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SnapScene Cinema
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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:29Hi, did anyone order these?
00:31Artless pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:59What's your name?
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You learned things are very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:52Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman?
02:05His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:14Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:41So, Ms. Brooks, what do you see in this room?
02:44Well, it's deliberate, controlled, powerful. It's impressive, but-
02:55But?
02:57It's not satisfying.
03:00Bold again.
03:04Tell me, how do you know it's satisfying?
03:07Satisfaction lies somewhere in between.
03:11You think you can give me that?
03:12Think you can take the risk and find out?
03:24All yours.
03:28Hey.
03:30The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:36Don't make me regret this risk.
03:37I don't plan to.
03:38The position's been filled.
03:39Go home.
03:40Get out!
03:41Damn.
03:42He doesn't have to be so rude.
03:43Pappy, your phone's upside down.
03:44Oh, it's not a problem.
03:45Don't make me regret this risk.
03:46Don't make me regret this risk.
03:47I don't plan to.
03:49The position's been filled.
03:50Go home.
03:53Get out!
03:55Damn.
03:56He doesn't have to be so rude.
03:57Pappy, your phone's upside down.
04:14Hi, how are you feeling?
04:16Hey, jubilation?
04:18Not doing too well, honey.
04:20Damn hospital postponed my surgery again.
04:22I'm so sorry, Pappy.
04:24I'm working things out with the hospital.
04:25I have some good news today, though.
04:29I'm sorry.
04:30Uh, I think that's my landlord.
04:31I have to go.
04:32Love you.
04:33Bye-bye.
04:36Oh.
04:37What the hell is he doing here?
04:40What are you doing here?
04:42Oh.
04:43What the hell?
04:45Hey.
04:46Whoa, whoa, whoa.
04:46Guys, whoa.
04:47Hey, don't take that.
04:52I did not agree to this.
04:54Actually, you did.
04:58The signing must reside on Mr. Mercer.
05:00I can't quite hear you.
05:03Must reside with Mr. Mercer for the duration of the project?
05:07Mm-hmm.
05:07How long?
05:09Keep reading.
05:10And definitely without exception?
05:13A gift.
05:20What the fuck?
05:22A gift?
05:23In exchange for being kidnapped?
05:25No thanks.
05:29I need to know where you're at.
05:30At all times.
05:33It's a tracker.
05:34What?
05:34Like a dark collar?
05:37Do you think you own me now?
05:38I wouldn't do that.
05:40Come on.
05:41Let's go.
05:41This is insane.
05:42Just give me a second to put Crumpet in his carrier and call my grandfather.
05:46No.
05:47There are no animals in the mansion.
05:49You must say goodbye to your little Crumpet.
05:52What?
05:53Absolutely not.
05:54I told you in the contract that I will take care of everything.
05:59I don't care about the contract.
06:01What?
06:01Oh my God.
06:02Goodbyes are always so hard.
06:05Put me down!
06:06What are you doing?
06:09Welcome back, Miss Brooks.
06:12So, I'm not allowed to leave?
06:14If you leave, your contract will be terminated immediately.
06:18And what?
06:18You're just going to leave me all alone in here?
06:20Would you like me to join you?
06:21No, no, no, no.
06:33Why is it making that sound?
06:35Damn, if I leave, Pappy dies.
06:38Shit.
06:38I'm trapped with this monster.
06:40Oh my God.
06:41Is this really happening?
06:43I'm stuck.
06:43I'm stuck.
06:51This is your uniform.
06:56Work hours have started already.
06:58Tidy yourself up.
07:00Report to Mr. Mercer.
07:04Oh, and uh, chop chop, Miss Brooks.
07:08Mr. Mercer does not like to be kept waiting.
07:21Enjoying the view?
07:35No, I, um, just didn't want to disturb you.
07:39I don't mind if you stare.
07:41Sorry, Sarah.
07:43I was just interested in your build.
07:46The building.
07:47The build of the mansion that we're building to work on today.
07:54What time are we leaving for?
07:55Car leaves in 10 minutes.
07:57Wait.
07:59I'll be ready.
08:10How much further?
08:13Patience, Miss Brooks.
08:17Oh, my pink puffer.
08:31Hey, Foxy.
08:32I got something that'll keep that jaw clenched.
08:35Wow.
08:35Original.
08:36Mr. Mercer.
08:37We didn't know you was coming in today.
08:39Get off my property.
08:40What?
08:41You're fired.
08:43Leave.
08:43Oh, the hell?
08:44I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:51If I collapse your lung, you won't be able to do it.
08:53Did he just stand up for me?
08:55Sarah, how about you?
08:56Continue your work with Miss Brooks, and I'll handle this.
09:01Come on.
09:04Everything's nearly finished.
09:06I'm going to have a team come in and make some final measurements over here, and I'll ensure
09:10they know how to keep their mouth shut.
09:12Uh, is this all marble?
09:19Seeing her in my house gives me a strange feeling.
09:22It's so beautiful.
09:24What is it about her?
09:26Why do I want to?
09:27Follow me.
09:27Wow, an elevator?
09:35By the way, what you did out there, thank you.
09:39I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:43Remember that.
09:48Your first task for the client.
09:51I don't know anything about the client.
09:53Who is...
09:54We don't ask about the client.
09:57We only worry about what they desire.
09:59Okay.
10:00Am I allowed to know what the purpose of this room is?
10:04Yes.
10:05Great.
10:06The client would like this room transformed into their BDSM chambers.
10:15I hope she doesn't see right through me.
10:18So, how would you do it?
10:21Uh, um...
10:24Paint me a picture.
10:26Right.
10:28Uh, over here, I would put a chaise lounge velvet, obviously.
10:36Obviously.
10:37And over here would be a great place to mount a swing.
10:39One with adjustable heights and handles.
10:42And next to it, we could put a cabinet for whips and toys and things.
10:48You're very well versed.
10:50I read a lot.
10:53Certain genres of certain books have certain details.
10:57Right, right.
10:58Of course.
11:00Yeah, it's perfectly normal.
11:01Well, a lot of women read fantasy and romance and fantasy romance.
11:07Anyway, uh, this would be a great place to mount wall cuffs.
11:13I'm drowning in the heat
11:19Afraid of what I need
11:25Your touch is like a flame
11:30But I can't turn your way
11:33Hello?
11:35Miss Brooks, I'm sorry. We need the payment.
11:44Uh, I understand.
11:45Is there anything I could do now to hold him there?
11:47Anything that could be done right now?
11:49We need your payment, Miss Brooks.
11:51By tomorrow morning.
11:52All $200,000.
11:55Okay, I'll get it to you. I promise.
11:59Sorry.
12:00Your contract explicitly states that I receive 100% of your attention at work.
12:06Who was that?
12:09It's personal.
12:10There are no personal calls at work.
12:14I'm sorry.
12:20Mr. Mercer, it won't happen again.
12:23I'll get to work right away.
12:24I'll have designs to you by tomorrow morning.
12:30Take it off.
12:32What?
12:35Your jacket.
12:37Mr. Mercer.
12:41I won't ask twice.
12:49Uh, what's this for?
12:56It's perfect.
12:58Now go get dressed.
13:00No need to pout, Miss Brooks.
13:22You'll be meeting some of the top designers.
13:24I don't understand.
13:25How does this take priority over work?
13:27Am I your date or your designer?
13:30You are.
13:33When I say you are.
13:34Ladies and gentlemen,
13:48it is my pleasure to welcome you all to the annual architectural ball,
13:54proudly hosted by the Mercer Group.
13:56I'd also like to welcome and introduce our newest interior designer,
14:06Miss Cecilia Brooks.
14:10I thought you said you had the job.
14:13I did everything that I could.
14:15Mitch must have slept with him in the interview.
14:17Fine.
14:17I'll fix it.
14:18I'll fix it myself.
14:22So without further ado, please enjoy your drinks and have a wonderful night.
14:28We have this dance.
14:36Oh.
14:37Okay.
14:40Sterling.
14:42I was hoping that maybe we could walk and talk.
14:46Or maybe dance and discuss.
14:49You must be working so hard.
14:53I was thinking.
14:54Maybe you would benefit from a designer who really knows you.
14:59Your past.
15:01I'm not interested in rehashing old relationships, no.
15:05It was just a flint.
15:07It doesn't mean we can't be close.
15:10Sterling could be a difficult person to work for.
15:14You know you can come to me if you need anything.
15:26Get your hands off of her.
15:30What the hell are you doing here, Vincent?
15:33Folks, looks like the jester came to play.
15:39Get him out of here.
15:44It's all right, folks.
15:46Enjoy the party.
15:47It's okay.
15:48Yeah, you're okay.
15:50Why don't you go grab a drink?
15:51I'm going to take care of this.
16:01Crazy night, huh?
16:02Yeah.
16:02Too crazy.
16:04I'm Nora.
16:05A close friend of Sterling's.
16:07So, tell me.
16:08How's the new position treating you?
16:12It's demanding.
16:14The client?
16:15What's your feel on them?
16:16Oh, I'm not at liberty to discuss that.
16:18Come on.
16:19It must be crazy, right?
16:21I really can't.
16:25Oh!
16:27Oh, how embarrassing.
16:33What are you doing in here?
16:34Cecilia, I'm sorry.
16:36I'm so done with their whole world.
16:38Yeah, the head of the board was barking my ear off.
16:44Stop it!
16:45What?
16:46I'm just trying to help.
16:47Help?
16:48Really?
16:49That's rich.
16:50I mean, I am rich.
16:53You.
16:54You are a lot of things.
16:56From the moment I met you, you've controlled every aspect of my life.
16:58Every movement I make.
17:00You're obsessive, cryptic, a perfectionist.
17:02But you're not rich.
17:06Not where it counts.
17:07Feel, excuse me.
17:26I have work to do.
17:27This hand.
17:44What if?
17:46Maybe cuffs?
17:49What if we hang something around here?
17:57Is that me?
18:08Did I say you could come in here?
18:10Uh, you'll be happy to know that I worked on these all night.
18:23Maybe if you stayed at the gala, you would have learned something.
18:26Learned what?
18:27You follow through with your obligations so you wouldn't waste your time working on garbage.
18:31Garbage?
18:33I'll need five more by tomorrow morning.
18:35That will take me all night.
18:36Even making those two took me all night and I barely got them done in time.
18:40You've done it once before.
18:42You can do it again.
18:43Don't you think?
18:44Maybe, just maybe, that's an unreasonable amount of time.
18:48Maybe.
18:49I don't care.
18:50Wait.
18:51I should have remembered.
18:53It's not in the contract.
18:57Oh my god.
19:09Excuse me, miss.
19:10Where's my grandfather?
19:12I'm sorry.
19:12Usually, if they're not in the room, it's because the insurance ran out or...
19:15Miss Brooks?
19:28Yes.
19:31I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:36He's being very well taken care of.
19:38I don't understand.
19:38How is that possible?
19:39Well, I can't afford that.
19:42I told you.
19:44I'll take care of everything.
19:45What?
19:47I can't believe this.
19:54Oh, but...
19:55But why?
19:57Why would you do that?
19:58Well, when I said I needed your undivided attention, I meant it.
20:02Now, the only thing you have to worry about is me.
20:09I'm not your slave.
20:15Five designs by tomorrow morning.
20:23You're welcome.
20:23I've been expecting you.
20:32I have a feeling I'll be impressed.
20:34Brushed work is not work to be proud of.
20:41Is this you?
20:42And my parents.
20:43They must be so proud of you.
20:45They never got to see it.
20:46I inherited this company before I was old enough to run it.
20:49I'm so sorry.
20:51It was a long time ago.
20:52What happened?
20:53They vanished.
20:54On a work trip into Europe.
20:56Guess I don't control everything after all.
20:58I'm going to deliver these designs to everyone.
21:01I have a surprise for you.
21:06To your first approval.
21:13It's beautiful.
21:16I do have a request, though.
21:19I was wondering if I could...
21:21I could have a little freedom?
21:23From what?
21:24Me?
21:25No.
21:25No, not you.
21:28I'm this.
21:29Well, I need to keep track of you.
21:33I mean, what if...
21:34Sterling, I'm not your parents.
21:39I'll be fine.
21:40I just don't know if I'm ready for that yet.
21:42But you continue to impress me.
21:44I mean, you'll be free as a bird.
21:46I mean, you'll be free as a bird.
21:46I do have more surprises to show you, but you're going to have to wait till tomorrow.
22:04I'm full of surprises, aren't you?
22:12And that's why I can't let you go.
22:29What are you two doing here?
22:30There's not supposed to be anyone working today.
22:32We were just swinging by to assess a minor electrical concern.
22:35It seems that the circuit...
22:35It's nothing urgent.
22:36We're going to come back tomorrow with the rest of the crew and get it resolved.
22:40Okay.
22:43Thank you for the update.
22:44Thank you, Mr. Mercer.
22:45I've ordered these beautiful pieces.
22:52White marble.
22:54What the hell?
22:59It's kind of beautiful.
23:01No, no, it's a mistake.
23:05It's not too perfect.
23:07It's bold.
23:08It's not trying hard.
23:09It just...
23:10is.
23:11Well, I like my work to be...
23:13Intentional.
23:15Well, I would argue that this elevates the intention of the space.
23:21The juxtaposition between control and chaos.
23:24You have good eyes, Ms. Brooks.
23:27Follow me.
23:35Your second task for the client.
23:38Master bedroom and nursery.
23:41Oh, the client's a family man.
23:43We don't discuss the client.
23:44Only satisfy their needs.
23:49Would you like to see your designs?
23:50Would you like to see your designs?
23:51Is it not what you thought?
24:10No, it's...
24:11It's not that.
24:12It...
24:12The power went up.
24:18There's no signal.
24:18Yeah, the...
24:20Soundproofing they put up, uh...
24:22Cuts signal.
24:23What?
24:24No.
24:37It's not funny.
24:38I'm not laughing.
24:39How long until someone notices that we're gone?
24:42I don't know.
24:43An hour?
24:45Maybe two?
24:47Is it Nora?
24:48The client?
24:49What?
24:50No.
24:51You're not supposed to ask about the client.
24:53Just tell me.
24:55No.
24:55It's not.
24:56Is she...
24:57More?
24:58I built this room because I believed in your vision.
25:03I cleared your schedule.
25:05I cleared your stressors.
25:07All because...
25:09I wanted you.
25:10It...
25:11It's not.
25:12No.
25:13No.
25:15No.
25:24No.
25:24No.
25:31No.
25:36No.
25:37No.
25:37No.
25:37No.
25:38No.
25:39Sir, your seven o'clock is waiting upstairs.
25:58Tuck your shirt in, sir.
25:59I know. I know.
26:10Ah! Who the hell are you?
26:12Calm down, sweetie. Put Crumpet down.
26:17Listen, sweetie, I work for Mr. Mercer.
26:20He hired me to take care of your grandpa and Crumpet until you return.
26:24Sweetie, what are you doing home?
26:27What am I doing?
26:29This is Agnes, my nurse. She's taking care of me.
26:32Oh. I'm sorry. I'm so embarrassed.
26:39Um, hello?
26:41Why are you in your apartment?
26:43If you're there, there's no need for Agnes to stay employed.
26:46Ceci, you're ruining my chances.
26:48Go back, Ceci.
26:49Oh, okay, okay.
26:51Everything's all right. Agnes has taken very good care of me.
26:54Okay, okay, Pappy. I'll go.
26:56Um, it was nice meeting you, Agnes.
26:59Nice to meet you, dear.
27:10What the hell?
27:12He has a girlfriend?
27:13What was I thinking?
27:20What was I thinking?
27:20I don't know.
27:36I don't know.
27:37I don't know.
27:38I don't know.
27:40Gotcha now, bitch.
28:04I found her address.
28:10Sterling.
28:24Sterling, can we talk?
28:26I don't have the time, Ms. Brooks.
28:27Sterling, it's important, please.
28:29Well, I'm dealing with something.
28:30Figure it out yourself.
28:41You might want to ask me why I'm here, you psycho.
28:44I don't give a damn what you have to say.
28:46I don't trust you.
28:48Well, maybe you should start.
28:50Because I know a dirty little secret about you.
28:55You're about to be broke.
29:00I'm here to offer you a buyout.
29:03Get out.
29:03Hear me out.
29:05Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment of architecture,
29:13we could merge as Hale Mercer.
29:16Even has a nice name.
29:19Oh, you're way out of line.
29:20Am I?
29:22Because someone pretty close to you seems to be worried about you.
29:24Besides, if you don't accept this buyout, I'll publish the information, and Mercer Designs will go bye-bye.
29:34Is that a threat?
29:35Think of it more of a bribe.
29:43Get the hell out of my property.
29:45And out of my sight.
29:47Now!
29:54Miss Brooks, in my office immediately.
30:04Are you sure you want me in there, or not your other woman friend?
30:07What are you talking about?
30:09Hand me your sketches.
30:13I have designs, but they're not the originals.
30:15The originals are missing or lost.
30:18What do you mean, lost?
30:20I finished the designs last night, and I fell asleep, but when I woke up, they weren't in my room anymore.
30:24You're lying.
30:25I'm lying?
30:27Why don't you tell that to the next girl you bring over?
30:31Excuse me?
30:32You're so careless.
30:33Careless?
30:34Me?
30:35I'm pretty sure you're the one who's talking about losing sketches.
30:38Something you won't have to deal with anymore.
30:42Marley's going to be taking you to the project mansion.
30:45Hopefully you can figure out your sketches problems there.
30:49You may go.
30:54Take her and her belongings to the project mansion.
31:00Anything I should know, sir.
31:02She can't be trusted.
31:04And check the cameras.
31:06We have a mole.
31:08Yes, sir.
31:13Miss Brooks.
31:14What are you doing here?
31:18Well, um, I, uh, had to get some artwork for the client.
31:25You don't trust me.
31:27That, too.
31:30You not trusting me?
31:31You were the one with another woman after all that, I did this all for you bullshit.
31:35Okay, what woman are you talking about here?
31:37You can't lie to me.
31:39I saw you with her.
31:40I saw you with her.
31:41Okay, okay, okay.
31:42If it makes you feel any better, I...
31:44I promise I'm looking into her.
31:50You promise?
31:52I promise.
31:54I promise.
31:54I thought you didn't trust me.
32:15That you were mad at me?
32:16You're too hard to resist.
32:17Let's go inside.
32:31Eyes like knives, you cut right through.
32:48Every look says what you do.
32:51Pull me under, soft and deep.
32:54You're the secret I can't keep.
32:57Breath on glass, you trace my name.
33:01No one else can play this game.
33:04You don't ask, you just take.
33:07And I give, and I pray.
33:12Well, hello.
33:13I'm here for Mr. Brooks.
33:15I'm sorry, what exactly is this for?
33:17I'm the treatment nurse.
33:18I'll be taking him to his appointment for today.
33:20Oh, Mr. Brooks doesn't have an appointment today.
33:22I can assure you he does.
33:24Well, thank you for coming.
33:30Can I bring Crumpet?
33:31Yes, Mr. Brooks.
33:33Bring the cat.
33:34Hello, Cecilia.
33:55I'll need your full cooperation.
33:57I have something of yours you might want back.
34:00Now that I've got your attention,
34:02I need a little favor.
34:03Here, bring me Mercer's Legacy One design.
34:06You can't do this.
34:07But see, I already have, sweetheart.
34:10Get me the designs.
34:11Tell Sterling, and your sweet old pappy dies.
34:14And your little cat, too.
34:16Your choice.
34:16I've been reviewing project management assets.
34:20You're four days late on the Hudson property.
34:22The client is not happy.
34:24Mr. Mercer is not happy.
34:27Pick it up, or I'll give your work to her.
34:28She's three days ahead.
34:29Is that a personal email?
34:32Is that a personal email?
34:32Sweetie, you don't have to do this.
34:53Too late, old man.
34:55Who the fuck are you?
34:58Your worst nightmare.
34:59Baby.
35:01I'm so glad you made it.
35:02I set all this up for you.
35:05This better work.
35:06Light in the Hudson's ě–‘,
35:16I set all the money up for you.
35:20How did you do this?
35:22You're so glad you made it.
35:24You're so glad you made it.
35:28Is that a personal email?
35:30Is that a better lawyer?
35:31I'm so glad you made it.
35:33You same?
35:34show me the video yes sir
35:49she knew how to evade the cameras
35:54i can't identify her but
35:56we knew her enough to let her in
35:58keep this video between us
36:02yes sir
36:03cecilia
36:17sterling you're not working from
36:20home today what are you doing here
36:21who have you been talking to no one
36:24i uh just i needed to pick up some
36:26paint samples and this was on the
36:27way on the way to what we're like 20
36:31miles south of home i'm getting my
36:34necklace cleaned so if you can't find me
36:38or track me for any reason that's why
36:42why do you need your necklace cleaned i've
36:49just been working a lot the drafting
36:51table is super dusty and i i don't want
36:53to get messed up
36:53i'm trusting you right now i know
37:07what the hell is going on
37:23good girl right on time well don't hesitate now sweetheart or they're dead
37:36come on cecilia do it
37:51sterling mercer's legacy designs just like i asked
38:01oh sterling you won't even know what hit you
38:05now let my grandfather go
38:07he's all yours a deal is a deal pretty lady
38:14cissy don't get out of here look look
38:20i've had a change of heart
38:33please no this way
38:40wow you really know how to tie the room together darling
38:54sterling has my location you have no idea what you're in for
38:58oh but i think i do
39:00you see then that timer goes off you and that little tracker and this entire
39:09place will go bye-bye and then that will pave way for the construction site
39:13of all hail designs he'll find me and when he does
39:17that's very unlikely cecilia now that sterling has this video
39:23no one's coming to save you screw you
39:27screw both of you
39:29oh oh oh but i almost have everything i need
39:34his financials his accounts
39:37you see the only thing that is missing my dear
39:41is the contact for sterling's project mansion
39:46what why does that matter
39:48well once i have the contact i can put in a bid under his
39:55therefore mercer will no longer have any names attached to any property
40:00that will never happen
40:04who's the client
40:09how much was the bid offer
40:12i don't know
40:14i don't know
40:15will you remember
40:18trust me
40:20even if i did
40:22i wouldn't tell you
40:25so tell me
40:35who is the client
40:38he took care of my family
40:40i'm never going to sell him out
40:42unless you forget sweetheart
40:48you already gave me the plans so therefore you are already a betrayer
40:55promise i don't know
40:57promise i don't know anything
40:59well i can see that you're a lady of your word which makes it kind of hard to believe you
41:05so tell you what
41:07tell you what
41:08this is how it's going to go
41:10you're going to tell me
41:11and then you
41:13pappy
41:14and little kitty
41:15can go free
41:17while mercer designs burns to the ground
41:20or
41:22i could kill you
41:24right here
41:26right now
41:28and mercer designs falls anyway
41:30okay
41:34decisions decisions
41:36wait no
41:36no i'll tell you
41:37i'll tell you anything you want to know
41:38please don't touch him
41:39i'll tell you
41:41tell me
41:51everything
41:53i don't
41:56i don't know a lot
41:58i just
41:58i know she's very private
42:01very secretive
42:03she only talks to sterling
42:05she's an older
42:07conservative
42:08woman
42:09liar
42:10that night that i dosed sterling with that sleeping elixir
42:15i found your little project mansion
42:18and that newly built bdsm room
42:21oh and then all the plans that i stole from cecilia's bedroom
42:24they were for a nursery
42:26both rooms that an elderly woman wouldn't need in a new home
42:30you drugged him
42:31yes
42:32i drugged him
42:33and then i ransacked his mail
42:41that's where i found you
42:43your address
42:45and your little cat too
42:49well then
42:52looks like you chose
42:56oh
42:57oh i'm sorry my sweetness
42:59but
43:00our short little affair
43:02is over
43:03excuse me
43:05well
43:06obviously i don't need your services any longer
43:09besides
43:11i don't
43:13do
43:14witnesses
43:15sterling
43:22help me please
43:23sterling wait it's a trap
43:24no sterling please you have to help me
43:26watch out
43:27tell me how to deform it
43:35now
43:36black wire
43:39you little bitch
43:48norah stop
43:49put down the knife
43:50she kidnapped me i've been waiting here for hours for you
43:54put down the knife
43:55come on let me at her one last time
43:57she betrayed you
43:58she's the one who gave up the legacy one in the third floor
44:02wait how do you know about the legacy one project that was confidential
44:06that little bitch
44:07she told vincent
44:08everything
44:09no
44:10she's lying
44:11it's all because of her
44:13she drugged you
44:17no i didn't you bitch
44:18when i thought i saw you with that woman
44:20then you lost the designs
44:23no
44:24no that wasn't me
44:26okay vincent made me do it
44:28he said he threatened my family
44:29i had no other choice
44:31i don't believe you
44:33arrest her
44:35no
44:36no
44:37no
44:37no
44:39jump the knife
44:40come on here
44:41come on here
44:41come on
44:42they saved you
44:44please
44:45you have the lights
44:46when you're silent
44:47anything you say
44:48can't move against
44:49against you
44:50don't get this
44:51my sir
44:51wait no no i'm tying for us
44:53i'm so sorry
44:54it's okay
44:55it's okay
44:56but i gave him your designs
44:57i didn't know what else to do
44:58i was trying to save them
45:00i didn't mean to
45:01you're safe
45:02you're safe
45:02okay
45:03vincent won't be able to touch the project
45:05i'm so happy you found me
45:14i thought
45:15always
45:16i'll find you
45:17how
45:20because i know you
45:24that moment in the parking lot
45:26i knew
45:27from your eyes
45:28that you needed me
45:31i will always keep you safe
45:36hey
45:40hey
45:40would you two take it someplace else
45:42sorry baby
45:46i'll take you and clump at home
45:47oh thank goodness you're okay
45:55i want to tell you something sweetheart
45:59i love agnes
46:01i really mean it
46:02okay pappy
46:03just get some rest
46:04i mean it cc
46:06when a man knows
46:07he knows
46:09agnes
46:13it's been a long time
46:14since i've met someone as caring as you
46:15and i'd like you to be my wife
46:18yes
46:20i love you agnes
46:23marley
46:32what are you doing here
46:33miss brooks
46:34mind coming with me
46:36will you give me a second
46:38i want to change first
46:39like sugar dreams
46:49traffic sounds like melody
47:01Tastes like sugar dreams
47:03Traffic sounds like melodies
47:06Since you've been in love
47:09Everything feels right now
47:11Sunlight dancing in my mind
47:13Come here.
47:14And I don't know what you do
47:17But love just fits like truth
47:19You got me flooring
47:23This is really beautiful.
47:27We work well together.
47:29I'm glad you think so, Cecilia.
47:33Um...
47:35Yes, Sterling?
47:37I have something I need to tell you.
47:41About?
47:43There isn't a legacy, Kalaya.
47:45Well, there is, but...
47:49It's not who you think.
47:51I don't follow.
47:55It's me.
47:57What?
47:58This...
48:00This is my legacy.
48:04Come here.
48:05I need to show you something.
48:14I made this for you.
48:16Wait.
48:17One second.
48:26Ah.
48:29I thought...
48:30If we put them next to each other, it would create balance.
48:32Balance.
48:33But then you came in.
48:49You're kind.
48:51Old.
48:53Intuitive.
48:54Intuitive.
48:56Mm.
48:57Sterling.
48:59Beautiful.
49:01You gave this place a soul.
49:06Cecilia Brooks.
49:10Would you share the love we built together?
49:13Yes.
49:14Yes, Sterling.
49:15It's not as usual.
49:16You too.
49:18I didn't miss the last night.
49:19You're welcome.
49:20Yes!
49:21You're welcome.
49:23You're welcome.
49:24Now, take a look.
49:25You take a look.
49:26I mean...
49:27You'll be right now.
49:28You take a look.
49:29Yeah, you're welcome.
49:30You're welcome.
49:31You're welcome.
49:32You have a beautiful painting.
49:33I mean...
49:34You're welcome.
49:35I'm not going to go.
49:36Amen.
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