- 6 days ago
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Category
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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:07Burn down.
08:08Enjoy the view?
08:09No, I um...
08:24Just didn't want to disturb you.
08:27I don't mind if you stare.
08:28Sorry, Sarah.
08:30Sir, I was just interested in your build.
08:33The building, the build of the mansion
08:36that we're building to work on today.
08:41What time are we leaving for?
08:42Car leaves in 10 minutes.
08:44Great. I'll be ready.
08:57How much further?
09:00Patience, Ms. Brooks.
09:11Oh, my God.
09:18Hey, Foxy!
09:19I got something that'll keep that jaw clenched.
09:22Wow. Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:26Get off my property.
09:28What?
09:29You're fired.
09:30Leave.
09:31Oh, what the hell?
09:32I worked on the last nine Mercer mansions,
09:34and now I'm fired because of this bitch?
09:38If I collapse your loan...
09:39Wait.
09:40Did he just stand up for me?
09:42Sir, how about you?
09:44Continue your work with Ms. Brooks,
09:46and I'll handle this.
09:49Come on.
09:49Everything's nearly finished.
09:53I'm going to have a team come in and make some final measurements over here,
09:56and I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:07Seeing her in my house gives me a strange feeling.
10:10It's so beautiful.
10:10What is it about her?
10:13Why do I want to...
10:14Follow me.
10:21Wow, an elevator?
10:23By the way,
10:24what you did out there,
10:25thank you.
10:26I'd dismiss you just as fast
10:27if I wasn't pleased with your work, Ms. Brooks.
10:30Remember that.
10:35Your first task for the client.
10:37I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:53The client would like this room transformed
10:57into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:04I hope she doesn't see right through me.
11:06So...
11:07How would you do it?
11:11Uh...
11:11Um...
11:12Paint me a picture.
11:14Right.
11:16Uh, over here,
11:17I would
11:18collect a
11:19chaise
11:20lounge
11:21velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights
11:28and
11:29handles.
11:31And next to it,
11:32we could put a cabinet for
11:33whips and toys and
11:34things.
11:36You're very well versed.
11:38I
11:38read a lot.
11:40Certain
11:41genres of certain books have certain
11:43details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read
11:49fantasy and
11:51romance and
11:52fantasy romance.
11:55Anyway,
11:55uh,
11:56this would be a great place to
11:59announce
12:00wall cuffs.
12:01I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:19Don't pick up.
12:20Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now
12:35to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:48Your contract explicitly states
12:50that I receive 100%
12:51of your attention
12:52at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls
13:00at work.
13:02I'm sorry.
13:09Mr. Mercer,
13:10it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you
13:14by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:30I won't ask twice.
13:40What's this for?
13:44It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading
14:12some of the top designers.
14:13I don't understand.
14:14How does this take priority
14:16over work?
14:16Am I your date
14:18or your designer?
14:19You are
14:20what I say you are.
14:35Ladies
14:36and gentlemen,
14:38it is my pleasure
14:39to welcome you all
14:40to the annual
14:41architectural ball
14:43proudly hosted
14:44by the Mercer Group.
14:46I'd also like
14:50to welcome
14:51and introduce
14:51our newest
14:52interior designer,
14:54Mrs. Cecilia Brooks.
15:00I thought you said
15:01you had the job.
15:02I did everything
15:03that I could.
15:04Mitch must have slept
15:05with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:09So without further ado,
15:14please enjoy your drinks
15:16and have a wonderful night.
15:25May I have this dance?
15:27Oh.
15:31Sterling.
15:31I was hoping that maybe
15:34we could walk and talk
15:36or maybe
15:37dance and discuss.
15:41You must be working so hard.
15:43I was thinking
15:44maybe you would benefit
15:46from a designer
15:47who really knows you,
15:50your past.
15:52I'm not interested
15:53in rehashing old relationships,
15:54no.
15:56It was just a flight.
15:57It doesn't mean
15:58we can't be close.
16:01Sterling could be
16:02a difficult
16:03person to work for.
16:06No.
16:08You know you can
16:09come to me
16:10if you need
16:11anything.
16:15Get your hands off of her!
16:18What the hell
16:23are you doing here,
16:24Vincent?
16:25Folks,
16:26looks like the jester
16:26came to play!
16:29Get him out of here.
16:36It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Are you okay?
16:42Why don't you go
16:42grab a drink?
16:43I'm going to take care of this.
16:48Crazy night, huh?
16:54Too crazy.
16:55I'm Nora,
16:56a close friend
16:57of Sterling's.
16:58So,
16:59tell me,
17:00how's the new position
17:01treating you?
17:03It's
17:04demanding.
17:05The client?
17:07What's your feel on them?
17:08Oh,
17:08I'm not at liberty
17:09to discuss that.
17:10Come on,
17:11it must be crazy, right?
17:13I really can't.
17:16Oh!
17:18Oh,
17:20how embarrassing.
17:25What are you doing
17:26in here?
17:26Cecilia,
17:27I'm sorry.
17:28I'm so done
17:29with their whole world.
17:32Yeah,
17:33the head of the board
17:34was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean,
17:43I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you,
17:49you've controlled
17:49every aspect of my life,
17:51every movement I make.
17:52You're obsessive,
17:53cryptic,
17:54a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Phil,
18:02excuse me.
18:19I have work to do.
18:20Hmm,
18:22this hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Sorry,
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe, I don't care.
19:44Wait, I should have remembered.
19:48It's not in the contract.
19:58Oh my god.
20:04Excuse me miss, where's my grandfather?
20:07I'm sorry, usually if they're not in the room it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:36I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well when I said I needed your undivided attention,
20:57I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs.
21:12By tomorrow morning.
21:19You're welcome.
21:20I've been expecting you.
21:28I have a feeling I'll be impressed.
21:31Brushed work is not work to be proud of.
21:38Is this you?
21:39And my parents.
21:40They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47That was a long time ago.
21:49What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:55I'm going to deliver these designs to everyone.
21:58I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom?
22:20From what?
22:21Me?
22:22No.
22:23No, not you.
22:25From this.
22:26Well...
22:27I need to keep track of you.
22:30I mean, what if...
22:32Sterling...
22:32I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you, but...
23:00You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises, aren't you?
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're going to come back tomorrow with the rest of the crew and get it resolved.
23:37Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no.
24:01It's a mistake.
24:02It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this...
24:18elevates the intention of the space.
24:21The juxtaposition between...
24:23control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:28Follow me.
24:32Your second task for the client.
24:37Master bedroom...
24:38and nursery.
24:40Oh.
24:41The client's a family man.
24:42We don't discuss the client.
24:45Only satisfy their needs.
24:48Would you like to see your designs?
24:50Is it not what you thought?
25:11No, it's...
25:12it's not that.
25:16It...
25:17The power went up.
25:18There's no signal.
25:19Yeah, the...
25:20soundproofing they put up, uh...
25:22cuts signal.
25:24What?
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:48The client?
25:50What?
25:51No, what?
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:11I wanted you to do it.
26:12I wanted you to do it.
26:13I wanted you to do it.
26:14I wanted you to do it.
26:15I wanted you to do it.
26:16I wanted you to do it.
26:17I wanted you to do it.
26:18I wanted you to do it.
26:19I wanted you to do it.
26:20I wanted you to do it.
26:21I wanted you to do it.
26:22I wanted you to do it.
26:23I wanted you to do it.
26:24I wanted you to do it.
26:25I wanted you to do it.
26:26I wanted you to do it.
26:27I wanted you to do it.
26:28I wanted you to do it.
26:29I wanted you to do it.
26:30I wanted you to do it.
26:31I wanted you to do it.
26:32I wanted you to do it.
26:33I wanted you to do it.
26:34I wanted you to do it.
26:35Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:05I know.
27:11I know.
27:12Ah!
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:37I'm so embarrassed.
27:42Um, hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay, okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay, okay, Pappy.
27:58I'll go.
27:59Um, it was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:03What the hell?
28:15He has a girlfriend?
28:16He has a girlfriend?
28:23What was I thinking?
28:24He has a girlfriend.
28:26He has a girlfriend.
28:37He has a girlfriend.
28:40You're doing a girlfriend.
28:40He's in person.
28:42But I'm justắc.
28:42I've been an partner.
28:44He has a girlfriend.
28:44He has a girlfriend.
28:45He has a girlfriend.
28:45That's what he has.
28:45He has a girlfriend.
28:46Gotcha now, bitch.
29:08I found her address.
29:16Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Ms. Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Well, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it.
30:42Or a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks!
31:07In my office immediately.
31:09Are you sure you want me in there?
31:10Or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:05Anything I should know, sir?
32:07She can't be trusted.
32:08And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:19Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33Not to.
32:35You're not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:51I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I promise.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard, Thursday.
33:22You're too hard, Thursday.
33:23You're too hard, Thursday.
33:24Touch me with a light bulb glow
33:27Love me deep, love me slow
33:31Oh, kiss me and if I'll take all I hide
33:36Let's go inside.
33:37Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:01You're the secret I can't keep
34:04Breath on glass, you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give, and I pray
34:17Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today
34:27Oh, Mr. Brooks doesn't have an appointment today
34:29I can assure you he does
34:31Well, thank you for coming
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat
34:53Hello, Cecilia. I'll need your full cooperation
35:03I have something of yours you might want back
35:06Now that I've got your attention
35:08I need a little favor
35:10Bring me Mercer's Legacy One design
35:12You can't do this!
35:14But see, I already have, sweetheart
35:16Get me the designs
35:17Tell Sterling and your sweet old pappy dies
35:21And your little cat, too
35:22Your choice
35:23I've been reviewing project management assets
35:26You're four days late on the Hudson property
35:29The client is not happy
35:31Mr. Mercer is not happy
35:33Pick it up or I'll give your work to her
35:35She's three days ahead
35:36Is that a personal email?
35:39Sweetie, you don't have to do this
36:00Too late, old man
36:02Who the fuck are you?
36:04Your worst nightmare
36:06Baby!
36:07I'm so glad you made it
36:09I set all this up for you
36:11This better work
36:14No, no, you won't
36:17Mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm, mmm
36:47Show me the video.
36:56Yes, sir.
37:00She knew how to invade the cameras.
37:02I can't identify her, but you knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:17Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason,
37:47that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:17What the hell is going on?
38:30What the hell is going on?
38:30Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
39:00Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Sterling Mercer's legacy.
39:11Oh, Sterling.
39:12Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't.
39:26Get out of here.
39:28Look, look.
39:28Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:29Look.
39:31Look.
39:31Look.
39:33Look.
39:33Look.
39:33Look.
39:33Look.
39:33Look.
39:33Look.
39:33Look.
39:34Look.
39:34Look.
39:35Look.
39:35Look.
39:37Look.
39:37Look.
39:38Look.
39:38Look.
39:39Look.
39:40I've had a change of heart.
39:46Please.
39:47No.
39:48This way.
39:59Wow.
40:00You really know how to tie the room together, darling.
40:03Sterling has my location.
40:05You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:09You see, when that timer goes off, you and that little tracker and this entire place will
40:18go bye-bye.
40:19And then that will pave way for the construction site of all hell designs.
40:23He'll find me.
40:24He'll find me.
40:25And when he does?
40:26And when he does?
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:36Screw both of you.
40:37Oh.
40:38Oh.
40:39Oh.
40:40But I almost have everything I need.
40:43Hmm?
40:44His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:04Therefore, Mercer will no longer have any names attached to any property.
41:10That will never happen.
41:13Hmm.
41:16Who's the client?
41:19How much was the bid offer?
41:22I don't know.
41:25Will you remember?
41:28Trust me.
41:30Even if I did, I wouldn't tell you.
41:33No!
41:42So!
41:44Tell me.
41:46Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:09Hmm.
42:10Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So.
42:16Tell you what.
42:18This is how it's going to go.
42:20You're going to tell me, and then you, Pappy, and little Kitty, go free.
42:28While Mercer Designs burns to the ground.
42:31Or...
42:33I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:43Okay.
42:45Decisions, decisions, darling!
42:46Wait, no! No, I'll tell you!
42:47I'll tell you anything you want to know.
42:48Please, just don't touch him!
42:50I'll tell you!
42:51I'll tell you!
43:01Tell me...
43:03everything.
43:05I don't...
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir.
43:27I found your little project mansion.
43:30And that newly built BDSM room.
43:32Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:44I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you.
43:55Your address.
43:58And your little cat too.
44:03Well then.
44:05Looks like you chose...
44:07Oh!
44:09Oh, I'm sorry my sweetness, but...
44:12Our short little affair is over.
44:15Excuse me.
44:17Well...
44:19Obviously I don't need your services any longer.
44:22Besides...
44:24I don't...
44:25do...
44:26witnesses.
44:28Sterling!
44:29Help me, please!
44:30Sterling, wait!
44:31It's a trap!
44:32Sterling, please!
44:33You have to help me!
44:34What?
44:35Watch out!
44:37Tell me how to deform it!
44:39Now!
44:41Black wire!
44:42You little bitch!
44:43North, stop!
44:44Put down the knife!
44:45She kidnapped me!
44:46I've been waiting here for hours for you!
44:47Put down the knife!
44:48Come on, let me at her one last time!
44:49She betrayed you!
44:50She's the one who gave up the Legacy One on the third floor!
44:51Wait, how do you know about the Legacy One project?
44:52That was confidential?
44:53No!
44:54No!
44:55No!
44:56No!
44:57No!
44:58No!
44:59No!
45:00No!
45:01No!
45:02No!
45:03No!
45:04No!
45:05No!
45:06No!
45:07No!
45:08No!
45:09No!
45:10No!
45:11No!
45:12No!
45:13No!
45:14No!
45:15No!
45:16No!
45:17Wait, how do you know about the Legacy One project?
45:18That was confidential?
45:19That little bitch!
45:20She told Vincent everything!
45:22No!
45:23She's lying!
45:24Yeah!
45:25It's all because of her!
45:28She drugged you!
45:29No I didn't you bitch!
45:31When I thought I saw you with that woman?
45:34Then you lose the designs!
45:35No!
45:36No, it wasn't me!
45:38Ok!
45:39Vincent made me do it!
45:40He said, he threatened my family!
45:41I had no other choice!
45:42your joints. I don't believe you. Arrest her. No. No. Stop the night. No. No. No. I'm timeless.
46:05I'm so sorry. It's okay. It's okay. But I gave him your designs. I didn't know what else to do.
46:11I was trying to save them. I didn't mean to. You're safe. You're safe. Okay? Vincent, we'll be able to touch the project.
46:25I'm so happy you found me. I thought. What ways I find you? How?
46:32Because I know you. That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:56Sorry, Pappy. I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart. I love Agnes. I really mean it.
47:16Okay, Pappy. Just get some rest.
47:18I mean it, Cece. When a man knows, he knows.
47:26Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:34Yes!
47:35I love you, Agnes.
47:37Marley, what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52I want to change first.
48:22Everything feels brand new.
48:25Sunlight dancing in my life.
48:27Come here.
48:28I don't know what you do.
48:31But love just fits like truth.
48:34You got a...
48:35This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:48Um...
48:49Yes, Sterling?
48:50I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This...
49:13This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48But then you came in.
50:07You're kind.
50:09Old.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:34Yes.
50:34Yes, Sterling.
50:36I said yes to you, to forever, too, to every dream we're walking through.
50:53Bye.
50:53Because of you.
50:54I lost you.
51:00I
51:08I'm lost.
51:08I'm lost.
51:14I'm lost.
51:15I'm lost.
51:18I'm lost.
51:19I'm lost.
51:19I'm lost.
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