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00:00:00The End
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00:05:29There's nothing I can do.
00:05:33Hello?
00:05:35Yes?
00:05:36Yes?
00:05:39Well, well, look who's here.
00:05:41Professor Saxon, my dear.
00:05:43Dr. Wells.
00:05:45And what are you doing in Shanghai?
00:05:47I've asked you the same thing.
00:05:48Oh, I'm just collecting a few specimens.
00:05:51Miss Jones, let me introduce Professor Alexander Saxon.
00:05:54He dabbles in fossils and bones.
00:05:55Glad to meet you.
00:05:57Glad to meet you, Professor.
00:05:58Glad to meet you.
00:05:58Miss Jones has been assisting me.
00:06:00Bacteriology, excellent technician.
00:06:02For a woman, he means.
00:06:04For a woman, he means.
00:06:11Hi.
00:06:11Oh, my God.
00:06:12I've met him.
00:06:28I'm going to teach you.
00:06:30Yes, sir, thank you.
00:06:46Excuse me.
00:06:48Two private compartments, two mosquitoes, please.
00:06:51Two, you say? Will that be all?
00:06:53And three crates of animals.
00:06:55Impossible.
00:06:57I know I'm asking you to perform miracles, Professor.
00:07:00Can I help you?
00:07:31It's called squeezing, China.
00:07:33The American people know how.
00:07:34And in Britain, we call it bribery and corruption.
00:07:39Now, sir, excuse me.
00:07:41You...
00:07:42Get out!
00:07:43What?
00:07:44Sir Alexander Saxton.
00:07:45Yes?
00:07:46Captain O'Higgins, sir.
00:07:47General Wang told me to find you.
00:07:48And to make myself useful.
00:07:50Now I remember.
00:07:51I do have Your Excellency's ticket.
00:07:53Your...
00:07:54Your ticket.
00:07:55Right here.
00:07:58Oh.
00:07:59Oh.
00:08:00Oh.
00:08:01Oh.
00:08:02Oh.
00:08:03Oh.
00:08:04Oh.
00:08:05Oh.
00:08:06Oh.
00:08:07Oh.
00:08:08Oh.
00:08:09Oh.
00:08:10Oh.
00:08:11Oh.
00:08:12Oh.
00:08:13Oh.
00:08:14Oh.
00:08:15Oh.
00:08:16Oh.
00:08:17Oh.
00:08:18Oh, oh.
00:08:19Oh, Mishamalu.
00:08:20Oh, oh.
00:08:22Oh, oh, oh, oh, oh.
00:08:23sinful.
00:08:24Oh, oh.
00:08:28Oh!
00:08:30And the Lord had mercy on his soul.
00:08:32Not that he deserves it, the dirty thief.
00:08:35You have his things?
00:08:37You knew him?
00:08:39Krasinski, the locksmith?
00:08:42He could open any trunk with a hairpin.
00:08:48a thief but he was blind blind he could spot the policeman a mile away
00:08:58I'll be damned
00:09:04the work of the devil
00:09:11can I be of any assistance father this is yours it is but I demand an explanation
00:09:30whatever you have here is unholy and must be destroyed
00:09:41Inspector Mirov what is in there excellency?
00:09:51fossils
00:09:53what is a fossil?
00:09:56a stone
00:09:58stones
00:10:00there wouldn't be something valuable in there like gold
00:10:03gold? it's a laboratory specimen no value to a thief
00:10:09where there is god
00:10:12there is always a place for the cross even on this stone floor just so
00:10:22but satan is evil and where evil is there is no place for the cross
00:10:30you can't get it
00:10:45rubbish a conjurer's trick
00:10:47captain
00:10:49yes sir
00:10:50you get your men to put the crate on the train
00:10:52Ready, lift it up, off you go.
00:11:22Always create seats.
00:11:29I want to be careful with this one.
00:11:33I want to take care of it.
00:11:35I'm trying to go.
00:11:52Follow me.
00:12:22Ready, lift it up.
00:12:52Let's go.
00:13:22What are you going to astound the scientific world with this time?
00:13:42You'll read about it in the Society's annual report.
00:13:45It's a remarkable fossil.
00:13:47A fossil?
00:13:48But you've got something live in there.
00:13:50I heard it.
00:13:50You're mistaken.
00:13:51You won't need to feed it, then.
00:13:54The occupant hasn't eaten in two million years.
00:13:58That's one way to compromise on food bills.
00:14:04Baggage man.
00:14:09Alinka, what's the matter with you?
00:14:11Yes, Countess?
00:14:12You have a safe for valuables?
00:14:14Yes, Countess.
00:14:15I shall make out the receipt.
00:14:22Excuse me.
00:14:27Alinka's afraid of something.
00:14:30What do you have in that crate?
00:14:31Oh, nothing that would interest Alinka, madame.
00:14:35Normally, she likes Englishmen.
00:14:40All we Poles do.
00:14:43I'm honored, madame.
00:14:45Oh, yes.
00:14:46England.
00:14:47Queen Victoria.
00:14:48Crumpets.
00:14:50Shakespeare.
00:14:50I admire Poland, madame.
00:14:53I believe that there is a bond between our countries.
00:14:57My husband, the Count Petrovsky, says that in the 15th century, your King Henry betrayed us to the Russians.
00:15:05I hope that you and your husband, madame, will accept my profoundest apologies.
00:15:12Oh, she's really afraid.
00:15:17I wonder what it is.
00:15:20May I escort you back to your carriage, madame?
00:15:22I wonder what it is.
00:15:52Yours.
00:15:55Oh, thank you.
00:15:57Excuse me.
00:15:59Yes?
00:16:00I was on the platform before, when that mad monk was carrying on.
00:16:05Yes?
00:16:06I'm an engineer.
00:16:08A scientist.
00:16:12And this is ordinary chalk.
00:16:16How do you explain it, not writing on that crate?
00:16:20Hypnosis.
00:16:21Yoga.
00:16:23These mystics can be very convincing.
00:16:25They can even hypnotize themselves.
00:16:27Uh, the fresh food we will pick up.
00:16:41Who will pay for it, sir?
00:16:42Hmm?
00:16:43Oh, just keep an account of how much you spend.
00:16:45Mm-hmm.
00:16:46Uh, if, um, someone were to drill a little hole in this crate during the night, and, uh, take a look at what's inside, I'd be very grateful.
00:16:58Hmm.
00:17:05Let's see now, though.
00:17:18Help me.
00:17:27In what way, madam?
00:17:34Is this number eight?
00:17:35That's next door, a world's compartment.
00:17:39There, there. Don't cry.
00:17:43Everything will be all right.
00:17:48Excuse me.
00:17:50Sorry, dear fellow. I'm afraid you're in the wrong pew.
00:17:53Here. Number eight. Do you see?
00:17:57Eight A, lower birth.
00:18:01Eight B, upper birth.
00:18:04Don't worry. Look here.
00:18:06I was supposed to have this compartment to myself.
00:18:08Don't mind.
00:18:09I'm sorry if I'm in your way.
00:18:10Excuse me. I have no ticket and I have to get out of Shanghai.
00:18:14I'm sure I can make it worth your while.
00:18:16The young lady's in trouble.
00:18:19Well, what do you suggest we do about it?
00:18:21Couldn't you, couldn't you double up with somebody else?
00:18:24Miss Jones.
00:18:25Steady.
00:18:26I'm sure we can all get along very well together.
00:18:29Miss Jones.
00:18:40You gotta sit there.
00:18:48Was it this one?
00:18:50Yes.
00:18:50You gotta be I'm not...
00:18:52I'm just fell to him.
00:18:52Youada'sあ easiest.
00:18:53I'm not sick.
00:18:55We're out.
00:18:55We're out.
00:18:56I'm not sick, you tomar.
00:18:57Let's go.
00:19:27Let's go.
00:19:57Let's go.
00:20:27Let's go.
00:20:57Let's go.
00:21:27Let's go.
00:21:57Let's go.
00:22:27Let's go.
00:22:57Let's go.
00:22:59Let's go.
00:23:01Let's go.
00:23:03Let's go.
00:23:09Let's go.
00:23:11Let's go.
00:23:17Let's go.
00:23:19Let's go.
00:23:29Let's go.
00:23:31Let's go.
00:23:41Let's go.
00:23:43Let's go.
00:23:53Let's go.
00:23:55Let's go.
00:24:05Let's go.
00:24:07Let's go.
00:24:19Let's go.
00:24:20Let's go.
00:24:21Let's go.
00:24:23Let's go.
00:24:24Let's go.
00:24:33Let's go.
00:24:35Let's go.
00:24:37Let's go.
00:24:39Let's go.
00:24:44Let's go.
00:24:51Let's go.
00:24:53I asked the baggage man to take a look. I was curious.
00:24:57There was no concern of yours.
00:25:00Or of yours.
00:25:04Good night.
00:25:07One man dead, another missing. It's time we open this box.
00:25:11You will do no such thing.
00:25:14Give me the key.
00:25:23Konev, see if you can open the crate with that.
00:25:36Go ahead.
00:25:53Go ahead.
00:26:21My God.
00:26:24It's the baggage man.
00:26:26What was in there?
00:26:27I told you, a fossil, part ape, part man. It lived two million years ago.
00:26:31Are you telling me that an ape that lived two million years ago, got out of that crate, killed the baggage man and put him in there, then locked everything up neat and tidy and got away?
00:26:42Yes, I am. It's alive. It must be.
00:26:44Lock him up.
00:26:46We'll search the train and find it, whatever it is, and destroy it.
00:26:50But if it's alive...
00:26:51Keep quiet.
00:26:53I don't want to panic the passengers.
00:26:54I don't want to panic the passengers.
00:26:56I don't want to panic.
00:26:58I have to admit to that.
00:27:00I don't want to panic.
00:27:01I don't want to panic the passengers.
00:27:03Go ahead.
00:27:05I don't want to panic the passengers.
00:27:07I don't want to panic.
00:27:09It's okay.
00:27:11What's the matter?
00:27:13It's a different way to panic.
00:27:15It's a different way to panic.
00:27:17Let's go.
00:27:47Let's go.
00:28:17Let's go.
00:28:47Let's go.
00:29:17Let's go.
00:29:47Let's go.
00:30:17Let's go.
00:30:19Let's go.
00:30:21Let's go.
00:30:23Let's go.
00:30:29Let's go.
00:30:35Let's go.
00:30:37Let's go.
00:30:39Let's go.
00:30:49Let's go.
00:30:57Let's go.
00:30:59Let's go.
00:31:07Let's go.
00:31:09Let's go.
00:31:19Let's go.
00:31:21Let's go.
00:31:31Let's go.
00:31:33Let's go.
00:31:35Let's go.
00:31:45Let's go.
00:31:47Let's go.
00:31:49Let's go.
00:31:59Let's go.
00:32:01Let's go.
00:32:03Let's go.
00:32:05Let's go.
00:32:06Let's go.
00:32:07Let's go.
00:32:09Let's go.
00:32:11Let's go.
00:32:13Let's go.
00:32:15Let's go.
00:32:17Let's go.
00:32:19Let's go.
00:32:21Let's go.
00:32:33Let's go.
00:32:35Let's go.
00:32:37Let's go.
00:32:51Let's go.
00:32:53Let's go.
00:32:55What is he doing?
00:32:56Tree pan.
00:33:11Don't get up, please.
00:33:20I see you have decided to die in alone, Sir Alexander.
00:33:24I've eaten in worse circumstances and in worse company.
00:33:33Bad song.
00:33:35Here you are, Doctor.
00:33:46You're in bad humour because you've lost your box of bones.
00:33:49That box of bones, madame, could have solved many of the riddles of science.
00:33:59If the theory of evolution is confirmed, if the science of biology is revolutionised, if the very origin of man is determined...
00:34:07I have heard of evolution. It's... it's immoral.
00:34:12It's a fact. And there's no morality in a fact.
00:34:15It's a fact.
00:34:23And what about the baggage man? And that poor thief at the station?
00:34:28What about them?
00:34:29What about them?
00:34:30They are dead.
00:34:34Was your creature responsible for that?
00:34:38Probably.
00:34:41And you don't care?
00:34:45A baggage man? And a thief?
00:34:47You're right, madame.
00:34:48I don't care as much as I should.
00:34:50Can you tell me how he died?
00:35:03Smooth as a baby's bottom.
00:35:06You saw this man today and he was normal?
00:35:08Absolutely.
00:35:10It must be a mutation, a freak of nature.
00:35:12What's so special about this brain?
00:35:14Learning and memory are engraved on the normal brain.
00:35:19Leaving a wrinkled surface.
00:35:21This brain has been drained. The memory has been removed.
00:35:33Like chalk erased from a blackboard.
00:35:51That is a very darkened surface.
00:35:54Does anyone jump out of this?
00:35:57What were you doing?
00:35:59What happened?
00:36:01What happened?
00:36:03The number one is gone.
00:36:05No, it's gone.
00:36:07The number one is gone.
00:36:08What happened?
00:36:10What happened?
00:36:12The number one is gone,
00:36:14come in thank you it's all yours
00:36:34I won't be long
00:36:44I won't be long
00:37:13I won't be long
00:37:20I won't be long
00:37:38Let's go.
00:38:08Let's go.
00:38:38Let's go.
00:39:08Let's go.
00:39:15Miss?
00:39:16It's Dr. Wells.
00:39:18Miss?
00:39:19Are you all right?
00:39:24Let's go.
00:39:32Let's go.
00:39:34Let's go.
00:39:42Let's go.
00:39:43Let's go.
00:39:52Let's go.
00:40:02Let's go.
00:40:03Miss?
00:40:04Are you there?
00:40:05Let's go.
00:40:06Let's go.
00:40:07Let's go.
00:40:09Let's go.
00:40:11Let's go.
00:40:13Let's go.
00:40:14Let's go.
00:40:19Let's go.
00:40:21Let's go.
00:40:22Let's go.
00:40:23Let's go.
00:40:27Let's go.
00:40:29Let's go.
00:40:31Let's go.
00:40:32Let's go.
00:40:33Let's go.
00:40:34Let's go.
00:40:35Let's go.
00:40:37Let's go.
00:40:38Let's go.
00:40:39Let's go.
00:40:40Let's go.
00:40:41Let's go.
00:40:42Let's go.
00:40:51Let's go.
00:40:52Let's go.
00:40:57Let's go.
00:40:58Let's go.
00:41:02Oh, my God.
00:41:32Come in.
00:42:02Come in.
00:42:04Feeling better?
00:42:08Yes.
00:42:10Anything wrong?
00:42:12That woman who was killed, the engineer, you know, the chess player, he told me that
00:42:18she was an international spy.
00:42:21Yes, I know.
00:42:23Oh, you do?
00:42:24Well, could that fact have had anything to do with her death?
00:42:28What do you think?
00:42:31Dr. Wells and I performed an autopsy on her.
00:42:34Her brain was completely smooth, just like the baggage man's.
00:42:38Everything had been erased.
00:42:39Now, I have a theory about this.
00:42:41I'm only a policeman, Professor.
00:42:43I don't have much education.
00:42:46Well, I'd make it simple.
00:42:49Supposing that creature, the one you killed, was capable of taking ideas directly from other
00:42:55people's brains and transferring them to its own.
00:42:58You mean it sucked other people's brains?
00:43:01Absorbed through the eyes.
00:43:07That was our first clue.
00:43:09The eyes going white.
00:43:11Then, if the beast had absorbed your brains, all of your education would have gone into
00:43:18its brain.
00:43:19It would have been as clever as you.
00:43:22Much more so, because what it had taken from me would have been added to the learning that
00:43:27it already had.
00:43:29Professor, spy, baggage man, thief.
00:43:34What was the creature looking for?
00:43:37Well, that we'll never know, now that it's dead.
00:43:39And yet, but a creature like that, how would it ever die?
00:43:51Inspector?
00:43:52What is it?
00:43:53I found this.
00:43:54The animal had it.
00:43:56The animal had it?
00:43:57Give it to me.
00:43:59It belonged to Count Petrovsky.
00:44:02How do you know?
00:44:04I saw him put it in the safe.
00:44:09Steel, harder than a diamond.
00:44:20That's why the spies are after it.
00:44:22French, German, English.
00:44:25But they're wasting their time.
00:44:28What really matters is the formula.
00:44:30And that gentleman is safe.
00:44:34Up here.
00:44:40What happened to the girl?
00:44:41The spy?
00:44:43She's dead.
00:44:44The fossil, or whatever it was, killed her.
00:44:47But there's no more danger, Countess.
00:44:49Beast is not dead.
00:44:50I put four bullets into him.
00:44:55You think evil can be killed with bullets?
00:45:00Satan lives.
00:45:03The unholy one is among us.
00:45:07Oh, shawmah, shawmah, shawmah.
00:45:11Shawmah, shawmah.
00:45:12Shawmah.
00:45:14Specimen jar.
00:45:44What do you expect to find in the eye fluid?
00:45:49I don't know.
00:46:14Why, this is incredible.
00:46:19What?
00:46:25Why, it's the last thing the creature saw.
00:46:30The police inspector.
00:46:31The image has been retained in the fluid.
00:46:34Exactly.
00:46:36The creature's visual memory is located not in its brain,
00:46:39but in the eye itself.
00:46:44Oh, my God.
00:46:57The creature has been retained in the eye.
00:47:03The creature has been retained in the eye.
00:47:07How many people have retained the creature's size?
00:47:10Can you identify anything?
00:47:25It's a brontosaurus.
00:47:28A tepidactyl.
00:47:40Incredible.
00:48:06This is not a map.
00:48:09It can only be the Earth seen from space.
00:48:14I hope I'm not intruding.
00:48:16People on the train are becoming afraid, Professor.
00:48:19People on long journeys become bored, Madame.
00:48:23They crave excitement.
00:48:26Then there's no more danger.
00:48:28It's all finished.
00:48:31And what about your science?
00:48:33The evolution you were talking about?
00:48:36Look for yourself.
00:48:52Come here, Pujadov.
00:48:55There's something I want to show you.
00:49:03Look.
00:49:05Please.
00:49:06Now, let's go.
00:49:11I can't see you.
00:49:13It is the holy rite.
00:49:25On the second day, he created the earth.
00:49:34Where did you get it?
00:49:37There, from the creature's eye.
00:49:43The eye of Satan.
00:49:46Nonsense. There's a scientific explanation.
00:49:51You know it?
00:49:54No.
00:49:56Not yet.
00:50:01For the fall, before Satan was banished from the throne of God,
00:50:07the evil one looked down from heaven and did see...
00:50:12Rubbish.
00:50:24Bujardov!
00:50:38Bujardov!
00:50:39Where is he?
00:50:41I don't know.
00:50:43He's gone mad.
00:50:49I'll look in the baggage car.
00:50:51Right.
00:50:51Where?
00:50:55I don't know.
00:51:03I don't know.
00:51:08Let's go.
00:51:38Looking for the thief, Miss Jones?
00:52:00You know about it.
00:52:02What's all the fuss?
00:52:08You get back that eye, and there's a thousand rubles in it for you.
00:52:13A thousand rubles for an eye?
00:52:18There's something in it.
00:52:21Pictures.
00:52:23Pictures of what?
00:52:25Pictures of the Earth in prehistoric times.
00:52:29Pictures of the Earth seen from space.
00:52:32Who else has seen such pictures?
00:52:36Dr. Wells, Professor Saxton, and that pretty countess.
00:52:42I see.
00:52:42Hello?
00:53:04Hey!
00:53:34Have pity.
00:53:44Have pity.
00:53:57Are you going to kill me?
00:53:58There's nothing in your head of any use.
00:54:04Another killing.
00:54:08Stop the train.
00:54:10No right.
00:54:11I want to get off.
00:54:12There's no lock.
00:54:13Royals.
00:54:14There's been two.
00:54:15There's nothing in your head of any use.
00:54:17Another killing.
00:54:19Stop the train.
00:54:20No right.
00:54:21I want to get off.
00:54:22There's no lock.
00:54:23Royals.
00:54:24There's been talk about getting off the train.
00:54:29Well, you can forget it.
00:54:31I'll complain to the authorities.
00:54:32I'm not one of your musics.
00:54:33If necessary, I'll shoot anyone who tries to stop the train.
00:54:37Shoot.
00:54:38Shoot, you stupid drachen.
00:54:54Who else has seen such pictures?
00:54:59Dr. Welles.
00:55:01Professor Saxton.
00:55:03And that pretty countess.
00:55:06Welles.
00:55:07Saxton.
00:55:08Countess.
00:55:09Welles.
00:55:10Saxton.
00:55:11Countess.
00:55:12Welles.
00:55:13Saxton.
00:55:14Countess.
00:55:15Welles.
00:55:17Is this creature dead?
00:55:19Or not?
00:55:20If it is.
00:55:21Who killed Miss Chern?
00:55:22Do you have any idea?
00:55:23No, Inspector.
00:55:24I haven't.
00:55:25But I've asked the conductor to wire ahead and stop the train at the next station.
00:55:49What's the idea?
00:56:19Tell me who you are.
00:56:21Tell me.
00:56:22I will serve you.
00:56:23I want to help you.
00:56:26It's like some contagious disease.
00:56:27What if there's a disease?
00:56:28There must be symptoms.
00:56:29Fever?
00:56:30No.
00:56:31No.
00:56:32No.
00:56:33No.
00:56:34No.
00:56:35No.
00:56:36No.
00:56:37No.
00:56:38No.
00:56:39No.
00:56:40No.
00:56:41No.
00:56:42No.
00:56:43No.
00:56:44No.
00:56:45No.
00:56:46No.
00:56:47No.
00:56:48No.
00:56:49No.
00:56:50No.
00:56:51No.
00:56:52No.
00:56:53No.
00:56:54No.
00:56:55Fever?
00:56:56You could take everyone's temperature.
00:56:59The eyes.
00:57:00Why do their eyes go white?
00:57:02What?
00:57:03do you think it's true what they say about those horrible white eyes oh that part is true enough
00:57:28oh inspector it's only you now what about me your eyes we must examine your eyes too
00:57:40certainly
00:57:43perhaps you should test for radiation or other invisible rays
00:57:54x-rays well it's a thought but on this train how would we go about it are you a scientist
00:58:03an engineer but i try to keep up with things that's to be admired inspector i suggest you
00:58:12tell all these people to stay together in groups or in pairs so that if anything does happen to
00:58:17anybody then somebody can raise the alarm on no account must anybody be left alone
00:58:22so
00:58:30so
00:58:39so
00:58:47so
00:58:56so
00:59:02so
00:59:08use of the train
00:59:24the train will be here in exactly
00:59:4514 minutes
00:59:4814 minutes
00:59:51yes your honor that's what it says here
00:59:55doesn't say it in words your honor but in code it's like another language
01:00:06i know about telegraphs
01:00:08little papa
01:00:09i know about trains
01:00:11i know about electrical currents
01:00:12on your feet everybody
01:00:16outside full pack
01:00:19even though i still believe in god i don't like to be made a fool of
01:00:24no your honor
01:00:26i wouldn't do that
01:00:31tell me little father
01:00:36you believe in the devil
01:00:39yes your honor
01:00:44oh good send a telegram
01:00:49tell him that captain kazan
01:00:52he knows that a horse has four legs
01:00:55he knows that a murderer has two arms
01:00:58but still
01:01:00the devil
01:01:01must be afraid of one
01:01:04honest
01:01:06korsak
01:01:07hmm
01:01:08earth gravity
01:01:31you know how to measure it
01:01:33how to measure gravity
01:01:35what i would like to know is
01:01:38can gravity be overcome
01:01:40ah if you mean
01:01:43can man get beyond the gravitational field of the earth
01:01:46into space
01:01:47not yet
01:01:47but any day now
01:01:49someday
01:01:51there is a mathematics professor
01:01:53his name is tchaikovsky
01:01:54he has ideas about rockets
01:01:56machines that can fly free of the earth's gravity
01:01:59you know him
01:02:02tchaikovsky was one of my teachers
01:02:09he was like a father to me
01:02:11but
01:02:12why would a man like you
01:02:13be
01:02:14interested
01:02:15what's the time
01:02:25is
01:02:26to go
01:02:26yeah
01:02:28yeah
01:02:28yeah
01:02:30yeah
01:02:33yeah
01:02:34yeah
01:02:38yeah
01:02:43what do you think is behind all this excellency
01:02:49look at this that's what we saw under the microscope shows the earth as it might look
01:02:57from space what does it mean it means that millions of years ago something some form of
01:03:04intelligence came to the earth from another planet the atmosphere of the earth was new to it
01:03:10different but it learned how to survive how by entering into the body and brain of an earth
01:03:19creature the fossil that i found and brought with me and this thing from another planet survived
01:03:25the fossil then came to life again exactly go on professor the animal that you shot was only
01:03:35the host and when that animal died the alien intelligence transferred somehow to another
01:03:44host it's alive in someone on this train you're a very good detective you've discovered everything
01:03:55except who is now the host that's our next thought this might come in handy oh good idea two of you
01:04:03all together that's fine but what if one of you is the monster monster they're british but you must have seen something i told you i was asleep
01:04:25he knew about the white eyes he told me when you fell asleep the lights were on and when you woke up they were off
01:04:37are you sure positive it was dark i put the lights on and that's when i found him beside me
01:04:45when we did the test the lights were on
01:04:49master
01:04:54master
01:04:56master
01:05:02master
01:05:06master
01:05:08master
01:05:10master
01:05:12master
01:05:13master
01:05:14master
01:05:15master
01:05:43master
01:05:44master
01:05:45master
01:05:46master
01:05:47master
01:05:48master
01:05:50master
01:05:51master
01:05:52master
01:05:53master
01:05:54master
01:05:55master
01:05:56master
01:05:57master
01:05:58master
01:05:59master
01:06:00master
01:06:01master
01:06:02master
01:06:03master
01:06:04master
01:06:05master
01:06:06master
01:06:07master
01:06:08master
01:06:09master
01:06:10master
01:06:11master
01:06:12master
01:06:13master
01:06:14I'll have you sent to Siberia.
01:06:36I am in Siberia.
01:06:38This is Countess Irina Petrovska.
01:06:41And I'm Count Marion Petrovsky.
01:06:44Oh, Your Excellencies, I'm sorry.
01:06:47Of course, the Count and Countess are exempt from our orders.
01:06:51Please, escort them to their car.
01:07:04Peasants.
01:07:06Peasants!
01:07:14Are you a Countess?
01:07:18I'm an American, and I'm not accustomed to being bullied by foreigners.
01:07:23That man, he's the one who wouldn't let us get off the train.
01:07:26He's responsible.
01:07:27Your Excellency, I'm a police inspector.
01:07:37Everybody's under arrest.
01:07:43Including you.
01:07:44Who are the killers?
01:07:48Who?
01:07:49Who are the troublemakers?
01:07:57Who are the foreign influencers, eh?
01:08:02Who?
01:08:02Don't worry.
01:08:08I'll smoke them out.
01:08:09What's he raving about?
01:08:11You English believe in free speech, don't you, huh?
01:08:25Certainly.
01:08:27If instead of babbling nonsense, you'd investigate this property.
01:08:30Oh!
01:08:30This is outrageous!
01:08:35So.
01:08:38You're a police inspector, huh?
01:08:40Yes, Captain.
01:08:41Mirov is my name.
01:08:43Mirov!
01:08:44Oh, Mirov.
01:08:47That's a good Russian name, Mirov.
01:08:52Tell me, Mirov.
01:08:53What do you know about all the filth that's going on here, huh?
01:08:58Filth?
01:08:58Oh, come on, Inspector.
01:08:59Certainly you know what I'm doing here, don't you?
01:09:02You just point out the suspects, and I promise you I'll get the truth out of them.
01:09:07You're mistaken, sir.
01:09:11Mistaken?
01:09:12Fool!
01:09:21Get back!
01:09:23Back!
01:09:24Back!
01:09:25Or I will put a curse on your heads.
01:09:32He has the evil eye.
01:09:43Beware the wrath of Satan.
01:09:53Fool, huh?
01:10:04Fool, huh?
01:10:08On your knees, monk.
01:10:09We must try to stop this.
01:10:39He was trying to protect you.
01:10:48Why?
01:10:49He's mad.
01:10:54Who are you?
01:10:56I told you, a policeman.
01:11:09No!
01:11:22No!
01:11:27No!
01:11:32No!
01:11:36No!
01:11:40You saw his eyes.
01:11:41One look at them and you're dead.
01:11:57Come into me, Satan.
01:12:02Thine is the kingdom and the power and the glory.
01:12:07Thy will be done on earth as it is in hell.
01:12:14Now anything, anything that moves near that door, kill it!
01:12:20But wasn't the monkeys innocent?
01:12:22Ah, we got lots of innocent monks.
01:12:25All right, let's move these peasants out of here.
01:12:27Quickly!
01:12:55Let's go over here.
01:12:56I think they will give you a good time.
01:12:58I'll see you soon.
01:12:59I'll see you soon.
01:13:00I'll see you soon.
01:13:02I won't Walk the paradox.
01:13:04Look at you.
01:13:05I was ready to fly and see you.
01:13:06If you go over here, you will find the way over here.
01:13:08I'll see you soon.
01:13:09I'll see you soon.
01:13:10My parents, I'll see you soon.
01:13:11You've come over here.
01:13:13I'll see you soon.
01:13:14Here I'll see you soon.
01:13:15I'll see you soon.
01:13:16THE END
01:13:46THE END
01:14:16THE END
01:14:46THE END
01:15:16THE END
01:15:18THE END
01:15:32THE END
01:15:34THE END
01:15:38THE END
01:15:40THE END
01:15:42THE END
01:15:44THE END
01:15:48THE END
01:15:50THE END
01:15:54THE END
01:15:56THE END
01:16:00THE END
01:16:02THE END
01:16:04THE END
01:16:06THE END
01:16:08THE END
01:16:10THE END
01:16:12THE END
01:16:18THE END
01:16:20THE END
01:16:22THE END
01:16:24THE END
01:16:26THE END
01:16:28THE END
01:16:30THE END
01:16:32THE END
01:16:34THE END
01:16:36THE END
01:16:38THE END
01:16:40THE END
01:16:42THE END
01:16:44THE END
01:16:46THE END
01:16:48THE END
01:16:50THE END
01:16:52THE END
01:16:54THE END
01:16:56THE END
01:16:58THE END
01:17:00THE END
01:17:02THE END
01:17:04THE END
01:17:06THE END
01:17:08THE END
01:17:10THE END
01:17:12THE END
01:17:14THE END
01:17:28THE END
01:17:30YOU KNOW
01:17:32IN SPITE OF EVERYTHING
01:17:33POUJATOF
01:17:34HAD A CERTAIN
01:17:35AFFECTION FOR YOU
01:17:36Yet you humiliated him often, even in front of the Countess.
01:18:06Oh, he's dead.
01:18:36You killed him.
01:18:38You want to kill Pujardov, it's too late.
01:18:42I see you hanged.
01:18:45Poor monk.
01:18:47He loved you more than he loved the promise of Heaven.
01:18:56Over there. Quickly, over there.
01:18:59Irina, behind me.
01:19:06It would be a mistake to kill me.
01:19:11Who are you?
01:19:13In words, it's difficult.
01:19:15I am a form of energy occupying this shell.
01:19:19Where do you come from?
01:19:22Another galaxy.
01:19:27I came with others like myself.
01:19:31I was left behind.
01:19:33An accident.
01:19:35I survived in proto-zones.
01:19:37Fish, vertebrates.
01:19:40The history of your planet is part of me.
01:19:46Pull the trigger and you will end it.
01:19:53What am I to do with you?
01:19:57Let me go.
01:19:58That's not possible.
01:20:00It is possible.
01:20:01It is possible.
01:20:04I will teach you to end disease, pain, hunger.
01:20:12Wait.
01:20:15There's something more.
01:20:16There's something more.
01:20:46there's something more.
01:20:49techniques
01:20:51to destroy everywhere.
01:20:52There still is something more.
01:20:53There's a whole new light.
01:20:54u
01:21:07do
01:21:08look at
01:21:11Go!
01:21:41Let me go!
01:21:43Oh no!
01:21:45Let me go!
01:22:11No!
01:22:13No!
01:22:19No!
01:22:21No!
01:22:23No!
01:22:41No!
01:22:51Oh!
01:22:55Oh!
01:23:01Oh!
01:23:03Saxton! Thank God!
01:23:25Stand back, please. Make room.
01:23:33Moscow says to stop the express when it goes through the switching point.
01:24:03Enrail it. That means killing everybody on board.
01:24:10That's what it says. Maybe there's a war.
01:24:16Maybe it's war.
01:24:33It's war.
01:24:46No, no, no.
01:24:47It's war.
01:24:48No, no, no, it's war.
01:24:52Oh, my God.
01:25:22Oh, my God.
01:25:52Oh, my God.
Recommandations
1:42
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À suivre
1:20:19
30:12
1:24:29
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26:26
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1:18:56
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3:30
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7:10
34:20
4:46
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