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CinéAction Tendances
  • yesterday
Full Episode Designed For Desire
Transcript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Oh.
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45Yes.
01:46dennis
02:01I don't have time to ask twice.
02:03You
02:26Hello, this is Cecilia
02:28Miss Brooks, we need two hundred thousand dollars to move forward with your grandfather's surgery until then we cannot proceed
02:35Okay, well one second
02:37Hello
02:39Miss Brooks
02:44Who is this woman his girlfriend or something? I wasn't done with my interview. We'll touch base soon, okay?
02:56Good luck
02:58I thought you weren't interested
03:02Take off your clothes right now
03:22So miss Brooks, what do you see in this room?
03:26well
03:28It's deliberate
03:30Controlled
03:31Powerful
03:32It's impressive
03:34But
03:35But
03:36It's not
03:38Satisfying
03:40Bold again
03:42Tell me, how do you know it's satisfying?
03:46How do you know it's satisfying?
03:48Satisfaction lies
03:50Somewhere in between
03:51Somewhere in between
03:52You think you can give me that?
03:53Think you think you can take the risk and find out?
03:55Think you can take the risk and find out?
03:57All yours
03:59All yours
04:01Hey
04:03The women out there would do anything to be in the position you're in
04:07Unless you have other ideas?
04:08Don't make me regret this risk
04:09I don't plan to
04:11The position's been filled
04:12Go home
04:13Get out
04:14Damn
04:15He doesn't have to be so rude
04:17He doesn't have to be so rude
04:19Damn
04:21He doesn't have to be so rude
04:53It's upside down
04:54Hi
04:57How are you feeling?
04:58Hey
04:59Jubilation
05:00Not doing too well honey
05:02Damn hospital postponed my surgery again
05:04I'm so sorry
05:05Peppy
05:06I'm working things out with the hospital
05:08I have some good news today though
05:10I'm sorry
05:12Uh
05:13I think that's my landlord
05:14I have to go
05:15Love you
05:16Oh
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh
05:26What the hell?
05:28Hey
05:29Whoa, whoa, whoa
05:30Guys, whoa
05:31Hey, don't take that!
05:35I did not agree to this
05:37Actually
05:38You did
05:42The signing must reside on Mr. President
05:44I can't quite hear you
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Hmm
05:51How long?
05:52Keep reading
05:54And definitely without exception?
06:02A gift
06:04What the fuck?
06:06A gift?
06:07In exchange for being kidnapped?
06:09No thanks
06:13I need to know where you're at
06:15At all times
06:16At all times
06:17It's a tracker
06:18What?
06:19Like a dog collar?
06:21Do you think you own me now?
06:22Uh-uh
06:23I wouldn't do that
06:24Come on
06:25Let's go
06:26This is insane just
06:27Give me a second to put Crumpet in his carrier and call my grandfather
06:30No!
06:31There are no animals in the mansion
06:34You must say goodbye to your little Crumpet
06:36What?
06:37Absolutely not!
06:38I told you
06:39I told you
06:40In the contract
06:41That I will take care
06:42Of everything
06:43I don't care about the contract
06:45What?
06:46Oh my god!
06:47Goodbyes are always so hard
06:49Put me down!
06:50What are you doing?
06:54Welcome back Miss Brooks
06:57So...
06:58I'm not allowed to leave?
06:59If you leave
07:00Your contract will be terminated immediately
07:02And what?
07:03You're just gonna leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no
07:18Why is it making that sound?
07:20Damn, if I leave Pappy dies
07:22Shit
07:23I'm trapped with this monster
07:25Oh my god
07:26Is this really happening?
07:27I'm stuck
07:32This is your uniform
07:40Work hours have started already
07:42Tidy yourself up
07:44Report to Mr. Mercer
07:49Oh and uh
07:50Chop chop Miss Brooks
07:52Mr. Mercer
07:54Does not like to be kept waiting
08:02No, I um...
08:03Just didn't...
08:04Wanted to disturb you
08:05I don't mind if you stare
08:06Sorry, Sarah
08:07I was just...
08:08Interested in your build
08:09The building...
08:10The build of the mansion that...
08:11We're building to work on...
08:13Today
08:14Hold me tight
08:15Lost in this moment
08:17Enjoy the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir, I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in ten minutes.
08:42Great.
08:44I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:09Oh, my God.
09:11Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer!
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, what the hell?
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:34If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:49Everything's nearly finished.
09:52I'm going to have a team come in and make some final measurements over here, and I'll ensure
09:56they know how to keep their mouth shut.
09:58Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:11What is it about her?
10:12Why do I want to...
10:13Follow me.
10:14Wow, an elevator?
10:22By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:46Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed
10:56into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:11Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:16Uh...
11:16Over here, I would...
11:18Put a...
11:19chaise...
11:20lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for...
11:33Whips and toys and...
11:34Things.
11:35You're very well versed.
11:37I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:55This would be a great place to mount wall cuffs.
12:01I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:17But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks
12:39By tomorrow morning
12:40All $200,000
12:42Okay, I'll get it to you, I promise
12:45Sorry
12:48Your contract explicitly states that I receive 100% of your attention at work
12:53Who was that?
12:58It's personal
12:58There are no personal calls at work
13:01I'm sorry
13:03Mr. Mercer, it won't happen again
13:11I'll get to work right away
13:12I'll have designs to you by tomorrow morning
13:14Take it off
13:19What?
13:24Your jacket
13:25Mr. Mercer
13:28I won't ask twice
13:31Uh, what's this for?
13:45It's perfect
13:46Now go get dressed
14:01No need to pout, Miss Brooks
14:11You'll be reading some of the top designers
14:13I don't understand
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:20You are
14:20What I say you are
14:31Ladies and gentlemen
14:37It is my pleasure to welcome you all to
14:40The annual architectural ball
14:43Proudly hosted by the Mercer Group
14:45I'd also like to welcome and introduce
14:51Our newest interior designer
14:53Miss Cecilia Brooks
14:56I thought you said you had the job
15:02I did everything that I could
15:03Bitch must have slept with him in the interview
15:06Fine
15:07I'll fix it myself
15:09So without further ado
15:14Please enjoy your drinks
15:15And have a wonderful night
15:17May I have this dance
15:26Sterling
15:31I was hoping that maybe we could walk and talk
15:36Or maybe dance and discuss
15:39You must be working so hard
15:42I was thinking
15:44Maybe you would benefit from a designer who really knows you
15:49Your past
15:50I'm not interested in rehashing our relationships, no
15:55It was just a flight
15:57It doesn't mean we can't be close
15:59Sterling could be a difficult person to work for
16:05You know you can come to me
16:10If you need anything
16:12Get your hands off of her
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play
16:27Get him out of here
16:32It's alright, folks
16:37Enjoy the party
16:38It's okay
16:39Are you okay?
16:42Why don't you go grab a drink
16:43I'm going to take care of this
16:44Crazy night, huh?
16:53Too crazy
16:55I'm Nora
16:56A close friend of Sterling's
16:58So
16:58Tell me
17:00How's the new position treating you?
17:03It's demanding
17:04I'm the client
17:06What's your feel on them?
17:08Oh, I'm not at liberty to discuss that
17:10Come on
17:10It must be crazy, right?
17:13I really can't
17:14Oh, how embarrassing
17:21What are you doing in here?
17:26Cecilia, I'm sorry
17:27I'm so done with their whole world
17:30Yeah, the head of the board was barking my ear off
17:36Stop it!
17:37What?
17:38I'm just trying to help
17:39Help?
17:40Really?
17:41That's rich
17:41I mean, I am rich
17:44You
17:45You are a lot of things
17:48From the moment I met you
17:49You've controlled every aspect of my life
17:50Every movement I make
17:52You're obsessive
17:53Cryptic
17:54A perfectionist
17:55But you're not rich
17:57Not where it counts
17:59Bill, excuse me
18:19I have work to do
18:20I have work to do
18:21Hmm, this hand
18:36What if?
18:39Maybe cuffs?
18:42What if we hang something around here?
18:51Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:07Usually if they're not in the room, it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:32I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:37I told you.
20:39I'll take care of everything.
20:40What?
20:41I can't believe this.
20:43Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
21:01Now the only thing you have to worry about is me.
21:04I'm not your slave.
21:11Five designs.
21:12By tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:32Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:56I have a surprise for you.
22:02To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom?
22:20From what?
22:21Me?
22:21No.
22:22No, not you.
22:25I'm this.
22:26Well...
22:27I need to keep track of you.
22:30I mean, what if...
22:32Sterling...
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06Yeah.
23:10And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:42Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no.
24:01It's a mistake.
24:02It's not too perfect.
24:06It's bold.
24:07It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Miss Brooks.
24:27Follow me.
24:28Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:46Would you like to see your designs?
24:50Is it not what you thought?
25:10No, it's...
25:12It's not that.
25:13It...
25:14The power went up.
25:18There's no signal.
25:20Yeah, the...
25:20soundproofing they put up, uh...
25:22cuts signal.
25:24What?
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No, you're not supposed to ask about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:24Sir, your...
26:347 o'clock is waiting upstairs.
26:50Tuck your shirt in, sir.
27:02I know.
27:10I know.
27:11I know.
27:12Ah!
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:18Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie!
27:27What are you doing home?
27:29What am I doing?
27:30This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03What the hell?
28:15He has a girlfriend?
28:23What was I thinking?
28:33What was I thinking?
29:03Got you now, bitch.
29:08I found her address.
29:26Sterling.
29:28Sterling.
29:29Can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:53Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:09Hear me out.
30:09Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment
30:16of architecture, we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs
30:38will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Miss Brooks, in my office immediately.
31:09Are you sure you want me in there, or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:19The originals are missing, or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep, but when I woke up, they weren't
31:28in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:49Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:14Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh...
32:26Had to get some artwork for the client.
32:31You don't trust me.
32:33That, too.
32:35You're not trusting me?
32:37You were the one with another woman after all that
32:39I did this all for you bullshit.
32:40Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to her, sir.
33:22Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:30Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Okay.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39No.
35:39No.
35:39No.
35:40No.
35:40No.
35:41No.
35:41No.
35:41No.
35:42No.
35:42No.
35:42No.
35:42No.
35:42No.
35:43No.
35:43No.
35:43No.
35:44No.
35:44No.
35:45No.
35:45No.
35:46No.
35:46No.
35:47No.
35:47No.
35:48No.
35:48No.
35:49No.
35:49No.
35:50No.
35:50No.
35:51No.
35:51No.
35:51No.
35:51No.
35:51No.
35:51No.
35:51No.
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:01Who the fuck are you?
36:04Your worst nightmare.
36:05Maybe.
36:06I'm so glad you made it.
36:08I've set all this up for you.
36:10This better work.
36:12No.
36:13No, you won't.
36:18No.
36:19No.
36:19No.
36:20No.
36:20Let's go.
36:50Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:20Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:00It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:27Look, look!
39:40I've had a change of heart.
39:44Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:24He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:13Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Or you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:33So, tell me, who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty will go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, don't touch him!
42:51I'll tell you!
42:51I'll tell you!
42:51Tell me everything.
43:06I don't...
43:07I don't know a lot.
43:09I just...
43:10I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well, then, looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweet miss, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do witnesses.
44:26Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman!
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:47No!
45:51Stop the knife!
45:53Come on, you!
45:53Give me my hand!
45:54Stop!
45:55Vincent, yes, please!
45:57You have the right hand.
45:58You're silent.
46:00Anything you say can't move against you and you're going to fall.
46:03No, get this, my sir!
46:04Wait, no, no, I'm Heinzverse.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:08But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:15Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:32How?
46:32Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:49Hey, hey, would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:01Oh, thank goodness you're okay.
47:09I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get to rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:31I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:28I don't know what you do.
48:31But love just fits like truth.
48:34You got a...
48:35This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48Balance.
49:48But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33I said yes to you.
50:45To forever too.
50:48To every dream we're walking through.
50:52Yes.
50:53Yes.
50:54I said yes to you.
50:56To forever too.
50:59To every dream we're walking through.
51:00To every dream we're walking through.