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Eriksholm: The Stolen Dream | Chapter 7 | The Killer | Gameplay Walkthrough
Experience an isometric, narrative-driven stealth game set in the stunning city of Eriksholm. When Hanna’s brother, Herman, disappears and the police begin to pursue him, her search sets off a chain of catastrophic events that will not only alter their lives but also the destiny of the entire city. Join your allies, outsmart relentless enemies, and use your cunning to uncover the truth behind Herman’s disappearance — where greater powers are at play than you ever imagined.
#games #gaming #walkthrough #isometric #gameplay #walkthrough #longplay #2dgames #indiegames #latestgames
Experience an isometric, narrative-driven stealth game set in the stunning city of Eriksholm. When Hanna’s brother, Herman, disappears and the police begin to pursue him, her search sets off a chain of catastrophic events that will not only alter their lives but also the destiny of the entire city. Join your allies, outsmart relentless enemies, and use your cunning to uncover the truth behind Herman’s disappearance — where greater powers are at play than you ever imagined.
#games #gaming #walkthrough #isometric #gameplay #walkthrough #longplay #2dgames #indiegames #latestgames
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GamingTranscript
00:00It's not from round here.
00:23No, it's not.
00:24You recognise it?
00:26No.
00:27I mean, I might have seen the pattern somewhere.
00:30But I'm not sure.
00:33Well, are you going to open it?
00:38Files.
00:41And a note.
00:43Go on, read it.
00:46Here is the currency.
00:48Spend it as you see fit.
00:50But we must have Quist.
00:52She is our main preference.
00:55Concerning the others, we trust your judgement.
00:57We hope we won't regret it.
01:00No signature.
01:04What is this?
01:06It looks familiar.
01:08How?
01:09I recognise this.
01:18Herman gave it to me when I was sick.
01:20This is medicine against heart pox.
01:22No, it's not.
01:23There is no medicine.
01:24No.
01:25We would have known.
01:26I would have known.
01:27Yeah, but it makes sense.
01:28If it is medicine, I can think of a million reasons why you'd want this.
01:33Ciaran, someone's just one of them.
01:34If it's real.
01:36Which it's not.
01:37How'd Herman get it anyway?
01:38Well, I was sick, so I wouldn't know.
01:40You were at our house, Sebastian.
01:44Do you recognise it?
01:47No.
01:49I was there when I woke up.
01:52In one of those files.
01:54It's just a bottle, Hannah.
01:56The mayor wouldn't send all he's got if this wasn't real.
01:59The colonel wouldn't come for us if it didn't mean something.
02:01It could be anything.
02:02No, it couldn't, and you know it.
02:04Where are you going with this?
02:09To her.
02:11Elizabeth Quist.
02:12Well, she's got something to do with it.
02:14And if we've got the currency now, maybe she'll talk to us.
02:17About what?
02:19Look, I'm sorry.
02:21If you're right about this, I can do something with it.
02:25You said as much yourself.
02:26I could sell it.
02:28Build shelters with food and beds and fresh water.
02:33And you can be a part of all that.
02:35We can do something good with it.
02:37Which is probably what Herman intended all along.
02:39For how long?
02:40The city's only leaving you alone because you're not a problem yet.
02:44But you will be.
02:45You'll go in places.
02:47They don't like that.
02:50And Quist knows the mayor.
02:52She can give him to us.
02:54Come on.
02:55She's a killer.
02:56Who's in the council and friends with the mayor.
02:58I don't know.
03:00The mayor doesn't strike me as a popular person.
03:02You heard the colonel.
03:04He doesn't seem to like our Mr. Hanson very much.
03:06I've got responsibilities.
03:07My people depend on me.
03:10I can't just give that up.
03:11Yeah, I'm not asking you to.
03:13And what are you asking me, Hannah?
03:16I think...
03:17What you're doing deserves a future.
03:21I think it's worth something.
03:26I think we're worth something.
03:28You keep saying that.
03:32How would you know, though?
03:36You and Herman left.
03:39It's how much we're worth to you.
03:42It's how much you care about our future.
03:43That was different.
03:44Look.
03:48More than anything, Quist is a businesswoman.
03:51So we'll propose a trade.
03:53You keep the profits.
03:54I don't want it.
03:55You can have it.
03:57Build your shelters.
04:00After that, I won't be asking anything of you again.
04:03I don't owe you anything.
04:05I know.
04:05And you're right.
04:07After this, we're done.
04:11No.
04:12I'm not doing this for you.
04:16Now let's get to work.
04:18I suppose you're coming with us?
04:20It's reckless and dangerous, after all.
04:22I wouldn't miss it for the world.
04:38Why is it that every idiot in this city lives on an island?
05:05Technically.
05:06Green Rock's an island, too.
05:07Oh, sod off.
05:09Oh, nice.
05:10So that's how it's going to be now.
05:12Look, if you don't want to be there...
05:13Enough!
05:15Now come on.
05:19Hey.
05:20Yeah?
05:21You're taking these now.
05:23The poison darts?
05:25You brought them with you?
05:27I meant it, Hannah.
05:28After this, we're done.
05:31And I don't want to keep them for you anymore.
05:33But now's not the time.
05:34Take them, or I'll throw them in the water.
05:37Fine.
05:39Good.
05:39Good.
05:50Oh, just leave it, Ronald.
05:51I'm allowed to be bored, aren't I?
05:54No.
05:55Quist is a gracious host, and you're being an ungrateful guest.
05:59But there's nothing to do here except eat and drink in the courtyard.
06:03You're not a good host just because you serve food and wine.
06:07Some would argue that's the very idea of a good host.
06:12All right.
06:12Where is she, then?
06:14Who?
06:15Elizabeth Quist, you idiot.
06:17She's not drinking with us, so where is she?
06:19She's in her mansion, preparing for the Baron's funeral, as you very well know.
06:26We'll see her tomorrow for negotiations.
06:29Ah, splendid.
06:31So I can go to bed, then?
06:32She won't mind?
06:33She will, if she finds out.
06:38We need to do our thing here.
06:40You're not broken.
06:52No, no, no, no, no, no, no, no, no, no, no, no.
06:54You're not broken.
07:24No, no, no, no, no, no, no, no.
07:54Oh, of course.
08:11Come here, Ronald.
08:12Don't just stand there in the dark.
08:14I don't mind.
08:16You're such a child.
08:21Oh, what?
08:23I know you're thinking something.
08:27I'm not.
08:29All right.
08:30Just be quiet.
08:32See?
08:32I knew it.
08:41Look, Ronald.
08:43I'll be honest with you.
08:45I'm still fond of you.
08:46I'm still fond of you.
08:46But things have changed.
08:50I'm sure you feel it, too.
08:55Oh, say something, will you?
09:00Ah, Miranda.
09:01How fortunate I am to find you here alone.
09:04Oh, my dear, my dear, Miranda.
09:06What?
09:07No, God, no, John.
09:09Oh, you fool.
09:10What?
09:11Ronald's here.
09:12No, he's not.
09:14The lights just went out and...
09:16Oh.
09:17Oh, no.
09:18I am a fool, aren't I?
09:21Well, Ronald, as I was saying, things have changed.
09:25I'm sorry, old John.
09:27I'm sorry, old John.
09:27I'm sorry, old John, but...
09:27How's that done?
09:29You're done!
09:32Ah, Miranda.
09:34How fortunate I am to find you here alone.
09:37My dear, Miranda.
09:39What?
09:39No, God, no, John.
09:41Oh, you fool.
09:42What?
09:43Ronald's here.
09:44No, he's not.
09:46The lights just went out and...
09:48Oh.
09:49Oh, no.
09:51I am a fool, aren't I?
09:53Well, Ronald, as I was saying, things have changed.
09:58I'm sorry, old John.
09:59You weren't supposed to find out like this.
10:02We need to talk about this, Ronald.
10:05I should leave you to it.
10:08We'll speak later, okay?
10:11Okay.
10:13You need to say something, Ronald.
10:18Come on, Ronald.
10:23Okay.
10:24I'll just sit over here until you decide to talk to me.
10:40There.
10:41Sorted.
10:42Why?
10:43I'll be watching this next time.
10:44I don't know.
11:14Here you go, sir. Enjoy your wine.
11:29Hey, it's me.
11:31Philip.
11:33Anyway, we're almost out of wine.
11:35Prepare a new batch. I'll be calling for it soon.
11:39Yeah, thanks. Speak soon.
11:42How many bottles of wine left?
11:44Three, sir.
11:45Good. That means I've got time for a nap before it's time to call for more.
11:49But, sir, my shift just ended.
11:52It did not. It ends when we're out of wine, and not sooner.
11:57But I need to...
11:57No, you don't.
12:00Okay. Yes, sir.
12:02Good. Find me when you've served the last bottle.
12:06I'll make the call.
12:07Thank you, sir.
12:14Look, just go. I'll come for you.
12:16No, no. We'll get in trouble, too.
12:19Look, I'll stay here until we've served the last bottle.
12:24You can sleep till dawn for all I care.
12:26Ha.
12:27Okay.
12:31That cable transport is our way into the mansion.
12:35It won't go anywhere until they're out of wine.
12:37Send for more.
12:39I'm sure there's a quicker way to shift a few bottles.
12:41I don't know what I'd do with all this space if I had it.
13:08So we can't use the elevator, then?
13:24Nah. It's closed for the night.
13:26Why is she doing this?
13:27She's leaving for the Baron's funeral soon.
13:30Don't want to be disturbed, I suppose.
13:31Maybe Quist is sick.
13:41Maybe that's why she's staying away.
13:43Okay.
14:01Maybe that's why she's at the
14:20wheelhouse.
14:21Bye.
14:22Bye.
14:23Bye.
14:23Bye.
14:25Bye.
14:26Bye.
14:27Bye.
14:27Bye.
14:28Bye.
14:28Bye.
14:29Bye.
14:29Bye.
14:31Bye.
14:31Look, we know. She thinks all this drinking will give her an edge tomorrow.
14:38And it will, if you fall for it.
14:41Yes, but we won't. Because we're very moderate in our drinking. Aren't we, Ted?
14:46Yes, we are.
14:48You're about as moderate as rats in a cheese stall. You're not going anywhere.
14:53Oh, come on.
14:54We won't be long.
14:55I said no.
14:57Shut up. Stay here. And no drinking.
15:01Okay.
15:16Lights out. We're going to have to do something about that, I guess.
15:20No, I don't do maintenance.
15:23Someone will fix it tomorrow then.
15:25Yeah.
15:31Is he sleeping yet?
15:43No. Not yet.
15:44Not yet.
15:44I don't know.
15:46I don't know.
16:16i wonder what he's up to advice and voting sounds grand
16:46okay
17:16Can we not talk about the war tonight, Ryan, or the heart pox?
17:23I just want to enjoy this evening and pretend just for a while that everything's fine.
17:29All right, dear. Let's just finish this bottle, then.
17:33Not much left, though.
17:36Oh, there's more in the courtyard.
17:37Just...
17:46No. Not yet.
18:16Ow, ow. Sorry, mate. Why am I awake?
18:21Eric!
18:22Ah!
18:27We should hide them. If the guests find them, we'll get caught.
18:31Oh, let's go.
19:01Is he sleeping yet?
19:19No, not yet.
19:31What's about now?
19:49Sorry mate, why am I awake?
19:59SIREN
20:03SIREN
20:09SIREN
20:12SIREN
20:17SIREN
20:18SIREN
20:23A funeral.
20:53The mayor's going to be there, I'm sure.
20:57Is he sleeping yet?
21:17They're preying on hope, aren't they?
21:23What about now?
21:31Sorry, mate.
21:32Why are you awake?
21:37That'd be quite the sneeze if she did.
21:39Now, then.
22:03Oh, what now?
22:18Oh, what now?
22:33Hmm.
22:34It's probably just the wiring.
22:36Oh, well, grab the wine.
22:38We'll enjoy it in the moonlight.
22:40I don't know.
22:42I don't like the sight of those birds.
22:44Oh, here we go.
22:46They're up to something.
22:48They're not.
22:49They're birds.
22:51Right.
22:52Although, birds are known to...
22:54Enough, Brian.
22:56All right.
22:57Leave.
23:04Shoo.
23:05Be gone, I say.
23:07Oh, for the love of it all.
23:10Right.
23:10And they're back.
23:33Scheme, no doubt.
23:34They've hardly got a brain to escape.
23:37Can you just enjoy the wine?
23:40Can you do that?
23:41Me?
23:42Of course I can.
23:45I want you to live closely.
23:48Closely.
23:48I want you to live closely.
24:18Is he sleeping yet?
24:46No, not yet.
24:48I want you to live closely.
25:18Sorry, mate. Wide awake.
25:48Now, then. Now.
26:18Is he sleeping yet?
26:20No. Not yet.
26:44Well, now.
26:47What's that?
26:48He's sleeping.
26:51He's like that.
26:52Apparently.
26:59Well, then. Let's go.
27:01The wine awaits.
27:16She wouldn't deal with the sakine, would she?
27:31She wouldn't deal with the sakine, would she?
27:34Would she?
28:35Oh, what now?
28:46Hmm.
28:47It's probably just the wiring.
28:49Oh, well, grab the wine.
28:51We'll enjoy it in the moonlight.
28:53I don't know.
28:54I don't like the sight of those birds.
28:56Oh, here we go.
28:58They're up to something.
29:00They're not.
29:02They're birds.
29:03Right.
29:04Although birds are known to...
29:06Enough, Brian.
29:09All right.
29:15Thief.
29:16Shul.
29:18Be gone, I say.
29:18Oh, for the love of it all.
29:22Right.
29:23Oh, they're back.
29:45Scheme, no doubt.
29:47They've hardly got a brain to scheme in.
29:50Can you just enjoy the wine?
29:52Can you do that for me?
29:55Of course I can.
29:57Oh.
29:58No!
29:58Ah!
29:59See?
30:04I knew it.
30:06Always got something.
30:08Shut up, Brian.
30:10Just shut up.
30:13Oh, you've ruined it all now.
30:16Let's just get another bottle in the courtyard.
30:18Yes.
30:19Let's.
30:46Ah, good evening.
30:48My husband here is afraid of birds, so he'd like another bottle of wine.
30:53What on earth does that have to do with anything?
30:55Everything, dear.
30:57Now, can you help, my good man?
31:00Of course, milady.
31:01One of our last bottles.
31:04Not at all.
31:25I do love you, Ryan, my dear.
31:44But you can be a handful.
31:46Oh, I know, I know.
31:55I know, I know.
32:25I know, I know.
32:55I know, I know.
33:25I know, I know.
33:55Right, I'll be quiet.
34:25I know, I know.
34:55I know, I know.
35:25I know, I know.
35:27I know, I know.
35:29I know, I know.
35:33I know, I know.
35:37I know, I know, I know.
35:41I know, I know, I know.
35:45I know, I know, I know, I know.
35:49I know, I know, I know, I know, I know.
35:53I know, I know, I know.
35:59The new product is made to stay at the same time.
36:09The new product is made up of the product.
36:17The product is made up of the product.
36:23The product is made up of the product.
36:27I don't know.
36:57I don't know.
37:27Where's the wine, then?
37:32Service in this place is the worst.
37:37Well, I'd expect nothing less from the cheap old woman.
37:41I guess I'll just have to handle this myself.
37:44Now, that's enough, sir.
37:46Another glass of wine is not what you need tonight.
37:48Right you are, my dear, overpaying idiot, whom I'll make sure gets fired before sunrise.
37:57Because what I need, what I need, is another bottle of wine.
38:04You know what, sir?
38:07You might be right.
38:08Oh, there you have it.
38:10As if it was up to you.
38:13Yes, sir.
38:13What do you mean?
38:43I'm out. Serve me another bottle, excuse me, or whatever they call for.
38:50My name's Christine, sir, and perhaps it's time for you to go to bed.
38:55Ha! Says who? My mother or your mother?
39:00I don't believe either is present, sir, but if I may...
39:03He's sleeping. He was the one who telephoned the mansion before.
39:07You're a servant, mate. Isn't it your job to serve?
39:12Very well, sir, but this is our last bottle.
39:19I don't care.
39:35Thank you. Now piss off.
39:42Ah, right. That's the last one.
39:54See you later, Christian.
39:55See you later.
39:57Let's talk about it.
39:59Go man.
40:00No, I don't care.
40:02OK?
40:04Yeah.
42:06Oh, what's that now?
42:19Oh, what's the time?
42:21Now, where's that idiot servant?
42:29Oh, looks like we're out of wine.
42:33Hey, yeah, it's me.
42:42We need that batch now.
42:44Send it over, will you?
42:45Well, I guess I have to handle it because the bloody servant left while I was, um, patrolling.
42:53Yeah?
42:54Now, now stop talking and send the wine already.
42:58Patrolling?
42:59Yep.
43:00That's what I was talking about.
43:12So, Quist will be in her mansion now.
43:15Preparing for the Baron's funeral, it seems.
43:17Yeah.
43:18Yeah.
43:19I guess the mayor needed to set an example with that one.
43:24I want to ask you something, Alva.
43:28Go ahead.
43:29That box in Herman's bag.
43:33You seem to recognize it.
43:36Never seen it before.
43:38Okay.
43:40I might have seen something like it, the patterns, at some point.
43:43If you know something...
43:45I don't.
43:46Or...
43:46It's got nothing to do with this.
43:48I don't want to talk about it.
43:51Okay.
43:51We've served them supper now, sir.
44:19Suzanne's just arrived with the elevator.
44:21All right.
44:22How's the lad?
44:24No change, sir.
44:26Right.
44:28You've done what you can.
44:30Get some rest now.
44:32Yes, sir.
44:33Good night, then, sir.
44:35Good night, Lisa.
44:43Someone's sick.
44:44Heart pox.
44:48Maybe Quist.
44:49Here's hoping.
44:51Now let's find that elevator.
44:53It'll take us to her.
44:54Yeah.
44:54Yeah.
44:54Here we go.
44:58Okay.
44:58Here we go.
45:11Yeah.
45:12Let's go.
45:42Let's go.
46:12Let's go.
46:42Power's off.
46:43Strange.
46:44There.
46:54Sorted.
46:55Yeah.
46:57Good show, lads.
46:57If I take one of them out, Sebastian's got to be quick with the other bloke.
47:14Ow!
47:36Ow!
47:38I suppose you've heard about Quist's sister.
47:48Of course.
47:50Why?
47:50Well, I mean, she was kind.
47:53Not like...
47:55Yeah.
47:56Yeah, I know.
47:59It's fair.
48:00It's the old thing, don't you think?
48:01Yeah.
48:02But that's life for you.
48:08How's the missus?
48:14So there goes the light again.
48:18You want to go check on it, fellas?
48:21Uh, hello?
48:25Boys?
48:27I don't like this.
48:29We should tell Quist.
48:30No.
48:31We'll leave her alone till she's back from the funeral.
48:34Well, something's going on.
48:36You go have a look.
48:37I'll stay here.
48:38Oh, no, you don't.
48:39We're going together.
48:41There's a reason.
48:41There's two of us.
48:44Who's guarding an elevator?
48:46Now go.
48:47All right, all right.
48:49I'll check the kitchen first, then.
48:51And I'll whistle a tune or something.
48:55And if I stop whistling...
48:56I'll sound the alarm.
48:57Yes.
48:58Good luck.
48:59That's done, then.
49:25We can take the elevator to Elizabeth Quist now.
49:29And I'll see you.
49:32What is it?
49:59I explicitly asked not to be disturbed before I leave.
50:03No worries, madam. We won't be long.
50:07How did you get in here?
50:09Never mind that. We're here to propose a trade. Now listen.
50:14Trade? With you? For God's sake, girl. Get out while I'm still feeling generous.
50:21We know what you've been promised.
50:24What?
50:25We know you're dealing with the Sakeen.
50:28This is actually getting quite entertaining now.
50:31I've seen those patterns before. On the box, with the medicine. I know where they're from.
50:36What patterns? What box? What on earth are you talking about? From what institution did you all escape?
50:42If you've got something to do with them, that's treason. And you know what happens to traitors in this country.
50:48Well, you're the one breaking into my home, threatening me with false accusations. You seem literally insane.
50:56And I don't even know what you want yet. But you can tell the police when they get here.
51:02You really don't want to play this game with us, madam.
51:05Wait.
51:05You're the sister, aren't you? A bit out of your depth, wouldn't you say, love?
51:15Right. You asked for this.
51:17Hannah.
51:18Hannah.
51:18Oh. Who's that?
51:26You got a little one?
51:29No.
51:29Who is he?
51:43He's my nephew.
51:47My sister died a few days ago.
51:50The doctors say he might make it.
51:55Not everyone dies from the heart box.
51:57How old is he?
52:01He'll be 14 soon.
52:03Hmm.
52:06Look.
52:08He's not part of this.
52:10He's just a child.
52:12You dragged him into this, though.
52:14Did I?
52:16The mayor's using him like a pawn against me.
52:21Serves you right, maybe.
52:23Well, you're not wrong.
52:27He's promised me medicine from somewhere.
52:32Maybe it's from the Sakine.
52:33I don't know.
52:34And maybe he's lying.
52:35Maybe it's just snake oil.
52:37But I can't afford not to find out.
52:41What does he want from you?
52:43My vote in the council.
52:45I don't know what he's up to.
52:49I suppose I should try and stop him.
52:52We've talked about it, a few of us.
52:54But, well.
52:55The mayor, huh?
52:59I thought you were friends.
53:01No.
53:02I don't think he has any friends.
53:05Not as such.
53:08Here you go.
53:10Give this to your nephew.
53:12Then he'll be fine.
53:14I don't understand.
53:16That's all right.
53:18Take it anyway.
53:19I don't know what to say.
53:22Then I'll say this.
53:24We've got more of these.
53:26They're not the mayor's anymore.
53:27And he's not going to get them back.
53:30We'll sell them to you.
53:32That's our trade.
53:34For what?
53:35A fair price.
53:37Which you'll pay to my friend here.
53:40And a favor for me.
53:42Which is?
53:43You'll take me with you.
53:45To the baron's funeral.
53:47What?
53:47Hang on.
53:48We know the mayor will be there.
53:50It's a matter of the state, after all.
53:53So you'll help me get inside.
53:55And then what happens?
53:56Nothing that concerns you.
53:58No.
53:58What are you doing?
53:59Whatever you're planning, Anna.
54:01You'll never get away with it.
54:03I don't know.
54:05I've done all right so far, haven't I?
54:07And I think it's only fair I don't drag you with me this time.
54:10Hannah, please.
54:12This is not what I meant when I said we're done.
54:15I know.
54:16Look.
54:18You've been a good friend to me.
54:20I'm doing what I can to repay you now.
54:22No, I would never ask you to do this.
54:24I don't want this.
54:25No.
54:27But I do.
54:30It's always you, isn't it?
54:31I'm just going to do this one thing, Alva.
54:38And then I'll come back, yeah?
54:41And I don't want you to worry about me.
54:45And thank you for looking after me and Herm and Sebastian.
54:49You were always good to us and them.
54:50I, um, well, thank you.
54:57Okay, madam.
54:59Let's go.
55:00Let's go.
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