- 2 days ago
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Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:04Burning down.
08:05You're the heat caught in the fire.
08:07Your body moves.
08:08Feel my desire.
08:09Touch the edge.
08:10Hold me tight.
08:11Lost in this moment.
08:12Burning down.
08:13Enjoy the view?
08:14No, I um...
08:16just didn't...
08:17wanted to disturb you.
08:18I don't mind if you stare.
08:19Sorry, Sarah.
08:21I was just...
08:22interested in the view.
08:23No, I um...
08:24just didn't want to disturb you.
08:26I don't mind if you stare.
08:27Sorry, Sarah.
08:29I was just...
08:30interested in your build.
08:33The building.
08:34The build of the mansion that...
08:37we're building to work on today.
08:40What time are we leaving for?
08:42The car leaves in ten minutes.
08:44Great.
08:45I'll be ready.
08:57How much further?
08:58Patience, Miss Brooks.
09:01Oh, my fucking...
09:18Hey, Foxy!
09:19I got something that'll keep that jaw clenched.
09:21Wow.
09:22Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:26Get off my property.
09:27What?
09:28You're fired.
09:29Leave.
09:30Oh, what the hell?
09:31I worked on the last nine Mercer mansions,
09:34and now I'm fired because of this bitch?
09:38If I collapse your loan...
09:39Wait.
09:40Did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks,
09:45and I'll handle this.
09:46Come on.
09:47Everything's nearly finished.
09:48I'm gonna have a team come in and make some final measurements over here.
09:52And I'll ensure they know how to keep their mouth shut.
09:54Uh...
09:55Is this...
09:56all marble?
09:57Seeing her in my house gives me a strange feeling.
09:58It's so beautiful.
09:59What is it about her?
10:00Why do I want to...
10:01Follow me.
10:02Wow, an elevator?
10:04By the way, what you did out there?
10:06I'd dismiss you.
10:07No.
10:08No.
10:09No.
10:10No.
10:11No.
10:12No.
10:13No.
10:14No.
10:15No.
10:16No.
10:17No.
10:18No.
10:19No.
10:20No.
10:21No.
10:22No.
10:23No.
10:24No.
10:25There.
10:26I'd dismiss you just as fast...
10:28If I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:35Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...?
10:42We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:06So, how would you do it?
11:11Paint me a picture.
11:14Right.
11:16Over here, I would put a chaise lounge velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right, right.
11:46Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance.
11:53Fantasy romance.
11:55Anyway, this would be a great place to mount wall cuffs.
12:01I'm drowning in the heat.
12:09Afraid of what I need.
12:15Your touch is like a flame.
12:18But I can't turn your way.
12:19Don't pick up.
12:20I can't turn your way.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:45Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:01I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:21Your jacket.
13:26Mr. Mercer.
13:30I won't ask twice.
13:39What's this for?
13:45It's perfect.
13:48Now go get dressed.
13:51No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:21What I say you are.
14:36Ladies and gentlemen.
14:38It is my pleasure to welcome you all to the annual Architectural Ball.
14:43Proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer, Mrs. Celia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:09So without further ado, please enjoy your drinks, and have a wonderful night.
15:25May I have this dance?
15:26Okay.
15:27I was hoping that we could walk and talk, or maybe dance and discuss.
15:40I was thinking maybe you would benefit from a designer who really knows you.
15:49Your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flint.
15:57Doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:16Get your hands off of her!
16:19What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:31Get him out of here.
16:36It's all right, folks. Enjoy the party. It's okay.
16:40Are you okay?
16:42Why don't you go grab a drink? I'm going to take care of this.
16:49Crazy night, huh?
16:54Too crazy.
16:55I'm Nora, a close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:03It's demanding.
17:05And the client? What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Oh, come on. It must be crazy, right?
17:13I really can't.
17:17Oh!
17:19Oh, how embarrassing.
17:21What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What? I'm just trying to help.
17:39Help? Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:51Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:10I feel, excuse me.
18:19I have work to do.
18:34Hmm, this hand.
18:37What if?
18:37Maybe cuffs?
18:41What if we hang something around here?
18:59Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:07Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night, and I barely got them done in time.
19:34You've done it once before.
19:35Or you can do it again.
19:37Don't you think?
19:38Maybe, just maybe, that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:41I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs by tomorrow morning.
21:19You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:31Brushed work is not work to be proud of.
21:38Is this you?
21:39And my parents.
21:40They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:55I'm going to deliver these designs to everyone.
21:56I have a surprise for you.
22:04To your first approval.
22:05It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom?
22:20From what?
22:21Me?
22:22No.
22:23No, not you.
22:25From this.
22:26Well...
22:27I need to keep track of you.
22:30I mean...
22:31What if...
22:32Sterling...
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean...
22:42You'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're gonna have to wait till tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06And that's why I can't let you go.
23:24What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:54It's kind of beautiful.
24:01No, no.
24:01It's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13intentional.
24:16Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client, only satisfy their needs.
24:49Would you like to see your designs?
24:50Is it not what you thought?
25:10No, it's...
25:12It's not bad.
25:13It...
25:13The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing they put up, uh...
25:23cuts signal.
25:24What?
25:25No.
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
25:58I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:09I wanted you.
26:11I wanted you.
26:28Sir, your 7 o'clock is waiting upstairs.
26:58Tuck your shirt in, sir.
27:09I know.
27:11I know.
27:13Ah!
27:14Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:14He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24What was I thinking?
28:24I don't know.
28:54I got you now, bitch.
29:08I found her address.
29:24Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:49I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
29:56You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Well, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:41or a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
31:05Miss Brooks, in my office immediately.
31:08Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:08She can't be trusted.
32:08And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:18Miss Brooks.
32:19What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:33You're not trusting me?
32:37You were the one with another woman after all that, I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into them.
32:55You promise?
32:58I promise.
32:59I promise.
33:00I promise.
33:01I promise.
33:01I promise.
33:01I promise.
33:19I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard, Thursday.
33:22Let's go inside.
33:52You cut right through. Every look says what you do. Pull me under, soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
34:17Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does. Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
34:47You can't do this!
35:13But see, I already have, sweetheart. Give me the designs. Tell Sterling, and your sweet old pappy dies. And your little cat, too. Your choice.
35:23I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
35:38Is that a personal email?
35:43Sweetie, you don't have to do this. Too late, old man. Who the fuck are you? Your worst nightmare.
36:06Baby! I'm so glad you made it. I set all this up for you.
36:12This better work.
36:16No, no, you won't eat.
36:17Mm, mm, mm, mm, mm, mm.
36:18Leap?
36:19You won't eat.
36:20That's my most competent team.
36:23Hey.
36:28Yeah, sir.
36:30yo'r
36:30yo'r
36:34csp
36:36I can't identify her, but we knew her enough to let her in.
37:06Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I, uh, just, I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty, and I don't want to get messed up.
38:01It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:30Good girl.
38:49You're right on time.
38:53Well, don't hesitate now, sweetheart, or they're dead.
38:58Come on, Cecilia.
39:00Do it.
39:00Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:19I've had a change of heart.
39:42Please.
39:48No.
39:49This way.
39:50Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye,
40:19and then that will pave way for the construction site of all Hale designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you.
40:38Oh, oh, oh.
40:41But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's Project Mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:04Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:17Who's the client?
41:18How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:34So, tell me, who is the client?
41:48He took care of my family.
41:51I'm never going to sell him out.
41:52Unless you forget, sweetheart.
41:59You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:04Promise, I don't know anything.
42:09Hmm.
42:11Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:38Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling.
42:47Wait, no.
42:47No, I'll tell you.
42:48I'll tell you anything you want to know.
42:49Please, just don't touch him.
42:51I'll tell you.
42:51I'll tell you.
42:57Tell me everything.
43:06I don't, I don't know a lot.
43:09I just, I know she's very private, very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir.
43:27I found your little project mansion, and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:45And then I ransacked his mail.
43:53That's where I found you, your address, and your little cat, too.
44:00Well then, looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweetness, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:21Besides, I don't do witnesses.
44:33Sterling, help me, please!
44:35Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00Nor stop!
45:01Put down the knife!
45:03She kidnapped me!
45:05I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:18That was confidential.
45:19That little bitch.
45:20She told Vincent everything!
45:22No, she's lying.
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:48No!
45:52Something like!
45:55Vincent, you can't leave!
45:57You have to wait for me to be silent!
45:59Anything you say can't be moving this against you and it's going to fall!
46:02No, get this, my sir!
46:04Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent will be able to touch the project.
46:18I'm so happy you found me.
46:27I thought...
46:28Always find you.
46:29How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:49Hey, hey, would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:26Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:34Yes!
47:35I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
47:52I want to change first.
47:57I don't know.
48:27I don't know what you do, but love just fits like truth.
48:34This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:21I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48But then you came in.
50:05You're kind.
50:09Old.
50:11Intuitive.
50:13Sterling.
50:13Close.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:23Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33Yes.
50:34Yes, Sterling.
50:34Yes.
50:34Yes.
50:35Yes.
50:35Yes.
50:36Yes.
50:36Yes.
50:37Yes.
50:37Yes.
50:38Yes.
50:38Yes.
50:39Yes.
50:40Yes.
50:41I said yes to you, to forever too, to every dream we're walking through.
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