- 2 days ago
Full Episode Designed For Desire
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46Uh-
02:00I don't have time to ask twice.
02:27Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:38Hello? Miss Brooks?
02:40Shit.
02:45Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
02:57I thought you weren't interested.
03:01Take off your clothes.
03:03Right now.
03:05So, Miss Brooks, what do you see in this room?
03:13So, Miss Brooks, what do you see in this room?
03:25Well...
03:27It's deliberate.
03:29Controlled. Powerful.
03:31Controlled. Powerful.
03:34It's impressive.
03:35But...
03:36But?
03:38It's not...
03:40satisfying.
03:41Bold again.
03:46Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:07Hey.
04:09The women out there would do anything to be in the position you're in.
04:13Unless you have other ideas.
04:15Don't make me regret this risk.
04:17I don't plan to.
04:19The position's been filled.
04:20Go home.
04:22Get out!
04:23Damn.
04:24He doesn't have to be so rude.
04:25Pappy, your phone's upside down.
04:26I don't know.
04:27I don't know.
04:28I don't know.
04:31The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:52Pappy, your phone's upside down.
04:56Hi.
04:57How are you feeling?
04:58Hey, jubilation?
05:01Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:16Bye-bye.
05:19Oh.
05:20What the hell is he doing here?
05:22What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:36I did not agree to this.
05:37Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:04What the fuck?
06:06A gift in exchange for being kidnapped?
06:09No thanks.
06:10I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:23Uh-uh.
06:24I wouldn't do that.
06:25Come on.
06:26Let's go.
06:27This is insane.
06:28Just give me a second to put Crumpet in his carrier and call my grandfather.
06:31No.
06:32There are no animals in the mansion.
06:35You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God!
06:48Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:55Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
07:00If you leave, your contract will be terminated immediately.
07:03And what? You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:09No, no, no, no.
07:10Why is it making that sound?
07:11Damn, if I leave, Pappy dies.
07:12Shit.
07:13I'm trapped with this monster.
07:14Oh my God, is this really happening?
07:15I'm stuck.
07:16This is your uniform.
07:17Work hours have started already.
07:18Tidy yourself up.
07:19Report to Mr. Mercer.
07:20Report to Mr. Mercer.
07:21Oh, and, uh...
07:22Oh, and, uh...
07:23Chop-chop, Miss Brooks.
07:24Oh, and, uh...
07:25Chop-chop, Miss Brooks.
07:26Mr. Mercer does not like to be kept away.
07:27Oh my God, is this really happening?
07:28Oh my God, is this really happening?
07:29I'm stuck.
07:30Oh my God, is this really happening?
07:31I'm stuck.
07:32Oh my God, is this really happening?
07:33I'm stuck.
07:35I'm stuck.
07:36I'm stuck.
07:37I'm stuck.
07:38I'm stuck.
07:39I'm stuck.
07:40This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:44Report to Mr. Mercer.
07:47Oh, and, uh...
07:50Chop-chop, Miss Brooks.
07:52Mr. Mercer does not like to be kept waiting.
08:05Feel the heat, caught in the fire.
08:08Your body moves, feel my desire.
08:12Touch the edge, hold me tight.
08:16Lost in this moment, burning down.
08:19Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:26Sorry, Sarah, I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41The car leaves in ten minutes.
08:43Great.
08:44I'll be ready.
08:56How much further?
08:58Patience, Miss Brooks.
09:00Miss Brooks.
09:10Oh, my pink puffer.
09:17Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer!
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:40Sir, how about you continue your work with Miss Brooks, and I'll handle this.
09:50Come on.
09:51Everything's nearly finished.
09:52I'm gonna have a team come in and make some final measurements over here.
09:55And I'll ensure they know where to keep their mouths shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:10What is it about her?
10:11Why do I want it?
10:12Follow me.
10:13Wow, an elevator?
10:14By the way, what you did out there?
10:16I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:17Remember that.
10:18Your first task for the client.
10:19I don't know anything about the client.
10:20Who is...
10:21We don't ask about the client.
10:22We only worry about what they desire.
10:24Okay.
10:25Am I allowed to know what the purpose of this room is?
10:27No.
10:28No.
10:29Okay.
10:30Am I allowed to know what the purpose of this room is?
10:44No.
10:45No.
10:46okay am i allowed to know what the purpose of this room is yes great the client would like this room
10:55transformed into their bdsm chambers i hope she doesn't see right through me
11:06so how would you do it uh um paint me a picture right
11:16uh over here i would put a chaise lounge velvet obviously obviously and over here would be a
11:25great place to mount a swing one with adjustable heights and handles and next to it we could put
11:32a cabinet for whips and toys and things you're very well versed i read a lot certain genres of certain
11:42books have certain details that's right right of course yeah it's perfectly normal a lot of women
11:49read fantasy and romance and fancy romance anyway uh this would be a great place to announce walk us
12:12don't pick up
12:28hello miss brooks i'm sorry we need the payment i i understand is there anything i could do now to
12:35hold him there anything i could be done right now we need your payment miss brooks by tomorrow morning
12:41all two hundred thousand dollars okay i'll get it to you i promise
12:48sorry your contract explicitly states that i received 100 of your attention at work
12:53who was that it's personal there are no personal calls at work i'm sorry
13:09mr mercer it won't happen again i'll get to work right away i'll have designs to you by tomorrow morning
13:14take it off what
13:24your jacket
13:27mr mercer
13:28i won't ask twice
13:38uh what's this for
13:46it's perfect now go get dressed
13:58no need to pout miss brooks
14:11you'll be reading some of the top designers i don't understand how does this take priority over work
14:16and i your date or your designer you are
14:23when i say you are
14:36ladies and gentlemen
14:38it is my pleasure to welcome you all to
14:40the annual architectural ball proudly hosted by the mercer group
14:49i'd also like to welcome and introduce our newest interior designer
14:53miss cecilia brooks
15:00i thought you said you had the job i did everything that i could
15:04which must have slept with him in the interview
15:06fine
15:08i'll fix it myself
15:09so without further ado please enjoy your drinks and have a wonderful night
15:17thanks
15:25may i have this dance
15:26Oh.
15:27Sterling!
15:28I was hoping that maybe we could walk and talk, or maybe dance and discuss.
15:39You must be working so hard.
15:42I was thinking maybe you would benefit from a designer who really knows you, your past.
15:51I'm not interested in rehashing our relationships, no.
15:55It was just a flight.
15:57Doesn't mean we can't be close.
16:00Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her!
16:22What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:30Get him out of here.
16:36It's alright, folks. Enjoy the party. It's okay.
16:39Are you okay?
16:41Why don't you go grab a drink? I'm gonna take care of this.
16:44Crazy night, huh?
16:54Too crazy.
16:55I'm Nora, a close friend of Sterling's. So, tell me, how's the new position treating you?
17:03It's demanding.
17:05The client? What's your feel on them?
17:07Oh, I'm not at liberty to discuss that.
17:09Oh, come on. It must be crazy, right?
17:12I really can't.
17:16Oh!
17:19Oh, how embarrassing!
17:21What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:31Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What? I'm just trying to help.
17:39Help? Really?
17:41That's rich.
17:43I mean, I am rich.
17:45You. You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:14You'll excuse me. I have work to do.
18:35This hand. What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:44Fine.
18:58Is that me?
19:02Did I say you could come in here?
19:04You'll be happy to know that I worked on these all night.
19:14Maybe if you stayed at the gala you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:31Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think?
19:38Maybe. Just maybe that's an unreasonable amount of time.
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:49I'll be right back.
19:50I'll be right back.
19:51I'll be right back.
19:53I'll be right back.
19:55I'll be right back.
19:57Oh my god.
19:59Excuse me miss.
20:01Where's my grandfather?
20:02I'm sorry.
20:03Usually if they're not in the room it's because the insurance ran out or...
20:07Ms. Brooks?
20:09Yes?
20:11I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:17He's being very well taken care of.
20:19I'm sorry.
20:20I'm sorry.
20:21Usually if they're not in the room it's because the insurance ran out or...
20:23I'm sorry.
20:24Usually if they're not in the room it's because the insurance ran out or...
20:26Miss Brooks?
20:28Yes?
20:29I don't understand. How is that possible?
20:35I can't afford that.
20:37I told you.
20:38I'll take care of everything.
20:39What?
20:41I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well when I said I needed your undivided attention...
20:57I meant it.
21:00Now the only thing you have to worry about...
21:03Is me.
21:05I'm not your slave.
21:11Five designs...
21:12By tomorrow morning.
21:19You're welcome.
21:20I've been expecting you.
21:27I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:37Is this you?
21:38And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:45I'm so sorry.
21:46It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:51Guess I don't control everything after all.
21:54I'm gonna deliver these designs to everyone.
21:57I have a surprise for you.
21:58To your first approval.
22:02It's beautiful.
22:04I...
22:05Do have a request though.
22:06I was wondering if I could...
22:07I could have a little freedom?
22:08From what?
22:09Me?
22:10No...
22:11No, no, not you.
22:12From this.
22:13Well...
22:15I need to keep track of you.
22:16I mean, what if...
22:17Sterling...
22:20I'm not your parents.
22:22I'll be fine.
22:23I just don't know if I'm ready for that yet.
22:24But you can tell me.
22:25I'm sorry.
22:26I'm sorry.
22:27I'm sorry.
22:28I'm sorry.
22:29I'm sorry.
22:30I'm sorry.
22:31I'm sorry.
22:33I'm sorry.
22:34I'm sorry.
22:35I'm sorry.
22:36I'm sorry.
22:37I'm sorry.
22:38I'm sorry.
22:39I'm sorry.
22:40If you continue to impress me, I mean...
22:42You'll be free as a bird.
22:57I do have more surprises to show you.
22:59But, um...
23:01You're gonna have to wait till tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:10And that's why I can't let you go.
23:27What are you two doing here?
23:28There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:32It seems that the circuit...
23:33It's nothing urgent.
23:34We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:38Okay.
23:41Thank you for the update.
23:42Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:49White marble.
23:50What the hell?
23:51It's kind of beautiful.
23:52No, no.
23:53It's a mistake.
23:54It's not too perfect.
23:55It's bold.
23:56It's not trying hard.
23:57It just...
23:58is.
23:59Well, I like my work to be...
24:00Intentional.
24:01Well, I would argue that this... elevates the intention of the space.
24:03The juxtaposition between control and chaos.
24:04You have good eyes, Ms. Brooks.
24:05Follow me.
24:06Okay?
24:07Thank you, Mr. Mercer.
24:08Oh, it's a mistake.
24:09It's a mistake.
24:10It's not too perfect.
24:11It's bold.
24:12It's not trying hard.
24:13It just...
24:14Is.
24:15Well, I like my work to be...
24:16Intentional.
24:17Intentional.
24:18Well, I would argue that this...
24:19Elevates the intention of the space.
24:20The juxtaposition between...
24:21Control and chaos.
24:22You have good eyes, Ms. Brooks.
24:24Follow me.
24:25Follow me.
24:34Your second task for the client.
24:36Master bedroom and nursery.
24:39Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:55Is it not what you thought?
25:10No, it's not that.
25:16The power went up.
25:18There's no signal.
25:19Yeah, the soundproofing they put up cuts signal.
25:23What? No.
25:37It's not funny.
25:39I'm not laughing.
25:40How long until someone notices that we're gone?
25:42I don't know. An hour? Maybe two?
25:46Is it Nora? The client?
25:49What? No, you're not supposed to ask about the client.
25:53Just tell me.
25:54No, it's not.
25:56Is she... more?
26:00I built this room because I believed in your vision.
26:03I cleared your schedule.
26:05I cleared your stressors.
26:07All because...
26:10I wanted you.
26:37I need you.
26:38I need you.
26:39I need you.
26:40I need you.
26:41I need you.
26:44Sir, your...
26:45Seven o'clock is waiting upstairs.
26:46Tuck your shirt in, sir.
27:00Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:12Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:42Um, hello?
27:44Why are you at your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Okay, okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay, okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:16What was I thinking?
28:20What was I thinking?
28:24What the hell?
28:30Oh, my God.
28:31What was I thinking?
28:40What are you doing?
28:41What you do?
28:41Got you now, bitch.
29:08I found her address.
29:11Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Ms. Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised facing bankruptcy
30:14and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:20Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:41More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:08Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:19The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:08She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:19What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:29You don't trust me.
32:32You don't trust me.
32:33That too.
32:35You're not trusting me?
32:37You were the one with another woman after all that I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under, soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39No.
35:39No.
35:39No.
35:40No.
35:40No.
35:41No.
35:41No.
35:41No.
35:42No.
35:42No.
35:42No.
35:42No.
35:43No.
35:43No.
35:43No.
35:44No.
35:44No.
35:45No.
35:45No.
35:45No.
35:46No.
35:46No.
35:47No.
35:47No.
35:48No.
35:48No.
35:49No.
35:49No.
35:50No.
35:50No.
35:51No.
35:51No.
35:51No.
35:53No.
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:03Who the fuck are you?
36:05Your worst nightmare.
36:06Baby, I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No.
36:17No.
36:17No, no, no, no, no, no, no.
36:47Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:17Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:42And so if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty, and I don't want to get messed up.
38:03It's a woman thing.
38:10I'm trusting you.
38:12Right now.
38:13I know.
38:28What the hell is going on?
38:42Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:05Sterling Mercer's legacy designs.
39:09Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:19I've had a change of heart.
39:29I've had a change of heart.
39:42Please.
39:42Please.
39:42Please.
39:48No.
39:49This way.
39:50This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:05You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hailed designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh.
40:39Oh.
40:39Oh.
40:39But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:04Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:16Who's the client?
41:19How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:34So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:55Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:19You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:41I've...
42:41Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
42:51Tell me everything.
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:20Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well, then.
44:05Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss, but...
44:12Our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:21Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:48Fuck what?
44:59You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife?
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch?
45:20She told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:41I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:51Jump the knife!
45:53Come on, you!
45:53Give me my hand!
45:54Jump!
45:55They saved you, please!
45:57You have the right hand!
45:58You're silent!
46:00Anything you say can't move against you and you're going to fall!
46:03Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:07It's okay, it's okay!
46:08But I gave him your designs, I didn't know what else to do!
46:11I was trying to save them!
46:12I didn't mean to!
46:13You're safe, you're safe!
46:15Okay?
46:16Vincent, we'll be able to touch the project!
46:18I'm so happy you found me, I thought...
46:27Always find you.
46:31How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes, I really mean it.
47:16Okay, Pappy.
47:16She just gets impressed.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:35I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I'm going to go.
47:53I'm going to go.
47:54I want to go.
48:03I want to go.
48:20I want to go.
48:21Everything feels brand new
48:24Sunlight dancing in my
48:27Come here.
48:36This is really beautiful.
48:42We work well together.
48:45I'm glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:51I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalai.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:18Come here.
49:19I need to show you something.
49:29I made this for you.
49:31Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48But then you came in.
50:05You're kind.
50:08Bold.
50:09Intuitive.
50:12Sterling.
50:13Sterling.
50:13Of course.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33I said yes to you.
50:44To forever, too.
50:47To every dream we're walking through.
50:52That's right, you run away, dug through.
50:53To every dream.
50:56To other people they're staying, drink through the heart of the world.
50:58It's just me.
51:00It's just me.
51:01Today.
51:01Forever.
51:02Wait a minute.
51:03It's just me, so often you come back, please.
51:05I will continue getting the last video.
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