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New exhibition by artist in residence explores Denmans Garden
SussexWorld
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2 days ago
For the past eighteen months Bognor Regis artist Oscar Romp has been Denmans Garden’s artist in residence.
Category
🦄
Creativity
Transcript
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00:00
Good morning. My name is Phil Hewitt, group arts editor at Sussex Newspapers.
00:05
Lovely this morning to speak to Oscar Romp.
00:07
Now, Oscar, you've got a fabulous exhibition,
00:10
which is the culmination of your residency at Denman's.
00:13
And it opens August 7th. It's going to run until Christmas.
00:17
And it's you looking back on the 18 months you spent at Denman's.
00:21
And it sounds like Denman's has become a really important place for you
00:25
for so many different reasons.
00:27
It absolutely has.
00:28
It's primarily an escape from the realities of everyday life.
00:35
When one is painting or drawing, there's no room in your brain to fit in anything else.
00:42
So whatever you've been struggling with in so-called real life has to be left behind
00:49
because you require all of your intelligence and inventiveness and creativity
00:56
and energy to resolve the problems that you have set yourself in that particular drawing and painting.
01:05
So it calls for huge concentration, but I guess it's healing and soothing too, isn't it?
01:10
To a point, yeah. Although, yeah, you have to be a bit careful with that.
01:15
Painting is not a holiday.
01:18
I wasn't suggesting it was.
01:20
It's like everything else. It's a struggle.
01:23
And there are good bits and bad bits.
01:25
There are uphill struggles.
01:26
And then you get into a flow and a momentum.
01:30
And it's like coasting down a hill on your bike without having to...
01:34
Fantastic.
01:35
So you're coming up for the show, which is the culmination of your work at Denman's.
01:39
When you look at the work you've done, you must feel a certain pride.
01:43
So what does that work say about Denman's, do you think?
01:46
What are you conveying?
01:46
So the work focuses on the will and desire of people to interact with nature
01:58
and to kind of impose design ideas and philosophies on nature,
02:04
but also not in a repressive way, but in a playful way
02:08
and kind of exploiting the things that nature does anyway.
02:14
So it's a kind of compromise between the sort of chaos and infinity
02:20
of growth and nature and the sort of design and making instincts of people.
02:27
It seems to be very, very primeval.
02:31
I've observed going through life that, you know,
02:33
people have no interest in gardens or parks
02:35
and then they find themselves in control of a little piece of land.
02:39
And all of a sudden they sort of spring, they become a gardener
02:44
and they get interested and they, it's like this,
02:47
they're connecting with something that's quite primeval, I think.
02:53
And so, yeah, it's this thing of what, what a garden,
02:57
apart from enjoying the environment and responding to it
03:00
and trying to make images about it,
03:02
it's also a sort of discussion of what is this gardening thing all about?
03:10
I mean, it relates to ecology and conservation,
03:14
but it's not the same thing.
03:17
They share some goals, but actually the motivation is different.
03:22
It's more instinctive, I think, with gardening.
03:25
Fantastic.
03:25
Well, it sounds, it sounds a fascinating exhibition.
03:28
Congratulations on the residency.
03:30
I have to add.
03:31
And on the exhibition.
03:32
I'm not a gardener by any stretch of the imagination.
03:36
So it's something that I observe and I enjoy.
03:41
It's like, it's like they're doing all the work
03:45
and I'm appreciating and philosophising about it.
03:50
It's like, you know.
03:52
Your appreciation and your philosophising will continue in the exhibition
03:57
until Christmas at the very least.
03:59
Oscar, really good to speak to you.
04:02
Thanks a lot.
04:03
Thank you, Phil.
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