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Inside Look at Episode 8 of And Just Like That
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Go behind the scenes of Episode 8 of And Just Like That... as the costume and production design teams reveal the inspiration, detail, and iconic fashion choices that bring the characters—and New York City—to life. Streaming now on Max.
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00:01
Depending on the neighborhoods that we're at,
00:03
we're very spread out over blocks,
00:05
with trailers on all these different streets.
00:07
We need to be there when the camera's ready,
00:09
because that's when anything could happen.
00:30
When the actor goes to camera,
00:34
it is very important to be there,
00:36
and that's called establishing the outfit.
00:39
Okay, SJ's dressing.
00:41
The outfits are already set for the actors for that day,
00:44
but we need to go into the trailers one by one
00:47
and approve everybody.
00:49
Sarah Jessica is usually in every scene,
00:51
and that means a 5.30 call for her,
00:54
and we try to be there when she's there
00:56
in case she needs to talk about anything.
00:58
I actually saw that dress, and I thought
01:00
it was there for Charlotte.
01:02
We had this line in the script.
01:04
Oh, my gosh, this belt.
01:05
We knew we had to find a dress that would marry with a belt,
01:08
and that dress kept winning.
01:10
That was a real surprise to me
01:12
that Sarah Jessica chose that dress,
01:14
because it's hot.
01:16
That is a wiggle dress.
01:19
Miranda's so often in workwear
01:22
that it's nice to get dressed up.
01:25
She's trying to figure out
01:27
who she is in this moment,
01:29
and her clothes are on fire.
01:31
The color is so strong.
01:33
The line of the dress is so beautiful.
01:35
It's also just really easy to wear.
01:38
She's not like Carrie,
01:40
who's going to have a million really cool accessories.
01:43
Can I start throwing bags at you?
01:45
She had to find this dress,
01:47
get some shoes and some earrings in the bracelet.
01:50
A lot of functionality with some flair.
01:52
Charlotte!
01:53
Charlotte!
01:54
When we're doing work things,
01:55
we think, okay, well, what's Charlotte?
01:57
A little bit more mature.
01:59
These shoes, ooh.
02:00
I didn't choose wisely.
02:01
I have to say, my own fault.
02:03
This dress, it seemed John.
02:05
It had more cutouts than I kind of realized.
02:08
What we had in our mind at the fitting
02:10
was something graphic because of what happens.
02:13
John!
02:14
Not just mentioning the ladies at the gallery,
02:19
what about the men?
02:21
All right.
02:22
Men's clothes are boring.
02:24
Okay, Aiden.
02:27
What's better for tonight?
02:28
Number one or two?
02:30
Do you want him in a dress shirt?
02:32
Yeah, great.
02:33
What's Adam wearing?
02:34
We're going to do Adam's chocolate silk
02:37
Millie low tan man shirt.
02:39
Don't you know how I can do it in a t-shirt?
02:41
For the gallery, too.
02:43
Why, dear God?
02:45
The idea with Adam is that he wore old t-shirts every day,
02:48
which was the bane of existence for Molly.
02:51
Guys, I'm not kidding about the t-shirts.
02:53
I know you don't like it.
02:54
I don't like t-shirts that have writing on them.
02:57
I hate it.
02:58
When Adam goes on the first date with Seema,
03:01
we have him in a different outfit,
03:03
and it is a whole new vibe.
03:08
Final round, please, for Seema.
03:10
When we did the gallery scene,
03:12
we got eight, ten actors.
03:14
And on top of that,
03:15
you have a hundred people or more background.
03:17
We see what everybody's wearing
03:19
and make sure that we like everything that gets on camera.
03:21
How's Cynthia? She's good.
03:23
Molly and Danny's work does not stop at the fittings.
03:26
They are on set with us.
03:27
They make sure everything is the way it's supposed to be,
03:30
and a little more.
03:31
That is the last frontier of what you did in the fitting room,
03:36
of what you did in the store.
03:38
You need to be there when the camera's ready.
03:40
We are ready to go.
03:43
Last looks for everybody.
03:45
Rolling.
03:46
Rolling.
03:47
Quiet all around.
03:48
Here we go.
03:49
And action.
03:52
Bernie, how many handbags are in there?
03:58
I don't think that's enough.
04:00
I don't think that's enough.
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