- 2 days ago
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Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:05Burning down.
08:06You're the heat caught in the fire.
08:09Your body moves.
08:10Feel my desire.
08:11Touch the edge.
08:12Hold me tight.
08:13Lost in this moment.
08:15Burning down.
08:16Enjoy the view.
08:17No, I, um...
08:18Just didn't...
08:19Wanted to disturb you.
08:20I don't mind if you stare.
08:21Sorry, Sarah.
08:22I was just...
08:23Interested.
08:24You're not going to be a good night.
08:25You're not going to.
08:26You're not going to.
08:27You're not going to be a good night.
08:28I'm going to be a good night.
08:29No, I...
08:30I don't mind if you stare.
08:31interested in your build, the building, the build of the mansion that we're building to work on
08:39today. What time are we leaving for? Car leave's in 10 minutes. Great. I'll be ready.
08:46How much further? Patience, Ms. Brooks.
09:11Oh my God.
09:16Hey, Foxy, I got something that'll keep that jaw clenched. Wow. Original. Mr. Mercer,
09:24we didn't know you was coming in today. Get off my property. What? You're fired. Leave. Oh,
09:31the hell? I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:38If I collapse your loan... Wait, did he just stand up for me?
09:41Sir, how about you? Continue your work with Ms. Brooks, and I'll handle this.
09:49Come on. Everything's nearly finished. I'm gonna have a team come in and make some final
09:55measurements over here, and I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:01Huh? Seeing her in my house gives me a strange feeling. It's so beautiful. What is it about
10:12her? Why do I want to... Follow me.
10:21Wow, an elevator? By the way, what you did out there, thank you. I'd dismiss you just as fast
10:27if I wasn't pleased with your work, Ms. Brooks. Remember that.
10:35Your first task for the client.
10:39I don't know anything about the client. Who is...
10:42We don't ask about the client. We only worry about what they desire.
10:46Okay. Am I allowed to know what the purpose of this room is?
10:51Yes. Right.
10:53The client would like this room transformed into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:06So, how would you do it?
11:10Uh, um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here, I would collect a chaise lounge, velvet, obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing, one of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:37I'd read a lot.
11:40Certain genres of certain books have certain details of...
11:44Right, right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh, this would be a great place to mount wall cuffs.
12:01I'm drowning in the heat
12:07Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Hello?
12:28Ms. Brooks, I'm sorry. We need the payment.
12:31Uh, I understand.
12:33Is there anything I could do now to hold him there?
12:35Anything that could be done right now?
12:37We need your payment, Ms. Brooks, by tomorrow morning.
12:40All $200,000.
12:43Okay, I'll get it to you, I promise.
12:47Sorry.
12:48Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:56It's personal.
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:12I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:21Your jacket.
13:24Uh, Mr. Mercer.
13:25I won't ask twice.
13:27Uh, what's this for?
13:29It's perfect.
13:30Now go get dressed.
13:31Ask twice.
13:38Uh, what's this for?
13:45It's perfect. Now go get dressed.
14:01No need to pout in this, Brooks. You'll be reading some of the top designers.
14:13I don't understand. How does this take priority over work? Am I your date or your designer?
14:19You are... when I say you are.
14:31Ladies and gentlemen, it is my pleasure to welcome you all to the annual Architectural Ball,
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce our newest interior designer,
14:54Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please, enjoy your drinks and have a wonderful night.
15:25May I have this dance?
15:26Oh.
15:31Sterling.
15:33I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:39You must be working so hard.
15:40I was thinking.
15:41Maybe you would benefit from a designer who really knows you.
15:45Your past.
15:46I'm not interested in rehashing old relationships, no.
15:48It was just a flight.
15:49Doesn't mean we can't be close.
15:50Sterling could be a difficult person to work for.
15:52No.
15:53We know you can't be close.
15:54Sterling could be a difficult person to work for.
15:56No.
15:57You know you can come to me if you need anything.
16:12Get your hands off of her!
16:17What the hell are you doing here, Vincent?
16:20Folks, looks like the Jester came to play!
16:27Get him out of here.
16:32It's alright, folks.
16:33Enjoy the party, it's okay!
16:35You're okay?
16:36Why don't you go grab a drink?
16:37I'm gonna take care of this.
16:38Let's go.
16:39Let's go.
16:40Let's go.
16:41Let's go.
16:42Let's go.
16:43Let's go.
16:44Let's go.
16:45Let's go.
16:46Let's go.
16:47Let's go.
16:48Crazy night, huh?
16:53Too crazy.
16:55I'm Nora, a close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:02It's demanding.
17:05The client?
17:06What's your feel on them?
17:07Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:12I really can't.
17:14Oh!
17:19Oh, how embarrassing!
17:25What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:33The head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59It sounds.
18:18Feel excuse me.
18:19I have work to do.
18:20to do this hand what if maybe cuffs what if we hang something around here
18:50is that me did i say you could come in here uh you'll be happy to know that i worked on these
19:07all night
19:07maybe if you stayed at the gala you would have learned something
19:19learned what you follow through with your obligations so you wouldn't waste your time working on garbage
19:25garbage i'll need five more by tomorrow morning that will take me all night even making those two
19:32took me all night and i barely got them done in time you've done it once before you can do it
19:37again don't you think maybe just maybe that's an unreasonable amount of time maybe i don't care
19:44wait i should have remembered it's not in the contract
19:49oh my god
19:58excuse me miss where's my grandfather
20:06i'm sorry usually if they're not in the room it's because the insurance ran out or
20:10miss brooks
20:23yes i just wanted to inform you that your grandfather just received his first round
20:29of stem cell treatment he's being very well taken care of i don't understand how is that possible
20:34i can't afford that i told you i'll take care of everything what i can't believe this
20:43oh but but why why would you do that well when i said i needed your undivided attention
20:56i meant it
20:58now the only thing you have to worry about is me
21:04i'm not your slave
21:06five designs by tomorrow morning
21:13you're welcome
21:20i've been expecting you i have a feeling i'll be impressed
21:29brushed work is not work to be prouder
21:32is this you
21:38and my parents
21:39they must be so proud of you
21:41they never got to see it
21:42i inherited this company before i was old enough to run it
21:45i'm so sorry
21:47it was a long time ago
21:48what happened
21:49they vanished
21:50on a work trip into europe
21:52guess i don't control everything after all
21:53i'm going to deliver these designs to everyone
21:56i have a surprise for you
22:02to your first approval
22:05it's beautiful
22:11i do have a request though
22:16i was wondering if i could
22:17i could have a little freedom
22:19from what
22:20me
22:21no
22:22no not you
22:23from this
22:26well
22:26i need to keep track of you
22:30i mean
22:30what if
22:31it's really
22:32i'm not your parents
22:35i'll be fine
22:36i just don't know if i'm ready for that yet
22:39but you continue to impress me
22:41i mean
22:41you'll be free as a bird
22:43i do have more surprises to show you
22:59but um
23:00you're gonna have to wait till tomorrow
23:03full of surprises
23:05aren't you
23:06and that's why i can't let you go
23:12thank you
23:24what are you two doing here
23:29there's not supposed to be anyone working today
23:30we were just swinging by to assess a minor electrical concern
23:33it seems that the search is nothing urgent
23:34we're gonna come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update
23:42thank you mr mercer
23:43i've ordered these beautiful pieces
23:50white marble
23:50what the hell
23:54it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect
24:06it's bold
24:07it's not trying hard
24:08it just
24:09is
24:10well i like my work to be
24:12intentional
24:13intentional
24:14well i would argue that this
24:18elevates the intention of the space
24:20the juxtaposition between
24:22control and chaos
24:24you have good eyes miss brox
24:25follow me
24:28your second task for the client
24:36master bedroom
24:38and nursery
24:39oh
24:40the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
24:50is it not what you thought
25:10no it's
25:11it's not that
25:12the power went up
25:18there's no signal
25:19yeah the soundproofing they put up
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44an hour
25:45maybe two
25:47is it norah
25:48the client
25:50what
25:50no
25:52you're not supposed to ask about the client
25:53just tell me
25:55no
25:56it's not
25:57is she
25:57more
25:58i built this room because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:09i wanted you
26:11i
26:12i
26:13i
26:14i
26:15i
26:16i
26:17i
26:19i
26:21i
26:23i
26:25i
26:27i
26:29Sir, your seven o'clock is waiting upstairs.
26:59Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:31This is Agnes, my nurse.
27:33She's taking care of me.
27:35Oh, I'm sorry.
27:37I'm so embarrassed.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Ceci, you're ruining my chances.
27:51Go back, Ceci.
27:52Oh, okay, okay.
27:54Everything's all right.
27:55Agnes has taken very good care of me.
27:57Okay, okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:03What the hell?
28:15He has a girlfriend?
28:23What was I thinking?
28:25I meant to be a friend.
28:26I thought my girlfriend made her a word.
28:39Leave my friend in the 안에.
28:40You can go6-5-3-5-3-4-4-5-6-6-7.
28:42Gotcha now, bitch.
29:08I found her address.
29:12Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:42You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:06Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even as a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:25Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information.
30:37And Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42Or a bribe.
30:45Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:09Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:15I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean lost?
31:24I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:45Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:19Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one with another woman after all that, I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard to resist.
33:22Let's go inside.
33:37Eyes like knives, you cut right through.
33:54Every look says what you do.
33:58Pull me under, soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:11You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:25I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:40Bring the cat.
34:40Hello, Cecilia.
35:02I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39No.
35:39No.
35:39No.
35:40No.
35:40No.
35:40No.
35:40No.
35:41No.
35:41No.
35:42No.
35:42No.
35:43No.
35:44No.
35:45No.
35:46No.
35:47No.
35:48No.
35:49No.
35:50No.
35:51No.
35:52No.
35:53No.
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No.
36:17No, no, you're so glad you're so happy.
36:33ogl, no.
36:37Oh dear.
36:38Hope.
36:38hm, you-
36:40Show me the video.
36:56Yes, sir.
37:00She knew how to invade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14I know.
38:14What the hell is going on?
38:30Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
39:00Do it.
39:00Sterling Mercer's legacy designs.
39:09Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:21Oh, my head's...
39:23Oh.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:28I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:11You see,
40:12when that timer goes off,
40:15you and that little tracker
40:17and this entire place will go bye-bye
40:19and then that will pave way
40:21for the construction site
40:22of all Hale designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh.
40:39Oh.
40:39Oh.
40:39But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see,
40:48the only thing that is missing,
40:50my dear,
40:51is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well,
40:59once I have the contact,
41:02I can put in a bid under his.
41:05Therefore,
41:06Mercer will no longer have any names
41:08attached to any property.
41:11That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:34No!
41:42So,
41:43tell me,
41:45who is the client?
41:48He took care of my family.
41:51I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:59You already gave me
42:00the plans.
42:02So, therefore,
42:03you are already a betrayer.
42:05Promise?
42:07I don't know anything.
42:09Hmm.
42:11Well,
42:11I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So,
42:17tell you what,
42:18this is how it's going to go.
42:20You're going to tell me,
42:22and then you,
42:24Pappy,
42:25and little Kitty
42:25can go free
42:27while Mercer Designs burns to the ground.
42:30or,
42:32I could kill you
42:35right here,
42:37right now,
42:39and Mercer Designs falls anyway.
42:44Okay.
42:46Decisions,
42:46decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please,
42:49just don't touch him!
42:51I'll tell you!
42:51Tell me
43:02everything.
43:06I don't,
43:07I don't know a lot.
43:09I just,
43:11I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:16She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:27I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh,
43:33and then all the plans
43:34that I stole from Cecilia's bedroom,
43:36they were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:46And then,
43:52I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:03Well then,
44:05looks like you chose...
44:08Oh!
44:09Oh, I'm sorry,
44:10my sweetness,
44:11but our short little affair
44:14is over.
44:15Excuse me.
44:17Well,
44:18obviously,
44:19I don't need your services
44:20any longer.
44:22Besides,
44:23I don't
44:24do
44:25witnesses.
44:33Sterling,
44:33help me, please!
44:35Sterling, wait,
44:35it's a trap!
44:36No!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Noor, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:05I've been waiting here
45:05for hours for you!
45:07Put down the knife!
45:08Come on,
45:08let me at her one last time!
45:10She betrayed you!
45:11She's the one
45:12who gave up
45:12the Legacy One
45:13and the third floor!
45:16Wait,
45:16how do you know
45:16about the Legacy One project?
45:18That was confidential.
45:19That little bitch,
45:20she told Vincent
45:21everything!
45:22No,
45:23she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't,
45:30you bitch!
45:31When I thought
45:32I saw you
45:32with that woman?
45:34The night you
45:35lost the designs.
45:36No!
45:37No,
45:37that wasn't me!
45:38Okay,
45:39Vincent made me do it!
45:40He said he threatened
45:41my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:51Stop the knife!
45:52No!
45:55Vincent,
45:56Vincent,
45:57please!
45:57You have the right
45:58to be silent!
46:00Anything you say
46:01can't move against
46:02you or you're going to
46:02walk.
46:04Wait,
46:04no,
46:04no,
46:04I'm timeless.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:09But I gave him
46:09your designs.
46:10I didn't know
46:10what else to do.
46:11I was trying
46:12to save them.
46:13Didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent,
46:17we'll be able
46:17to touch the project.
46:22I'm so happy
46:26you found me.
46:27I thought...
46:28Always find you.
46:32How?
46:36Because I know you.
46:38That moment in the parking lot,
46:40I knew from your eyes
46:42that you needed me.
46:44I will always
46:49keep you safe.
46:53Hey,
46:54hey,
46:54would you two
46:55take it someplace else?
46:59Sorry,
46:59Fabian.
47:00I'll take you
47:00and Crump at home.
47:07Oh,
47:07thank goodness
47:08you're okay.
47:10I want to tell you
47:12something,
47:12sweetheart.
47:12I love Agnes.
47:14I really mean it.
47:16Okay,
47:16Fabi.
47:17Just get some rest.
47:18I mean it,
47:19Cece.
47:20When a man knows,
47:21he knows.
47:26Agnes,
47:26it's been a long time
47:27since I've met
47:28someone as caring as you.
47:30And I'd like you
47:31to be my wife.
47:33Yes!
47:35I love you,
47:36Agnes.
47:42Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:49Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
47:52I'll have to do it.
47:53Yes.
48:06Oh my God.
48:08Oh my God.
48:09Come on.
48:39Really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04it's not who you think.
49:07I don't follow.
49:09It's me.
49:12What?
49:13This, this is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait, one second.
49:33I thought if we put them next to each other, it would create balance.
49:48But then you came in.
50:05You're kind.
50:09Old.
50:11Intuitive.
50:12Sterling.
50:13Close.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:23Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33Yes.
50:34Yes, Sterling.
50:34I said yes to you, to forever too, to every dream we're walking through.
50:52Yes.
50:53Oh.
51:03Yeah.
51:04How do you think?
51:04What do you think?
51:05Yes.
51:06Oh.
51:06To every dream.
51:07Oh.
51:09Yes.
51:09Yes.
51:09Yes.
51:10Sir.
51:11Yes.
51:11Yes.
51:11Yes.
51:12Yes.
51:12Yes.
51:12Yes.
51:13Yes.
51:13Yes.
51:14Yes.
51:14When they're at work.
Recommended
50:32
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