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  • 2 days ago
El sexto episodio de Cine Premium corresponde a un especial de 2001 que presentaba una serie de 1996, más precisamente dos capítulos de la segunda temporada de esta serie, que fue emitido originalmente en 1997.
Transcript
00:00Fantasy Central
00:02I'm Val, I have good news.
00:04Did I manage to make my novel sell more than the others?
00:07How funny, the book was published two days ago, but I like your optimism.
00:10Well, I'm surprised I have a little left
00:12I just booked you for an interview that most writers would balk at, you know what?
00:16What can I say?
00:18Say thank you
00:19Thank you, tell me when and where
00:22It's by phone, they'll call you later today
00:24Be up to the task
00:26Bye
00:30Hello
00:33Emily
00:34Yeah
00:35Carrington Stark speaks
00:37Do you mind if I put you on the horn?
00:39Not at all
00:40I'm glad you could do the interview.
00:46Are you nervous?
00:47Yes a bit
00:49Don't worry, I'll try to make this as painless as possible.
00:53Don't you believe me?
00:54Yes, I have interviewed many women in the last year.
00:58And I have told them the same thing
00:59Shall we start from the beginning?
01:02Why this book?
01:03This topic?
01:04I have always been fascinated by the interior of women
01:06I think female fantasies are one of the last signs of puritanism.
01:11Because?
01:14In the past
01:14Women and goddesses were worshipped and sexuality was considered sacred.
01:20Until at some point in history we forgot the power that a woman's body possesses.
01:26So writing this book was a mission for you?
01:31Rediscovering the lost garden of female eroticism?
01:34Completely
01:35And I'm happy to report that the garden is alive and well.
01:38What kind of women did you interview?
01:42Mmm, all kinds
01:44In any circumstance, of all ages and colors
01:48Every woman fantasizes
01:50I heard one of my favorite stories while returning from the coast
01:58Ellie told me the story of her son's best friend, Tim.
02:01Who had been in love with her for many years
02:04He asked her to teach him the art of life and love
02:07I don't know how to start, Ellie.
02:19Should I explain my feelings or beg you to allow me to be your lover?
02:25I've felt this way since I met you.
02:31You visited my house when I turned 10 and I was in your room looking at your photographs and your cameras.
02:37I heard you come in and hid in the closet.
02:39I stood watching you
02:41Afraid to move
02:43I wanted to go out and touch you all over
02:47You were the most beautiful woman I had ever seen in my life.
02:52Let me be with you, Ellie
03:08Teach me the art of love and life
03:11You always said I should look for the best in life
03:18Well, I don't think I can find anything better.
03:20The best thing in life is you
03:23Okay, you win.
03:43One night
03:44I'm leaving the city tomorrow.
03:47Bye
03:49Bye
03:52Without waiting
04:01Two weeks before her wedding
04:03My best friend Collie was trying to understand monogamy
04:07Well
04:08Can I do whatever I want?
04:12Her fantasy was to be able to sleep with whoever she wanted for 24 hours.
04:16Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
04:18Woke up this morning
04:20And the world was in my way
04:22Too many things to do
04:25A thousand things to say
04:27And all I want to do
04:30Is spending my time with you
04:32Let's break the rules
04:35I lived inside myself
04:37And a perfect little boy
04:39Afraid to take a chance
04:42To let myself feel joy
04:44What would you say is the strangest fantasy you've ever had?
05:02The wildest or the nastiest?
05:05The most unpleasant.
05:08That has to be Ana's.
05:10She had a very elaborate fantasy of a futuristic world in which men and women lived in separate cities.
05:17And they only met once a year for the mating ceremony.
05:21They could watch erotic films of the opposite sex and Ana was the official pornographer of the city of women.
05:27Time to start filming.
05:32My name is Ana.
05:33And you are?
05:36Joseph.
05:40Sit down, Joseph.
05:42We're almost ready for you.
05:51Look at me.
06:01Please undress completely.
06:04Another strange story came from Angelica, who had a fantasy of being a vampire.
06:11Miss vampire?
06:13Where are you?
06:15He fell in love with his victim and he couldn't resist coming back for more love.
06:21I don't believe in vampire legends.
06:23So you can fly all you want.
06:30I don't mind.
06:31You'd better get out.
06:35Hello?
06:37What are you doing there?
06:41Come here.
06:44Come on.
06:44Your kitchen is a terrible mess, babe.
06:56I can't eat.
06:58Well, that's a shame, because I cook very well.
07:04Baby, I want you.
07:07In any way.
07:08Your way.
07:14I like your way.
07:27May worked as a dancer, but thought she wasn't sexy enough to attract men.
07:33And more than anything, she wanted to fall in love.
07:35What do I do, Tina?
07:41Having phone sex?
07:43Everyone does it.
07:47With a stranger?
07:48Yeah.
07:50To keep your engine running.
07:52Look.
07:54Here is the number.
07:56Let's talk, it's not going to hurt you.
08:05I took the phone number, but I had no intention of using it.
08:13That night I dreamed about the subject.
08:16And the next morning I couldn't stop thinking about it.
08:20After all, no one was going to know if he had done it or not.
08:24Hello?
08:29Hello.
08:31What should I call you?
08:33May.
08:34But that's not my real name.
08:36May, May.
08:38I'm glad you called.
08:40You are very beautiful, May.
08:41You can't know.
08:43You can't even see me.
08:44Your voice reveals that.
08:47Are you in bed now?
08:50Yeah.
08:51You're under the covers, right?
08:55Yeah.
08:58Hang up on him, May.
09:00Because?
09:01What's happening?
09:02You're lying to me.
09:04You are in the kitchen eating.
09:07Wait.
09:08Don't hang up.
09:12Alright.
09:14I'm already in bed.
09:17Now what?
09:19Now I want you to put your fingers between your legs.
09:26There where I would put...
09:29my hands if I were with you.
09:34I scared you, didn't I?
09:40Are you going to do it or not?
09:41Don't know.
09:50Do it for me.
09:55Alright.
09:57I will do that.
09:59How are you dressed?
10:00With light clothing.
10:04Lift up your blouse.
10:05And then?
10:14Return to Lidín.
10:19At Adult Cinema we are presenting...
10:23Women.
10:23Stories of passion.
10:25I needed one more art class...
10:29in my last year of college.
10:31So I chose a drawing class.
10:33I thought it would be the easiest thing...
10:35compared to painting or sculpture.
10:38And I liked the sensuality of the materials.
10:41Velvety charcoal pencils...
10:43which ranged from light grey to the darkest black.
10:47And his lines seemed made of me.
10:49What's happening?
10:51You have to start.
10:53No matter how small it is.
10:55A single line.
10:58Look.
11:00You think about it too much.
11:03Feel it.
11:04Feel the paper under your fingers.
11:08Imagine tracing the lines of his body with your fingers.
11:13It varies when one is alone.
11:17Oh, devil!
11:19If one is inspired only by external things...
11:22one will always be at the mercy of circumstances.
11:26I wanted to find those things inside me.
11:29The more I looked for them, the harder it was to find them.
11:34I thought Carl knew my secrets.
11:43I loved being in the studio...
11:45where creativity seemed to vibrate on the walls.
11:49Who is it?
11:50I hoped a little bit of it would stay with me.
11:54Do you want to impress me?
11:56What do you mean?
11:57Well, are you working overtime or do you want to see me?
12:00In fact, I need your advice.
12:07Well, go ahead.
12:08How can I help you?
12:11I'm having a hard time with the class.
12:14Ah, I know.
12:15You are very hard on yourself.
12:19Are you expecting too much?
12:20Tell me something I don't know.
12:27You know, Emily?
12:29There are people who are born artists.
12:31And another has to develop it.
12:33No, I was going to say other people...
12:35They become artists with life.
12:38When passion and poetry merge.
12:40What about sadness?
12:45Ah, it's no good.
12:47That's not a very strong artistic source.
12:50I don't know, it seems to work well for me.
12:55Oh yeah?
12:55Why don't we go to my office?
13:03I give better advice in small places.
13:18You know, I've been worried about you.
13:20I see you...
13:25very distressed.
13:29Aren't you?
13:33Yeah.
13:35Because?
13:42I can't stop thinking about you.
13:50Look at me.
14:00I think I love you.
14:03I know.
14:06How silly, I know.
14:08Hey...
14:09you feel alone.
14:15Yeah.
14:18Me too.
14:20You'd better go.
14:45before I do anything
14:49that I have to regret.
14:51It's better if I go.
14:52Everywhere!
14:55Me too.
15:00Try Illinois.
15:05I can't stop having to and jumping.
15:06My body was hungry for me
15:25My son, Iro
15:27Hello
15:29How strange
15:32It is the name of a Norwegian god
15:34You have left
15:36Thank you
15:38Well, it seems you recovered quickly.
15:44Why don't you stay here and rest while I get back to work?
15:49Very sorry
15:50Don't be silly
15:51You should never apologize for a moment of weakness.
15:54We all have them
16:03Are you sure you're okay?
16:04I will be, thanks for helping me.
16:07Good
16:08Are you sure?
16:11Yeah
16:11Iro insisted on taking me to my room after school.
16:31No
16:32No, you don't understand me.
16:33I'm missing something
16:34No
16:35No, it's that I feel that I am missing something.
16:37Yeah, yeah, yeah, yeah
16:39And after that, he started asking me out.
16:49We spent time together, talking, studying
16:53He was so rich, innocent
16:56We share the love of art
16:58And when I met him, I felt like a part of Carl was with me too.
17:03Yeah
17:06I went
17:07Hello
17:20Happens
17:22Happens
17:23I'm glad you're here.
17:26Me too
17:27What a beautiful place
17:30As he showed me around, I realized he was sculpting me with his hands.
17:44You have very long fingers
17:50Would you like a glass of wine?
17:57Yeah
17:57Is there anyone else here?
18:18I heard voices
18:19Just Dad
18:20But he will go to visit a gallery
18:22Are you hungry?
18:25Yeah
18:27I didn't have time to change
18:31Okay, I dressed for both of us.
18:34I will show you one of my works
18:41One of my first works
18:46It's wonderful
18:49Dad's favorite
18:50It is very powerful
18:53Like an ancient goddess
18:56While Carl's hands had protected me
19:05Iro's touch was electrifying
19:08The touch of Iro mor Racing
19:12And from me
19:13A pyro
19:14But the agent has
19:16I don't love you
19:18Yeah
19:20The beloved
19:23Thanks for watching the video.
19:53Thanks for watching the video.
20:23Thanks for watching the video.
20:53Thanks for watching the video.
20:55Thanks for watching the video.
21:55I don't remember anything at all.
21:58You might not believe it when you look at me, but I was a lioness.
22:01Until about a year ago.
22:04It was just the classic silly rebellion, but I think it was a lot more important back then.
22:10I think it's always like that when it's your rebellion.
22:13What are you doing here?
22:19Vincent?
22:19How are you?
22:23It's me, Jenny.
22:25Laura's friend.
22:28Don't you remember me?
22:29Heavens.
22:35Jenny.
22:35What are you doing hiding here?
22:41It's nice to be here.
22:46Yeah.
22:47I think the same.
22:48I had been in love with Vincent, Laura's uncle, for as long as I could remember.
22:52Well, if you were going to stay, maybe you could help me.
22:57I thought you wouldn't ask me.
23:02I'd better give you a shirt or something.
23:04I don't want you to come back to the mansion with dirt and a stained dress.
23:19He was everything I wanted in a man.
23:23Manly, a little dangerous, the perfect black sheep.
23:29I knew from Laura that he had gotten divorced and had had a lot of problems in the city.
23:34But that made me want it more.
23:37It's much easier if you use your index finger to push the plant out.
23:43That's it, you see?
23:46So you can get your nails dirty.
23:48It's much more satisfying that way.
24:04We can't do it.
24:34Of course.
24:36Yeah.
24:36No, no, no.
25:06I love you.
25:14There are many things you still don't know about me.
25:17I only care who you are when you're with me.
25:20Well, it's not that simple.
25:21It is for me.
25:25Tell me what happened in the city.
25:30You see, I...
25:32He worked as a stagehand at the Opera House.
25:36And there was an accident.
25:39A musician died on my watch.
25:41It wasn't...
25:43It wasn't my fault, but they interrogated me anyway.
25:49They tried to blame me.
25:53I had to choose...
25:54go to jail or confess what was happening off-scene.
25:58The thing about prostitutes and drug addicts who were doing illegal business.
26:06I basically said it all.
26:09That upset several very influential people.
26:13I received several notes.
26:16You're dead.
26:17And other sick things.
26:19Then they made calls to my house, threatening my wife and my little daughter.
26:23My wife couldn't stand it.
26:30He went away...
26:31and took Mandy.
26:35I had to leave the city.
26:39I came here and have lived here ever since.
26:41I don't care what you've done.
26:54But the problem is that it does for me.
26:59I love you.
26:59In adult cinema we are presenting...
27:09Women.
27:10Stories of passion.
27:15I wrote poems for him in the city to send to him during the week.
27:20I hadn't written poetry in years.
27:23But somehow Vincent inspired me.
27:25The words flowed out of me like a river.
27:31Uniting us in all the moments we were apart.
27:43Sun-tanned, with tattooed arms,
27:47brings me back to earth.
27:49And every night when the flowers in the garden emerge to sing...
27:57He plants me there.
28:00In a cultivated bed.
28:02Where the asparagus speaks.
28:05Pears and strawberries painting the earth with colors.
28:12On his way to moonset.
28:15Night cats walk stealthily.
28:21Living bodies that strip naked on the ground.
28:25Where they have already taken root.
28:27Things started to change...
28:40...when Vincent lost visitation rights with his daughter, Maddie.
28:56Hello?
28:56Hello?
28:59Vincent.
29:01It's three in the morning.
29:06Good.
29:09Good.
29:10I'm going there.
29:12Only...
29:13Give me a minute.
29:17Oh, yeah.
29:26He was drinking and doing drugs again.
29:32And I wanted to go to the city in the middle of the night.
29:37He threatened to wake everyone in the house if I didn't go see him right away.
29:41I loved him with all my strength, but I couldn't stop the darkness that grew inside him.
29:51I was losing it every moment.
30:01We broke up, but the bond remained.
30:04We would move apart, circling each other until we collided.
30:10Always turning in opposite directions, destined to touch us again.
30:15I went through a terrible period of insomnia.
30:28Lying awake, she imagined she was flying on a highway toward the cabin where he lived.
30:34Whenever I imagined this, he would call.
30:44He didn't say a word.
30:47He didn't speak to me the whole way.
30:50Before reaching the city, he stopped at a bar near the walls of the state prison.
30:58What are we doing here?
30:59I have to pick up an errand from a friend.
31:02What kind of commission, Vincent?
31:03What do you think?
31:07Good heavens, Vincent.
31:11Damn woman.
31:22Is Mitch here?
31:24He is in his office.
31:26Knock on the door.
31:28He has a playmate tonight.
31:33You always come here.
31:34Enough is enough.
31:36I'll be right back.
31:38Have fun.
31:41This is really sad.
31:44Do you realize?
31:45Do you realize?
31:45Oh, heavens!
31:47Oh, heavens!
32:00Oh, heavens!
32:15I didn't realize you were behind me and you scared me.
32:21I'm waiting for a person.
32:24Did you want to put music because I don't know any of these songs?
32:28Of course.
32:31I don't mean to hurt you.
32:34My name is Tomas.
32:36What do you want?
32:40I would like to dance with you.
32:43Light is annoying.
32:44I thought it would help you pass the time pleasantly.
32:47I am a good dancer.
32:49I am a good dancer.
32:58In Adult Cinema we are presenting Woman.
33:03Stories of passion.
33:04Come.
33:08Dance with me.
33:12Just a moment.
33:14It's a little experiment.
33:16You can trust me.
33:21Relax.
33:22Listen to the music.
33:30Listen to your body.
33:37Close your eyes.
33:38Do you feel how your body moves in space?
33:50Yeah.
33:58What are you doing with that guy?
34:04I love him.
34:05But he makes you very unhappy.
34:10Yeah.
34:14A woman like you.
34:17An angel like that could never be happy with a man.
34:23When I saw you come in I said to myself.
34:27That's a woman you'd die for.
34:31But in his gaze.
34:32There is so much pain.
34:37Who made it this way?
34:40It wasn't like that at first.
34:42But we...
34:44We lost each other along the way.
34:49No.
34:52He lost his way and you followed him.
34:56I know you want to finish and you're scared.
34:58Fear of who you'll be if he doesn't love you.
35:06Fear of what will happen to him if you leave.
35:13So your body is stiff.
35:15Caught between dance and flight.
35:26I knew at that very moment everything that was about to happen.
35:35I wanted to become someone else.
35:38Forget that I had loved Vincent.
35:40I knew in that step.
35:42No.
35:43No.
35:44No.
35:44No.
35:45No.
35:46No.
35:46No.
35:46No.
35:46Thanks for watching the video
36:16Thanks for watching the video
36:46Thanks for watching the video
37:16I decided that no matter what happened, I would be Michael's wife and Lily's mother.
37:26And that I would never think about what happened or who had been
37:31I wouldn't write poetry for anyone else.
37:35But you can't do that, you know?
37:41You can't close off parts of yourself like unused rooms.
37:46Because your heart doesn't forget, even when the rest of you does.
37:53And I will always fear Lily
37:56And Vincent knows?
38:04No
38:05Nobody knows
38:10Except you and me
38:13You're not going to tell anyone.
38:19TRUE?

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