no

42:47no i'll tell you

42:48i'll tell you anything

42:48you want to know

42:49please don't touch him

42:50i'll tell you

42:52tell me

43:02everything

43:04i don't

43:07i don't know a lot

43:09i just

43:10i know she's very private

43:12very secretive

43:14she only talks to sterling

43:16she's an older

43:18conservative

43:19woman

43:20liar

43:21that night

43:24that i dosed

43:24sterling

43:25with that sleeping elixir

43:26i found

43:28your little

43:29project mansion

43:30and that newly built

43:31bdsm room

43:32oh and then

43:33all the plans

43:34that i stole

43:34from cecilia's bedroom

43:35they were for a nursery

43:37both rooms

43:39that an elderly woman

43:40wouldn't need

43:41in a new home

43:41you drugged him

43:43yes

43:43i drugged him

43:45and then

43:51i ransacked his mail

43:53that's where i found you

43:54your address

43:56and your little cat too

44:00well then

44:04looks like

44:06you chose

44:07oh

44:08oh i'm sorry

44:10my sweet miss

44:11but

44:11our short little affair

44:13is over

44:15excuse me

44:16well

44:17obviously i don't need

44:19your services

44:20any longer

44:21besides

44:22i don't

44:24do

44:25witnesses

44:26sterling

44:33help me

44:34please

44:34sterling wait

44:35it's a trap

44:36sterling

44:36please

44:37you have to help me

44:38watch out

44:38tell me how to disarm it

44:47now

44:49fuck why

44:52you little bitch

45:00nor stop

45:01put down the knife

45:02she kidnapped me

45:04i've been waiting

45:05i've been waiting here

45:05for hours

45:06for you

45:06down the knife

45:08come on

45:08let me at her

45:09one last time

45:09she betrayed you

45:11she's the one

45:12who gave up

45:12the legacy

45:13one

45:13and the third floor

45:14wait how do you know

45:16about the legacy

45:17one project

45:17that was confidential

45:18that little bitch

45:19she told vincent

45:21everything

45:21no

45:22she's lying

45:23it's all because

45:25of her

45:25she drugged you

45:29no i didn't

45:30you bitch

45:30when i thought

45:31i saw you

45:32with that woman

45:32then you lost

45:35the designs

45:35no

45:36no that wasn't me

45:38okay vincent

45:39made me do it

45:40he said

45:40he threatened

45:41my family

45:41i had no other

45:42choice

45:43i don't believe

45:45you

45:45arrest her

45:47no

45:48no

45:49no

45:50no

45:51something like

45:52no

45:54baby

45:55do you have the right

45:58when you're silent

45:59anything you say

46:01can't move against

46:01you

46:02i'm so sorry

46:07it's okay

46:08but i gave him

46:09your designs

46:10i didn't know

46:10what else to do

46:11i was trying to

46:12save them

46:12i didn't mean to

46:13you're safe

46:14you're safe

46:14okay

46:15vincent will be able to

46:17touch the project

46:18i'm so happy

46:26you found me

46:26i thought

46:27we'll always

46:28find you

46:29how

46:32because i know you

46:37that moment in the

46:39parking lot

46:40i knew

46:40from your eyes

46:42that you needed me

46:44i will always keep you

46:49safe

46:49hey

46:53hey

46:54would you two take it

46:55someplace else

46:56sorry

46:59babby

46:59i'll take you and crump at home

47:01oh thank goodness

47:08you're okay

47:09i want to tell you something

47:12sweetheart

47:12i love agnes

47:14i really mean it

47:15okay babby

47:16just get some rest

47:18i mean it cc

47:19when a man knows

47:21he knows

47:22agnes

47:26it's been a long time

47:27since i've met someone as

47:28caring as you

47:29and i'd like you to be my

47:31wife

47:31yes

47:34i love you agnes

47:37marley

47:45what are you doing here

47:46miss brooks

47:47mind coming with me

47:49will you give me a second

47:51i want to change first

47:52i just want to change

48:12have a love

48:17dreams

48:17traffic sounds

48:18like melody

48:20since you've been

48:21Come here.

48:38This is really beautiful.

48:42We work well together.

48:45I'm glad you think so, Cecilia.

48:49Yes, Sterling?

48:52I have something I need to tell you.

48:56About?

48:58There isn't a legacy, Kalai.

49:01Well, there is, but...

49:04It's not who you think.

49:07I don't follow.

49:11It's me.

49:12What?

49:13This. This is my legacy.

49:18Come here. I need to show you something.

49:21I made this for you.

49:32Wait one second.

49:33I thought if we put them next to each other, it would create balance.

49:48Balance.

49:48But then you came in.

50:06You're kind.

50:09Bold.

50:09Intuitive.

50:13Sterling.

50:15Beautiful.

50:17You gave this place a soul.

50:22Cecilia Brooks.

50:26Would you share the love we built together?

50:28Yes.

50:32Yes.

50:32Yes, Sterling.

50:40I said yes to you

50:44To forever, too

50:47To every dream

50:49We're walking through

50:52Hope you, too, too.

51:02Oh, God.

51:03You're welcome.

51:06Congratulations.

51:09Oh, yes.

51:11Thank you, Dad.

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