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Mumbai: During an exclusive Interview with Actor Manish Wadhwa, where he discussed his plays Mandan Mishra, a revered scholar and philosopher, in the series ‘Shankar.’ He revealed that Mandan's life takes a dramatic turn when he encounters Adi Shankaracharya, leading to a transformation that strips away his ego and makes him a disciple. Manish finds the role challenging yet fulfilling, exploring the nuances of Mandan's character. In the last, Manish encouraged viewers to watch the show with an open heart.

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Fun
Transcript
00:00First of all, welcome to IONES. Thank you.
00:30First of all, welcome to IONES.
01:00First of all, welcome to IONES.
01:30First of all, welcome to IONES.
01:32First of all, welcome to IONES.
01:36First of all, welcome to IONES.
01:38First of all, welcome to IONES.
01:40First of all, welcome to IONES.
01:42First of all, welcome to IONES.
01:44First of all, welcome to IONES.
01:46First of all, welcome to IONES.
01:48First of all, welcome to IONES.
01:50First of all, welcome to IONES.
01:52First of all, welcome to IONES.
01:54First of all, welcome to IONES.
01:56First of all, welcome to IONES.
01:58First of all, welcome to IONES.
02:00First of all, welcome to IONES.
02:02First of all, welcome to IONES.
02:04First of all, welcome to IONES.
02:06First of all, welcome to IONES.
02:08First of all, welcome to IONES.
02:10First of all, welcome to IONES.
02:11First of all, welcome to IONES.
02:35One of the pleasedities is given to me how you charge know to Ichigo and Sherdinshiba.
02:39But I said that every person is different from yourself.
02:46It's different from a different kind of equipment and different equipment.
02:49If we talk about religion or religious shows,
02:54we see that language is very difficult to read.
02:58And people don't understand.
03:00Do you feel difficult for us to say?
03:04Definitely difficult to read.
03:05because this is our horizontal language.
03:10We have a Japanese language as well as a English.
03:14There are many things like how we talk about children,
03:17how we talk about children, how we talk about children,
03:19how we talk about friends.
03:21Now, the kind of language that lines come in your life
03:24are not in a day.
03:26You can't find good lines on the lines.
03:29But it doesn't mean that you can't get it.
03:32When I get it, I will only get it.
03:34If I understand the line, then I will tell you what I want to say.
03:39The biggest thing is that we have seen silent movies.
03:47We have seen films that are totally alike.
03:50But we don't have subtitles.
03:54We understand what we want to say.
03:56This is what we want to say.
03:59What you want to say is that you can keep the word in which way.
04:04Yes.
04:06Yes.
04:08Yes.
04:09Yes.
04:11Yes.
04:12Yes.
04:13Yes.
04:14Yes.
04:16Yes.
04:21Yes.
04:25Yes.
04:26Yes.
04:27Yes.
04:28Yes.
04:30That's what I'm小心ữa be 2.
04:31Yes.
04:32That's correct.
04:33Yes.
04:34It's good because it always won't turn into a custom form.
04:36I can just tell you like this.
04:37How many people are in the same way?
04:39So these are the very different characters.
04:43They have been different characters,
04:45or other characters,
04:47or some characters.
04:50But all characters are different from your life.
04:55So I will try to see the character as well,
04:58I will see them in front of the same way.
05:01not that same Manish Wadhwa
05:03which you can see in other groups
05:05just like this
05:06Do you have any intense action scene
05:10or do you think that real life action scenes
05:13are more than real life action?
05:16Yes, real life
05:18because you have VFX
05:19you have many things
05:20you have many things
05:22you have many things
05:23you have many things
05:24and you have to understand
05:25and you have to understand
05:26but real life action
05:28is very difficult
05:29It's difficult
05:30it's working
05:31to shoot it
05:32it's a different kind of fun
05:34but there's also different things
05:36it's fun to be different
05:38I get a lot of fun
05:39I think you have a big risk
05:41How do you think that?
05:43How do you think that?
05:45How do you think that?
05:46How do you think that?
05:47I think that it's a risk
05:49that I think that it's a risk
05:50if I'm first scared
05:51but I think that
05:52I can't think that
05:53how do we do it
05:54and how do we do it
05:55in this case
05:56I think that
05:57I am a customer
05:58so that you can do it
06:00and then you can do it
06:02so that the risk level is completely reduced
06:04and that it doesn't matter
06:06and I don't have to go
06:08as I want to go
06:10as I want to go
06:12and the character's demands
06:14I can go through the character's demands
06:16I can go through the audience's
06:18what kind of audience can do
06:20and you can do it
06:22I don't have to do it
06:24definitely the writers
06:26which was yesterday, when you get a lot of knowledge, you know,
06:34you get a lot of knowledge in your own mind.
06:38If this character is a good knowledge, because he is a good one,
06:42and he is a good one and he is a good one,
06:44because he is a good one, he doesn't have a good one.
06:50I'm a good one, I'm a good one, but I'm a good one.
06:52So, the fun is that you have to mold your mind that you can form your mind.
06:59The film industry in our country or any creative line is either you can convince me or otherwise I will convince you.
07:06You can convince me that this isn't a small part.
07:09You can do it.
07:11If you can do it, you can do it.
07:14If you can do it.
07:17If you can do it, it can be done.
07:19This is a big part.
07:21That's what you will see,
07:23when little child can't be seen,
07:25how much things you can do to you like.
07:28Yes.
07:32Yes.
07:34Yes.
07:35Yes.
07:36Yes.
07:37Yes.
07:38Yes.
07:39Yes.
07:40Yes.
07:41Yes.
07:42Yes.
07:43Yes.
07:44Yes.
07:45Yes.
07:46Yes.
07:48Yes.
07:49Yes.
07:50Yes.
07:51Yes.
07:52Yes.
07:53Yes.
07:54Yes.
07:55Yes.
07:57It's helpful.
08:00Yes.
08:05Yes.
08:16Yes.
08:20There was a lot of news that you want to connect with new things.
08:24You want to give them something.
08:26You want to give them something.
08:28You want to give them something.
08:30Why are you saying that?
08:32Why are you saying that?
08:34These are all things you want to see.
08:36I am saying that.
08:38I am saying that.
08:40I am saying that.
08:42I am saying that.
08:44I am saying that.
08:46I am saying that.
08:48No one is saying that.
08:50How do you see this?
08:52What do you say?
08:56This is not today.
08:58You have seen it a few years ago.
09:00It is running.
09:02You have seen it.
09:04I am saying that.
09:06You are saying that.
09:08The politics.
09:10Where are you?
09:12I think I feel like.
09:14That.
09:16We truly need to believe.
09:18We need to believe.
09:20We need to believe.
09:22Or to believe.
09:24I have to change.
09:26I am saying that.
09:28I do not.
09:30My other.
09:31If it is my pleasure, then I will do that.
09:34Because it will be my name, my work will also be made.
09:38So, every person wants to come to the line light,
09:41or to the pardes.
09:42The pardes are not only our cinema.
09:44There are many pardes where people want to come.
09:47Do you have a special twist?
09:56The special twist is a different story
10:00which is a great person,
10:03which has never been heard.
10:05It is a small place where I go.
10:09This is also our Satsangh.
10:11If you don't talk about small things,
10:14if you are full of knowledge,
10:17then you are full of knowledge.
10:19Then you are not full of life.
10:21Do you have a special twist?
10:26There is a web series,
10:29which is ready, a film,
10:31which is almost done.
10:32There are some things that I will not disclose.
10:35There are some other things that are happening,
10:37that are running together.
10:39God is kind.
10:41I will see you.
10:42I will see you.
10:43I will see you.
10:44I will see you.

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