- yesterday
Category
📺
TVTranscript
00:00:00Ladies and gentlemen, I am in Simi Valley, California, and I'm very excited because we
00:00:10have just secured a location that was used in the filming of one of the most classic
00:00:18horror films in American history. Now, this film was produced by Steven Spielberg,
00:00:25directed by Tobe Hooper. This film was full of conflict, controversy, and a curse.
00:00:35This is not only an iconic location, but this is an absolutely historic investigation
00:00:43for the Ghost Adventures crew. Ladies and gentlemen, buckle up, get ready. We are going to investigate
00:00:54the Poltergeist House. There are things in this world that we will never fully understand.
00:01:10Understand. We want answers. We have worked years to build our credibility, our reputation.
00:01:20Working alongside the most renowned professionals in the field, capturing groundbreaking proof
00:01:28of the paranormal. It's working. I can't give you an explanation.
00:01:34This is our evidence, our Ghost Adventures.
00:01:43Aaron, Jay, you guys there? Yeah, we're here. We can hear you.
00:01:47What are you guys feeling right now? Weird. It's like this weird, eerie feeling.
00:01:53Well, there's so many stories through the movie, the production, everything.
00:01:56I feel weird, like nervous and scared, but happy and excited. It's weird.
00:02:01This has been such an iconic film my entire life. It's one of the most classic horror films.
00:02:06Yeah. It's so weird to say that as a little boy, how things happen in life, and there I was,
00:02:15just a, like I said, a little boy watching this movie, more terrified about the clown doll
00:02:23in Poltergeist than anything that I've ever seen in my entire life. And the way that I face
00:02:30my fears is now, I own what I was once scared of. Not only do I own the clown doll that was
00:02:38used in the movie, but look at where we're going right now. This house has been owned by the same
00:02:45family, I believe, for 45 years. Oh, wow.
00:02:49And the story just broke on worldwide media that the house was for sale last month.
00:02:55And here we are, driving through the neighborhood to investigate the Poltergeist house.
00:03:04Wow.
00:03:05So there's a lot of truth behind the parallels of the reality of the house and where it sits
00:03:12to the movie.
00:03:14The Poltergeist franchise is an icon of horror. It begins with the story of a family who unknowingly
00:03:24moves into a house built on a Native American burial ground. What follows is a malevolent force
00:03:32that tries to destroy the family and the home itself. It turns out the home where the film
00:03:39was shot is actually built on Chumash land. And some believe this caused a curse that terrorized
00:03:46the cast and crew of the film.
00:03:50June 4th, 1982. Poltergeist hits theaters. The film instantly becomes a nationwide phenomenon.
00:04:00Five months after its release, actress Dominique Dunn, who played the eldest daughter of the Freeling
00:04:07family, is strangled to death by her ex-boyfriend. Her senseless murder shakes Hollywood to its core.
00:04:171985. On the set of Poltergeist II, the cast and crew is plagued by lights falling, shadow figures,
00:04:26and strange noises. Actor and real-life shaman Will Sampson is asked to perform an exorcism on the set.
00:04:33And while it helps the cast and crew finish the 64-day shoot, it has unforeseen consequences.
00:04:42Will Sampson dies two years later from complications of a heart and lung transplant.
00:04:49September 14th, 1985. During the film's post-production, actor Julian Beck passes away from cancer.
00:04:57February 1st, 1988. Four months before the release of Poltergeist III, actress Heather O'Rourke,
00:05:06who played the beloved Carol Ann in all three of the Poltergeist films, tragically dies of a mysterious
00:05:14illness at the young age of 12. News of her untimely death races across the globe.
00:05:21January 2004. Poltergeist II director Brian Gibson dies at age 59 of bone cancer.
00:05:30April 1st, 2009. Actor Lou Perryman is murdered with an axe.
00:05:40This is it, you guys. This is the street.
00:05:42Wow. Do you see it? Oh my god, this is it right here. Oh my god, it is. Look at that.
00:05:54I am not lost for words many times, but right now, there's a photo of Heather O'Rourke and I believe
00:06:02she's sitting down. I believe she's sitting right here, playing with her doll.
00:06:07And whenever I saw that, I said, man, I would do anything to investigate that house.
00:06:16There is a reason why we were able to have access to this place less than a month after it was sold.
00:06:26There's a reason why we were reached. There's a reason why we're standing here right now.
00:06:32And if it has anything to do with any of those that were affected by the film's curse,
00:06:40or the family that lived in here during filming and the ones who just sold it,
00:06:47three members of that family died inside of this house.
00:06:51The most recent death took place in 2020.
00:06:55Is the poltergeist curse still active? Does it continue to wreak havoc on those who step foot
00:07:02inside this home, even to this day? And the crazy part about this investigation
00:07:11is nobody has officially investigated the curse of the film and where it could have potentially
00:07:21originated from. This is the house they filmed at. They filmed a lot here.
00:07:26Yeah.
00:07:27And the plot of the film is what? Based on a house that's on a sacred ground of Native Americans,
00:07:35right? Which this most likely would be that. This is sacred ground of the Chumash.
00:07:42Just behind this house, you can see the mountain right there. See the mountain? See the top of it?
00:07:48Yeah. That was one of the largest villages of the Chumash in Southern California.
00:07:54So yeah. The truth that lies underneath of this house, the truth in the history of Simi Valley,
00:08:03was that truth the actual plot for the poltergeist? It pretty much was.
00:08:11Yeah. And when they filmed here and when they carried out these scenes involving real skeletons
00:08:19dug into the ground, did that desecrate the ground? Yeah.
00:08:23In the house. I have big news. We flew in somebody that was very important during the production of
00:08:34the poltergeist films. The psychic advisor. The real life psychic that advised the film staff,
00:08:42the crew, the director, the cast, everybody. Wow.
00:08:46Her name is Jill Cook Richards.
00:08:51Ladies and gentlemen at home, Billy, Jay, Aaron. This is an absolute iconic investigation.
00:09:00And for the first time, we're not just investigating a house. We're investigating a curse.
00:09:16To begin our investigation, we've asked the homeowner for permission to explore the home alone in an
00:09:23attempt to connect with the energy here, without any influence. They're here.
00:09:36Oh my gosh.
00:09:37So this is the kitchen. In poltergeist one, you see Heather O'Rourke here.
00:09:49It's really heavy in here, dude.
00:09:50Oh my gosh. Dude, look at this, Zach. That's the remote for the TV.
00:10:00Oh. Oh my gosh. Hold on. Hold on. Hold on.
00:10:18Oh my gosh.
00:10:19I first discovered that the house was for sale. Actually, I kind of knew it was for sale. And I
00:10:31don't know how or why. Um, I just knew. And, uh, I actually didn't see the ad until even, uh, another
00:10:40week or two. It just kind of magically appeared in my feed and, uh, kind of fast forward and,
00:10:44uh, put in an offer and here I am.
00:10:51I know this was just a scene in a fictional movie, but that fictional movie, um, had something to do
00:10:58with a very real curse. Um, but I could not come to the poltergeist house without seeing this TV and
00:11:10not turning it on and touching the screen.
00:11:14I don't know how to do it.
00:11:16Now, within paranormal investigations, there's something called ITC. Billy, talk to me about
00:11:21what ITC is.
00:11:22ITC is Instrumental Transcommunication. It's when you use electronic devices to try and use
00:11:27the electromagnetic field and devices to get communication through those devices. And there
00:11:33are many different types of ITC devices. We use several.
00:11:36This home is built on land that the Chumash people have a sacred connection to.
00:11:46A connection that lives on to this very day.
00:11:49So this is Beverly Fulkes. She is an elder with the Tataviam tribe as well as Chumash. And this is
00:11:58Cheryl.
00:11:58Cheryl, pleasure to meet you.
00:11:59I'm a senator for the tribe.
00:12:01Thank you both. Senator for the tribe.
00:12:02Really?
00:12:02Yes.
00:12:03Well, first off, thank you both so much for coming here.
00:12:07So, okay. Any discoveries here? Do you know where the burial grounds would be?
00:12:13So I was going to say, so Chumash and Tataviam tribes have been here for such a long period of
00:12:20time. So we know at least 13,000 years. That's unfathomable. And we're still here.
00:12:30Yes, we're still here. I like to say that too. Sorry.
00:12:32Throughout time, their village sites changed. So let's say 5,000 years ago, they lived at the
00:12:38village of Ta'apu and they had their burial right next to it. But that was maybe just a thousand years
00:12:44or so. So what about before that? It would have been here, there.
00:12:48Where did the Chumash live? How close to this area?
00:12:51They could have actually lived right here. Because this was all open land.
00:12:56Really?
00:12:56And this is where they settled, the Chumash and the Tataviam.
00:13:00Okay.
00:13:01And they were all over this area.
00:13:04Really?
00:13:04So they could very well have been right here.
00:13:07Let's just theorize that this could have been a burial ground right here.
00:13:12They talk about a curse that afflicted the cast and the crew on the film. And they also experienced a
00:13:22lot of supernatural events to where they had to have a real exorcism on set. So in the movie,
00:13:30this swimming pool that we're looking at right now, this was the actual hole that was dug for a scene with the actress. She was in here.
00:13:40And they put a bunch of humans, a real life human skeletons in the pool with her.
00:13:46And she was screaming. And they were using these skeletons as props for the film.
00:13:52I want to ask you, while they dug the hole in this ground right here, could that initiate
00:13:59something like a curse or angry spirits?
00:14:02It could.
00:14:04I've been involved with burials in several different areas, some neighborhoods.
00:14:13I was called on one where it was right in a neighborhood like this, and they were building a home,
00:14:20and they found a burial. The whole neighborhood was scared. They were-
00:14:25Scared of what?
00:14:28They were scared of the fact that the remains had been found.
00:14:34I now ask this woman, who is a Chumash elder, if disturbing these remains found on home sites
00:14:41could cause an angry spirit.
00:14:43I know one thing for sure, as beautiful as those homes are, and if they wanted to give it to me,
00:14:49I wouldn't move in here.
00:14:51Why? Because of the activity?
00:14:53Because of- Because I know that I would feel like I was invading
00:14:59the spirits. That's the way I would feel.
00:15:00Really? And could this possibly be replicating that?
00:15:05Could this situation here possibly be replicating that?
00:15:09It could.
00:15:11Did the film crew unknowingly disturb a sacred burial when digging the pool?
00:15:15And did their use of real human skeletons, combined with a very emotional scene, unlock a gateway to a
00:15:25forbidden dimension that has injected this property with a curse?
00:15:29I send Billy inside the home to get an EMF baseline.
00:15:36I was taking readings with the Trifield meter, and it was like a half of a mill of gas, not even one.
00:15:43The whole upstairs, nothing.
00:15:44While Aaron attempts to capture photographic evidence.
00:15:49So right now, we're just walking around with lights all on.
00:15:53You and me are pretty much the only one in the house.
00:15:55And we're just snapping pictures and trying to capture something.
00:15:58The first time visiting the house was for a tour of the house.
00:16:04And it was pretty uneventful, just like any other house tour.
00:16:08But when I came back for inspections, there were a couple times that I got very kind of dizzy.
00:16:16Felt like I was being kind of like pulled down.
00:16:18I was nauseous, lightheaded.
00:16:22And I had to go sit on the stairs for a period of time.
00:16:26I got a little kind of chill in the back of my arms.
00:16:28It all happened simultaneously at the same time.
00:16:32And I'm a pretty healthy person.
00:16:37So it's very, very out of character for me.
00:16:39When I left the building, I was normal.
00:16:42Everything returned to normal.
00:16:50Roll, roll, roll.
00:16:51So we were up, like you said, go in there, take some Polaroids, do some EMF.
00:16:59Just check it out, right?
00:17:00So we've been in here doing the whole thing.
00:17:01I come out, and you're standing here, and the lights start flickering on at us.
00:17:06Were you on the camera?
00:17:07He was in there.
00:17:09We were in the garage.
00:17:10I'm like, Bill, come here, come here.
00:17:11Okay, so if we didn't capture it on camera, I would need to ask the owner,
00:17:14a third-party witness, were they flickering?
00:17:16Yes.
00:17:17Can you grab me an EMF, please?
00:17:19So let's just turn this on.
00:17:22You have spikes?
00:17:23Is there somebody here?
00:17:25It was like that.
00:17:25Oh, oh, oh, my God.
00:17:27Did you just see that?
00:17:28Yeah.
00:17:29I will say that she is my witness, and I'm filming this as well.
00:17:33There's another spike.
00:17:34Oh, my gosh.
00:17:36This is remarkable.
00:17:38Billy just scanned the entire house and got EMF readings of less than one milligauss.
00:17:43Are these spikes an indication of resistance to our presence?
00:17:49That is why we use scientific instruments.
00:18:00This is the moment we've been waiting for.
00:18:03Jill Cook Richards, the psychic who worked closely with the Poltergeist 2 crew, has arrived.
00:18:10Hi, I'm Zach.
00:18:11Oh, I'm Jill.
00:18:12Hi, Jill.
00:18:12Nice to meet you.
00:18:13Nice to meet you.
00:18:14Okay, see this?
00:18:15This is a letter from Brian Gibson, the director.
00:18:17Oh, wow.
00:18:18It talks about all the stuff that I did.
00:18:20So this is an actual letter from the director.
00:18:23Right.
00:18:24A copy from the director.
00:18:25Now, you worked on Poltergeist 2.
00:18:282.
00:18:28Right, right.
00:18:30Wow.
00:18:30Now that we are in the final stretches of completing Poltergeist 2,
00:18:34I really want to thank you for all your wonderful help over the last 18 months.
00:18:3918 months you worked on this movie.
00:18:41I worked on this a lot.
00:18:42You've been a help in many, many ways in giving your reactions to the script and the film and
00:18:47offering me your thoughts and opinions about the astral plane.
00:18:50There are many events that you predicted that have indeed occurred.
00:18:57First, that I would like to be asked to do this kind of film.
00:19:00Second, that this film would certainly get made.
00:19:03Third, your accurate projections about casting.
00:19:06I helped with the casting.
00:19:08You helped with the casting.
00:19:09Yeah.
00:19:10Now, you saw Poltergeist 1, did you?
00:19:12Oh, yeah.
00:19:12I've seen a lot.
00:19:13Okay, okay.
00:19:14Did you pick up on anything from that filming or what you've learned later about the real human
00:19:21skeletons?
00:19:22Could you find anything at all within what they shot here at the house that could have initiated a curse?
00:19:31Well, to me, everything started when they dug the hole.
00:19:37In the backyard.
00:19:39In the backyard.
00:19:40And that's what, to me, that's when I started, you know, wait a minute.
00:19:44When it was time to film Poltergeist 2, director Brian Gibson also wanted to use human remains.
00:19:59I had a fight with Brian.
00:20:00He wanted to use real skeletons.
00:20:03And I said, you can't do that.
00:20:04You can't mess with the spirits.
00:20:05You don't understand.
00:20:06You know, I'm hearing voices all the time.
00:20:09Don't do this.
00:20:10You had objection to it.
00:20:11Yes, that's what's so...
00:20:12And you told the director not to do that.
00:20:16Yes.
00:20:18I just talked to the elder.
00:20:19I just talked to the archaeologist who validated to me that we are standing on grounds.
00:20:25A hollow ground.
00:20:27Yes, very hollow ground.
00:20:28And when you dig into that soil and you make a big pit and you throw human skeletons in there,
00:20:35did that aggravate something?
00:20:39You know the answer to that.
00:20:40The answer is yes.
00:20:41I know, but there's nobody else.
00:20:43My house.
00:20:44Okay.
00:20:44Yeah.
00:20:44See what I mean?
00:20:45Yes.
00:20:45Absolutely.
00:20:46Yes.
00:20:51Oh, okay.
00:20:52That's a good start.
00:20:53They locked him out.
00:20:54Rachel.
00:20:54Yeah.
00:20:55They locked us out.
00:20:58They don't want us in.
00:20:58These are inside.
00:21:00Oh, no.
00:21:01Is the back door still open?
00:21:04Hang on.
00:21:04If I can get my truck.
00:21:05I have this.
00:21:06Rachel just said she didn't lock that.
00:21:10What?
00:21:10Rachel said she didn't lock that.
00:21:13Rachel?
00:21:14Oh, my God.
00:21:15They couldn't do that, you know?
00:21:16Rachel, is this on an automatic lock?
00:21:18No, not at all.
00:21:20What?
00:21:21No, this is old school.
00:21:23So how did it lock from the inside?
00:21:25I have no idea.
00:21:29This dead bolt can only be locked from the inside.
00:21:32So that does not lock by itself?
00:21:35Uh, no.
00:21:35There's no way.
00:21:37Was there something here attempting to keep us out?
00:21:40Sure you want to move in here?
00:21:59Hold on one sec.
00:22:02I'm living in here.
00:22:09I just heard that.
00:22:11You just heard that?
00:22:12I just heard the voice say to me, I'm living in here.
00:22:21Did somebody just speak?
00:22:25Who is living in here?
00:22:26Is somebody speaking to Jill?
00:22:33Do you want to be heard?
00:22:36Are you a cast member from the movie that was filmed here?
00:22:43Are you a member of the family that lives here?
00:22:45Mm-hmm.
00:22:50Mm-hmm.
00:22:51You okay?
00:22:52Mm-hmm.
00:22:53Mm-hmm.
00:22:54Mm-hmm.
00:22:55Jill?
00:22:56They couldn't talk.
00:22:57Really?
00:22:58I had to break.
00:22:59I had to do my little thing.
00:23:01I couldn't talk.
00:23:02The answer is yes.
00:23:03It was one of the family that owned here, that died here.
00:23:06If people don't believe in something, then they stay right where they were.
00:23:12You understand?
00:23:13Their spirit stays there.
00:23:14The body destroys itself.
00:23:16But the spirit stays because it doesn't know where else to go.
00:23:19Right.
00:23:20Where can it go?
00:23:20Really?
00:23:21Yes.
00:23:22He didn't know where to go.
00:23:23He didn't have any faith or anything.
00:23:24Real quick.
00:23:25I don't know if there's anything.
00:23:27Did somebody just speak?
00:23:29Did somebody just speak?
00:23:31In the entrance, yes, it's not a family that's not here to die here.
00:23:35I don't know.
00:23:37Whoa.
00:23:37What was that?
00:23:38Listen to that.
00:23:39I had to break.
00:23:40I don't think.
00:23:41I couldn't talk.
00:23:42In the entrance, yes, it's not a family that's not here to die here.
00:23:46I don't know.
00:23:46I don't know.
00:23:47Die?
00:23:48I couldn't talk.
00:23:49In the entrance, yes, it's not a family.
00:23:51There's nothing here to die here.
00:23:54No, no.
00:23:55There's nothing here to die here.
00:23:56No, no.
00:23:58There's nothing here to die here.
00:23:59No, no.
00:24:01Could this be the voice of one of the family members who died in this home,
00:24:05reaching out to us?
00:24:09After you.
00:24:10I take Jill to what she believes to be the source of all the darkness here.
00:24:14Do you think that when they did the scene with the skeletons and everything in the ground,
00:24:24do you think that that could have angered them?
00:24:26Oh, I know it did.
00:24:27I told the director that.
00:24:29Really?
00:24:29I said, what are you doing?
00:24:30What are you?
00:24:31He said, well, I've got to do this.
00:24:32It's part of the whole thing.
00:24:33And I said, I said, you understand you're messing with really angry spirits.
00:24:38They're stuck down there, okay?
00:24:40And this is really what caused a lot of problems.
00:24:43Yes.
00:24:43I mean, yes.
00:24:44Yeah, this is what really bothered me on this.
00:24:46Okay.
00:24:47This was the main thing that bothered me of everything.
00:24:55What's up?
00:24:55Got a couple of things to show you.
00:24:57Okay.
00:24:58Look at these six photos.
00:25:00We're feeling something, right?
00:25:02Yeah.
00:25:02Aaron's just taking photo after photo.
00:25:04Now, look at the last three here.
00:25:06There's some weird...
00:25:07Blue.
00:25:08Purple, blue, uh...
00:25:10Mm-hmm.
00:25:11Your face.
00:25:12Okay, when you zoom in on the last one,
00:25:14it looks like a DNA strand.
00:25:16It's very, very strange.
00:25:19Did this have anything to do with those readings we were getting?
00:25:23And the drafts of the wind?
00:25:24That's why we're saying...
00:25:25Because that's when...
00:25:25If you notice, I'm snapping, snapping, snapping, snapping.
00:25:28And every time you guys...
00:25:29Here's the weird thing.
00:25:30And I say something.
00:25:30Every time you guys were like, I feel it.
00:25:33Like, and you go, oh, it's spiking.
00:25:35It actually took the picture at the exact moment.
00:25:38You know what happened right directly after this?
00:25:40You turn the TV on, we walked outside, and the deadbolted that lock.
00:25:43So it's like, is this...
00:25:45Is this a family member that's like, you know, get out of my house?
00:25:50While these photographs are interesting,
00:25:52I'm still not fully convinced they're paranormal.
00:26:00Brian, how you doing?
00:26:02So we are outside, uh, you're a neighbor here.
00:26:05You've lived here for a long time.
00:26:06I've been seeing me since 1971.
00:26:09You remember them filming the movie here, right?
00:26:12I was here in, uh, 1981.
00:26:141981.
00:26:15Yeah, I was a college student over at the local college.
00:26:19Mm-hmm.
00:26:19And I heard that Spielberg was producing a movie.
00:26:22So as a film student, I got my Super 8 camera, came over,
00:26:26stood across the street for, uh, probably seven days straight while they were filming at this house.
00:26:31Wow.
00:26:32It was usually from 7 p.m. to 7 a.m.
00:26:34Did you meet...
00:26:35You said you met Spielberg?
00:26:37Well, I came up here to the store right here, and the casket that comes out onto the station wagon,
00:26:42they were prepping that.
00:26:44Really?
00:26:44So I stood here and just looked at it, and it was just me, and then out of nowhere comes, uh,
00:26:51Steven Spielberg.
00:26:51Really?
00:26:52And he stands there, and he goes, hey, what's going on?
00:26:55And I say, hey, I'm a film student.
00:26:58Right now, this week, we're studying you.
00:27:00You're talking to Steven Spielberg?
00:27:01Just him and I, right here at the store, and the skeleton.
00:27:04Wow.
00:27:05And, uh, so I said, yeah, we're studying you for the week.
00:27:09And he goes, why me?
00:27:10And I go, you know, all the things you've already done.
00:27:13Yeah.
00:27:13And he goes, uh, well, I have a new movie that I'm about to start.
00:27:17And I go, okay, what's that called?
00:27:19And he goes, it's a movie called E.T.
00:27:21Jeez.
00:27:22So I go, oh, and I asked him what it was about, and he gave me a quick synopsis.
00:27:26That's crazy.
00:27:27And then, uh, and then we left it at that.
00:27:29And then he goes, you know, feel free to stay, feel free to take whatever I want,
00:27:33to film whatever I want back in the Super 8.
00:27:36Did you ever witness anything that seemed strange on the movie set of Poltergeist?
00:27:46The strangest thing I saw is as soon as I walked in the house, and again, I was over there.
00:27:51You walked in the house?
00:27:53So as a 18-year-old, I waited until everybody went to lunch.
00:27:58And then I walked into the house.
00:28:00What did you see?
00:28:00As soon as I walked into the house, I saw a mound of dirt.
00:28:06Brian takes me inside the house to show me where this strange mound of dirt was located.
00:28:13I'm going to say the dirt was over here, and it was a mound of dirt.
00:28:17It was on a piece of cardboard, and it was right here.
00:28:21And I could not understand why there was dirt in this, uh, people's home.
00:28:27If the Poltergeist curse originated from the disruption of sacred earth in the backyard,
00:28:33could bringing that soil inside have invited the curse into this home?
00:28:42Roll!
00:28:44So we're setting a shot up over here, and what did you guys see?
00:28:50Second floor, the light just got really, really intensely bright,
00:28:54and then dropped down to normal light, and now just dimmed down to that.
00:29:00This is like literally the movie is like replicating right now,
00:29:03because they did that through those windows.
00:29:05Yeah.
00:29:06It got bright.
00:29:07It was like a bright flash.
00:29:09I saw it.
00:29:10And there's nobody in there, is there?
00:29:12No, there's nobody in there.
00:29:14As we review the cameras that were rolling at the time,
00:29:17we actually find one that captured this moment.
00:29:32Okay, right now, um, it's getting late.
00:29:36This is Tawny.
00:29:38Tawny, how are you?
00:29:39I'm good.
00:29:40So tell me about yourself.
00:29:42You are a psychic medium?
00:29:43Yes, very familiar with Simi Valley and the area as well.
00:29:47Okay.
00:29:47Have you been past the house before?
00:29:50Absolutely, multiple times.
00:29:51Have you picked up anything here before?
00:29:54Absolutely.
00:29:55For some reason, I've always been really drawn to the room above the garage.
00:30:00It feels like there's a man just staring at me.
00:30:04Every single time I come by, he's just standing at the window just watching.
00:30:09That is the exact window that we all just saw the flash of light come from in a vacant house.
00:30:17Do you normally get feelings?
00:30:20Yes, immediately want to go upstairs.
00:30:22Okay, we'll follow you.
00:30:23Okay.
00:30:33It's weird, the energy in here feels like young kids.
00:30:38It's actually kind of overwhelming.
00:30:40Notice that I'm going towards the door.
00:30:42It's like, it's almost like, get out, get out.
00:30:45It's a lot of them.
00:30:52Yeah, this is the space right between these rooms.
00:30:56I don't think this light was on.
00:30:57It was not on.
00:30:58Oh, no.
00:30:58I can promise you it was not on.
00:31:00Let's turn it off and see if it turns back on.
00:31:04What's that, Tawny?
00:31:05Um, these two rooms here is where I feel like that man is here.
00:31:11He's very, it's a very, um, depressing, but also intimidating presence.
00:31:15Like, this is my property.
00:31:17This is my room.
00:31:18I keep hearing, I died.
00:31:28I died.
00:31:31I think that's what that EVP said.
00:31:32Died.
00:31:34I keep saying, I died.
00:31:36I died.
00:31:36I keep hearing that repeat.
00:31:37That EVP that we got?
00:31:38It's not a family.
00:31:39I'm here to die here.
00:31:41I'm not.
00:31:42And it's very territorial, too.
00:31:44And so I'm very curious to ask the owner if she's felt so far, um...
00:31:49He's only slept here one night.
00:31:50Oh, interesting.
00:31:52Very territorial.
00:31:53It's almost like I want to let her know, like, hey, just FYI, this is my house.
00:31:58But she said when she first came in through here during inspection, she felt something pull her down.
00:32:03Ooh.
00:32:04Uh, it felt like I was being kind of, like, pulled down.
00:32:07I was nauseous, uh, lightheaded.
00:32:10Yeah.
00:32:10I'm not even, I actually feel like he's definitely not the only spirit here.
00:32:14It's a conglomeration.
00:32:15Um, he's tied to this particular area, which is interesting, like, finally getting up here.
00:32:21But also downstairs, I feel like there's another male and then possibly even a woman.
00:32:26So there has been two male deaths here and one woman.
00:32:30Interesting.
00:32:30Okay.
00:32:30And only, yeah, like I said, only we would know that.
00:32:33It is shocking that Tawny picked up on the deaths of two men and one woman in this house.
00:32:40This was privileged information given only to us by the very private former owners.
00:32:50So I've been doing some research.
00:32:52So, like you were saying, the main thing is why was all this happening?
00:32:55Is it the curse?
00:32:56Is it from the Shumash?
00:32:57What's the source?
00:32:57It's got to be right.
00:32:58That's the biggest question.
00:32:59First of all, the Shumash believed that the universe itself was divided into three different
00:33:06planes of existence.
00:33:07The first world that is above belongs to supernatural beings.
00:33:11The cloud.
00:33:12Exactly.
00:33:12The sky, the sky beings, yes.
00:33:14Right?
00:33:14And the middle ground is humans, is us.
00:33:17Right.
00:33:17And the below world is inhabited by monsters which enter the human world after dark.
00:33:24So the monsters of the world below were thought to be malevolent,
00:33:28supernatural beings that always, always pose a threat to humans.
00:33:33Whoa.
00:33:34They were often described as grotesque, nocturnal, and misshapen.
00:33:40So they were like the evil of the evil and that they are constantly a threat to human life.
00:33:47So much death and suffering all linked to one film.
00:33:52The poltergeist curse has tormented so many for 42 years.
00:33:58What is in store for us as we prepare for lockdown?
00:34:03All right, it is now time to begin our lockdown investigation at a very iconic location,
00:34:16the original poltergeist house.
00:34:19And we have already documented some very compelling activity and evidence.
00:34:26And we're very shocked by that.
00:34:28So we need to dig deeper and find out if that hole that was dug in the backyard and placed with real
00:34:36skeletons might have opened this house up to some type of ancient curse or something.
00:34:41We do know that there have been three deaths in this house from the last family.
00:34:46And I did not bring this from home.
00:34:48This is not my doll.
00:34:49This doll I do own as part of my museum collection.
00:34:53This doll was owned and played with by Heather O'Rourke from the Poltergeist films.
00:35:00This is a certificate of authenticity signed by her mother Kathleen O'Rourke came directly from her
00:35:07mother's estate.
00:35:08We're dealing with a little child's death.
00:35:10And the first thing I want to say is how brilliant and talented she was as an actress.
00:35:16She was incredible.
00:35:16At a very young age, she could even read a script, which baffled the directors.
00:35:21So by no means, are we saying this curse had anything to do with the deaths of hers
00:35:26or any of the other actors and actresses in the films?
00:35:30But did the curse have something else to do with the activity that is being experienced today
00:35:35and possibly with this previous family?
00:35:38So what I'm going to do is I'm going to take this doll and place it upstairs in what would have
00:35:44been Heather O'Rourke's bedroom in the film.
00:35:47And Jay, can you also tell us what those are over there?
00:35:49So what we have are basically baby monitors.
00:35:52They're things that, you know, you can get anywhere.
00:35:55Every home in America probably has a set of these at some point.
00:35:58What we wanted to do is leave one on and have one here at Nerve Center
00:36:01so that way we can just have a constant open line of communication.
00:36:05So at any time we can hear them, we can communicate, we can talk back
00:36:09and just have this open, basically this open channel of communication.
00:36:13Earlier we had a psychic medium, Tawny, go in that room and start telling us that
00:36:18she was sensing a child's spirit.
00:36:21It's weird. The energy in here feels like young kids.
00:36:26And before we go upstairs, I'm going to let Billy talk about the experiment that we
00:36:29currently have running near the poltergeist TV.
00:36:32In this room, we have set up our isolated video loop experiment, which is a camera that is
00:36:40projecting what it is seeing and recording itself, creating this isolated video loop,
00:36:45which sometimes, as an ITC experiment, can elicit some sort of results in the pattern that you see
00:36:52here. So we will be watching that from Nerve as well as the static on the TV.
00:36:57We also have, you can see here, I dangled a microphone right here. That's going to be
00:37:02pointing right at the speaker of the static. And then I'll be listening in with headphones
00:37:06from Nerve Center and see if anything comes through the speakers of the actual TV itself.
00:37:11Just like the movie.
00:37:12Now it's crazy because in the movie, this is where she was with her hands on the TV. But before that,
00:37:19she started hearing the spirits talking through the speaker of the TV. She was saying, I don't know,
00:37:24I don't know. So we weren't able to hear what voices she was hearing. So in real life,
00:37:31these devices can transmit spirit voices through instrumental transcommunication.
00:37:36We are in a very interesting moment in time right now. We are deeply connected right now to
00:37:51the movie Poltergeist. We are in the home where they filmed a lot of the movie. We did receive some
00:37:59interesting activity as well, right here at the bottom of these stairs. We don't know what spirits
00:38:07are here. We don't know if we're able to connect with any of those who are in the movie that are no
00:38:15longer here. But if we do, we want to be here for you. And we know that you loved being in front of the camera.
00:38:29I'm going to put this doll here so that we could see it from that camera over there.
00:38:45This is the baby monitor that we're going to listen to. Okay, ready?
00:38:50With everything set in recording, we now head back to nerve center to begin monitoring.
00:39:03Okay, so right now, Jay and I are monitoring the house. We're listening to the house. This is where
00:39:09we have a motion sensor, which is connected to my watch. You'll notice we have them in every room.
00:39:16One on the bed. We have one on the stairs. We have one here. So if anything alarms on my watch,
00:39:23we'll be able to see what number sensor it is. And that will tell us which room has the motion.
00:39:29And I can use this monitor to speak. We don't know exactly who or what or if anybody's in this house.
00:39:37But we know there's a lot of memories. And we know of three deaths. Can anybody from the movie
00:39:47talk to us and replicate the scenes that you did in the film? Do you remember? You were talking to the
00:39:57spirits and now it is reversed. You are the spirit. Can you talk to us?
00:40:07Carolyn? Can you give us a message? We are your friends.
00:40:14We have love for you. We have respect for you.
00:40:19Carolyn? Are you there, Carolyn?
00:40:24Carolyn? They're here. Can you move the door in the room?
00:40:40Carolyn? I just heard something on the baby monitor.
00:41:03Carolyn? Do we hear you?
00:41:08Zach! Did you hear it say, Zach?
00:41:11Open the doorways. Open the gateways. Open everything. Let our two worlds collide.
00:41:21Hold on, dude. Let's count, bro.
00:41:23We are in a studio here in Las Vegas. One, two, three.
00:41:27Oh my god!
00:41:53I just heard something on the baby monitor.
00:41:57I just heard something on the baby monitor.
00:42:00What was that?
00:42:02I want everyone to turn the volume up and listen closely to what sounds like a faint
00:42:30little girl's voice that's being captured on the baby monitor and the X-Cam audio.
00:42:48I put this speaker to my ear and I started hearing a high-pitched noise like a little girl voice or something.
00:42:56That's why I had to have everybody be quiet, because the only way I can capture this is through this.
00:43:13So right now we're hearing noises.
00:43:17I quickly grabbed the ovulus to see if we can get any information regarding these noises.
00:43:23Who's making these noises?
00:43:26Is there somebody inside the house?
00:43:30How are these spirits making these noises?
00:43:35Their arms!
00:43:37Oh my God!
00:43:38Are you serious?
00:43:39I just said, how are you making these sounds?
00:43:42And it said, their arms!
00:43:44Look at this!
00:43:44That literally says, their arms.
00:43:46At this exact moment, our full-spectrum camera rolling in the family room captures this strange, misty anomaly.
00:43:55Can you give us the name of whose arms are being used to make the noises?
00:44:15Chris Aggression.
00:44:17Chris Aggression.
00:44:18You just asked the name!
00:44:20That's the name!
00:44:21Who's this?
00:44:22Who is it?
00:44:23Chris!
00:44:24It said, Chris Aggression.
00:44:25Dude, that's a name!
00:44:26Wrong!
00:44:27It says, wrong!
00:44:28No?
00:44:29After you just said that.
00:44:30No way!
00:44:31Look!
00:44:32As we start gearing up to go into the house, we hear this strange breath or brushing sound come through the baby monitor.
00:44:41Not only that, but there's a meter, tri-film meter right here.
00:44:45What?
00:44:46Whoa!
00:44:47There's a meter, tri-film meter right here.
00:44:50Whoa!
00:44:52Whoa!
00:44:53Whoa!
00:44:55Something just came through the speaker of that baby monitor.
00:44:58Like, that is creepy.
00:45:00Very.
00:45:01And we all heard it.
00:45:02We're all four down here.
00:45:04Aaron, Billy, and I now enter the home and set up a UV laser grid in the kitchen along with a tri-field meter.
00:45:14Right there.
00:45:16Back in the family room, we capture possibly the same anomaly as before.
00:45:35Is there somebody in here?
00:45:40Whoa!
00:45:41What?
00:45:42Why did it spike like that?
00:45:431.3 all of a sudden?
00:45:44From 0.2 to 1.4?
00:45:471.5?
00:45:48That doesn't make any sense.
00:45:50Suddenly, Aaron quickly walks away from us.
00:45:55You okay, Aaron?
00:45:57Aaron?
00:45:58That was weird, bro.
00:46:00I just ran over here and I wasn't really thinking about it.
00:46:04Yeah, why did you just take off?
00:46:05I don't know.
00:46:06I just, I just was standing here and something made me just, and I stopped.
00:46:10I'm like, what, why am I, why did I do that?
00:46:12Like, that was weird.
00:46:14In this moment, Billy heads back to the kitchen and is adjusting the settings on our digital recorder.
00:46:21He has no idea that his camera captures something out this kitchen window that's facing the backyard.
00:46:27We will reveal this visual evidence in an upcoming in-depth analysis with the owner of the house, Rachel.
00:46:42I, uh, I just, I don't feel good.
00:46:45Open the doorways.
00:46:51Open the gateways.
00:46:52Open everything.
00:46:54Let our two worlds collide.
00:46:57I know members of the cast are gone.
00:47:01And a lot of people blame a curse.
00:47:06Is there truth to that?
00:47:07So right now, we just came upstairs and we were hearing noises up here from nerve center.
00:47:26Jay, are you still hearing any sounds?
00:47:36No, nothing else.
00:47:37No, nothing else.
00:47:48Whoa, that was weird.
00:47:51Father knows he's gonna start crying out of nowhere.
00:47:58Can I go in there alone?
00:47:59Yes, I guess.
00:48:00Aaron now begins using the PolterPod ITC device.
00:48:13Aaron now begins using the PolterPod ITC device.
00:48:17Who wants to talk to us?
00:48:28What's your name?
00:48:35We capture an unintelligible male voice here.
00:48:38Could this possibly be speaking in a Native American language?
00:48:42Who wants to talk to us?
00:48:43Talk to us.
00:48:44What's your name?
00:48:52I now activate the APFD processor along with the SB7 Pro.
00:49:14It's just flat lined.
00:49:16Why did it just flat line?
00:49:18I don't know.
00:49:20Something weird is happening to this equipment right now.
00:49:24It just completely flat lined.
00:49:27And look.
00:49:30What was that?
00:49:33Was that the baby monitor?
00:49:34Yeah.
00:49:39Can you see if this is sweeping?
00:49:40What?
00:49:41You all right, Aaron?
00:49:45Dude.
00:49:46Aaron?
00:49:52Dude.
00:49:54So I just put a mint in my mouth?
00:49:56When that started flat lining, all I could taste was dirt.
00:50:00And I was basically felt like I was getting, like I was being buried.
00:50:03It was the weirdest thing.
00:50:15Hi, can you please talk to us?
00:50:24What's your name?
00:50:25Nothing, dude.
00:50:26Try it with my speaker.
00:50:27It is frustrating.
00:50:28No, this is just the part that gets me really upset.
00:50:42It's when we feel things and we're hearing things.
00:50:45We're using this right now, this ITC device.
00:50:48Nobody wants to talk to us.
00:50:49Let me hold it.
00:50:50Just let me hold it.
00:50:52Juicy little girl, dude.
00:50:54I want to make a very important note.
00:50:56Aside from what we believe to be a Native American voice, we have only captured these faint girl voices earlier from the baby monitor.
00:51:15And right now, we capture another faint girl voice through the APFD processor.
00:51:30Juicy little girl?
00:51:31Dude.
00:51:33Why do I keep hearing a little girl?
00:51:34I hear it.
00:51:36Is there a little girl there?
00:51:38After 35 minutes, we're getting...
00:51:44Daddy?
00:51:46Listen as my question is answered.
00:51:49Is there a little girl there?
00:51:51Then another spirit tells us the girl left.
00:51:55Then the little girl comes back and calls me Daddy.
00:52:00We're getting...
00:52:02Daddy?
00:52:03Is there a little girl there?
00:52:04After 35 minutes, we're getting...
00:52:11Daddy?
00:52:17Okay, we're out here at Nerve Center right now.
00:52:20We're just switching things up.
00:52:22I don't feel good.
00:52:24I don't feel right right now.
00:52:27I don't know why.
00:52:28I'm just saying I don't know why.
00:52:30Hey, we heard somebody in there in the little kid's room.
00:52:36And we heard your voice.
00:52:39And you saw our reaction.
00:52:41I'm sorry if I'm not in the best of moods right now.
00:52:44I'm just not feeling that great, I think, physically.
00:52:47This happens when you get older.
00:52:49You know?
00:52:50You just don't feel good for stupid reasons.
00:52:54And we're getting older.
00:52:55You know?
00:52:56I'm getting older.
00:52:57I've been doing this for a long time.
00:52:59And sometimes, things hurt.
00:53:01You know?
00:53:02And things affect my asthma and stuff like that.
00:53:06You know?
00:53:07Everybody's gonna make fun of me for this.
00:53:10Are you having a mental breakdown right now?
00:53:12I am!
00:53:16You're having a mental breakdown?
00:53:18I am!
00:53:19I am!
00:53:20I am!
00:53:22You picked the right moment.
00:53:23That was great!
00:53:24That was on TV!
00:53:26I'm like, I'm getting older, god damn it!
00:53:29I am!
00:53:31I am!
00:53:33I am!
00:53:35You're right!
00:53:36I am!
00:53:37I am!
00:53:38You're the only one who's listening!
00:53:40I am so proud of you!
00:53:41You don't know if you've lived in the house before,
00:53:43you're connected to this movie that we all watched
00:53:45and loved and were scared of.
00:53:47I have the clown that was in the bedroom
00:53:49with the little boy and...
00:53:52I'm a huge fan of this movie.
00:53:54And if you can hear me, let's have fun together.
00:53:58Cuz look, we're alive right now but you know,
00:54:00we know we're going to be on the other side someday too.
00:54:02they do. Can you move the door?
00:54:19Billy wants to now use the frequency generator, which uses a physical coil to emit frequencies
00:54:26that can stimulate emotions. As we are getting ready to activate the device, watch how the
00:54:32isolated video loop begins moving and undulating. Then this large black mass moves through it,
00:54:39causing the central image to also move.
00:54:45All right, what I want to do now is shoot at a frequency of 150 hertz, and anger is said
00:55:00to have a vibrational frequency of 150 hertz, which is associated with contraction. So
00:55:07we're going to emit that vibrational frequency through the glass table, just like Jay said.
00:55:13The glass will also resonate that frequency at a larger vibration, and we're going to see
00:55:18if it can affect anything or stimulate anything from portals to manifestations to our ITC experiments.
00:55:35The glass now watches what we believe to be a long black arm reaches up into the central
00:55:42loop image, and appears to extract the yellow part from the top, and like Aaron says, the
00:55:49yolk of an egg.
00:55:50What is that? Whoa! What is that dark? Whoa! What the hell?
00:56:04Oh my god, it's like an egg dripping its yolk down the stairs or something. It's gone!
00:56:11Did you see that? It was a black thing that came up here and like touched it, and then the
00:56:18arm went away. I don't know why, guys, I'd have to go upstairs to that room again.
00:56:25What is that? As I set my camera down in the kids' room, I hear the strangest sound I've ever heard.
00:56:48Jay also hears it from Nerve. Listen to this.
00:57:03When we replay the sound, it's as if an interdimensional door opens for like a quick moment.
00:57:11What is that?
00:57:16Downstairs, Aaron and Billy don't hear it, but their equipment starts acting strange.
00:57:21Hey, Aaron, why is that UV light doing that?
00:57:25Hey, what was that UV light?
00:57:26Your UV light just flashed on and flashed off.
00:57:29The one in front of me?
00:57:30Yes, and it was, hey, you hear what's going on right now?
00:57:33Hey!
00:57:34Yeah.
00:57:35What was that noise?
00:57:36Dude, we didn't hear it down here.
00:57:37Both of you come here right now.
00:57:39When I walked up there, it was just like, you know, calm, quiet, everything.
00:57:44And it was like, for like five seconds, it was like I heard like chattering.
00:57:52It was like a quick terror in the spirit world.
00:58:00It was like they just peeled it open real quick and let me hear something.
00:58:04After we did the God frequency.
00:58:05Yeah, it was after the God frequency.
00:58:07Yeah.
00:58:08Something else happened that you don't know.
00:58:10Neither one of you know this.
00:58:11This light is off right now, right?
00:58:14Yeah, you said it kept going on and on.
00:58:15It turned on and then it turned off.
00:58:18And I looked up and I thought, why is Aaron touching the light?
00:58:20But you weren't.
00:58:21You were just standing back here.
00:58:22I'm like, it reacted.
00:58:23Oh, it's giving me the chills, dude.
00:58:24It was reacting to that frequency and it turned that light on.
00:58:28And I looked up expecting, yeah, like that.
00:58:30But look, it doesn't have an effect on that.
00:58:33It's when you did that.
00:58:34It's when we did that frequency.
00:58:36That specific frequency of 936 hertz.
00:58:39And it changed the frequency.
00:58:41It added a decimal point.
00:58:42It changed it on the machine.
00:58:45I decide to attach our SB7 spirit box directly to the TV screen.
00:58:51To see if the electromagnetic energy from the old TV can amplify the spirit's energy source.
00:58:58Let's just make sure of this.
00:59:09The TV volume suddenly blares, scaring us all and knocking me back onto the carpet.
00:59:15Can we hear you?
00:59:22Hello?
00:59:23Hello?
00:59:24Hello?
00:59:25Hello?
00:59:26Can we hear you?
00:59:27Hello?
00:59:28Hello?
00:59:29Hello?
00:59:30Hello?
00:59:31Hello?
00:59:32Hello?
00:59:33Can we hear you?
00:59:34Hello?
00:59:35Hello?
00:59:36Hello?
00:59:37Hello?
00:59:38Hello?
00:59:39Hello?
00:59:40Hello?
00:59:41Can you talk to us?
00:59:42Zach?
00:59:43Zach?
00:59:44Zach!
00:59:45Did you hear it say Zach?
00:59:46It said Zach!
00:59:47Plain as day!
00:59:48Dude, that then said hello at your door?
00:59:49Clearly said Zach!
00:59:50That then said Zach!
00:59:51Zach!
00:59:52Can you talk to us?
00:59:53Zach?
00:59:54Zach?
00:59:55Zach?
00:59:56Zach?
00:59:57Zach?
00:59:58Zach?
00:59:59Zach?
01:00:00Zach?
01:00:01Zach!
01:00:02Zach?!
01:00:03Yes, that is me!
01:00:19Can you tell me your name?
01:00:21Your name?
01:00:23What are you doing in this house?
01:00:28Tell me the name of the movie that was filmed here.
01:00:35Important?
01:00:36Important.
01:00:37Important.
01:00:38It might be a message that's trying to come through.
01:00:41Tell me the name of the movie that was filmed here.
01:00:44We capture this very creepy voice, but don't understand the language.
01:01:03Could this also be Native American?
01:01:14Where are you right now?
01:01:21Where's that flash?
01:01:22Again and again.
01:01:23Where's that flash?
01:01:24Wait.
01:01:25Hey.
01:01:26Hey.
01:01:27You said, where are you right now?
01:01:29And the light turned on for one split second.
01:01:31It flashed.
01:01:40Hello.
01:01:41Hello.
01:01:42Again.
01:01:43That looks like an older ladies voice.
01:01:45Who are these spirits that are suddenly greeting us?
01:01:49We are getting crystal clear hellos coming through the TV into our ITC device.
01:02:00Hello.
01:02:01Hello.
01:02:02Again.
01:02:03That looks like an older ladies voice.
01:02:05I know this sounds crazy, but the scene in the movie is our reality right now.
01:02:10I'm talking to you.
01:02:11You know what, Billy.
01:02:12I've been wanting to do this.
01:02:13I'm making a sense of what's going on.
01:02:14You know what I've been waiting for.
01:02:15It's going on.
01:02:16Okay, so right now, Jay and Aaron are out back.
01:02:21They are doing a ceremony, an offering to the Native Americans.
01:02:27Through the Chumash spirits and any other Native Americans that were here first.
01:02:32This was their land, and before we end our investigation,
01:02:38we want to give an offering of peace and respect.
01:02:43A lot of time has gone by, and a lot of good people have been lost.
01:02:46Please lift any kind of curse, and I hope you can find peace and move on.
01:02:51And this investigation was absolutely...
01:02:56Um, oh my god.
01:03:02Who the ? Did you just see that?
01:03:05What the ?
01:03:07Hold on, look at this camera, bro. Are you kidding me right now?
01:03:13Oh my god, dude.
01:03:18Wait, wait, wait, wait.
01:03:20Oh, oh my, you saw that, right?
01:03:22Yeah, I watched it.
01:03:23So we both saw that on screen, right?
01:03:25Yeah, and that camera right there for sure caught it.
01:03:28This investigation was absolutely...
01:03:30My heart is racing right now.
01:03:42That was awesome, dude.
01:03:51Is that camera right? Yes.
01:03:52Yes, it is.
01:03:53Yes.
01:03:54We have two ankles left.
01:03:55Oh, great.
01:03:56Holy .
01:03:57We saw that it's the same time.
01:03:58I wasn't...
01:03:59We were wrapping up our investigation.
01:04:00I wasn't expecting it.
01:04:01And the doll just fell over.
01:04:04Hey!
01:04:05What?
01:04:06Get up here.
01:04:07Guys, this doll...
01:04:08Are you serious?
01:04:09I swear to god, come up here.
01:04:10Me and Billy were at nerve.
01:04:11Come here.
01:04:12Coming.
01:04:13We did not have high expectations for this house being this active.
01:04:17And we also capture the doll falling on this X camera as well.
01:04:21And this investigation was absolutely...
01:04:25Oh.
01:04:30Oh.
01:04:34This was captured on two separate cameras.
01:04:37And throughout the night, I asked the spirits multiple times to move this doll.
01:04:43Can you move the doll in the room?
01:04:46Can you move the doll?
01:04:48Move the doll.
01:04:55Um...
01:04:56Oh.
01:04:57My.
01:04:58God.
01:04:59Who the ?
01:05:01Did you just see that?
01:05:03What the ?
01:05:04Hold on.
01:05:05Look at this cat, bro.
01:05:06Are you kidding me right now?
01:05:09With our investigation complete, we head back to Vegas to do a full analysis of our evidence.
01:05:22I know.
01:05:23This looks strange.
01:05:24Uh, you just saw us in night vision, and now we're actually stuck in the television set.
01:05:29Lockdown ended really weird for us.
01:05:31Here we are, and we don't know how to get out.
01:05:33I just see a screen.
01:05:35Carol Ann?
01:05:36Are you here?
01:05:37Can you help us?
01:05:38We want to get out.
01:05:44Ladies and gentlemen, I did not know what to expect.
01:05:48We went into this investigation very skeptical of an actual haunting because the house is based upon a fictionalized movie dealing with fictional ghosts.
01:05:58However, knowing that there was some truth to that movie storyline and the backstory of these Native American grounds, and then us validating that with elders of the Chumash made us realize, wow, this curse could be very real.
01:06:17And once we started digging into the history of the house, the family that lived there, the three deaths, what's going on with the current owner, I don't think any of us expected the sensation that we felt when we walked inside this house.
01:06:35The activity started, and it never ended.
01:06:40The scientific evidence that we documented, the EMF readings, the anomalies, the visual, the poltergeist activity, the doll that you just saw, it fell by itself after it was sitting there all night.
01:07:00The voices, the intelligence, what are we dealing with?
01:07:13We are just as shocked as you are.
01:07:15And we are flying back Jill, the psychic medium advisor who worked with the director on the poltergeist films.
01:07:26She has something she wants to show us, something she captured while she visited us for her interview.
01:07:33But I also have something that I want to show her.
01:07:38Jill.
01:07:40Jill.
01:07:41Yes, Zach.
01:07:42Considering the movie, where does it feel like we're at?
01:07:44Inside the TV?
01:07:45Yeah.
01:07:46Oh, that's cool.
01:07:47I know you're here.
01:07:48I know you flew back here because there's something that you want to show us.
01:07:52Yes.
01:07:53I really want everybody to see this.
01:07:55My daughter took this photo.
01:07:57She took a picture of me standing there pointing to the TV.
01:08:00How can that TV reflect or go through, transescently through me, the screen of the television?
01:08:06I don't know if it's just me, but do you see that face right there?
01:08:09Yes.
01:08:10Yeah, they said that.
01:08:11They said they saw the face too.
01:08:12This is weird.
01:08:13You're not the only one that's seen this.
01:08:14Hang on a second.
01:08:15Billy?
01:08:16Yes.
01:08:17Didn't I send you like 10 or 12 photos of this same exact position?
01:08:21Yep.
01:08:22Is that on your phone?
01:08:23Yeah, you want to see them?
01:08:24Come here for a second and let me see those.
01:08:25Let me compare this real quick.
01:08:26Okay.
01:08:27So this is what I don't understand.
01:08:28Okay.
01:08:29You and I posed in the same exact position.
01:08:32Right.
01:08:33And also took photos.
01:08:34Right.
01:08:35And Billy was moving around a little bit in different angles.
01:08:37Trying to get different, you know, angles.
01:08:38Yeah.
01:08:39But you don't ever see that in any other pictures.
01:08:42Why is that?
01:08:43Because I'm the one that asked for the spirit to come to me.
01:08:46Well, this is yet another interesting photo that through a series of other photos taken
01:08:51in the same exact position, we had a hard time to debunk.
01:08:56If this is paranormal, could this be a message from beyond?
01:08:59And is this the chosen communication device?
01:09:04But now, ladies and gentlemen, comes the time that I present my special piece of film
01:09:11history.
01:09:12A piece of film history that Jill has a personal connection to.
01:09:17Okay.
01:09:18So the TV was the focal point in the film.
01:09:21Absolutely.
01:09:22But there was another object that was a terrifying item for the film, an item that was possessed.
01:09:31And with that said, I have something that I want to show you.
01:09:36Okay.
01:09:40Jill, follow me.
01:09:41Keep your eyes covered.
01:09:42They're covered.
01:09:43And keep them closed.
01:09:44They're closed.
01:09:45They're closed.
01:09:46Okay?
01:09:47So walk with me.
01:09:48We're going to walk right here.
01:09:49Okay?
01:09:50I'm going to move back.
01:09:51On the count of three, we're going to open your eyes, okay?
01:09:53Okay.
01:09:54One, two, three.
01:09:57Oh, my God!
01:10:04Oh, my God!
01:10:07This was used in all their big scenes.
01:10:08This was used in all their big scenes.
01:10:10I acquired that from Planet Hollywood here in Las Vegas.
01:10:13I had it on display, I think, for a good 20 years.
01:10:15Wow!
01:10:16The spirit is real.
01:10:17What spirit?
01:10:18Inside this clown.
01:10:19The spirit can get in and out.
01:10:20Oh, my God!
01:10:21You're real!
01:10:22You're detecting a spirit in the doll?
01:10:23Yes!
01:10:24Are you really bad?
01:10:25Now I'm hearing him say, I was told to act bad, to be bad.
01:10:26Who's telling you to act bad?
01:10:27The spirit?
01:10:28The spirit, it's in there.
01:10:29It's not the material.
01:10:30The spirit inside is around and all around the material.
01:10:34I can almost, I can see like a little bit of an aura around just here up, not the legs,
01:10:39but just here up.
01:10:40And I'm seeing, like, a little bit of an aura around.
01:10:42Just here up.
01:10:43Not the legs, but just here up.
01:10:44And I'm seeing it all around.
01:10:45Oh my God!
01:10:46You're real!
01:10:47You're detecting a spirit in the doll?
01:10:48Yes!
01:10:49Are you really bad?
01:10:50Now I'm hearing him say, I was told to act bad, to be bad.
01:10:52Who's telling you to act bad?
01:10:53just here up not the legs but just here up and i'm seeing and it's talking to me oh my god
01:11:00oh my god you're real do you think that poltergeist was cursed it had curses could objects
01:11:08from the film particularly the clown which is probably the scariest part of poltergeist
01:11:13could artifacts props from the film could they have absorbed pieces or residual traces of that
01:11:24curse or the spirits from the people that played in the film because you said when you first saw it
01:11:29you had a big reaction and you said there was a spirit inside of it why would you think something
01:11:34like this would be a vessel for a spirit because that was his purpose his purpose was to be scary
01:11:40interesting to me it called itself an actor we find it extremely interesting that jill presents
01:11:46the idea that an actor from the film is attached to the doll i wish we knew which one
01:12:00we now head to meet the owner of the poltergeist house rachel to analyze our findings with her
01:12:06rachel we didn't know what to expect going into this investigation is this curse real and um we
01:12:16thought it was very important for you to come back and see what we captured inside the house you now own
01:12:22um billy take it away when we were in this room here and we were using the xls camera this appeared
01:12:30over top of zach it's free floating there's you see it's nothing behind it now it's putting its hand
01:12:36over my head it's hovering over the tv and then it vanishes just like that yeah that was it just gone
01:12:47that tv is an older vintage tv it is so it bleeds a lot of emf
01:12:51okay which provides for the spirits yeah zach were you touching the tv at this point
01:12:57you were believe so is it reaching to touch you to touch the tv because you were feeling the static
01:13:02and the energy from the tv
01:13:08let's move to the next one all right we're looking at a full spectrum camera this camera
01:13:13sees into the ultraviolet spectrum as well as visible light and infrared so captured a mist
01:13:18it's a weird shape that is not any type of flying insect that is not a dust particle no no it grows in
01:13:28size as it goes up into the air
01:13:35wait a minute billy do me a favor yeah go frame by frame keep going stop i don't know if that's
01:13:43oh there's light there rachel is pointing to the same interesting attribute of the mist anomaly that
01:13:50caught my eye during this review it appears as though there are tiny dots of illumination within the
01:13:56slightly larger mist form what's wild is it's coming out of the ground and what do we know about the
01:14:03ground that backs up the theory that all this is coming from the ground oh i didn't even think of
01:14:09that yeah it's it's literally right there yeah so this is interesting let's move on to the next piece
01:14:18this this one is messing with my head this is weird go ahead i can't figure out what this is
01:14:24in the backyard there's no light contamination at all correct okay let me just play this watch very closely
01:14:34see something there and then a light there
01:14:36see something there and then a light watch the bottom boom and then the light this is glass right
01:14:44yes it's all glass then why wouldn't we see the light here exactly and it only starts here but that's
01:14:51a very clearly defined light going the light is what's driving me nuts there are no roads or any public
01:14:59views whatsoever in the backyard this is not a car or any explainable source
01:15:10all right next now we're in the kids room and we're using the polter pod
01:15:14do you hear that yeah but what is it we don't know can you make it out no but what i will say
01:15:31is when we were using the polter pod in there aaron was using it for how long before this happened 30
01:15:37minutes and there was nothing that whole time not a speck of a single voice absolutely nothing
01:15:44and then all of a sudden this crystal clear voice comes out of nowhere and says something that i think
01:15:50is native american
01:15:57that gives you chills doesn't it it does so we tried and tried and tried if anybody recognizes this voice
01:16:05from any culture any language at all post something online we will look help us yeah i think that is
01:16:13important because of how long it took for us to get that voice yeah we didn't get any more voices
01:16:19after that right so it was like okay let's change to another device the apfd processor
01:16:24do you see a little girl you hear it right there it's a female type sound
01:16:40and the interesting part is before we even began our investigation we started hearing some female type
01:16:46sounds real low faint but we could hear them coming from this room um okay go ahead next piece okay same
01:16:52device is your little girl there
01:17:00after 35 minutes we're getting there are several things there there's three things
01:17:06zach asks the question is there a little girl here and right after that a voice says no
01:17:13and then there's a pause and another voice a different voice says she left and then zach starts talking
01:17:20and then and then it says a little girl says daddy is your little girl there
01:17:31after 35 minutes we're getting
01:17:35daddy
01:17:37so here's the we heard that in real time
01:17:40you hear it rachel that gave me goosebumps okay i thought that was a crazy communication session
01:17:56it literally answered your question like that you asked the question said no
01:18:00really so it's interacting it is interacting it's intelligent good point you make it is interacting
01:18:06intelligently so they're hearing us we're hearing them there's your established interaction and that's
01:18:13what this all comes down to
01:18:15we are now ready to review we are now ready to review the sound that we captured upstairs
01:18:24i've been investigating for a very long time rachel and what i heard was one of the strangest
01:18:32most disturbing things it wasn't that i even just heard it i felt it
01:18:37it was like a shock that came out of it this is an upstairs noise we have no idea where the sound
01:18:44came from but it was in the air
01:18:58what is that yeah what is that have you ever heard anything like that no and it's talking it's there's
01:19:05conversation in there isn't that strange it's very strange
01:19:20okay so now this is where really started to hit the fan
01:19:35you know it's weird when you're planted on this i hear like help which is scarier honestly play it
01:19:44again
01:19:49now i'm hearing that what it sounds like help
01:19:56okay let's move on to the next one
01:19:58some people tell me oh don't get so excited i'm not listening to you you guys are excited but that
01:20:12did sound more like a hello yeah that one did this one hello hello hello
01:20:20we now begin reviewing the polaroids that aaron took
01:20:26i would say there's at least 100 there easy after all that i got three pictures that have something
01:20:33on it the first one is a strange light anomaly that's coming from zach in all the other photos
01:20:40there is no weird light anomalies like this that wrap around his body and i will say in this exact moment
01:20:47when this photo was taken i stood in that same position the entire time absolutely still we are
01:20:54now ready to review the footage of heather o'rourke's doll falling off the bookcase
01:21:01at the beginning of the night we placed the doll on a bookcase along with a baby monitor which i used
01:21:07to ask the doll to ask the doll to move can you move the doll in the room at this point it was the
01:21:18end of the night hours had passed when something incredible happened i want you to watch what happens
01:21:26to this doll oh my god and that's been sitting there all night it's been sitting there all night
01:21:42now the question is did it just fall over due to gravity or did something influence it to fall
01:21:50go back to it yeah that doll was stationary what is that glowing on it is there something in its hair
01:21:57oh yeah right there i see that but then it goes away are you serious it's not moving it goes
01:22:02it just went away stop glowing it isn't until now that we make this discovery of a strange glowing light
01:22:11right here in her hair that then slowly dims to dark what what the is that dude how in the hell
01:22:22and it's not some battery in the thing because it's old there's no electronics in it at all yeah
01:22:27there aren't any light no it's like that little but light that was outside the window
01:22:33but the light goes away maybe did you see that the energy what is your what is your take on that
01:22:41my initial take on it is that it came down right almost as if it were dragged right but the light
01:22:48it went away it goes away
01:22:55well rachel well what do you think is this poltergeist activity that we captured in the
01:23:01poltergeist house it's very strange we never expected this never i never expected this these weird
01:23:08little lights in it this film altered my childhood i never thought i would be able to dive deep into
01:23:17the strange curse as an adult my childhood fear is more real now than ever before
Recommended
0:16
|
Up next
1:20
0:29
0:20
0:21
0:21
0:21
0:15
0:20
0:19
0:16
0:20
0:21
0:21
0:22
0:22
0:21
0:21
0:22
0:20
0:21
1:52:04
30:00