Designed for Desire 2025 mydrama

Areel

Designed for Desire 2025 mydrama    #EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull

Transcript

00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.

00:07Little did I know, I'm about to land my dream job and meet the love of my life.

00:17Okay.

00:24This is insane.

00:26Hi, did anyone order these?

00:31Heartless pervert!

00:33Whoa!

00:35You've got to be kidding me! Look, you've got it all over me!

00:39Do you have any idea how much this costs? And if they can't get it out...

00:42That's enough!

00:47You.

00:51In my office. Now.

00:53What?

00:56What's your name?

01:05Uh...

01:09Cecilia Brooks?

01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?

01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-

01:22I don't want to hear excuses.

01:31Change into this.

01:32Excuse me?

01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.

01:46Hello? This is Cecilia.

01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.

01:54Okay, one second.

01:56Hello? Ms. Brooks?

02:00Shit.

02:04Who is this woman? His girlfriend or something?

02:07I wasn't done with my interview.

02:10We'll touch base soon, okay?

02:15Oh!

02:16Good luck.

02:17I thought you weren't interested.

02:22Take off your clothes. Right now.

02:24Good luck.

02:41So, Ms. Brooks, what do you see in this room?

02:45Well...

02:47It's deliberate.

02:50Controlled.

02:51Powerful.

02:53It's impressive.

02:54But...

02:55But...

02:57It's not...

02:59Satisfying.

03:01Bold again.

03:05Tell me.

03:06How do you know it's satisfying?

03:08Satisfaction lies...

03:10Somewhere in between.

03:11You think you can give me that?

03:13Think you can take the risk and find out?

03:22All yours.

03:24All yours.

03:28Hey.

03:31The women out there would do anything to be in the position you're in.

03:35Unless you have other ideas.

03:43Don't make me regret this risk.

03:44I don't plan to.

03:45The position's been filled.

03:46Go home.

03:50Get out!

03:51Damn.

03:52He doesn't have to be so rude.

03:54Damn.

03:55He doesn't have to be so rude.

03:57Peppy.

03:58Your phone's upside down.

04:00Hi.

04:01How are you feeling?

04:02Hey, jubilation?

04:04Not doing too well, honey.

04:05Damn hospital postponed my surgery again.

04:06I'm so sorry, Peppy.

04:07I'm working things out with the hospital.

04:08I have some good news today, though.

04:10I'm sorry.

04:11Uh, I think that's my landlord.

04:12I have to go.

04:13Love you.

04:14Bye-bye.

04:15Bye-bye.

04:16Bye-bye.

04:17Bye-bye.

04:18Bye-bye.

04:19Bye-bye.

04:20Bye-bye.

04:21Bye-bye.

04:22Bye-bye.

04:24Bye-bye.

04:26Bye-bye.

04:28Bye-bye.

04:29Bye-bye.

04:30Bye-bye.

04:31Bye-bye.

04:33Bye-bye.

04:34Bye-bye.

04:35Bye-bye.

04:37Oh.

04:39What the hell is he doing here?

04:41What are you doing here?

04:43Oh...

04:44What the hell?!

04:46Hey!

04:47Whoa, whoa, whoa!

04:48Guys, whoa!

04:49Hey, don't take that!

04:53I did not agree to this!

04:56Actually...

04:57You did.

05:00The signing must reside on this...

05:02I can't quite hear you.

05:03Must reside with Mr. Mercer for the duration of the project?

05:08How long?

05:10Keep reading.

05:12And definitely without exception?

05:19A gift.

05:21What the fuck?

05:22A gift in exchange for being kidnapped?

05:26No thanks.

05:30I need to know where you're at at all times.

05:34It's a tracker.

05:35What? Like a dog collar?

05:38Do you think you own me now?

05:40I wouldn't do that.

05:42Come on, let's go.

05:43This is insane.

05:43Just give me a second to put Crumpet in his carrier and call my grandfather.

05:47No.

05:48There are no animals in the mansion.

05:50You must say goodbye to your little Crumpet.

05:53What?

05:54Absolutely not.

05:55I told you in the contract that I will take care of everything.

06:00I don't care about the contract.

06:02What?

06:02Oh my god!

06:04Goodbyes are always so hard.

06:06Put me down!

06:07What are you doing?

06:11Welcome back, Miss Brooks.

06:13So, I'm not allowed to leave?

06:16If you leave, your contract will be terminated immediately.

06:19And what?

06:20You're just going to leave me all alone in here?

06:21Would you like me to join you?

06:22No, no, no, no.

06:34Why is it making that sound?

06:37Damn, if I leave, Pappy dies.

06:39Shit, I'm trapped with this monster.

06:42Oh my god, is this really happening?

06:44I'm stuck.

06:45This is your uniform.

06:57Work hours have started already.

06:59Tidy yourself up.

07:01Report to Mr. Mercer.

07:02Oh, and, uh, chop chop, Miss Brooks.

07:09Mr. Mercer does not like to be kept waiting.

07:12Enjoy the view?

07:35No, I, um, just didn't want to disturb you.

07:41I don't mind if you stare.

07:43Sorry, sir.

07:44I was just interested in your build.

07:47The building.

07:48The build of the mansion that we're building to work on today.

07:55What time are we leaving for?

07:57Car leave's in ten minutes.

07:59Great.

08:00I'll be ready.

08:01How much further?

08:15Patience, Miss Brooks.

08:25Oh, my, tough one.

08:31Hey, Foxy, I got something that'll keep that jaw clenched.

08:36Wow, original.

08:38Mr. Mercer, we didn't know you was coming in today.

08:41Get off my property.

08:42What?

08:43You're fired.

08:44Leave.

08:45Oh, what the hell?

08:46I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?

08:52If I collapse your loan...

08:54Wait, did he just stand up for me?

08:56Sir, how about you?

08:58Continue your work with Miss Brooks, and I'll handle it.

09:01Come on.

09:06Everything's nearly finished.

09:08I'm gonna have a team come in and make some final measurements over here,

09:11and I'll ensure they know how to keep their mouth shut.

09:13Uh, is this all marble?

09:21Seeing her in my house gives me a strange feeling.

09:24It's so beautiful.

09:26What is it about her?

09:27Why do I want to...

09:29Follow me.

09:29Wow, an elevator?

09:37By the way, what you did out there, thank you.

09:40I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.

09:44Remember that.

09:45Your first task for the client.

09:53I don't know anything about the client.

09:55Who is...

09:56We don't ask about the client.

09:58We only worry about what they desire.

10:01Okay.

10:02Am I allowed to know what the purpose of this room is?

10:05Yes.

10:06Yes.

10:07Right.

10:07The client would like this room transformed into their BDSM chambers.

10:14I hope she doesn't see right through me.

10:21So, how would you do it?

10:24Uh, um...

10:26Paint me a picture.

10:28Right.

10:28Uh, over here, I would put a chaise lounge.

10:36Velvet.

10:37Obviously.

10:38Obviously.

10:39And over here would be a great place to mount a swing.

10:42One with adjustable heights and handles.

10:44And next to it, we could put a cabinet for whips and toys and things.

10:50You're very well versed.

10:52I read a lot.

10:55Certain genres of certain books have certain details.

10:59Right, right.

11:00Of course.

11:02Yeah, it's perfectly normal.

11:03A lot of women read fantasy and romance and fantasy romance.

11:08Anyway, uh, this would be a great place to mount small cuffs.

11:34Don't pick up.

11:38Hello?

11:43Miss Brooks, I'm sorry.

11:44We need the payment.

11:46Uh, I understand.

11:47Is there anything I could do now to hold him there?

11:50Anything that could be done right now?

11:52We need your payment, Miss Brooks.

11:53By tomorrow morning.

11:55All $200,000.

11:57Okay, I'll get it to you.

11:59I promise.

12:02Sorry.

12:02Your contract explicitly states that I receive 100% of your attention at work.

12:08Who was that?

12:11It's personal.

12:12There are no personal calls at work.

12:16I'm sorry.

12:23Mr. Mercer, it won't happen again.

12:25I'll get to work right away.

12:26I'll have designs to you by tomorrow morning.

12:32Take it off.

12:34What?

12:37Your jacket.

12:40Mr. Mercer.

12:44I won't ask twice.

12:45Uh, what's this for?

12:59It's perfect.

13:01Now go get dressed.

13:02No need to pout, Miss Brooks.

13:24You'll be reading some of the top designers.

13:26I don't understand.

13:27How does this take priority over work?

13:30Am I your date or your designer?

13:32You are.

13:35When I say you are.

13:36Ladies and gentlemen,

13:51it is my pleasure to welcome you all to

13:53the annual architectural ball,

13:56proudly hosted by the Mercer Group.

13:58I'd also like to welcome and introduce

14:04our newest interior designer,

14:07Miss Cecilia Brooks.

14:12I thought you said you had the job.

14:15I did everything that I could.

14:17Bitch must have slept with him in the interview.

14:19Fine.

14:19I'll fix it myself.

14:25So without further ado,

14:26please enjoy your drinks

14:27and have a wonderful night.

14:37We have this dance.

14:42Sterling.

14:44I was hoping that maybe we could

14:47walk and talk.

14:48Or maybe dance and discuss.

14:52You must be working so hard.

14:55I was thinking

14:56maybe you would benefit

14:58from a designer who

14:59really knows you.

15:02Your past.

15:04I'm not interested in rehashing

15:05old relationships, no.

15:08It was just a flint.

15:09Does it mean we can't be close?

15:13Sterling could be a

15:14difficult person to work for.

15:16You know you can come to me

15:21if you need

15:23anything.

15:28Get your hands off of her!

15:32What the hell are you doing here, Vincent?

15:36Folks,

15:36looks like the jester came to play!

15:38Get him out of here.

15:47It's alright, folks.

15:48Enjoy the party.

15:49It's okay.

15:51Are you okay?

15:52Good, good.

15:53Why don't you go grab a drink?

15:54I'm going to take care of this.

15:54Crazy night, huh?

16:04Yeah, too crazy.

16:06I'm Nora,

16:07a close friend of Sterling's.

16:09So,

16:09tell me,

16:11how's the new position

16:12treating you?

16:14It's demanding.

16:16And the client?

16:18What's your feel on them?

16:18Oh,

16:19I'm not at liberty

16:20to discuss that.

16:21Come on,

16:21it must be crazy, right?

16:24I really can't.

16:27Oh,

16:28how embarrassing.

16:35What are you doing in here?

16:37Cecilia,

16:37I'm sorry.

16:39I'm so done

16:40with their whole world.

16:43Yeah,

16:44the head of the board

16:45was barking my ear off me.

16:47Stop it!

16:48What?

16:48I'm just trying to help.

16:50Help?

16:50Really?

16:51That's rich.

16:53I mean,

16:54I am rich.

16:56You.

16:57You are a lot of things.

16:59From the moment I met you,

17:00you've controlled

17:00every aspect of my life,

17:01every movement I make.

17:03You're obsessive,

17:04cryptic,

17:05a perfectionist.

17:06But you're not rich.

17:09Not where it counts.

17:28Phil,

17:28excuse me.

17:29I have work to do.

17:36This hand.

17:47What if?

17:49Maybe cuffs?

17:51What if we hang

17:52something around here?

17:53What if we hang

17:56something around here?

17:57Is that me?

18:12Did I say

18:12you could come in here?

18:13Uh,

18:14you'll be happy to know

18:15that I worked on these

18:16all night.

18:16Maybe if you stayed at the gala,

18:27you would have learned something.

18:29Learned what?

18:30You follow through

18:31with your obligations

18:31so you wouldn't waste

18:32your time working on garbage.

18:34Garbage?

18:36I'll need five more

18:37by tomorrow morning.

18:38That will take me all night.

18:39Even making those two

18:41took me all night

18:42and I barely got them

18:42done in time.

18:43You've done it once before.

18:45You can do it again.

18:46Don't you think

18:47maybe,

18:48just maybe,

18:49that's an unreasonable

18:50amount of time?

18:51Maybe.

18:52I don't care.

18:53Wait.

18:55I should have remembered.

18:57It's not in the contract.

18:58Oh my god.

19:12Excuse me, miss.

19:14Where's my grandfather?

19:15I'm sorry.

19:16Usually if they're not

19:17in the room,

19:17it's because the insurance

19:18ran out or...

19:19Miss Brooks?

19:33Yes?

19:34I just wanted to inform you

19:36that your grandfather

19:36just received his first round

19:38of stem cell treatment.

19:39He's being very well

19:40taken care of.

19:41I don't understand.

19:42How is that possible?

19:44I can't afford that.

19:46I told you.

19:47I'll take care of everything.

19:49What?

19:50I can't believe this.

19:58Oh, but...

19:59But why?

20:00Why would you do that?

20:02Well, when I said

20:02I needed your undivided attention,

20:04I meant it.

20:08Now the only thing

20:09you have to worry about

20:10is me.

20:13I'm not your slave.

20:14Five designs

20:19by tomorrow morning.

20:26You're welcome.

20:34I've been expecting you.

20:35I have a feeling

20:36I'll be impressed.

20:38Brushed work

20:38is not work

20:39to be proud of.

20:45Is this you?

20:46And my parents.

20:47They must be so proud of you.

20:48They never got to see it.

20:50I inherited this company

20:51before I was old enough

20:52to run it.

20:53I'm so sorry.

20:54It was a long time ago.

20:56What happened?

20:56They vanished

20:57on a work trip

20:58into Europe.

20:59Guess I don't control

21:00everything after all.

21:02I'm going to deliver

21:03these designs

21:03to everyone.

21:05I have a surprise for you.

21:10To your first approval.

21:17It's beautiful.

21:20I do have a request, though.

21:23I was wondering

21:24if I could

21:24have a little freedom.

21:26From what?

21:28Me?

21:28No.

21:29No, not you.

21:32From this.

21:33Well,

21:34I need to keep track of you.

21:37I mean,

21:37what if...

21:38Sterling,

21:39I'm not your parents.

21:43I'll be fine.

21:44I just don't know

21:45if I'm ready for that yet.

21:46But you continue

21:47to impress me.

21:48I mean,

21:49you'll be free as a bird.

22:03I do have more surprises

22:04to show you.

22:05But, um...

22:06You're going to have

22:07to wait until tomorrow.

22:09Hmm.

22:10Full of surprises,

22:11aren't you?

22:16And that's why

22:17I can't let you go.

22:33What are you two doing here?

22:34There's not supposed to be

22:35anyone working today.

22:36We were just swinging by

22:37to assess a minor

22:37electrical concern.

22:38It seems that the circuit...

22:39It's nothing urgent.

22:40We're going to come back

22:41tomorrow with the rest

22:41of the crew

22:42and get it resolved.

22:44Okay.

22:47Thank you for the update.

22:48Thank you,

22:49Mr. Mercer.

22:54I've ordered

22:54these beautiful pieces.

22:55White marble.

22:58What the hell?

22:59It's kind of beautiful.

23:05No, no,

23:06it's a mistake.

23:09It's not too perfect.

23:11It's bold.

23:12It's not trying hard.

23:13It just...

23:14is.

23:15Well, I like my work

23:17to be intentional.

23:21Well, I would argue

23:22that this elevates

23:23the intention of the space.

23:25The juxtaposition

23:26between control and chaos.

23:28You have good eyes,

23:29Ms. Brooks.

23:32Follow me.

23:38Your second task

23:39for the client.

23:41Master bedroom

23:42and nursery.

23:44Oh,

23:45the client's a family man.

23:46We don't discuss

23:47the client.

23:48Only satisfy their needs.

23:52Would you like

23:53to see your designs?

23:58Is it not

24:12what you thought?

24:14No,

24:14it's...

24:15it's not that.

24:16It...

24:16The power went up.

24:21There's no signal.

24:23Yeah,

24:23the soundproofing

24:24they put up

24:25a cut signal.

24:27What?

24:28No.

24:40It's not funny.

24:42I'm not laughing.

24:43How long

24:44until someone notices

24:45that we're gone?

24:46I don't know.

24:47An hour?

24:48Maybe two?

24:50Is it Nora?

24:51The client?

24:53What?

24:54No,

24:54you're not supposed

24:55to ask about the client.

24:56Just tell me.

24:58No,

24:59it's not.

24:59Is she...

25:01more?

25:03I built this room

25:04because I believed

25:05in your vision.

25:07I cleared your schedule.

25:09I cleared your stressors.

25:10All because...

25:12I wanted you.

25:13I wanted you.

25:14I wanted you.

25:16I wanted you.

25:35Sir, your seven o'clock is waiting upstairs.

26:03Tuck your shirt in, sir.

26:05I know.

26:12I know.

26:14Who the hell are you?

26:17Calm down, sweetie.

26:19Put Crumpet down.

26:22Listen, sweetie.

26:23I work for Mr. Mercer.

26:24He hired me to take care of your grandpa and Crumpet until you return.

26:29Sweetie, what are you doing home?

26:31What am I doing?

26:33This is Agnes, my nurse.

26:35She's taking care of me.

26:37Oh, I'm sorry.

26:39I'm so embarrassed.

26:43Um, hello?

26:45Why are you in your apartment?

26:47If you're there, there's no need for Agnes to stay employed.

26:50Cece, you're ruining my chances.

26:53Go back, Cece.

26:54Okay, okay.

26:56Everything's all right.

26:57Agnes has taken very good care of me.

26:59Okay, okay, Pappy.

27:00I'll go.

27:01Um, it was nice meeting you, Agnes.

27:03Nice to meet you, dear.

27:04What the hell?

27:16He has a girlfriend?

27:23What was I thinking?

27:25Huh?

27:25I didn't know.

27:27I don't know.

27:40I'm sorry.

27:41I don't know.

27:43I don't know.

27:43Gotcha now, bitch.

28:08I found her address.

28:13Sterling.

28:29Sterling, can we talk?

28:31I don't have the time, Miss Brooks.

28:32Sterling, it's important, please.

28:34Well, I'm dealing with something.

28:35Figure it out yourself.

28:43You might want to ask me why I'm here, you psycho.

28:49I don't give a damn what you have to say.

28:51I don't trust you.

28:52Well, maybe you should start.

28:54Because I know a dirty little secret about you.

29:00You're about to be broke.

29:04I'm here to offer you a buyout.

29:07Get out.

29:08Hear me out.

29:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture,

29:17we could merge as Hale Mercer.

29:21Even as a nice name.

29:23Oh, you're way out of line.

29:25Am I?

29:26Because someone pretty close to you seems to be worried about you.

29:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.

29:39Is that a threat?

29:40Think of it more of a bribe.

29:48Get the hell out of my property.

29:50And out of my sight.

29:52Now!

29:59Miss Brooks, in my office immediately.

30:08Are you sure you want me in there, or not your other woman friend?

30:11What are you talking about?

30:13Hand me your sketches.

30:17I have designs, but they're not the originals.

30:19The originals are missing or lost.

30:23What do you mean, lost?

30:23I finished the designs last night, and I fell asleep, but when I woke up, they weren't in my room anymore.

30:29You're lying.

30:30I'm lying?

30:32Why don't you tell that to the next girl you bring over?

30:34Excuse me?

30:35You're so careless.

30:37Careless?

30:38Me?

30:38I'm pretty sure you're the one who's talking about losing sketches.

30:42Something you won't have to deal with anymore.

30:45Marley's gonna be taking you to the project mansion.

30:48Hopefully you can figure out your sketches problems there.

30:52You may go.

30:53Take her and her belongings to the project mansion.

31:03Anything I should know, sir.

31:05She can't be trusted.

31:07And check the cameras.

31:09We have a mole.

31:12Yes, sir.

31:16Miss Brooks.

31:19What are you doing here?

31:20Well, um, I, uh, had to get some artwork for the client.

31:29You don't trust me.

31:31Not to.

31:31You're not trusting me?

31:35You were the one with another woman after all that, I did this all for you bullshit.

31:39Okay, what woman are you talking about here?

31:41You can't lie to me.

31:42I saw you with her.

31:43I saw you with her.

31:44Okay, okay.

31:45Okay.

31:46If it makes you feel any better, I...

31:47I promise I'm looking into her.

31:51You promise?

31:56I promise.

31:58No!

31:58You're the one with another woman after all that, I did this all for you to see you in the dark.

32:12I thought you didn't trust me.

32:14That you were mad at me?

32:15I thought you didn't trust me.

32:18That you were mad at me?

32:19No, you're too hard to resist.

32:34Let's go inside.

32:34You're the one with another woman after all that, I did this all for you to see you in the dark.

33:04No one else can play this game.

33:08You don't ask, you just take.

33:11And I give, and I pray.

33:16Well, hello.

33:17I'm here for Mr. Brooks.

33:18I'm sorry, what exactly is this for?

33:20I'm the treatment nurse.

33:22I'll be taking him to his appointment for today.

33:24Oh, Mr. Brooks doesn't have an appointment today.

33:26I can assure you he does.

33:31Well, thank you for coming.

33:33Can I bring Crumpet?

33:35Yes, Mr. Brooks.

33:36Bring the cat.

33:37Hello, Cecilia.

33:58I'll need your full cooperation.

34:00I have something of yours you might want back.

34:02Now that I've got your attention, I need a little favor.

34:07Bring me Mercer's Legacy One design.

34:09You can't do this.

34:10But see, I already have, sweetheart.

34:13Give me the designs.

34:14Tell Sterling and your sweet old pappy dies.

34:17And your little cat, too.

34:19Your choice.

34:19I've been reviewing project management assets four days late on the Hudson property.

34:25The client is not happy.

34:27Mr. Mercer is not happy.

34:30Pick it up or I'll give your work to her.

34:31She's three days ahead.

34:34Is that a personal email?

34:35Sweetie, you don't have to do this.

34:57Too late, old man.

34:59Who the fuck are you?

35:01Your worst nightmare.

35:02Baby, I'm glad I'm so glad you made it.

35:05I set all this up for you.

35:08This better work.

35:12No, no, you won't.

35:13Mm, mm, mm, mm, mm.

35:32Show me the video.

35:51Yes, sir.

35:55She knew how to invade the cameras.

35:57I can't identify her, but we knew her enough to let her in.

36:00Keep this video between us.

36:05Yes, sir.

36:18Cecilia!

36:20Sterling!

36:21You're not working from home today?

36:22What are you doing here?

36:24Who have you been talking to?

36:26No one.

36:26I, uh, just, I needed to pick up some paint samples and this was on the way.

36:30On the way to what?

36:32We're like 20 miles south of home.

36:35I'm getting my necklace cleaned.

36:38So if you can't find me or track me for any reason, that's why.

36:44Why do you need your necklace cleaned?

36:50I've just been working a lot.

36:52The drafting table is super dusty and I don't want to get messed up.

36:57It's a woman thing.

37:04I'm trusting you right now.

37:06I know.

37:07I know.

37:22What the hell is going on?

37:23Good girl.

37:43Right on time.

37:44Well, don't hesitate now, sweetheart.

37:48Or they're dead.

37:51Come on, Cecilia.

37:53Do it.

37:58Sterling Mercer's legacy designs.

38:01Just like I asked.

38:02Oh.

38:04Sterling, you won't even know what hit you.

38:06Now let my grandfather go.

38:08He's all yours.

38:10A deal is a deal, pretty lady.

38:17Cece, don't!

38:18Get out of here!

38:20Look, look!

38:21I've had a change of heart.

38:37Please.

38:39No.

38:40This way.

38:41This way.

38:51Wow.

38:52You really know how to tie the room together, darling.

38:55Sterling has my location.

38:57You have no idea what you're in for.

38:58Oh.

38:59But I think I do.

39:02You see,

39:03when that timer goes off,

39:06you and that little tracker

39:08and this entire place will go bye-bye.

39:10And then that will pave way

39:12for the construction site

39:13of all hell designs.

39:15He'll find me.

39:17And when he does...

39:18That's very unlikely, Cecilia.

39:21Now that Sterling has this video,

39:24no one's coming to save you.

39:26Screw you.

39:28Screw both of you!

39:29Oh, oh, oh.

39:31But I almost have everything I need.

39:35Hmm?

39:36His financials, his accounts.

39:38You see,

39:39the only thing that is missing,

39:41my dear,

39:42is the contact for Sterling's

39:44Project Mansion.

39:46What?

39:46Why does that matter?

39:49Well,

39:50once I have the contact,

39:52I can put in a bid under his.

39:55Therefore,

39:56Mercer will no longer have any names

39:58attached to any property.

40:02That will never happen.

40:07Who's the client?

40:10How much was the bid offer?

40:13I don't know.

40:14Or you'll remember.

40:19Trust me.

40:21Even if I did,

40:23I wouldn't tell you.

40:32So,

40:33tell me,

40:35who is the client?

40:38He took care of my family.

40:41I'm never going to sell him out.

40:46Unless you forget, sweetheart.

40:49You already gave me the plans.

40:52So, therefore,

40:53you are already a betrayer.

40:56Promise?

40:57I don't know anything.

40:59Well,

40:59I can see that you're a lady of your word,

41:03which makes it kind of harder to believe you.

41:06So,

41:07tell you what,

41:08this is how it's going to go.

41:10You're going to tell me,

41:12and then you,

41:14Pappy,

41:14and little Kitty

41:15can go free

41:17while Mercer Designs

41:19burns to the ground.

41:21Or,

41:22I could kill you.

41:25Right here.

41:27Right now.

41:29And Mercer Designs

41:30falls anyway.

41:34Okay.

41:35Decisions, decisions, darling!

41:36Wait, no!

41:37No, I'll tell you!

41:38I'll tell you anything you want to know!

41:39Please,

41:39just don't touch him!

41:40I'll tell you!

41:41Tell me

41:51everything.

41:55I don't...

41:56I don't know a lot.

41:58I just...

42:00I know she's very private,

42:02very secretive.

42:04She only talks to Serling.

42:06She's an older,

42:08conservative woman.

42:10Liar!

42:12That night that I dosed

42:13Sterling with that

42:14sleeping elixir,

42:16I found your little

42:17project mansion

42:18and that newly built

42:20BDSM room.

42:21Oh, and then all the plans

42:22that I stole from

42:23Cecilia's bedroom?

42:25They were for a nursery.

42:27Both rooms that an elderly

42:28woman wouldn't need

42:29in a new home.

42:31You drugged him?

42:31Yes!

42:32I drugged him!

42:39And then,

42:40I ransacked his mail.

42:42It's where I found you,

42:44your address,

42:45and your little cat, too.

42:51Well then,

42:53looks like you chose...

42:56Oh!

42:56Oh, I'm sorry,

42:59my sweetness,

42:59but our short little affair

43:02is over.

43:03Excuse me.

43:05Well,

43:06obviously,

43:07I don't need

43:08your services

43:08any longer.

43:10Besides,

43:11I don't

43:13do

43:14witnesses.

43:21Sterling,

43:22help me, please!

43:23Sterling, wait,

43:23it's a trap!

43:24No!

43:24Sterling, please,

43:25you have to help me!

43:26Watch out!

43:27Tell me how to disarm it!

43:36Now!

43:38Back wire!

43:46You little bitch!

43:48Nora, stop!

43:49Put down the knife!

43:49She kidnapped me!

43:52I've been waiting here

43:52for hours for you!

43:54Put down the knife!

43:55Come on,

43:55let me at her one last time!

43:57She betrayed you!

43:58She's the one

43:59who gave up

43:59the Legacy One

44:00and the third floor!

44:03Wait,

44:03how do you know

44:04about the Legacy One project?

44:05That was confidential.

44:06That little bitch,

44:07she told Vincent

44:08everything!

44:09No,

44:10she's lying!

44:11It's all because of her!

44:15She drugged you!

44:16No, I didn't,

44:17you bitch!

44:18When I thought

44:18I saw you

44:19with that woman?

44:21Then now you

44:21lost the designs.

44:23No!

44:24No,

44:24that wasn't me!

44:25Okay,

44:25Vincent made me do it!

44:27He said he threatened

44:28my family!

44:28I had no other choice!

44:31I don't believe you.

44:33Arrest her!

44:35No!

44:38Drop the knife!

44:39Get right here!

44:40Get right here!

44:40No!

44:42Vincent,

44:42you can't leave!

44:44You have the lights

44:45when you're silent!

44:46Anything you say

44:47I can't believe

44:48it's against you

44:48and you're going to fall!

44:49Don't get this,

44:50my son!

44:50Wait,

44:50no,

44:51not on time first!

44:52I'm so sorry!

44:53It's okay.

44:54It's okay.

44:55But I gave him

44:56your designs.

44:56I didn't know

44:57what else to do.

44:57I was trying

44:58to save them.

44:59I didn't mean to.

45:00You're safe.

45:02Okay?

45:03Vincent,

45:03we'll be able

45:03to touch the project.

45:12I'm so happy

45:12you found me.

45:13I thought...

45:14always

45:15I'll find you.

45:18How?

45:22Because I know you.

45:24That moment

45:25in the parking lot

45:25I knew

45:26from your eyes

45:27that you needed me.

45:33I will always

45:34keep you safe.

45:35Hey,

45:39hey,

45:40would you two

45:40take it someplace else?

45:44Sorry,

45:45Pappy.

45:45I'll take you

45:46and Crump

45:46at home.

45:52Oh,

45:52thank goodness

45:53you're okay.

45:56I want to tell you

45:57something,

45:57sweetheart.

45:58I love Agnes.

46:00I really mean it.

46:01Okay,

46:01Pappy.

46:02Just get some rest.

46:03I mean it,

46:04Cece.

46:05When a man knows,

46:06he knows.

46:11Agnes,

46:11it's been a long time

46:13since I've met

46:13someone as caring

46:14as you

46:14and I'd like you

46:16to be my wife.

46:19Yes!

46:20I love you,

46:21Agnes.

46:30Marley,

46:30what are you doing here?

46:31Miss Brooks.

46:32Mind coming with me?

46:35Will you give me a second?

46:36I want to change first.

46:37I want to change first.

46:37Miss Brooks.

46:42I want to change first.

46:58Coffee tastes like sugar dreams.

47:01Traffic sounds like melody.

47:03Come here.

47:21This is really beautiful.

47:26We work well together.

47:28Glad you think so, Cecilia.

47:31Um.

47:32Yes, Sterling?

47:33I have something I need to tell you.

47:39About?

47:41There isn't a legacy, Kalai.

47:44Well, there is, but...

47:47It's not who you think.

47:50I don't follow.

47:53It's me.

47:54What?

47:56This. This is my legacy.

48:01Come here. I need to show you something.

48:03I made this for you.

48:14Wait one second.

48:15I thought if we put them next to each other, it would create balance.

48:30Balance?

48:30But then you came in.

48:47You're kind.

48:50Old.

48:53Intuitive.

48:54Sterling.

48:55Beautiful.

48:59You gave this place a soul.

49:03Cecilia Brooks.

49:07Would you share the love we built together?

49:12Yes.

49:13Yes, Sterling.

49:14I said yes to you, to forever, to, to every dream we're walking through.

49:33Red dragon, record by, short drama free.

49:42Follow for more.

49:43Red dragon, record by, short drama free.

49:47Yes.

49:47Also, you're part of this, you know.

49:48Well, one hundred and you see some specifications that did not make it fall on your head.

49:50But my room is worth telling you.

49:50Thank you so much, Mark.

49:59You're gonna be here.

50:00We're gonna build the Brisbane area for you.

50:01Well, you're late today.

50:01Listen.

50:02Bye.

50:02All right.

50:02I'm going back to the耶.

50:03Everybody's자 time for you.

50:04Everybody agree with me.

50:05We'll go away.

50:05All right.

50:06It's good.

50:07Thanks for coming.

50:07Come on.

50:08Make it a für very few days...

50:08I've never heard of you.

50:10Plaid Huns lóg Wear.

50:11Ü CMLED listening to you guys so you can find a simple strategy for me.

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