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  • 24/07/2025
Photographer Luiz Carvalho revisits Portugal’s post-revolution years in new exhibition

As part of the "50DE25" exhibition at the Sociedade Nacional de Belas Artes in Lisbon, Luiz Carvalho, one of the biggest names in Portuguese photojournalism, tells Euronews Culture discusses the stories behind some of his favourite pictures.

READ MORE : http://www.euronews.com/2025/07/24/photographer-luiz-carvalho-revisits-portugals-post-revolution-years-in-new-exhibition

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00:00For me, this photograph
00:28This photograph
00:29Resume very much what were those days of great joy
00:33When I see this military truck
00:36With the soldiers there
00:38At the end of the air
00:40When I see the men in the air
00:42When I see the men in the air
00:44The other officer in front of the cabin
00:48The car is also doing the victory
00:52For me, it is a photograph
00:55From the aesthetic
00:57Of the narrative
00:58Perfect
00:59And I think
01:00There is nothing more
01:02And nothing more
01:03That is not
01:04This was the arrival
01:07Of the first Navy of Tropes
01:09In Guinea
01:10And it was incredible
01:11As people who were waiting for the soldiers
01:14And it was also notable
01:15How the soldiers
01:16Trazied a t-shirt
01:18Do Amilcar Cabral
01:20And the PAIGC
01:21Aquells
01:22Aquells
01:23Daquells
01:24Com quem
01:25Estado a lutar
01:26Promenores do cinto
01:27Com duas pistolas cruzadas
01:28E depois também
01:30Traziam animais selvagens
01:32so that was very normal at that time, and people.
01:38This photograph is a portrait of what was the Portuguese people.
01:43One of the photographs that I think more sensibility is this of Carlos Paredes,
01:47already made in 1982, but in which Carlos Paredes,
01:53although famous and protagonist of the Revolution,
01:57continued to work with a manga of alpaca in the Hospital of São José.
02:01But then we have more figures.
02:03One is Amália, which is not much a figure of the 25th of April.
02:07As you know, she even went against the Revolution,
02:13but the truth is that she integrated very well in what was...
02:17She survived to the 25th of April.
02:19Her work survived.
02:22She also became adopted by those singers
02:26who played and sang the ballads of intervention.
02:32We have here these four photographs.
02:36This is one of the last, which was made by Álvaro Cunhal.
02:40Then we have Vasco Gonçalves, which I photographed in his house,
02:44after the madness of Prec,
02:46the Jéssara Margo, a figure with whom I never sympathized from a personal perspective.
02:52And we ended up with Marcelo Rebelo de Sousa,
02:56in his office, in Lapa, with Fernando Pessoa as moldura.
03:02Let's see.
03:04I'm thinking about that.
03:06I'm thinking about that.
03:08I'm thinking about that.
03:10That's how I can make a sad dream.
03:12I'm thinking about that.

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