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Kapil Sharma Show 2025 Episode 4 | Ajay Devgan, Mrunal Thakur,
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00:00Baji, good morning.
00:01Good morning, Kapil.
00:02Baji, I was thinking that this is our third season,
00:05and you are coming in the first time.
00:07So, do you plan a special entry in your films?
00:11I mean, it's a very easy entry.
00:13Do you have two tanks?
00:15A tank?
00:16Why?
00:17I'm talking a little bit about a tank.
00:19I'm talking about a tank of army.
00:21Oh, that's it.
00:22That's what you've done already.
00:23I don't want to take a little bit, Baji.
00:25No, tell me something else, Baji.
00:27Four big ones.
00:29The season is going on,
00:31the horses will not get the horses.
00:32But in that, they're busy.
00:33They're busy.
00:34They're busy, right?
00:35Okay.
00:36So...
00:37And what can they do?
00:40Give me two motorcycles.
00:42Why do you give me two motorcycles?
00:44Two motorcycles, two horses, two tanks.
00:46You've also got two judges.
00:47So, you're going to come up with them?
00:49Yes, that's it.
00:50So, what do we do?
00:51Do something different.
00:53Do a job.
00:54Give me two horses.
00:55Yes.
00:56Go to that.
00:57This is the best.
00:58I've never done that.
00:59I've never done that.
01:00I've never done that.
01:01I've never done that.
01:02I've never done that.
01:03I've never done that.
01:04It's a different entry.
01:05You're going to come up with them.
01:06Two horses, Baji.
01:07Wow.
01:08Come on!
01:09Come on!
01:10Yeah!
01:11Come on!
01:20Come on!
01:21Yeah!
01:22Good evening and welcome to the Great Indian Kapri Show.
01:42Shukriya, Shukriya, please, please, viraj mahan ho jahiyye, thank you.
01:46You are liking my Lili Bili Sili Chili, baby?
01:48I love them, but today you have made a song of Prittor and Jitok.
01:53This is why I am in Punjabi guitar, because those people here are from Punjab.
01:59Who are you?
02:00Hey, look, Mr. Sardar Ji, you have a son of Sardar.
02:03How do you feel?
02:05My son of Sardar is a son of Sardar.
02:09You want to make a whole thing?
02:11I know it's clean in the show.
02:12Now, the son of Sardar is a movie.
02:15His guests are here today.
02:17Please welcome Mr. Ajay Devgan, Mr. Ravi Kishan, and his very beautiful, Mr. Muranai Thakul.
02:37Welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome, welcome,
02:42Mr. Muranai Thakul, welcome, Mr. Muranai Thakul, welcome, Mr. Arthur.
02:50Ajay sir, Rabi Bhia, Mr. Muranai Thakul, your welcome, Mr. Muranai Thakul.
02:52Thanks, Mr. Muranai Thakul, our third season is, Ajay sir, you are the first time.
02:56Ajay sir, why are you so late?
02:58I'm waiting.
02:59When this year will be once again.
03:00oh
03:02son of sardar
03:04the
03:06son of sardar
03:08son of sardar
03:10role
03:12will be
03:14interesting
03:16fun
03:18but
03:20the entry
03:22will be
03:24a great
03:26sardar
03:30here
03:32in the box office
03:34will be a great
03:36line
03:38or
03:40you sam
03:48did
03:50their
04:22This is our previous myth. I've also come here a few times, but today I've never had such a long neck of Kapil Sharma since we've never had such a long neck.
04:35I mean, what is this neck like a neck like a long neck?
04:41Who is this neck like a good packer?
04:45Who is this neck?
04:47You've got a neck like a long neck. It was this neck like a long neck.
04:52After all, the whole bharat, the whole wish were, the whole 192 country.
04:56A lot of people lose weight, but you've done so much that you've also got a neck.
05:08What about you?
05:10Oh, thanks.
05:12But Raviv, I'm so happy for you.
05:14What have you done with your ladies?
05:16Yes, yes.
05:17Netflix had said that you should mention it.
05:18But it was going to be an Oscar.
05:21Think about it.
05:23What about it?
05:26I was doing something from 34 years ago.
05:29Yes, then I didn't have anything.
05:32Then I became a group of Mahadev.
05:33I became a group of Gorakhpur.
05:35Then I thought maybe someone would call me acting.
05:38But it's a group of people.
05:40It's different.
05:41It's different.
05:42It's different.
05:43It's a new film.
05:45It was a small film.
05:46Kiran Khair is the director.
05:48La Patah Ladies.
05:49It was a police officer.
05:51He was eating water.
05:54He was eating water.
05:56He was sitting at one place.
05:57And he went to the Oscar.
05:59But you were mind blowing in La Patah Ladies.
06:02But Raviyah, you were so grossed in your work.
06:06You told Kiran Khair.
06:08You told Kiran Khair.
06:10I was going to say, but I kept quiet.
06:13Why?
06:14It was so grossed in La Patah Ladies.
06:16We were on the set of La Patah Ladies.
06:18We were on the set of Sanav Sardar.
06:19We were on the set of Dhamal.
06:20We were on the set of Dhamal.
06:21You know that it's a comedy film.
06:24It's a very serious film.
06:26Oscar, Oscar.
06:27So now there's comedy too.
06:29Seriously.
06:30I thought it was a bit open.
06:32It's not opening.
06:33But he was just opening.
06:34You know, half a day.
06:35Half a day later he said,
06:36I was taking a lot seriously.
06:38And I couldn't tell you.
06:39I realized what I wanted to do.
06:41Actually.
06:42Actually, we were from Singham.
06:44I'm thanks to him.
06:45They called me one day.
06:46What was never happened to me.
06:47In 33 or 34.
06:48His phone comes to me.
06:50He says, Raviyah, what are you doing?
06:51I was like, man, Sanju Baba is going to come to Sanjay Dutt.
06:56Sanav Sardar has rejected his visa.
07:00Will you do that?
07:02I was so happy.
07:03Sanju Dutt is a cult man.
07:05And in that way, we're going to throw up our own love.
07:10Think about it.
07:11We're going to put our money in our film.
07:13And we're going to do Sanjay Dutt's role.
07:16Unbelievable.
07:17It's a big compliment also, Ravi.
07:19And a big role.
07:21Hey, brother, you guys know that I'm a hero in Climax.
07:28It's always coming.
07:29In Climax, everyone wants to take their lines.
07:32I was standing there.
07:33The directors, Vijay Arora Ji, say,
07:36give it all the lines, keep the camera on Ravie.
07:39And the Climax is Ravie.
07:41And silently, he was standing.
07:43You'll see the film in Climax.
07:45He just kept quiet.
07:47He was just standing there.
07:48And he didn't come with me.
07:50They fought for lines.
07:52Because, Guru, this is a purpose of this.
07:54This happens when you're not insecure.
07:56When you know that it's a trap.
07:58And the second most important thing is that you're not important.
08:02The film is important.
08:03So, this is all you have to do it for the film.
08:06Super.
08:07I just asked the AD.
08:09I called him.
08:10I said, what happened?
08:11You're not trying to tell me the hero.
08:13I didn't say it.
08:15So, I was a good villain.
08:16But I was a good villain.
08:16I was a bad villain.
08:16I left someone's shooting.
08:18Now, I was going to kill someone.
08:19I was going to kill someone.
08:21And now, the one who is the one who is the one who is.
08:23Someone who is the one who is the one who will kill me.
08:25Now, I'm sitting in Vanity Van.
08:27I'm sitting in the top of the morning.
08:28It's morning.
08:29It's evening.
08:30It's evening.
08:31I'm going to get another shooting.
08:32I just asked the AD.
08:34I called him.
08:34I said, what happened?
08:36Why did you not call me?
08:37He said, why did you call me?
08:38I'm a hero that I'm gonna kill?
08:42I'm gonna kill the set and I'm gonna kill myself.
08:50I'll kill it on the other set.
08:56Thanks to him that I will see a son of the President.
09:00First time you will see a whole whole Bihari President.
09:05I don't want to ask this question.
09:11Sanjay sir, he was the first person in the first part.
09:16Now he is Raviyah.
09:18Sanjay sir is also Punjabi.
09:20Suddenly he is Raviyah from UP.
09:22So how did this come to your mind?
09:24This character we had worked out,
09:27which was NK's father.
09:28He was in the city.
09:31He was a truck driver.
09:34Then he came across the city to Seoul,
09:36who said it to be his king,
09:39Israeli by honor.
09:41He is retired abroad
09:44to not Nouny Sir.
09:46Wish me he did.
09:49He met him with dad with dad.
09:51Internet jump.
09:53How did he get married?
09:55Orlando.
09:58JNV was questioned.
09:59He became dropped.
10:01dancer in London.
10:02They were working in the restaurant and they told me that they were
10:06angry and angry and angry and angry.
10:09And then I think that my father will not stop,
10:14then I will break his tongue.
10:16I will admit it.
10:18So this film is so much fun to listen to this film.
10:22After a very long time,
10:26you can watch this film with the family of Kamal's family.
10:31You can watch this film with 5-6 tickets.
10:34Sir, I have a question to you.
10:36We were filming a little bit of weight loss.
10:39Then we will go to Amritsar,
10:41and then we will eat a little bit of weight loss.
10:43We are watching this film.
10:45We will maintain this film.
10:47How difficult it is.
10:48Today we have a camera on the belt.
10:50Look at the camera.
10:51We don't wear a jacket.
10:53We don't wear a jacket.
10:55We don't wear a jacket.
10:56We don't wear a jacket.
10:57We don't wear a jacket.
10:58We don't wear a jacket.
10:59We don't wear a jacket.
11:00We don't wear a jacket.
11:01We don't wear a jacket.
11:02I must say that,
11:03when we were in the set,
11:05and because I was shooting so many actors with the first time,
11:08I was shooting so many actors,
11:09so it's like that.
11:10But when we were watching our diet,
11:13and in between the shots also,
11:16we would go and work out.
11:20So that is the amount of dedication.
11:23When you are in the set,
11:25it feels like it was coming out.
11:26If you are sitting there a little bit.
11:27I'm sitting there.
11:28You're not on the line.
11:29I'm in the line.
11:30You're not on the line.
11:31I'm in the line.
11:32I'm in the line.
11:33I'm on the line.
11:34I'm ready for this exchange.
11:35I'm ready for this exchange.
11:37No, no, no.
11:39I'm only a personal question.
11:41How do you live at home?
11:43You have a 12 years old.
11:45The bill is filled with the bill.
11:47The bill is removed from politics.
11:52Guru, I tell her that you don't have to watch this show.
11:55You have to watch everything.
11:57I'll show you the switzer lamp, but I'll show you the show.
12:02Mr. Murnal, Mr. Ajay Sarga, the agency.
12:05Are you happy with that?
12:08Some woman is happy.
12:10But until the end ends.
12:12I don't know why I asked you.
12:14Mr. Murnal isn't happy with the hero.
12:17He didn't have jobs from her.
12:19He didn't have jobs, so he didn't have problems.
12:21He had a problem with the Dirti.
12:24He had a problem with the Riti.
12:26He had a problem with the government job.
12:27And the real life,
12:2960,000 people like how do you become heroes?
12:33I had a association with them.
12:35I sent you to Mr. Murnal.
12:37foreign
13:07If you get married with Neta, if you get married, it will be 5 years later, 4 years later, 5 years later.
13:13Then if you get married, you will call him uncle?
13:16No!
13:17No!
13:18No!
13:19No!
13:20I mean, brother, it will be very low.
13:22You will forget the birthday, anniversary.
13:24You will forget the 30th anniversary.
13:26He will come, he will come, he will come.
13:29But you never know.
13:30Neta is a good person.
13:32He is a good person.
13:34He is a good person.
13:36No!
13:37I mean, I'm not like that.
13:38You have another image, which is made.
13:40I'm not like that.
13:41They're emotional people, they're family people.
13:43Yeah.
13:44I'm an excellent person.
13:45I never thought about it wrong.
13:47Really?
13:48Neta's hand had a mic.
13:49You put it in his mouth.
13:57I think I come here, he gets mad.
14:01He knows this.
14:02But, tell me, Neta or Abhi Neta?
14:04What do I get?
14:05I want to get married, I want to have children.
14:21Let's change the topic.
14:23Ajay sir, son of sardar tool.
14:25First of all, raid 2.
14:27Hit 2.
14:29I have seen 2.
14:31I have seen 2.
14:33I have seen 2 numbers.
14:35Ajay sir, date of birth and my date of birth is the same.
14:392 numbers are the same.
14:41Your 2 numbers are the same.
14:43I have seen 3-4-5.
14:45How?
14:47Drishan 3, Dhawal 4, Golmal 5.
14:49I have seen 3 numbers.
14:51I have seen 2 numbers.
14:53I have heard this before.
14:55I have seen 2 numbers of Ajay sir.
14:57I had a chance to ask a question for my side.
14:59I have written a question from my side.
15:01Ganga Ram Ji is written.
15:03The question is that Ajay sir,
15:04your Golmal series is a comedy film,
15:06a big hit.
15:07The Dhammal series is a big hit.
15:08You have a comedy in your films.
15:10The show is made by the comedy.
15:12Why are you serious?
15:14Oh
15:44I'll tell you,
15:45Murnal, one film is in Mumbai,
15:48and the other one is in South.
15:49One is here and one is here.
15:51So, do you do this or do this or do this?
15:55I wanted to ask you something, I didn't do this.
15:57In one film, you don't do this.
15:59You do this, you do this,
16:00you do this, you do this, you do this, and you do this.
16:03Murnal, what do you see in the menu menu?
16:07In the set-up and in the set-up?
16:09No, you don't have to do this.
16:10You don't have to do this.
16:11No, you don't have to do this.
16:13Sometimes I say,
16:14Anna, Anna, and they're like,
16:16Yeah, I said, Anna.
16:18Oh, sorry, Dadah.
16:19I'm Dadah.
16:20I'm Anna.
16:21I'm a kid.
16:23Sometimes there's a lot of confusion.
16:24How many languages have you done in Manala?
16:26In fact, it's only Hindi and Telugu.
16:30But have you learned Telugu?
16:31Have you spoken a little bit?
16:33Ardhamayinda.
16:34Oh, okay.
16:35Murnal, that's right,
16:36that's right.
16:37That's right.
16:38If you go there,
16:39Oh, I think the whole thing.
16:41Is it all?
16:42What are you doing?
16:43I'm in the mood, Subbupāji.
16:45Oh, Rájniti.
16:47What are you doing?
16:48A little wings.
16:51I think they just didn't have a subscription.
16:54What do you do?
16:56Bye-bye.
16:57Bye-bye.
16:59Bye-bye.
16:59Bye-bye.
17:00Bye-bye.
17:00Bye-bye.
17:02Bye-bye.
17:03Bye-bye.
17:03Bye-bye.
17:04Bye-bye.
17:05Bye-bye.
17:05Bye-bye.
17:06Bye-bye.
17:07Bye-bye.
17:07Bye-bye.
17:08Bye-bye.
17:09I want to tell you something about Ajay sir.
17:12They are such superstars who do all genre films.
17:15Thriller, Raid, Raid,
17:18Goldmal, Dhamal,
17:21Singham.
17:23In the small areas, Ajay sir,
17:26they don't leave any work.
17:31Like one is cutting,
17:33the other is shaving.
17:35They start shaving.
17:39So they won't go.
17:40So they start the third time,
17:42they start the facial.
17:43So they don't leave anything.
17:45How do you keep the producers of these 5-5 methods?
17:49Actually, I will teach this to Siddupa.
17:52They have put one Rhumal in cricket,
17:54one in politics.
17:58But one Rhumal is also kept here.
18:00No, it's all here.
18:05Oh,
18:08here's the back of the show,
18:10he also got a little bit of Archen Nagy.
18:15So, you see,
18:17now you have got Ajay sir, Murnaal and Ravi Bhaiya.
18:20Now it's time for
18:21Sanof Sardar II to other doctors
18:23to make this mind-centered.
18:24Please welcome Mr. Vindudara Singh,
18:28Mr. Sanjay Mishra,
18:30Mr. Deepak Dobreyal
18:31and very beautiful Kupra Sai
18:34Bintu Paji
18:40Deepa Bhai, Deepa Kupra
18:41Hello
18:42Hello Kupra
18:43How are you all?
18:44Siniya Bija
18:46Hello
18:47Hello
18:48Hello
18:49Welcome
18:54Ajay sir, you got to meet them?
18:55Lily-billy, silly-chilly
18:56How are you all?
18:58Like your artist at the same time
19:00Ravi Bhai, Mindu Paji, Sanjay Ji, Deepak Bhai
19:03How are you looking for your brother?
19:05Now you have to understand your tagline
19:09Why are you all?
19:10Every star will grow up
19:16Look at them, you can say that
19:18Every star will grow up
19:19Now, Ravi Bhai, you can say this
19:22You can say this
19:23Oh
19:26Glamour is a good thing
19:28I can say that
19:29I've got a little bit of a feature
19:30I've got a little bit of a feature
19:31I've got a little bit of a feature
19:32Lili-billy, silly-chilly
19:33You guys go, back stage
19:39I feel like Ajay sir's film is also great
19:41I feel like Ajay sir's film is also good
19:43I feel like Ajay sir's film is also good
19:44I feel like Ajay sir's film is also good
19:45I know that you've come to the Son of Sardar
19:47You're standing behind me
19:48Then you're standing behind me
19:49I feel like I've got to take a cup
19:50I could hurt him
19:51I don't know that
19:52You're standing behind me
19:53Pagini?
19:54I want to say my name
19:55How are you?
19:56Yeah?
19:57This has been picked up
19:58I feel like it
19:59I can say
20:01You're standing behind me
20:02You're standing behind me
20:03I feel like
20:04You're standing behind me
20:06I'm standing behind you
20:07I'm standing behind you
20:08foreign
20:15foreign
20:23foreign
20:28..
20:33..
20:34..
20:38..
20:43..
20:49..
20:54Sometimes we go to a good script and we go to a good school.
21:01And when a film is made, it's a big, big actor.
21:05Oh, my God!
21:09So when I get bigger, I'll get bigger myself.
21:12Sanjay Bhia, you're welcome. We've been waiting for you.
21:17What the matter?
21:19Bantu Pandey.
21:21This is a very strange thing.
21:23I think that every great director, actor, producer has to come.
21:29This is your love, Sanjay Bhia?
21:31We don't know. It's all.
21:33How many films have come?
21:35But we all say that we shoot a film and go to the mountains.
21:40What are you trying to find the mountains?
21:43What are you trying to go to the mountains?
21:45I don't know.
21:46I've always studied Woody Allen.
21:48It's hard to take a film so you're doing so well.
21:50Why did you use this film?
21:51Well, I don't know.
21:52I don't know.
21:53I don't know.
21:55It's like you're a good guy.
22:02You're a good guy.
22:06You're a good guy.
22:07Look, when you meet with senior artists, you need to learn something.
22:12Why did you say this guy?
22:14You need to prepare yourself.
22:18You need to prepare yourself.
22:20You need to prepare yourself.
22:21You need to prepare yourself.
22:23So you get out of cricket and you get out of the parliament from here.
22:29Siddhu sir, Tanjay sir, they talk a lot of knowledge.
22:33I mean, one day I was very frustrated.
22:35I asked myself, are you young or not?
22:38I mean, wise.
22:39It's a big deal.
22:42Aajay, brother, I haven't called myself in the name.
22:45Oh, boy.
22:48I don't think I'm bad when I was born.
22:51I don't think I'm bad when I was born.
22:54I'm a Buddha.
22:56I'm a Buddha.
23:00I'm a big young age.
23:03I was born in the school.
23:05I was born in the school.
23:06So the teacher told me that if he's coming, he's coming, he's coming.
23:10I'm saying, I'm saying.
23:15When I was born in the first place,
23:17I was born in the hospital.
23:19I was born in the corridor.
23:20So you're born in the first place.
23:22And then you're a brother.
23:23You're a brother.
23:54It's the same as the other's eyes.
23:57It's the same as the other's eyes have been found.
24:01This is where the eyes are.
24:03We're looking at our eyes.
24:04This man is looking at this.
24:07What a shame.
24:08I like that.
24:09I'm like, I'm like shave off my head.
24:14We're all red.
24:15I'm holding hands.
24:16Keep holding hands.
24:20Secret Games, you've seen everyone see.
24:22It was a debut of Netflix.
24:24When Kubra saw the first time in the Secret Games,
24:27people got a subscription to Netflix.
24:30No!
24:31No!
24:32No!
24:33No!
24:34No!
24:35No!
24:36No!
24:37No!
24:38No!
24:39No!
24:40No!
24:41No!
24:42No!
24:43No!
24:44No!
24:45No!
24:46No!
24:47No!
24:48No!
24:49No!
24:50We have done a lot of live shows.
24:52But as an actor in the Secret Games,
24:54I was very shocked.
24:55Wow, you worked very well.
24:58Welcome, Kubra.
25:02You made the hairstyle.
25:04Did you keep a kid with a hairdresser?
25:06Yes, he is.
25:07He is a kid.
25:08He is a kid.
25:09He is a kid.
25:10He is a kid.
25:11You are looking very pretty.
25:12Caps, finally.
25:13Now you are going to flirt with me.
25:14When I married, I don't do a camera.
25:16Yes, he is.
25:17Yes.
25:18I am a kid.
25:19No!
25:20Yes!
25:21He is a kid.
25:22He is a kid.
25:23Motivation of people.
25:24He needs to be a kid.
25:25He needs to be a kid.
25:26Earlier he has no change.
25:27I'm not a kid.
25:28Yes, the truth is.
25:29We have come to the film.
25:30Let's see.
25:31Son of Sardar took was in the shooting.
25:33If I am going to tell you about the name of locations.
25:35Look how fun he is.
25:36Glanco.
25:37Glanfilen.
25:38KURLOSS.
25:39Don.
25:40Lotheyan.
25:41Lothian, you can give these names to a chemist, you can give them a few letters.
25:50Sanjay, when you first know about Glenn Phelan,
25:52you will have to say that you are 12 years old or 18 years old.
25:55Yeah, Glenn Phelan.
25:58Glasses were brought to you.
26:00Just Glasses.
26:02Glenn Phelan, Lothian, you heard your name?
26:05No, I was just going to go to the Banneress.
26:11I said, I've called him to come tomorrow.
26:14I said, I'm gonna go a little.
26:16I'm going to go there.
26:19I've reached the door.
26:21I got a little bit of a day.
26:23How did I get the day?
26:25I saw a beautiful girl outside.
26:28I said, I'm gonna shoot him with us.
26:32I said, I'm gonna get the day with him.
26:36I'll take a look at the sky, Dipak Dobriyal.
26:41I've never heard that before.
26:48Deepak has kept all his heart.
26:51No one of Deepak's like this.
26:53What's the time?
26:55Actually, people don't know that he's a woman in the film.
26:59Oh, yeah.
27:01This is a beautiful street.
27:03Very beautiful.
27:05That's why we have to maintain everything.
27:09And a very good woman.
27:13We also look at it.
27:15How do you know a proper woman?
27:17Because this is a whole set.
27:21The one who took my henchmen with gun.
27:25The one who took my henchmen with gun.
27:29The one who took all the guys.
27:31They were all foreign people.
27:33They were a father.
27:35One father.
27:37He said, I'll marry him.
27:39Oh, my God.
27:41The way he...
27:43They made him look.
27:45The way he carried himself.
27:47This whole 40 days,
27:49a man was like this.
27:51This is what he did.
27:52What do you do?
27:53We were at restaurant and restaurant...
27:55To eat.
27:56Then we didn't change.
27:57The clothes.
27:58The girls dress with wig.
27:59The wig.
28:00The wig.
28:01The most important thing was.
28:03Why do you go to the lady's clothes?
28:05So you can eat food.
28:06That's why I was in the party.
28:07My hotel was a bit from the hotel.
28:09He was in the beach.
28:10It was on the beach.
28:11I would have to go for it.
28:12I'd have to get to get one hour.
28:13I would have to get one hour.
28:14And I would have to get one hour.
28:15I would have to get one hour.
28:16I would have to get the skirt.
28:17I don't know.
28:18Skirt word venue.
28:19But we didn't have to deal with the washroom,
28:21and they went to men's washroom in a woman's room.
28:25And now we're standing, what's going on?
28:27No, no, no, no, no.
28:28Who's that?
28:29We're going to the washroom.
28:31We're in a girl's costume.
28:32They're in a man's costume.
28:33So, they're going to the men's washroom.
28:34So, they're going to the men's washroom.
28:36They're going to the men's washroom.
28:38And then, they're going to the other way.
28:40After that, ladies will tell us.
28:42No, no.
28:43No, no, no.
28:45You're a boy.
28:46Oh god.
28:48Oh god.
28:49What happened?
28:51No, no.
28:52He's a boy.
28:53Oh God.
28:54What happened?
28:56Oh God.
29:00Go back, Don't you go.
29:02You're a boy.
29:04No, no, no.
29:05He's a boy.
29:06Well, well, well.
29:07All right.
29:08How was that?
29:09Yes.
29:10And after that,
29:12Go, brother!
29:42Hello.
30:12What was this all?
30:14I killed myself.
30:16What was the dumbest?
30:20Where was the dumbest?
30:24Come from this door, because that door was empty.
30:30Who are you, who are you?
30:32Those who are less of the need,
30:35but they are dumb in the army.
30:40What did you do when you came to stop?
30:42The ones who don't do the love of my mother,
30:45we're going to become a father for them.
30:49Don't be ashamed.
30:50Do you think you're scared from the above?
30:52Don't sit on the above.
30:55Don't sit on the above.
31:01God, tell us about how you've come to do it.
31:04Yes.
31:07It's for you.
31:09Then you're late, late.
31:11Son of Sardar 2, R.E., bhai-sabh.
31:13That was Ajay Devgane's rate.
31:15Huh?
31:15We came to Ajay Devgane's rate.
31:18You're saying the right thing.
31:20I'm like that.
31:25There's a lot of trouble coming out,
31:27that Ajay Devgane has come here.
31:28Okay.
31:30And you're looking at them,
31:31what are you doing?
31:32What are you doing?
31:36It's not a duplicate, bhai-sabh.
31:37The real ones have come here.
31:39You're going to become Ajay Devgane.
31:40Hey,
31:42you're going to be very good,
31:44and you're coming back to Ajay Devgane.
31:45You're going to be very good,
31:46and you're going to be very good.
31:47Yeah, I'm going to be very good.
31:49Ake,
31:50Ake.
31:50Ake.
31:50Ake.
31:51Ake.
31:51Ake.
31:51Ake.
31:51Ake.
31:51Oh no I'm trying to me I'm going to walk you
31:56I'm trying to find out
31:59Oh
32:01I'm sorry
32:06Oh
32:08It's here
32:11Oh
32:15Oh
32:17Your duplicate one kick it the program can let him
32:22Take it up a chill on Katika kiss about Kachal on Katika by sub yoga
32:27The association keep up with Kevin. I have a duplicate, but kek over
32:31Ones the association of our association
32:34Adda
32:36a DDA
32:38Oh, what does the center?
32:40Ajay Devgan duplicate association
32:47I am a regional manager of this business, they are in marketing, they are in HR, they are in papad, they are in chitney.
32:57What are you saying about papad and chitney?
33:01It's like that.
33:04So, Ajay Ji, there is no doubt that you are going to be a duplicate.
33:10You are going to be fine.
33:17Attitude is a little less.
33:19A little bit of attitude will be fine.
33:21And how good they are.
33:23They are not.
33:24They are the real brothers.
33:26Oh, way to go, way to go.
33:30That's nice.
33:33Way to go.
33:36You are going to be fine.
33:43Anyway, it's my way or skyway.
33:49Say it and say, 25 years ago, it is released.
33:5425 years ago, it is released.
33:57This is what you are doing.
34:00This is bigger, it is more like you.
34:03Yes.
34:06Tell you.
34:08No one more.
34:09Say it and say yes to your hue.
34:11Here we are.
34:13Rekking image إ RIPE GRIDARI
34:18When it says you, it is.
34:20If you ask this, then you.
34:21Or you, yes.
34:23Yes, it is.
34:24That is so cool.
34:25And when you ask guys for makeup,
34:29One minute, you will learn how to train and learn about it.
34:38Let's go.
34:40Let's go.
34:59Oh
35:23Are you poor India mess up say the other duplicate?
35:26Ajay Devgane. No doubt, no doubt.
35:28A lot of lookalike.
35:32But Ajay, I wanted to ask you,
35:34what does it make you feel?
35:38It makes you feel good only.
35:40But some people get very upset.
35:42No, in fact you should feel blessed that
35:44people are giving you that kind of respect.
35:46I'm so happy you think so.
35:52People start imitating you,
35:54people start mimicking,
35:56then you understand that your life
35:58is so successful.
36:00It's a hit.
36:02It's a cult.
36:04You talked about it.
36:08I say that someone's name
36:10or a hotel is a very small thing.
36:12If someone's name,
36:14it's a very big thing.
36:16We went to school in school,
36:18and the other one said,
36:20I'll take your daddy.
36:22Dara Singh?
36:24Yes, very true.
36:26Have you ever played in school?
36:28Have you ever played in school?
36:30Have you ever played with Dara Ji?
36:32I'm sure not.
36:34I've never played with Dara Ji.
36:36I've never played with Dara Ji.
36:38But I was very young.
36:40People didn't believe that this is Dara Singh's son.
36:42Then he started exercise,
36:44and he was doing it.
36:46But now, Dara Ji has another special.
36:48He didn't have Punjabi accent in Hindi pictures.
36:50He didn't have a Punjabi accent.
36:52He did it once again.
36:54He did it once again.
36:56He did it.
36:57Someone heard me a story.
36:59He said,
37:00we're from Punjab.
37:01He will have a little accent in Hindi.
37:03Someone told me the story.
37:05He said,
37:06Dara Ji was doing Hindi films.
37:08One time,
37:09he went to dubbing the Punjabi film.
37:11The dubbing engineer was sitting there.
37:15Dara Ji asked,
37:17I'm not that old man,
37:18but I'm not that old man.
37:26One time,
37:27one time,
37:28one time,
37:29one time,
37:30one time,
37:31one time,
37:32one time,
37:33one time,
37:34two time,
37:35one time,
37:36one time,
37:37one time,
37:38one time,
37:39one time.
37:40You've picked me up
37:41and said,
37:42you're going to go.
37:43You're going to be a secret.
37:44What was the scene?
37:46There's a whole group and there's a sump.
37:48So, sump?
37:50What is that?
37:52There's a sump shooting.
37:54I said, sump is a sump.
37:56It's a shooting.
37:58I mean, sump is a sump.
38:00Oh, they have a sump.
38:02Let's see.
38:04Let's leave it.
38:06It's a sump.
38:08Don't you think Sanjay sir, you're afraid of sump?
38:10Why?
38:12What?
38:14What's wrong?
38:16You're a sump.
38:18You're a sump.
38:20You're a sump.
38:22You're a sump.
38:24We've heard that every night,
38:26we've got to wash our hands.
38:30If you wash your hands,
38:32how long do you keep your hands?
38:34I mean,
38:38I love it.
38:40But she never let me do that.
38:42but whenever she's sleeping.
38:44Oh, sweet.
38:46Yeah.
38:48Because,
38:50when I didn't have money,
38:52she didn't leave me alone.
38:54She didn't leave me alone.
38:56Today,
38:58she was with me.
39:00My son is in front of me.
39:02She knows the way she managed me.
39:04My son is in front of me.
39:06My son is in front of me.
39:08How sweet.
39:10How sweet.
39:12How sweet.
39:14How sweet.
39:16How sweet.
39:18Deepak
39:20Deepak bhai,
39:22deepak of his people.
39:24He decided to make rem
39:39It was a ritual.
39:40I feel like I'm staying in the office with some feelings, feelings and things that you
39:46adopt.
39:47So if you stay in one place, then you feel like you're going to go to the next set.
39:52You're still alive in this hope that your hair will come from here.
39:57You know Sanjay brother, Ajay sir, it's a big love for them.
40:02I think it will be a 5th film, maybe 14th film in the 7th.
40:06Do you have your own office or you live in their office?
40:10They don't know where they live.
40:15Where are you?
40:16I'm in Lonavela, I'm in Banares.
40:18Where are you?
40:19When shooting happens...
40:21Sanjay is a poor man.
40:23Basically, he's a poor man.
40:26He will get vegetables in his car and a man sitting behind him.
40:32They're the ones who are taking him alone.
40:38He's been the one who's been using a Havinganivable waiting for him.
40:41Yeah.
40:42He is the one who's been using my own house.
40:44He's also the one who's been using his own house.
40:46What's his job?
40:47Why isn't that save my own life?
40:48This is what I'm looking for for you.
40:49Yeah, those books have been used for you.
40:51They are those who love brothers and sisters.
40:53They love them too and they love them too.
40:55They love them.
40:56Which one in my room.
40:57The best is that you should keep them together.
40:59Thank you very much.
41:29foreign
41:51foreign
41:59so
42:13is
42:21if you have to go to the side of the side of the side of the side of the side of the side of the side of
42:29and time to time exercise
42:32on this age
42:34also it will show
42:35the truth
42:36you will trust
42:38you will trust
42:40you will do it
42:41in this age
42:42what will show you
42:43can't tell you
42:46you don't know
42:47everyone is crying
42:49everyone is crying
42:50son of God
42:51that is also
42:52Siddu you are a twin
42:53you are a twin
42:54twin
42:55twin
42:56twin
42:58twin
42:59foreign
43:13foreign
43:29Oh
43:59Oh, yes, I am a father of my son's fault.
44:04I ask you a skirt to give me a forgive.
44:06Hey, Baba!
44:12Your skirt is very small from before.
44:15Don't give it to you.
44:17Hey, I have to give you a second skirt.
44:24This is a father.
44:29My father is so angry.
44:32He is so angry.
44:34He is so angry.
44:35My skirt is so angry.
44:37I am sorry.
44:39He is so angry, cold, cold and warm.
44:44He is so angry and angry.
44:45He is so angry and angry.
44:47He is so angry.
44:48Hey, come on the table.
44:49Come on the table.
44:50Come on the table.
44:52Why are you asking me to impress me?
44:56He says that he is saying that he is going to impress me.
44:58is
45:00very
45:01great
45:02you
45:03can't
45:05do
45:06not
45:07can
45:08do
45:09funny
45:10I
45:11know
45:12that
45:13girls
45:14are very
45:15very
45:16very
45:17very
45:18very
45:19very
45:20good
45:21you
45:22will
45:23know
45:24that
45:25I
45:26used
45:31VT
45:32is
45:33a
45:39way
45:44oh
45:45sorry
45:46I
45:48forgot
45:50I
45:51was
45:52How can you excuse I want to speak to them?
46:16What a film?
46:22This film is comedy, romance, action, tragedy, jealousy.
46:28We have a jealousy.
46:31We have made a film from Punjab.
46:35We have not taken our film.
46:40We have not taken a film from Punjab.
46:46We have not taken a film from this reason.
46:49You can see wherever you go.
46:52There is a film.
46:54We have not taken a film from this film.
47:01We have a film from the film.
47:03We have a film from the film.
47:05We have a film from the film.
47:07foreign
47:14foreign
47:21foreign
47:26foreign
47:31foreign
47:36I'm a little girl now, I'm a young baby.
47:41My son has grown up.
47:45Yeah, baby.
47:47Love you, my child.
47:49Love you, baby.
47:54Ajay Sahib,
47:57when the kids are growing up, I don't know.
48:01I say, it's not the same thing that I'm sitting under my hands.
48:07That's my son, Baba.
48:10All the people are saying, Baba, you're my food.
48:16No, not my child.
48:19Don't you say that.
48:21Why have you tension?
48:23I'm your father.
48:25Please tell me what I'm going to pick up.
48:27I'll ask you what to eat.
48:29a hazelnut caramel machia to make me a hazelnut caramel machia to make me a hazelnut caramel machia to
48:38Tanzania was born in Tanzania?
48:40They made a film on Punjab on a Punjab, a Punjabi dish.
48:48Okay, please make me a glass.
48:51Yes, Kapil, I have a glass and a hazelnut caramel machia to make me a hazelnut caramel machia.
48:57Wow, Baba, Wow!
49:02Mujhe Punjab ka suna ke, kud vidyashi item mangha raha.
49:07Toh Punjabi loog vidyash mein bhi toh rehte hain.
49:10Mänen keneda walo ke hesaab se mangvaya hai.
49:13Ab mein maa ki aatto pioon, ya baap ki aattoon mein bachhu, tere ko kya nahi?
49:18Ab siyaasi khail khailna bant kijiye.
49:21Aap ko us din pata chalega, Baba Jizir, aap ke saath koji siyaasi khail khailega.
49:25Siyasi nahi 87 khailega, 88 khailega aap ke saath.
49:28Abhe, ja!
49:30Mere baad ko ye sab paheda hi nahi huwa, jom meri saath khail khail ke dikhhaa de.
49:34Baad to nahi huwa, lekin pehle toho ho saktay na.
49:37Matlab?
49:38Us insan ko bula liya hai, jiske saamne aap ki chun bhi nahi nikalti.
49:42Aap ki poon bhi nahi nikalti.
49:44E kis ko?
49:45Gaaon ke baabu ji ko,
49:47Mere bula liya hai!
49:48Baabu ji?
49:49Baabu ji?
49:50Baabu ji?
49:51Haaaci saamne-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-t-ta-ta-ta-ta-ta-ta-ta,
49:57co?
49:59Baabu ji?
50:00Oh
50:11oh
50:17Oh
50:30Oh
51:00I have a funny
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