- 6 days ago
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Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:07Burnt in my mind.
08:08Enjoy the view?
08:09No, I um...
08:12Just didn't...
08:13Wanted to disturb you.
08:14I don't mind if you stare.
08:15Sorry, Sarah.
08:16I was just...
08:17Interested.
08:18I was just...
08:19Interested.
08:20I was just...
08:21You know...
08:22You know...
08:23We were just...
08:24You know what?
08:25I was just...
08:26I was just...
08:27You know...
08:28You know what?
08:29I was just...
08:30You know what?
08:31I was just...
08:32sit in your build the building the build of the mansion that we're building to work on today
08:40what time are we leaving for car leaves in 10 minutes great i'll be ready
08:46how much further patience miss brooks
09:11oh my
09:16hey foxy i got something that'll keep that jaw clenched wow original mr mercer
09:24we didn't know you was coming in today get off my property what you're fired
09:30leave oh i worked on the last nine mercer mansions and now i'm fired because of this
09:36bitch if i collapse your loan wait did he just stand up for me sir how about you continue your
09:44work with miss brooks and i'll handle this come on everything's nearly finished i'm gonna have a
09:53team come in and make some final measurements over here and i'll ensure they know how to keep their
09:58mouth shut uh is this all marble
10:07seeing her in my house gives me a strange feeling it's so beautiful
10:11what is it about her why do i want to follow me
10:21wow an elevator by the way what you did out there thank you i'd dismiss you just as fast
10:28if i wasn't pleased with your work miss brooks remember that
10:31your first task for the client i don't know anything about the client who is
10:42we don't ask about the client we only worry about what they desire
10:46okay am i allowed to know what the purpose of this room is yes great the client would like this room
10:56have been transformed into their bdsm chambers
11:02i hope she doesn't see right through me
11:06so how would you do it uh
11:12make me a picture right uh over here i would collect a chaise lounge velvet
11:22obviously obviously and over here would be a great place to mount a swing one with adjustable
11:28heights and handles and next to it we could put a cabinet for whips and toys and things you're very
11:36well versed i read a lot certain genres of certain books have certain details that's right right of
11:46course yeah it's perfectly normal a lot of women read fantasy and romance and fancy romance
11:55anyway uh this would be a great place to mount wall cuffs
12:10i don't pick up
12:28hello miss brooks i'm sorry we need the payment
12:32i i understand is there anything i could do now to hold him there anything that could be done right now
12:38we need your payment miss brooks by tomorrow morning all two hundred thousand dollars
12:43okay i'll get it to you i promise
12:48sorry your contract explicitly states that i receive 100 of your attention at work
12:55who was that it's personal there are no personal calls at work i'm sorry
13:08mr mercer it won't happen again i'll get to work right away i'll have designs to you by tomorrow
13:14morning
13:18take it off what
13:24your jacket
13:27mr mercer
13:28i won't ask twice
13:38uh what's this for
13:46it's perfect now go get dressed
13:58no need to pout miss brooks
14:11you'll be reading some of the top designers i don't understand how does this take priority over work
14:17am i your date or your designer you are
14:20what i say you are
14:36ladies and gentlemen it is my pleasure to welcome you all to the annual architectural ball proudly hosted
14:44by the mercer group
14:49i'd also like to welcome and introduce our newest interior designer
14:55miss cecilia brooks
15:00i thought you said you had the job i did everything that i could
15:04which must have slept with him in the interview fine i'll fix it myself
15:09so without further ado please enjoy your drinks and have a wonderful night
15:17you
15:26may i have this dance
15:26Oh, um, Sterling, I was hoping that maybe we could walk and talk, or maybe dance and discuss.
15:40You must be working so hard.
15:43I was thinking, maybe you would benefit from a designer who really knows you, your past.
15:50I'm not interested in rehashing old relationships, no. It was just a flight.
15:57Doesn't mean we can't be close.
16:00Sterling could be a difficult person to work for.
16:07You know you can come to me if you need anything.
16:16Get your hands off of her!
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:30Get him out of here.
16:36It's alright, folks. Enjoy the party, it's okay!
16:40You okay?
16:42Why don't you go grab a drink, I'm gonna take care of this.
16:51Crazy night, huh?
16:54Too crazy.
16:55I'm Nora, a close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:03It's demanding.
17:05And the client? What's your feel on them?
17:07Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:12I really can't.
17:16Oh!
17:18Oh, how embarrassing!
17:21What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:33The head of the board was barking my ear off.
17:36Stop it!
17:37What? I'm just trying to help.
17:39Help? Really?
17:40That's rich.
17:42I mean, I am rich.
17:44You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make!
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
18:07Feel, excuse me. I have work to do.
18:20You.
18:35This hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:50Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:31Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:38Don't you think? Maybe, just maybe, that's an unreasonable amount of time.
19:42Maybe. I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:57Oh my god.
20:03Excuse me, miss.
20:05Where's my grandfather?
20:06I'm sorry.
20:07Usually if they're not in the room, it's because the insurance ran out or...
20:10Ms. Brooks?
20:11Yes?
20:12I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30He's being very well taken care of.
20:31I don't understand. How is that possible? I can't afford that.
20:37I told you. I'll take care of everything.
20:40What? I can't believe this.
20:42Oh, but... but why? Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
20:58What?
20:59What?
21:01Now the only thing you have to worry about... is me.
21:05I'm not your slave.
21:11Five designs. By tomorrow morning.
21:13You're welcome.
21:26I've been expecting you. I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:32Sorry.
21:37Is this you?
21:38And my parents.
21:39They must be so proud of you.
21:40They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:45I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished. On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:03To your first approval.
22:10It's beautiful.
22:13I... do have a request, though.
22:16I was wondering if I could... I could have a little freedom?
22:20From what? Me?
22:22No. No, not you.
22:25From this.
22:27Well... I need to keep track of you. I mean, what if...
22:31Mr. Lee...
22:33I'm not your parents.
22:35I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:39But you continue to impress me. I mean...
22:42You'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're gonna have to wait till tomorrow.
23:03Hmm. Full of surprises. Aren't you?
23:05Aren't you?
23:10And that's why I can't let you go.
23:27What are you two doing here? There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:32It seems that the search...
23:33It's nothing urgent.
23:34We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:38Okay.
23:41Thank you for the update.
23:42Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces. White marble.
23:52What the hell?
23:58It's kind of beautiful.
24:00No, no. It's a mistake.
24:01It's not too perfect. It's bold. It's not trying hard. It just... is.
24:11Well, I like my work to be intentional.
24:13Intentional.
24:16Well, I would argue that this elevates the intention of the space.
24:20The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:31Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
25:01Is it not what you thought?
25:10No, it's... it's not that. It...
25:16The power went up.
25:18There's no signal.
25:19Yeah, the... soundproofing they put up, uh...
25:22cuts signal.
25:23What?
25:24No.
25:38It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know. An hour?
25:45Maybe two.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No, what?
25:52You're not supposed to ask about the client.
25:53Just tell me.
25:55No.
25:56It's not.
25:57Is she... more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:07All because...
26:10I wanted you.
26:37No.
26:38No.
26:47Sir, your...
26:48Seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:08I know.
27:11I know.
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:22He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie!
27:28What are you doing home?
27:30What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:38I'm so embarrassed.
27:42Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:52Go back, Cece.
27:54Okay, okay.
27:55Everything's all right.
27:56Agnes has taken very good care of me.
27:58Okay, okay, Pappy. I'll go.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:05What the hell?
28:06He has a girlfriend?
28:07What the hell?
28:08He has a girlfriend?
28:09What was I thinking?
28:11What the hell?
28:13What the hell?
28:15He has a girlfriend?
28:21What was I thinking?
28:23What was I thinking?
28:53I got you now, bitch.
29:08I found her address.
29:23Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:20Even has a nice name.
30:23Well, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:41Or of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:53Miss Brooks,
31:07in my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:07She can't be trusted.
32:08And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um...
32:25I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33Not too.
32:35You're not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you...
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:51I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I promise.
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard, Thursday.
33:22You're too hard, Thursday.
33:23You're too hard, Thursday.
33:24Touch me with a light, I'm gone.
33:28Love me deep, love me slow.
33:31Oh, kiss me and if I'll take all I hide.
33:36Let's go inside.
33:37Let's go inside.
33:37Let's go inside.
33:38Let's go inside.
33:39I'll be inside.
33:43Let's go inside.
33:50Let's go inside.
33:50Eyes like knives you cut right through.
33:54Every look says what you do.
33:58Pull me under soft and deep.
34:01You're the secret I can't keep.
34:04Breath on glass, you trace my name No one else can play this game
34:10You don't ask, you just take And I give, and I pray
34:17Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat.
35:00Hello, Cecilia. I'll need your full cooperation.
35:04I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39No.
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:13No, no, you won't eat.
36:17No, no, you won't eat.
36:18No, no.
36:18Let's go.
36:48Show me the video.
36:56Yes, sir.
37:00She knew how to invade the cameras.
37:02I can't identify her, but you knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:18Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
39:00Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:40I've had a change of heart.
39:44Please.
39:48No.
39:49This way.
39:50This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of all Hale designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:04Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:34So, tell me, who is the client?
41:48He took care of my family.
41:51I'm never going to sell him out.
41:56Unless you forget, sweetheart.
41:59You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:05Promise?
42:07I don't know anything.
42:11Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:20You're going to tell me, and then you, Pappy, and little Kitty can go free, while Mercer Designs burns to the ground.
42:31Or, I could kill you right here.
42:37Right now.
42:38And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Just don't touch him!
42:51I'll tell you!
42:51Tell me everything.
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:20Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion,
43:30and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:50And then I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:57and your little cat, too.
44:00Well, then.
44:05Looks like you chose...
44:08Oh!
44:09Oh, I'm sorry, my sweetness,
44:11but our short little affair is over.
44:15Excuse me.
44:17Well, obviously, I don't need your services any longer.
44:21Besides,
44:22I don't do witnesses.
44:33Sterling, help me, please!
44:35Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:46Tell me how to deform it!
44:48Now!
44:49Black wire!
44:59You little bitch!
45:00Nor, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:05I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One
45:13and the third floor!
45:16Wait, how do you know about the Legacy One project?
45:18That was confidential.
45:19That little bitch?
45:20She told Vincent everything!
45:22No, she's lying!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:52Stop the knife!
45:53No!
45:54Stop!
45:54Stop!
45:55They paid you, please!
45:57You have the right one!
45:58You're not silent!
46:00Anything you say can't move against you and you're going to block!
46:03No, Spicer!
46:04Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent, we'll be able to touch the project.
46:18It's okay.
46:18I'm so happy you found me.
46:27I thought...
46:28What ways I find you?
46:32How?
46:36Because I know you.
46:38That moment in the parking lot, I knew from your eyes that you needed me.
46:48I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:59Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:16She just gets impressed.
47:18I mean it, Cece.
47:20When a man knows, he knows.
47:26Agnes, it's been a long time since I've met someone as caring as you.
47:30And I'd like you to be my wife.
47:34Yes!
47:35I love you, Agnes.
47:45Marley, what are you doing here?
47:47Miss Brooks.
47:49Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:53Miss Brooks.
48:03ma'am
48:04I don't know you're worried when I saw you.
48:05I won't tell you.
48:11I just woke up when the sky was pink.
48:14And coffee tasted like sugar dreams.
48:16This is really beautiful.
48:43We work well together.
48:44I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:14This...
49:14This is my legacy.
49:19Come here.
49:20I need to show you something.
49:29I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create balance.
49:48Balance.
49:48But then you came in.
50:05You're kind.
50:09Old.
50:11Intuitive.
50:12Sterling.
50:13Beautiful.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33Yes, Sterling.
50:40I said yes to you
50:44To forever, too
50:47To every dream
50:50We're walking through
50:52Who.
50:53Are you all around me?
50:54Do a good pairing.
50:55Or would you like to do okay?
50:55What would you be
51:06To a life?
51:08And to be a good pairing,
51:09If you don't meet theあります,
51:10Do a good pairing.
51:11Do a good pairing.
51:12Yes, Sterling.
51:12To...
51:13If you have these다고,
51:14If you have ever Horizons,
51:15Is there
51:17There?
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