- 7/24/2025
Full Episode Of Designed For Desire
Category
🎥
Short filmTranscript
00:00This is insane.
00:09Hi, did anyone order these?
00:11Artless Barbert!
00:12Whoa!
00:15You've got to be kidding me!
00:17Look, you've got it all over me!
00:18Do you have any idea how much this costs?
00:20And if they can't get it out...
00:22That's enough!
00:27You.
00:30In my office.
00:32Now.
00:33What?
00:42What's your name?
00:49Cecilia Brooks?
00:50Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
00:56Oh, I think you have the wrong idea, Mr. Um...
00:59Mercer, I'm not here for...
01:02I don't want to hear excuses.
01:11Change into this.
01:12Excuse me?
01:14You'll learn things are very fast-paced here.
01:29I don't have time to ask twice.
01:43Hello, this is Cecilia.
02:08Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:13Until then, we cannot proceed.
02:15Okay, one second.
02:17Hello? Miss Brooks?
02:20Shit.
02:24Who is this woman? His girlfriend or something?
02:27I wasn't done with my interview.
02:30We'll touch base soon, okay?
02:35Oh! Good luck.
02:39I thought you weren't interested.
02:42Take off your clothes. Right now.
02:44So, Miss Brooks, what do you see in this room?
03:05Well, it's deliberate. Controlled. Powerful. It's impressive. But...
03:16But?
03:17It's not... satisfying.
03:21Bold again.
03:25Tell me, how do you know it's satisfying?
03:28Satisfaction lies somewhere in between.
03:32You think you can give me that?
03:34Think you can take the risk and find out?
03:37All yours.
03:49Hey.
03:53The woman out there would do anything to be in the position you're in.
03:57Unless you have other ideas.
03:59Don't make me regret this risk.
04:07I don't plan to.
04:10The position's been filled.
04:12Go home.
04:15Get out!
04:16Damn.
04:17He doesn't have to be so rude.
04:18Pappy, your phone's upside down.
04:36Hi. How are you feeling?
04:38Hey, jubilation?
04:40Not doing too well, honey.
04:42Damn hospital postponed my surgery again.
04:45I'm so sorry, Pappy.
04:47I'm working things out with the hospital.
04:49I have some good news today, though.
04:52I'm sorry.
04:53Uh, I think that's my landlord.
04:54I have to go.
04:55Love you.
04:55Bye-bye.
04:58Oh.
05:00What the hell is he doing here?
05:04What are you doing here?
05:05Oh.
05:06What the hell?
05:08Hey!
05:09Whoa, whoa, whoa.
05:10Guys, whoa.
05:11Hey, don't take that!
05:15I did not agree to this!
05:18Actually, you did.
05:22The signing must reside on Mr. Mercer.
05:24I can't quite hear you.
05:26Must reside with Mr. Mercer for the duration of the project?
05:30Mm-hmm.
05:31How long?
05:32Keep reading.
05:34And definitely without exception?
05:42A gift.
05:43What the fuck?
05:46A gift?
05:47In exchange for being kidnapped?
05:49No thanks.
05:53I need to know where you're at.
05:55At all times.
05:57It's a tracker.
05:58What?
05:59Like a dog collar?
06:01Do you think you own me now?
06:03I wouldn't do that.
06:05Come on.
06:05Let's go.
06:06This is insane.
06:07Just give me a second to put Crumpet in his carrier and call my grandfather.
06:10No.
06:11There are no animals in the mansion.
06:14You must say goodbye to your little crumpet.
06:17What?
06:18Absolutely not.
06:19I told you in the contract that I will take care of everything.
06:24I don't care about the contract.
06:25What?
06:26Oh my God!
06:26Goodbyes are always so hard.
06:29Put me down!
06:30What are you doing?
06:34Welcome back, Miss Brooks.
06:37So, I'm not allowed to leave?
06:39If you leave, your contract will be terminated immediately.
06:43And what?
06:43You're just going to leave me all alone in here?
06:45Would you like me to join you?
06:46No, no, no, no.
06:58Why is it making that sound?
07:00Damn, if I leave, Pappy dies.
07:03Shit, I'm trapped with this monster.
07:05Oh my God, is this really happening?
07:08I'm stuck.
07:09I'm stuck.
07:09I'm stuck.
07:16This is your uniform.
07:21Work hours have started already.
07:23Tidy yourself up.
07:25Report to Mr. Mercer.
07:29Oh, and, uh, chop chop, Miss Brooks.
07:33Mr. Mercer does not like to be kept waiting.
07:36Enjoy the view?
08:01No, I, um, just didn't want to disturb you.
08:05I don't mind if you stare.
08:07Sorry, sir.
08:08I was just interested in your build.
08:12The building.
08:13The build of the mansion that we're building to work on today.
08:19What time are we leaving for?
08:21Car leave's in ten minutes.
08:23Great.
08:24I'll be ready.
08:28Pull up slow, bass low, she know.
08:30Eyes locked in the rear view glow.
08:32Leather hot, she's sliding close.
08:34Talk sleep of her body.
08:36How much further?
08:39Patience, Miss Brooks.
08:50Oh, my God.
08:51Oh, my God.
08:57Hey, Foxy.
08:58I got something that'll keep that jaw clenched.
09:00Wow.
09:01Original.
09:02Mr. Mercer, we didn't know you was coming in today.
09:05Get off my property.
09:06What?
09:07You're fired.
09:08Leave.
09:09Oh, the hell?
09:10I worked on the last nine Mercer mansions,
09:12and now I'm fired because of this bitch?
09:16If I collapse your loan...
09:18Wait, did you just stand up for me?
09:21Sir, how about you?
09:23Continue your work with Miss Brooks,
09:25and I'll handle this.
09:26Come on.
09:31Everything's nearly finished.
09:32I'm going to have a team come in
09:33and make some final measurements over here,
09:35and I'll ensure they know where to keep their mouth shut.
09:38Uh, is this all marble?
09:46Seeing her in my house gives me a strange feeling.
09:49It's so beautiful.
09:51What is it about her?
09:52Why do I want to...
09:54Follow me.
10:00Wow, an elevator?
10:02By the way,
10:03what you did out there,
10:05thank you.
10:05I'd dismiss you just as fast
10:07if I wasn't pleased with your work, Miss Brooks.
10:09Remember that.
10:15Your first task for the client.
10:18I don't know anything about the client.
10:20Who is...
10:21We don't ask about the client.
10:23We only worry about what they desire.
10:26Okay.
10:27Am I allowed to know what the purpose of this room is?
10:30Yes.
10:31Great.
10:32The client would like this room transformed
10:36into their BDSM chambers.
10:41I hope she doesn't see right through me.
10:46So, how would you do it?
10:50Uh...
10:51Um...
10:52Paint me a picture.
10:54Right.
10:54Over here, I would
10:58put a
10:59chaise
11:00lounge
11:01velvet.
11:03Obviously.
11:03Obviously.
11:04And over here would be a great place
11:06to mount a swing.
11:07One of the adjustable heights
11:08and
11:09handles.
11:11And next to it,
11:12we could put a cabinet
11:13for whips and toys and
11:14things.
11:15You're very well versed.
11:17I read a lot.
11:20Certain
11:21genres of certain books
11:22have certain
11:23details of...
11:24Right.
11:25Right.
11:25Of course.
11:27Yeah, it's perfectly normal.
11:28A lot of women read
11:29fantasy
11:30and
11:30romance
11:32and
11:32fantasy romance.
11:35Anyway,
11:35uh,
11:36this would be
11:37a great place
11:38to
11:39mount's
11:40walk-offs.
11:59Don't pick up.
12:07Hello?
12:09Miss Brooks,
12:09I'm sorry.
12:10We need the payment.
12:12Uh,
12:12I understand.
12:14Is there anything I could do now
12:15to hold him there?
12:16Anything that could be done
12:17right now?
12:18We need your payment,
12:19Miss Brooks,
12:19by tomorrow morning.
12:21All $200,000.
12:23Okay,
12:24I'll get it to you.
12:25I promise.
12:28Sorry.
12:29Your contract
12:29explicitly states
12:30that I receive
12:31100% of your attention
12:32at work.
12:35Who was that?
12:36It's personal.
12:39There are no personal calls
12:40at work.
12:42I'm sorry.
12:49Mr. Mercer,
12:50it won't happen again.
12:52I'll get to work right away.
12:53I'll have designs
12:53to you by tomorrow morning.
12:58Take it off.
12:59What?
13:04Your jacket.
13:07Mr. Mercer.
13:10I won't ask twice.
13:11What's this for?
13:25It's perfect.
13:28Now go get dressed.
13:28No need to pout,
13:50Miss Brooks.
13:51You'll be reading
13:52some of the top designers.
13:53I don't understand.
13:54How does this
13:55take priority over work?
13:56Am I your date
13:58or your designer?
14:00You are
14:00what I say you are.
14:15Ladies
14:16and gentlemen,
14:18it is my pleasure
14:19to welcome you all
14:20to the annual
14:21architectural ball
14:23proudly hosted
14:24by the Mercer Group.
14:25I'd also like
14:30to welcome
14:31and introduce
14:31our newest
14:32interior designer,
14:35Miss Cecilia Brooks.
14:40I thought you said
14:41you had the job.
14:42I did everything
14:43that I could.
14:44Bitch must have slept
14:45with him in the interview.
14:46Fine.
14:48I'll fix it myself.
14:49So without further ado,
14:54please enjoy your drinks
14:56and have a wonderful night.
15:05We have this dance.
15:06Sterling, I was hoping
15:14that maybe we could walk and talk
15:16or maybe dance and discuss.
15:20You must be working so hard.
15:23I was thinking
15:24maybe you would benefit
15:26from a designer
15:27who really knows you,
15:30your past.
15:30I'm not interested
15:33in rehashing
15:33our relationships,
15:35no.
15:36It was just a flight.
15:38It doesn't mean
15:38we can't be close.
15:41Sterling could be
15:42a difficult person
15:44to work for.
15:48You know you can come to me
15:50if you need anything.
15:56Get your hands off of her!
15:58What the hell are you doing
16:04here, Vincent?
16:05Folks,
16:06looks like the jester
16:06came to play!
16:11Get him out of here.
16:16It's alright, folks.
16:18Enjoy the party.
16:19It's okay.
16:20Are you okay?
16:22Why don't you go
16:22grab a drink?
16:23I'm going to take care of this.
16:28Crazy night, huh?
16:34Too crazy.
16:35I'm Nora,
16:36a close friend of Sterling's.
16:38So,
16:39tell me,
16:40how's the new position
16:41treating you?
16:43It's demanding.
16:45I'm the client.
16:47What's your feel on them?
16:48Oh,
16:48I'm not at liberty
16:49to discuss that.
16:50Come on,
16:51it must be crazy, right?
16:52I really can't.
16:54I can't.
16:56Oh!
16:57Oh,
17:00how embarrassing.
17:05What are you doing in here?
17:06Cecilia,
17:07I'm sorry.
17:08I'm so done
17:09with their whole world.
17:12Yeah,
17:13the head of the board
17:14was barking my ear off.
17:16Stop it!
17:17What?
17:18I'm just trying to help.
17:19Help?
17:20Really?
17:21That's rich.
17:22I mean,
17:23I am rich.
17:25You.
17:26You are a lot of things.
17:28From the moment I met you,
17:29you've controlled
17:29every aspect of my life,
17:31every movement I make.
17:32You're obsessive,
17:33cryptic,
17:34a perfectionist.
17:36But you're not rich.
17:38Not where it counts.
17:39I feel excuse me.
17:59I have work to do.
18:00I have work to do.
18:01This hand.
18:17What if?
18:20Maybe cuffs?
18:22What if we hang
18:22something around here?
18:23Is that me?
18:42Did I say
18:43you could come in here?
18:44Uh,
18:45you'll be happy to know
18:46that I worked on these
18:47all night.
18:53Maybe if you stayed
18:58at the gala,
18:58you would have
18:59learned something.
19:00Learned what?
19:01You'd follow through
19:02with your obligations
19:02so you wouldn't waste
19:03your time working
19:04on garbage.
19:05Garbage?
19:07I'll need five more
19:08by tomorrow morning.
19:09That will take me
19:10all night.
19:10Even making those two
19:12took me all night
19:13and I barely got them
19:13done in time.
19:14You've done it once before.
19:16You can do it again.
19:17Don't you think
19:18maybe,
19:19just maybe,
19:20that's an unreasonable
19:21amount of time?
19:22Maybe.
19:23I don't care.
19:24Wait.
19:26I should have remembered.
19:27It's not in the contract.
19:38Oh my God.
19:44Excuse me, miss.
19:45Where's my grandfather?
19:47I'm sorry.
19:48Usually if they're not
19:48in the room
19:49it's because the insurance
19:50ran out or...
19:52Miss Brooks?
20:05Yes?
20:06I just wanted to inform you
20:07that your grandfather
20:08just received his first round
20:09of stem cell treatment.
20:11He's being very well
20:12taken care of.
20:13I don't understand.
20:13How is that possible?
20:15I can't afford that.
20:16I told you.
20:19I'll take care of everything.
20:20What?
20:22I can't believe this.
20:30Oh, but...
20:31But why?
20:33Why would you do that?
20:34Well, when I said
20:35I needed your undivided attention
20:36I meant it.
20:38Now the only thing
20:41you have to worry about
20:42is me.
20:45I'm not your slave.
20:51Five designs
20:52by tomorrow morning.
20:59You're welcome.
21:00I've been expecting you.
21:08I have a feeling
21:09I'll be impressed.
21:11Brushed work
21:11is not work
21:12to be proud of.
21:18Is this you?
21:19And my parents.
21:20They must be so proud of you.
21:21They never got to see it.
21:22I inherited this company
21:23before I was old enough
21:24to run it.
21:26I'm so sorry.
21:27It was a long time ago.
21:28What happened?
21:29They vanished.
21:30On a work trip into Europe.
21:32Guess I don't control
21:33everything after all.
21:35I'm going to deliver
21:35these designs to everyone.
21:37I have a surprise for you.
21:44To your first approval.
21:50It's beautiful.
21:53I do have a request, though.
21:56I was wondering
21:57if I could
21:57I could have
21:59a little freedom.
22:00From what?
22:01Me?
22:02No.
22:03No, not you.
22:05From this.
22:06Well,
22:07I need to keep track of you.
22:10I mean,
22:10what if...
22:12Sterling,
22:12I'm not your parents.
22:16I'll be fine.
22:17I just don't know
22:18if I'm ready for that yet.
22:20But you continue
22:20to impress me.
22:21I mean,
22:22you'll be free as a bird.
22:23I do have more surprises
22:38to show you.
22:39But, um...
22:40You're going to have to
22:42wait till tomorrow.
22:43Hmm.
22:44Full of surprises,
22:45aren't you?
22:46And that's why
22:51I can't let you go.
23:07What are you two doing here?
23:09There's not supposed to be
23:09anyone working today.
23:10We were just swinging by
23:11to assess a minor
23:12electrical concern.
23:13It seems that the circuit...
23:14It's nothing urgent.
23:15We're going to come back
23:15tomorrow with the rest
23:16of the crew
23:16and get it resolved.
23:19Okay.
23:21Thank you for the update.
23:23Thank you, Mr. Mercer.
23:28I've ordered these
23:29beautiful pieces.
23:30White marble.
23:33What the hell?
23:39It's kind of beautiful.
23:41No, no.
23:41It's a mistake.
23:43It's not too perfect.
23:47It's bold.
23:48It's not trying hard.
23:48It just...
23:50is.
23:51Well, I like my work
23:52to be intentional.
23:56Well, I would argue
23:57that this elevates
23:59the intention of the space.
24:01The juxtaposition
24:02between control and chaos.
24:04You have good eyes,
24:05Miss Brooks.
24:07Follow me.
24:08Okay.
24:08Okay.
24:13Your second task
24:15for the client.
24:17Master bedroom
24:18and nursery.
24:20Oh.
24:21The client's a family man.
24:22We don't discuss
24:23the client.
24:24Only satisfy their needs.
24:28Would you like
24:29to see your designs?
24:30Is it not what you thought?
24:51No, it's...
24:52it's not that.
24:52It...
24:53The power went up.
24:58There's no signal.
25:00Yeah, the soundproofing
25:01they put up
25:02cuts signal.
25:04What?
25:05No.
25:05No.
25:05It's not funny.
25:19I'm not laughing.
25:21How long until
25:22someone notices
25:22that we're gone?
25:23I don't know.
25:24An hour?
25:26Maybe two?
25:27Is it Nora?
25:29The client?
25:30What?
25:31No.
25:32You're not supposed
25:32to ask about the client.
25:34Just tell me.
25:35No.
25:36It's not.
25:37Is she...
25:38more?
25:40I built this room
25:42because I believed
25:43in your vision.
25:44I cleared your schedule.
25:46I cleared your stressors.
25:48All because...
25:50I wanted you.
26:05Sir, your 7 o'clock
26:29is waiting upstairs.
26:30Tuck your shirt in, sir.
26:49I know.
26:51I know.
26:53Ah!
26:54Where the hell are you?
26:55Calm down, sweetie.
26:57Put Crumpet down!
27:00Listen, sweetie.
27:01I work for Mr. Mercer.
27:03He hired me
27:03to take care of your grandpa
27:04and Crumpet
27:05until you return.
27:07Sweetie!
27:08What are you doing home?
27:09What am I doing?
27:12This is Agnes,
27:13my nurse.
27:14She's taking care of me.
27:15Oh.
27:17I'm sorry.
27:17I'm so embarrassed.
27:19Um, hello?
27:24Why are you
27:24in your apartment?
27:26If you're there,
27:27there's no need
27:27for Agnes to stay employed.
27:29Cece, you're ruining
27:30my chances.
27:31Go back, Cece.
27:32Oh, okay.
27:33Okay.
27:34Everything's all right.
27:36Agnes has taken
27:36very good care of me.
27:37Okay.
27:38Okay, Pappy.
27:38I'll go.
27:40Um, it was nice
27:41meeting you, Agnes.
27:42Nice to meet you, dear.
27:43Okay.
27:43Okay.
27:49What the hell?
27:55He has a girlfriend?
28:03What was I thinking?
28:19Got you now, bitch.
28:49I found her address.
29:06Sterling.
29:09Sterling.
29:10Can we talk?
29:10I don't have the time,
29:11Miss Brooks.
29:12Sterling, it's important.
29:13Please.
29:13Well, I'm dealing
29:14with something.
29:14Figure it out yourself.
29:19You might want to ask me
29:27why I'm here, you psycho.
29:29I don't give a damn
29:29what you have to say.
29:31I don't trust you.
29:32Well, maybe you should start.
29:34Because I know
29:35a dirty little secret
29:36about you.
29:40You're about to be broke.
29:44I'm here to offer you
29:45a buyout.
29:47Get out.
29:48Hear me out.
29:50Instead of your accounts
29:52being compromised
29:52facing bankruptcy
29:54and becoming
29:56the embarrassment
29:56of architecture,
29:57we could merge
29:58as Hale Mercer.
30:01Even has a nice name.
30:03Oh, you're way out of line.
30:04Am I?
30:06Because someone
30:07pretty close to you
30:08seems to be worried
30:08about you.
30:09Besides,
30:10if you don't
30:11accept this buyout,
30:14I'll publish
30:15the information
30:15and Mercer Designs
30:18will go bye-bye.
30:19Is that a threat?
30:20Think of it
30:21more of a
30:23bribe.
30:28Get the hell
30:29out of my property
30:29and out of my sight.
30:31now!
30:33Now!
30:45Miss Brooks,
30:47in my office
30:47immediately.
30:49Are you sure
30:49you want me in there
30:50and not your other
30:51woman friend?
30:52What are you talking about?
30:53Hand me your sketches.
30:54I have designs,
30:58but they're not
30:59the originals.
31:00The originals
31:00are missing
31:01or lost.
31:03What do you mean
31:04lost?
31:04I finished the designs
31:05last night
31:06and I fell asleep,
31:07but when I woke up
31:08they weren't in my room
31:09anymore.
31:09You're lying.
31:11I'm lying?
31:12Why don't you tell
31:13that to the next girl
31:14you bring over?
31:16Excuse me?
31:17You're so careless.
31:18Careless?
31:19Me?
31:20I'm pretty sure
31:21you're the one
31:21who's talking
31:21about losing sketches.
31:22Something you won't
31:24have to deal with
31:25anymore.
31:27Marley's gonna be
31:27taking you
31:28to the project mansion.
31:30Hopefully you can
31:31figure out
31:32your sketches
31:33problems there.
31:34You may go.
31:41Take her and her
31:42belongings
31:43to the project mansion.
31:44Anything I should
31:45know, sir.
31:47She can't be trusted.
31:49And check the cameras.
31:51We have a mole.
31:52Yes, sir.
31:58Miss Brooks.
32:01What are you doing
32:02here?
32:04Well, um,
32:05I, uh,
32:06had to get some
32:08artwork for the client.
32:11You don't trust me.
32:13Not too.
32:15You're not trusting me?
32:17You were the one
32:17with another woman
32:18after all that
32:19I did this all
32:20for you bullshit.
32:21Okay, what woman
32:22are you talking
32:22about here?
32:23You can't lie to me.
32:24I saw you with her.
32:26I saw you with her.
32:26Okay, okay.
32:27Okay.
32:28If it makes you feel
32:28any better, I...
32:30I promise I'm
32:33looking into her.
32:35You promise?
32:38I promise.
32:39I thought you didn't trust me.
33:00That you were mad at me?
33:02No, you're too hard to receive.
33:02You're too hard to receive.
33:04Touch me with a light
33:05when I'm gone.
33:08Love me deep,
33:09blow me slow.
33:11Oh, kiss me
33:13in the thought,
33:14take all I hide.
33:16Let's go inside.
33:17Let's go inside.
33:18Fire on the inside.
33:21Eyes like knives you cut right through
33:34Every look says what you do
33:37Pull me under soft and deep
33:41You're the secret I can't keep
33:44Breath on glass you trace my name
33:47No one else can play this game
33:50You don't ask, you just take
33:54And I give and I pray
33:57Well, hello. I'm here for Mr. Brooks.
34:01I'm sorry, what exactly is this for?
34:03I'm the treatment nurse. I'll be taking him to his appointment for today.
34:07Oh, Mr. Brooks doesn't have an appointment today.
34:09I can assure you he does.
34:14Well, thank you for coming.
34:16Can I bring Crumpet?
34:18Yes, Mr. Brooks. Bring the cat.
34:20Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back.
34:46Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
34:52You can't do this.
34:54But see, I already have, sweetheart.
34:56Give me the designs.
34:58Tell Sterling and your sweet old pappy guys and your little cat too, your choice.
35:03I've been reviewing project management assets.
35:07You're four days late on the Hudson property.
35:09The client is not happy.
35:11Mr. Mercer is not happy.
35:14Pick it up or I'll give your work to her.
35:15She's three days ahead.
35:18Is that a personal email?
35:19Sweetie, you don't have to do this.
35:40Too late, old man.
35:42Who the fuck are you?
35:44Your worst nightmare.
35:46Baby, I'm so glad you made it.
35:49I set all this up for you.
35:52This better work.
35:56No, no, you won't eat.
35:58No, no, no.
36:16Show me the video.
36:36Yes, sir.
36:40She knew how to evade the cameras.
36:41I can't identify her, but we knew her enough to let her in.
36:47Keep this video between us.
36:49Yes, sir.
37:03Cecilia.
37:05Sterling.
37:06You're not working from home today?
37:07What are you doing here?
37:09Who have you been talking to?
37:10No one.
37:11I just, I needed to pick up some paint samples and this was on the way.
37:15On the way to what?
37:17We're like 20 miles south of home.
37:20I'm getting my necklace cleaned.
37:23So if you can't find me or track me for any reason, that's why.
37:29Why do you need your necklace cleaned?
37:36I've just been working a lot.
37:38The drafting table is super dusty and I don't want to get messed up.
37:43It's a woman thing.
37:44I'm trusting you right now.
37:53I know.
37:54I know.
37:54What the hell is going on?
38:10Good girl.
38:29Right on time.
38:31Well, don't hesitate now, sweetheart.
38:35Or they're dead.
38:38Come on, Cecilia.
38:40Do it.
38:46Sterling Mercer's legacy designs.
38:49Just like I asked.
38:50Oh.
38:51Sterling, you won't even know what hit you.
38:54Now let my grandfather go.
38:56He's all yours.
38:58A deal is a deal, pretty lady.
39:05Cece, don't!
39:06Get out of here!
39:08Look, look!
39:20I've had a change of heart.
39:23Please.
39:28No.
39:29This way.
39:39Wow.
39:41You really know how to tie the room together, darling.
39:44Sterling has my location.
39:46You have no idea what you're in for.
39:47Oh, but I think I do.
39:49You see, when that timer goes off, you and that little tracker and this entire place will
39:58go bye-bye.
39:59And then that will pave way for the construction site of all hail designs.
40:05He'll find me.
40:06And when he does...
40:07That's very unlikely, Cecilia.
40:10Now that Sterling has this video, no one's coming to save you.
40:15Screw you.
40:17Screw both of you!
40:18Oh, oh, oh.
40:19But I almost have everything I need.
40:25His financials, his accounts.
40:27You see, the only thing that is missing, my dear, is the contact for Sterling's project
40:34mansion.
40:35What?
40:37Why does that matter?
40:38Well, once I have the contact, I can put in a bid under his.
40:45Therefore, Mercer will no longer have any names attached to any property.
40:51That will never happen.
40:56Who's the client?
40:58How much was the bid offer?
41:03I don't know.
41:06Or you'll remember.
41:09Trust me.
41:10Even if I did, I wouldn't tell you.
41:13So, tell me, who is the client?
41:28He took care of my family.
41:31I'm never going to sell him out.
41:36Unless you forget, sweetheart.
41:38You already gave me the plans.
41:41So, therefore, you are already a betrayer.
41:45Promise?
41:47I don't know anything.
41:50Well, I can see that you're a lady of your word, which makes it kind of harder to believe
41:55you.
41:55So, tell you what.
41:58This is how it's going to go.
42:01You're going to tell me, and then you, Pappy, and little Kitty will go free.
42:08While Mercer Designs burns to the ground.
42:11Or, I could kill you.
42:15Right here.
42:18Right now.
42:19And Mercer Designs falls anyway.
42:24Okay.
42:26Decisions, decisions, darling!
42:27Wait, no!
42:27No, I'll tell you!
42:28I'll tell you anything you want to know!
42:29Please, just don't touch him!
42:31I'll tell you!
42:31Tell me everything.
42:46I don't...
42:47I don't know a lot.
42:49I just...
42:50I know she's very private.
42:53Very secretive.
42:55She only talks to Sterling.
42:56She's an older, conservative woman.
43:01Liar!
43:03That night that I dosed Sterling with that sleeping elixir, I found your little project mansion
43:10and that newly built BDSM room.
43:13Oh, and then all the plans that I stole from Cecilia's bedroom?
43:16They were for a nursery.
43:17Both rooms that an elderly woman wouldn't need in a new home.
43:22You drugged him?
43:23Yes!
43:23I drugged him!
43:30And then I ransacked his mail.
43:33That's where I found you, your address, and your little cat, too.
43:40Well, then, looks like you chose...
43:48Oh!
43:49Oh, I'm sorry, my sweetness, but our short little affair is over.
43:55Excuse me.
43:57Well, obviously I don't need your services any longer.
44:02Besides, I don't do witnesses.
44:06Sterling, help me, please!
44:15Sterling, wait, it's a trap!
44:16Sterling, please, you have to help me!
44:18Watch out!
44:26Tell me how to disarm it!
44:28Now!
44:31Packed wire!
44:36You little bitch!
44:40Nora, stop!
44:41Put down the knife!
44:43She kidnapped me!
44:45I've been waiting here for hours for you!
44:47Put down the knife!
44:48Come on, let me at her one last time!
44:50She betrayed you!
44:51She's the one who gave up the Legacy One in the third floor!
44:56Wait, how do you know about the Legacy One project?
44:58That was confidential.
44:59That little bitch.
45:00She told Vincent everything!
45:02No, she's lying!
45:04It's all because of her!
45:05She drugged you!
45:09No, I didn't, you bitch!
45:11When I thought I saw you with that woman?
45:14Then now you lost the designs.
45:16No!
45:17No, that wasn't me!
45:18Okay, Vincent made me do it!
45:20He said he threatened my family!
45:22I had no other choice!
45:24I don't believe you.
45:27Arrest her!
45:28No!
45:28Stop the knife!
45:33Come on, you!
45:33Come on, you!
45:34Stop!
45:35Vincent, you!
45:37Please!
45:37You have the lights when you're silent!
45:40Anything you say can't move against you and it's going to fall!
45:43No, get this, my sir!
45:44Wait, no, no, I'm Heinzverse.
45:45I'm so sorry!
45:47It's okay.
45:48It's okay.
45:49But I gave them your designs.
45:50I didn't know what else to do.
45:51I was trying to save them.
45:52I didn't mean to.
45:53You're safe.
45:54You're safe.
45:55Okay?
45:56Vincent, we'll be able to touch the project.
46:05I'm so happy you found me.
46:07I thought...
46:08We'll always find you.
46:12How?
46:16Because I know you.
46:19That moment in the parking lot, I knew from your eyes that you needed me.
46:25I will always keep you safe.
46:33Hey, hey, would you two take it someplace else?
46:39Sorry, Babby.
46:40I'll take you and Crump at home.
46:41Oh, thank goodness you're okay.
46:50I want to tell you something, sweetheart.
46:53I love Agnes.
46:54I really mean it.
46:56Okay, Babby.
46:57Just get some rest.
46:58I mean it, Cece.
47:00When a man knows, he knows.
47:02Agnes, it's been a long time since I've met someone as caring as you, and I'd like you
47:11to be my wife.
47:14Yes!
47:15I love you, Agnes.
47:17Marley, what are you doing here?
47:27Miss Brooks.
47:28Mind coming with me?
47:30Will you give me a second?
47:31I want to change first.
47:32I want to change first.
48:02Everything feels brand new, sunlight doesn't in my mind.
48:07Come here.
48:07I don't know what you do, but love just fits like truth.
48:14You got me.
48:18This is really beautiful.
48:23We work well together.
48:25I'm glad you think so, Cecilia.
48:26Yes, Sterling?
48:32I have something I need to tell you.
48:36About?
48:38There isn't a legacy, Kalaya.
48:41Well, there is, but...
48:44It's not who you think.
48:47I don't follow.
48:48I don't follow.
48:49It's me.
48:52What?
48:54This...
48:54This is my legacy.
48:59Come here.
49:00I need to show you something.
49:01I made this for you.
49:12Wait.
49:12One second.
49:13I thought if we put them next to each other, it would create balance.
49:28Balance.
49:28Balance.
49:28But then you came in.
49:47You're kind.
49:49Old.
49:51Intuitive.
49:53Sterling.
49:55Beautiful.
49:55You gave this place a soul.
50:02Cecilia Brooks.
50:06Would you share the love we built together?
50:11Yes.
50:13Yes, Sterling.
50:21I said yes to you
50:25To forever too
50:27To every dream
50:30We're walking through
50:32To forever too
50:35To every dream
50:37We're walking through
Recommended
1:48:14
|
Up next
1:27:36
1:40:16
58:08
1:20:35
1:26:08
1:28:42
1:18:02
1:28:28
1:33:04