- 2 days ago
Designed For Desire - Full HD Movie
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:52Until then, we cannot proceed.
01:54Okay, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24A gift? In exchange for being kidnapped? No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What? Like a dog collar?
02:54Do you think you own me now?
02:56I wouldn't do that.
02:57Come on, let's go.
02:58This is insane.
02:59Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What? Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:29Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:56Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:09I'm so sorry, Pappy.
05:11I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey.
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that.
05:39I did not agree to this.
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:50Must reside with Mr. Mercer for the duration of the project?
05:54How long?
05:56Keep reading.
05:58And definitely without exception?
06:02A gift.
06:03What the fuck?
06:04A gift?
06:05In exchange for being kidnapped?
06:06No thanks.
06:07I need to know where you're at.
06:08At all times.
06:09It's a tracker.
06:10What?
06:11Like a dog collar?
06:12Do you think you own me now?
06:13I wouldn't do that.
06:14Come on, let's go.
06:15This is insane.
06:16Just give me a second.
06:17Put Crumpet in his carrier and call my grandfather.
06:18No.
06:19There are no animals in the mansion.
06:20You must say goodbye to your little crumpet.
06:21What?
06:22Absolutely not.
06:23Absolutely not.
06:24I told you in the contract that I will take care of everything.
06:25I don't care about the contract.
06:26What?
06:27Oh my god.
06:28Goodbyes are always so hard.
06:29Put me down.
06:30What are you doing?
06:31Welcome back, Ms. Brooks.
06:32So, I'm not allowed to tell you.
06:33Can you tell me a second?
06:34Why do you say that?
06:35Can you tell me a second?
06:36Put Crumpet in his carrier and call my grandfather.
06:37No.
06:38There are no animals in the mansion.
06:39You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:46I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Welcome back, Ms. Brooks.
06:59So, I'm not allowed to tell her.
07:01leave? If you leave your contract will be terminated immediately. And what you're
07:05just gonna leave me all alone here? Would you like me to join you?
07:18No no no no why is it making that sound? Damn if I leave Pappy dies. Shit I'm trapped
07:26with this monster. Oh my god is this really happening? I'm stuck.
07:40This is your uniform. Work hours have started already. Tidy yourself up report to
07:47Mr. Mercer. Oh and uh chop chop Miss Brooks. Mr. Mercer does not like to be kept waiting.
07:58No I um just didn't want to disturb you. I don't mind if you stare.
08:28Sorry sir I was just interested in your build. The building. The build of the mansion that
08:37we're building to work on today. What time are we leaving for?
08:42Car leaves in 10 minutes. Great. I'll be ready.
08:46How much further?
08:58Patience Miss Brooks.
09:02Oh my god.
09:13Hey Foxy. I got something that'll keep that jaw clenched. Wow. Original.
09:15Mr. Mercer. We didn't know you was coming in today. Get off my property. What? You're fired. Leave.
09:28What the hell? I worked on the last nine Mercer mansions and now I'm fired because of this bitch?
09:37If I collapse your lung. Wait. Did he just stand up for me? Sir. How about you? Continue your work with Miss Brooks and I'll handle this.
09:48Come on. Everything's nearly finished. I'm gonna have a team come in and make some final measurements over here and I'll ensure they know where to keep their mouth shut.
09:59Is this all marble? Seeing her in my house gives me a strange feeling. It's so beautiful. What is it about her? Why do I want to? Follow me.
10:21Wow. An elevator? By the way, what you did out there? Thank you. I'd dismiss you just as fast.
10:28If I wasn't pleased with your work, Miss Brooks, remember that.
10:35Your first task for the client.
10:39I don't know anything about the client. Who is...
10:42We don't ask about the client. We only worry about what they desire.
10:46Okay. Am I allowed to know what the purpose of this room is?
10:51Yes. Great.
10:53The client would like this room transformed.
10:57Mm-hmm.
10:58Into their BDSM chambers.
11:02I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:11Um...
11:12Paint me a picture.
11:14Right.
11:15Uh...
11:16Over here, I would collect a chaise lounge.
11:22Velvet.
11:23Obviously.
11:24Obviously.
11:25And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:36You're very well versed.
11:38I...
11:39Read a lot.
11:41Certain...
11:42Genres of certain books have certain details of...
11:45Right. Right.
11:46Of course.
11:48Yeah, it's perfectly normal.
11:49A lot of women read...
11:51Fantasy and...
11:52Romance and...
11:53Fantasy romance.
11:55Anyway, uh...
11:57This would be a great place to...
11:59Mount...
12:00Walk us.
12:03I'm drowning in the heat.
12:09Afraid of what I need.
12:15Your touch is like a flame.
12:18But I can't turn your way.
12:20Don't pick up.
12:28Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I... I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:12I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer...
13:31I won't ask twice.
13:32Mr. Mercer...
13:33Mr. Mercer...
13:38Uh...
13:40What's this for?
13:46It's perfect.
13:48Now go get dressed.
13:49No need to pout in this, Brooks.
13:50You'll be reading some of the top designers.
13:51I don't understand.
13:52How does this take priority over work?
13:53Am I your date or your designer?
13:54You are.
13:55What'd I say you are?
13:56What'd I say you are?
13:57What'd I say you are?
13:58I don't understand.
13:59How does this take priority over work?
14:00I don't understand.
14:01How does this take priority over work?
14:02Am I your date or your designer?
14:03You are.
14:04What'd I say you are?
14:06What'd I say you are?
14:07What'd I say you are?
14:11I don't know.
14:12I don't know.
14:13I don't know.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:20You are.
14:23What'd I say you are?
14:36Ladies and gentlemen, it is my pleasure to welcome you all to the annual Architectural Ball, proudly hosted by the Mercer Group.
14:50I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
15:00I thought you said you had the job.
15:02I did everything that I could.
15:04Bitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:25Let me have this dance.
15:31Sterling.
15:32I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:41You must be working so hard.
15:42You are.
15:43I was thinking.
15:44Maybe you would benefit from a designer who really knows you.
15:49Your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flight.
15:58Doesn't mean we can't be close.
15:59Sterling could be a difficult person to work for.
16:08You know you can come to me if you need anything.
16:12Anything.
16:17Get your hands off of her.
16:23What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play.
16:31Get him out of here.
16:32It's all right, folks.
16:37Enjoy the party.
16:38It's okay.
16:40You okay?
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:44Crazy night, huh?
16:45Yeah.
16:46Too crazy.
16:47I'm Nora.
16:48A close friend of Sterling's.
16:49So, tell me.
16:50How's the new position treating you?
16:52It's demanding.
16:53And the client?
16:54What's your feel on them?
16:55Oh, I'm not at liberty to discuss that.
16:56Oh, come on.
16:57It must be crazy, right?
16:58I really can't.
17:00Oh!
17:02Oh!
17:03Oh!
17:04Oh!
17:05Oh!
17:06Oh!
17:07Oh!
17:08Oh!
17:09Oh!
17:10Oh!
17:11Oh!
17:12Oh!
17:13Oh!
17:14Oh!
17:15Oh!
17:16Oh!
17:17Oh!
17:18Oh!
17:19Oh!
17:20Oh!
17:21Oh!
17:25What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah.
17:33The head of the board was barking my ear off.
17:36I...
17:37Stop it!
17:38What?
17:39I'm just trying to help.
17:40Help?
17:41Really?
17:42That's rich.
17:43I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:51You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Hmm.
18:01I've never got to take him anymore.
18:02I don't know.
18:03I've never got to take him anymore.
18:04Every time I was involved.
18:05I don't know.
18:06It's very good.
18:07I need to pay your account.
18:08I
18:18Feel excuse me. I have work to do
18:20Hmm, this hand. What if?
18:39Maybe cuffs? What if we hang something around here?
18:50Is that me?
19:03Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe just maybe that's an unreasonable amount of time?
19:42Maybe. I don't care.
19:44Wait. I should have remembered.
19:48It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry. Usually, if they're not in the room, it's because the insurance ran out or...
20:21Miss Brooks?
20:25Yes?
20:25I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand. How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:43Oh, but why?
20:52Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:06Five designs by tomorrow morning.
21:13You're welcome.
21:26I've been expecting you.
21:28I have a feeling I'll be impressed.
21:29Brushed work is not work to be proud of.
21:38Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished on a work trip into Europe.
21:52Guess I don't control everything after all.
21:55I'm going to deliver these designs to everyone.
21:56I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could have a little freedom.
22:20From what?
22:21Me?
22:22No, no, not you.
22:25From this.
22:25Well, I need to keep track of you.
22:30I mean, what if?
22:32Sterling.
22:34I'm not your parents.
22:36I'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:55I do have more surprises to show you, but you're going to have to wait till tomorrow.
23:04Full of surprises, aren't you?
23:11And that's why I can't let you go.
23:28What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the circuit...
23:34It's nothing urgent.
23:34We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:41Thank you for the update.
23:42Thank you, Mr. Mercer.
23:43I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just... is.
24:11Well, I like my work to be intentional.
24:16Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:45Only satisfy their needs.
24:49Would you like to see your designs?
25:02Is it not what you thought?
25:11No, it's... it's not that, it...
25:17The power went up.
25:18There's no signal.
25:19Yeah, the soundproofing they put up, uh, cuts signal.
25:24What?
25:25No.
25:38It's not funny.
25:39I'm not laughing.
25:40How long until someone notices that we're gone?
25:43I don't know.
25:44I don't know.
25:44An hour.
25:46Maybe two.
25:47Is it Nora?
25:49The client?
25:50What?
25:51No, what?
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she... more?
25:58I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:08I wanted you.
26:20I wanted you.
26:24I wanted you.
26:37Sir, your seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:08I know. I know.
27:13Who the hell are you?
27:14Calm down, sweetie. Put Crumpet down.
27:19Listen, sweetie. I work for Mr. Mercer.
27:22He hired me to take care of your grandpa and Crumpet until you return.
27:26Sweetie, what are you doing home?
27:28What am I doing?
27:31This is Agnes, my nurse. She's taking care of me.
27:34Oh, I'm sorry. I'm so embarrassed.
27:42Hello?
27:43Why are you in your apartment?
27:45If you're there, there's no need for Agnes to stay employed.
27:48Ceci, you're ruining my chances.
27:50Go back, Ceci.
27:51Okay, okay.
27:53Everything's all right. Agnes has taken very good care of me.
27:56Okay, okay, Pappy. I'll go.
27:59Um, it was nice meeting you, Agnes.
28:01Nice to meet you, dear.
28:02Thank you, dear.
28:13What the hell?
28:14He has a girlfriend?
28:16What was I thinking?
28:23What was I thinking?
28:24What the...
28:43How are you doing?
28:46Gotcha now, bitch.
29:08I found her address.
29:16Sterling.
29:29Sterling, can we talk?
29:31I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:49I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:09Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Well, you're way out of line.
30:25Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:42more of a...
30:43bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks!
31:07In my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean lost?
31:24I finished the designs last night and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:31I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's gonna be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:05Anything I should know, sir.
32:07She can't be trusted.
32:08And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:24Well, um...
32:25I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard to resist.
33:23I don't know.
33:23But why not everybody does it have
33:24It's just...
33:24Touch me with a light while I'm going
33:27Love me deep, love me slow
33:31Kiss me and let off take all I hide
33:36Let's go inside.
34:07Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat.
35:00Hello, Cecilia. I'll need your full cooperation.
35:03I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:05Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:14No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
36:18Let's go.
36:48Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:18Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to take a mess up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:13I know.
38:14What the hell is going on?
38:30What the hell is going on?
38:44Good girl.
38:50Right on time.
38:53Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
38:59Do it.
39:06Sterling versus legacy designs.
39:08Just like I asked.
39:10Oh.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:40I've had a change of heart.
39:44Please.
39:48No.
39:49This way.
39:59Wow.
40:01You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:11You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
40:19And then that will pave way for the construction site of the construction site of all Hale Designs.
40:25He'll find me.
40:26And when he does-
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you!
40:38Oh, oh, oh, oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's Project Mansion.
40:55What?
40:56Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:11That will never happen.
41:16Who's the client?
41:19How much was the bid offer?
41:23I don't know.
41:25Well, you'll remember.
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:42So, tell me.
41:46Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:55Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:05Promise?
42:06I don't know anything.
42:08Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:27While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:38Right now.
42:39And Mercer Designs falls anyway.
42:41I'll tell you anything you want to know.
42:49Please, just don't touch him.
42:51I'll tell you.
42:51Tell me everything.
43:06I don't, I don't know a lot.
43:09I just, I know she's very private, very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion.
43:30And that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:46And then, I ransacked his mail.
43:53That's where I found you, your address,
43:57and your little cat, too.
44:03Well then, looks like you chose...
44:08Oh!
44:08Oh, I'm sorry, my sweetness,
44:11but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides,
44:23I don't do witnesses.
44:33Sterling, help me, please!
44:35Sterling, wait, it's a trap!
44:36No!
44:36Sterling, please, you have to help me!
44:38Watch out!
44:38Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00No more, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:16Wait, how do you know about the Legacy One project?
45:18That was confidential.
45:19That little bitch,
45:20she told Vincent everything!
45:22No, she's lying!
45:24No!
45:24It's all because of her!
45:25She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:48No!
45:51No!
45:52Stop the knife!
45:53Get right here!
45:53Get right here!
45:54No!
45:55Vincent, you can't leave!
45:57You have the right to me, I'm silent!
46:00Anything you say,
46:01I can't believe it is against you,
46:02and you're going to fall!
46:03No, get this, my sir!
46:04Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:07It's okay, it's okay!
46:09But I gave him your designs,
46:10I didn't know what else to do!
46:11I was trying to save them!
46:12I didn't mean to!
46:13You're safe, you're safe!
46:15Okay?
46:16Vincent, we'll be able to touch the project.
46:18I'm so happy you found me, I thought...
46:28Always, I'll find you.
46:32How?
46:32Because I know you.
46:38That moment in the parking lot,
46:40I knew, from your eyes,
46:43that you needed me.
46:48I will always keep you safe.
46:53Hey, hey,
46:54would you two take it someplace else?
46:56Sorry, Pappy.
47:00I'll take you and Crump at home.
47:07Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:16Okay, Pappy.
47:17Just get some rest.
47:18I mean it, Cece.
47:20When a man knows,
47:21he knows.
47:26Agnes,
47:26it's been a long time
47:27since I've met someone
47:28as caring as you.
47:30And I'd like you to be my wife.
47:33Yes!
47:35I love you, Agnes.
47:45Marley,
47:46what are you doing here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:56I want to be honest.
48:16Thanks.
48:183
48:205
48:204
48:216
48:225
48:24Come here.
48:38This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:54What about?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:03It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:19Come here. I need to show you something.
49:21I made this for you.
49:32Wait one second.
49:33I thought if we put them next to each other, it would create bounce.
49:48Yes.
49:48But then you came in.
50:05You're kind.
50:09Old.
50:11Intuitive.
50:12Sterling.
50:13Gross.
50:14Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:23Would you share the love we built together?
50:31Yes.
50:33Yes, Sterling.
50:33Yes.
50:34I said yes to you, to forever too, to every dream we're walking through.
50:52Yes.
50:53Yes.
50:53Yes.
50:54Yes.
50:54Yes.
50:55My god.
50:55Yes.
50:55Yes.
50:56Yes.
50:56Yes.
50:57Yes.
50:57Yes.
50:58Yes.
50:58Me.
51:03Yes.
51:04I'm not alone.
51:05I'm alone.
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