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00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless Pervert!
00:32Whoa!
00:35You've gotta be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out-
00:41That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:08Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You learned things are very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, well, one second.
01:57Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:14Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes. Right now.
02:41So, Ms. Brooks, what do you see in this room?
02:44Well, it's deliberate, controlled, powerful. It's impressive, but-
02:55But?
02:57It's not satisfying.
03:00Bold again.
03:04Tell me, how do you know it's satisfying?
03:07Satisfaction lies somewhere in between.
03:11You think you can give me that?
03:12Think you can take the risk and find out?
03:15All yours.
03:17Hey.
03:19The women out there would do anything to be in the position you're in.
03:22Unless you have other ideas.
03:24Hey.
03:26The women out there would do anything to be in the position you're in.
03:28Unless you have other ideas.
03:29Don't make me regret this risk.
03:30Don't make me regret this risk.
03:31I don't plan to.
03:32The position's been filled. Go home.
03:34Get out.
03:35Damn.
03:36He doesn't have to be so rude.
03:37Damn.
03:38He doesn't have to be so rude.
03:40Damn.
03:41He doesn't have to be so rude.
03:44Pappy, your phone's upside down.
03:45Hi.
03:46How are you doing?
03:47Hi.
03:48How are you doing?
03:49How are you doing?
03:50Hey.
03:51Jubilation.
03:52Not doing too well, honey.
03:53Not doing too well, honey.
03:54How are you doing?
03:55Damn hospital postponed my surgery again.
03:57I'm so sorry, Pappy.
03:58I'm not having to do so long.
03:59No.
04:00I'm sorry.
04:01No.
04:02I'm not having to do so much.
04:04What is going in here?
04:05It doesn't have to be so rude.
04:06No.
04:07It doesn't have to be so rude.
04:10Pappy.
04:13Your phone's upside down.
04:19How are you feeling?
04:20Jubilation.
04:21I'm not doing too well, honey.
04:22Damn hospital postponed my surgery again.
04:23Sorry, Peppy. I'm working things out with the hospital.
04:26I have some good news today, though.
04:29I'm sorry. I think that's my landlord. I have to go. Love you.
04:33Bye-bye.
04:36Oh.
04:37What the hell is he doing here?
04:40What are you doing here?
04:42Oh. What the hell?
04:45Hey! Whoa, whoa, whoa. Guys, whoa.
04:47Hey, don't take that!
04:48I did not agree to this!
04:54Actually, you did.
04:58The signing must reside on Mr. Mercer.
05:00I can't quite hear you.
05:03Must reside with Mr. Mercer for the duration of the project?
05:07Mm-hmm.
05:07How long?
05:09Keep reading.
05:11And definitely without exception?
05:18A gift.
05:20What the fuck?
05:22A gift in exchange for being kidnapped?
05:25No thanks.
05:29I need to know where you're at at all times.
05:33It's a tracker.
05:34What? Like a dark collar?
05:36Do you think you own me now?
05:39I wouldn't do that.
05:40Come on. Let's go.
05:41This is insane. Just...
05:43Give me a second to put Crumpet in his carrier and call my grandfather.
05:46There are no animals in the mansion.
05:49You must say goodbye to your little...
05:51Crumpet.
05:52What?
05:53Absolutely not.
05:55I told you in the contract that I will take care of everything.
05:59I don't care about the contract.
06:01What? Oh my God!
06:03Goodbyes are always so hard.
06:05Put me down!
06:06What are you doing?
06:09Welcome back, Miss Brooks.
06:12So, I'm not allowed to leave?
06:14If you leave, your contract will be terminated immediately.
06:18And what? You're just going to leave me all alone in here?
06:20Would you like me to join you?
06:32No, no, no, no.
06:33Why is it making that sound?
06:35Damn, if I leave, Pappy dies.
06:38Shit.
06:38I'm trapped with this monster.
06:40Oh my God, is this really happening?
06:42I'm stuck.
06:54This is your uniform.
06:56Work hours have started already.
06:58Tidy yourself up.
07:00Report to Mr. Mercer.
07:01Oh, and, uh, chop-chop, Miss Brooks.
07:08Mr. Mercer does not like to be kept waiting.
07:11Enjoying the view?
07:35No, I, um, just didn't want to disturb you.
07:39I don't mind if you stare.
07:41Sorry, sir.
07:43I was just interested in your build.
07:46The building.
07:47The build of the mansion that we're building to work on today.
07:54What time are we leaving for?
07:55Car leave's in ten minutes.
07:57Great.
07:59I'll be ready.
08:09How much further?
08:13Patience, Miss Brooks.
08:24Oh, my pink puffer.
08:31Hey, Foxy!
08:32I got something that'll keep that jaw clenched.
08:35Wow.
08:35Original.
08:36Mr. Mercer, we didn't know you was coming in today.
08:39Get off my property.
08:40What?
08:41You're fired.
08:43Leave.
08:43Oh, the hell?
08:44I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:51If I collapse your loan...
08:52Wait, did he just stand up for me?
08:55Sir, how about you?
08:56Continue your work with Miss Brooks, and I'll handle this.
08:59Come on.
09:04Everything's nearly finished.
09:06I'm going to have a team come in and make some final measurements over here,
09:09and I'll ensure they know how to keep their mouth shut.
09:12Uh, is this all marble?
09:19Seeing her in my house gives me a strange feeling.
09:22It's so beautiful.
09:24What is it about her?
09:26Why do I want to...
09:27Follow me.
09:27Wow, an elevator?
09:35By the way, what you did out there, thank you.
09:39I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:43Remember that.
09:48Your first task for the client.
09:50I don't know anything about the client, who is...
09:54We don't ask about the client.
09:57We only worry about what they desire.
09:59Okay.
10:00Am I allowed to know what the purpose of this room is?
10:04Yes.
10:05Great.
10:05The client would like this room transformed into their BDSM chambers.
10:12I hope she doesn't see right through me.
10:18So, how would you do it?
10:22Uh, um...
10:24Paint me a picture.
10:26Right.
10:28Uh, over here I would put a chaise lounge.
10:34Velvet.
10:35Obviously.
10:36Obviously.
10:36And over here would be a great place to mount a swing.
10:39What are the adjustable heights and handles?
10:43And next to it, we could put a cabinet for whips and toys and things.
10:48You're very well versed.
10:50I read a lot.
10:52Certain genres of certain books have certain details.
10:56Right, right.
10:58Of course.
10:59Yeah, it's perfectly normal.
11:01A lot of women read fantasy and romance and fantasy romance.
11:07Anyway, uh, this would be a great place to mount small cuffs.
11:13I'm drowning in the heat
11:19Afraid of what I need
11:25Your touch is like a flame
11:30But I can't turn away
11:32Don't pick up.
11:39Hello?
11:40Miss Brooks, I'm sorry.
11:42We need the payment.
11:43Uh, I-I understand.
11:45Is there anything I could do now to hold him there?
11:47Anything that could be done right now?
11:49We need your payment, Miss Brooks.
11:51By tomorrow morning.
11:52All $200,000.
11:55Okay, I'll get it to you.
11:56I promise.
11:59Sorry.
12:00Your contract explicitly states that I receive 100% of your attention at work.
12:06Who was that?
12:09It's personal.
12:10There are no personal calls at work.
12:13I-I'm sorry, I-I'm sorry, I-
12:16Mr. Mercer, it won't happen again.
12:23I'll get to work right away.
12:24I'll have designs to you by tomorrow morning.
12:26Take it off.
12:30Take it off.
12:32What?
12:34Your jacket.
12:37Uh, Mr. Mercer.
12:41I won't ask twice.
12:42Uh, what's this for?
12:56It's perfect.
12:58Now go get dressed.
12:59No need to pout, Miss Brooks.
13:22You'll be reading some of the top designers.
13:24I don't understand.
13:25How does this take priority over work?
13:28Am I your date or your designer?
13:30You are.
13:31What I say you are.
13:34What I say you are.
13:34Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball, proudly hosted by the Mercer Group.
13:56I'd also like to welcome and introduce our newest interior designer, Miss Cecilia Brooks.
14:06I thought you said you had the job.
14:13I did everything that I could.
14:15Bitch must have slept with him in the interview.
14:17Fine.
14:19I'll fix it myself.
14:22So without further ado, please enjoy your drinks and have a wonderful night.
14:27May I have this dance?
14:37Okay.
14:40Sterling!
14:42I was hoping that maybe we could walk and talk.
14:46Or maybe dance and discuss.
14:50You must be working so hard.
14:52I was thinking maybe you would benefit from a designer who really knows you, your past.
15:01I'm not interested in rehashing old relationships, no.
15:05It was just a flint.
15:07It doesn't mean we can't be close.
15:10Sterling could be a difficult person to work for.
15:14You know you can come to me if you need anything.
15:26Get your hands off of her!
15:31What the hell are you doing here, Vincent?
15:33Folks, looks like the jester came to play!
15:38Get him out of here.
15:44It's all right, folks.
15:46Enjoy the party.
15:47It's okay.
15:48Yeah, you're okay.
15:50Good, good.
15:50Why don't you go grab a drink and we'll take care of this.
16:01Crazy night, huh?
16:02Too crazy.
16:04I'm Nora, a close friend of Sterling's.
16:07So, tell me, how's the new position treating you?
16:12It's demanding.
16:14The client?
16:15What's your feel on them?
16:16Oh, I'm not at liberty to discuss that.
16:18Come on, it must be crazy, right?
16:21I really can't.
16:27Oh, how embarrassing.
16:33What are you doing in here?
16:34Cecilia, I'm sorry.
16:36I'm so done with their whole world.
16:38Yeah, the head of the board was barking my ear off.
16:44Stop it!
16:45What?
16:45I'm just trying to help.
16:47Help?
16:47Really?
16:49That's rich.
16:50I mean, I am rich.
16:53You.
16:54You are a lot of things.
16:56From the moment I met you, you've controlled every aspect of my life.
16:58Every movement I make.
17:00You're obsessive, cryptic, a perfectionist.
17:02But you're not rich.
17:06Not where it counts.
17:07Feel, excuse me.
17:26I have work to do.
17:27Hmm, this hand.
17:44What if?
17:46Maybe cuffs?
17:48What if we hang something around here?
17:50I don't know.
17:57Is that me?
18:08Did I say you could come in here?
18:10Uh, you'll be happy to know that I worked on these all night.
18:23Maybe if you stayed at the gala, you would have learned something.
18:26Learned what?
18:27You follow through with your obligations, so you wouldn't waste your time working on garbage.
18:31Garbage?
18:33I'll need five more by tomorrow morning.
18:35That will take me all night.
18:36Even making those two took me all night, and I barely got them done in time.
18:40You've done it once before.
18:42You can do it again.
18:43Don't you think?
18:44Maybe, just maybe, that's an unreasonable amount of time.
18:48Maybe.
18:49I don't care.
18:50Wait.
18:52I should have remembered.
18:53It's not in the contract.
18:57Oh my god.
19:09Excuse me, miss.
19:10Where's my grandfather?
19:12I'm sorry.
19:13Usually if they're not in the room, it's because the insurance ran out or...
19:16Miss Brooks?
19:30Yes?
19:31I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:35And he's being very well taken care of.
19:37I don't understand.
19:38How is that possible?
19:40I can't afford that.
19:42I told you.
19:44I'll take care of everything.
19:45What?
19:45I can't believe this.
19:54Oh, but...
19:55But why?
19:57Why would you do that?
19:58Well, when I said I needed your undivided attention, I meant it.
20:04Now the only thing you have to worry about is me.
20:08I'm not your slave.
20:14Five designs.
20:16By tomorrow morning.
20:22You're welcome.
20:30I've been expecting you.
20:32I have a feeling I'll be impressed.
20:34Brushed work is not work to be proud of.
20:38Is this you?
20:42And my parents.
20:43They must be so proud of you.
20:44They never got to see it.
20:46I inherited this company before I was old enough to run it.
20:49I'm so sorry.
20:51It was a long time ago.
20:52What happened?
20:53They vanished.
20:54On a work trip into Europe.
20:56Guess I don't control everything after all.
20:58I'm going to deliver these designs to everyone.
21:00I have a surprise for you.
21:02To your first approval.
21:13It's beautiful.
21:16I do have a request, though.
21:19I was wondering if I could...
21:21I could have a little freedom.
21:22From what?
21:24Me?
21:24No.
21:25No, not you.
21:28I'm this.
21:29Well...
21:30I need to keep track of you.
21:33I mean, what if...
21:34Sterling...
21:35I'm not your parents.
21:38I'll be fine.
21:40I just don't know if I'm ready for that yet.
21:42But you continue to impress me.
21:44I mean, you'll be free as a bird.
21:46I do have more surprises to show you.
22:01But, um...
22:03You're going to have to wait until tomorrow.
22:05Hmm.
22:05Full of surprises.
22:07Aren't you?
22:07Yeah.
22:12And that's why I can't let you go.
22:29What are you two doing here?
22:30There's not supposed to be anyone working today.
22:32We were just swinging by to assess a minor electrical concern.
22:35It seems that the search...
22:35It's nothing urgent.
22:36We're going to come back tomorrow with the rest of the crew and get it resolved.
22:40Okay.
22:43Thank you for the update.
22:44Thank you, Mr. Mercer.
22:46I've ordered these beautiful pieces.
22:51White marble.
22:54What the hell?
22:59It's kind of beautiful.
23:01No, no.
23:01It's a mistake.
23:05It's not too perfect.
23:07It's bold.
23:08It's not trying hard.
23:09It just...
23:10is.
23:10Well, I like my work to be...
23:13Intentional.
23:16Well, I would argue that this elevates the intention of the space.
23:21The juxtaposition between control and chaos.
23:24You have good eyes, Ms. Brooks.
23:27Follow me.
23:28Your second task for the client.
23:37Master bedroom and nursery.
23:41Oh.
23:41The client's a family man.
23:43We don't discuss the client.
23:45Only satisfy their needs.
23:47Would you like to see your designs?
23:50Is it not what you thought?
24:10No, it's...
24:11It's not bad.
24:12It...
24:12The power went up.
24:18There's no signal.
24:19Yeah, the...
24:20Soundproofing they put up, uh...
24:22Cuts signal.
24:23What?
24:24No.
24:24It's not funny.
24:39I'm not laughing.
24:40How long until someone notices that we're gone?
24:42I don't know.
24:43An hour?
24:45Maybe two?
24:46Is it Nora?
24:48The client?
24:49What?
24:50No, you're not supposed to ask about the client.
24:53Just tell me.
24:54No, it's not.
24:56Is she...
24:57More?
24:59I built this room because I believed in your vision.
25:03I cleared your schedule.
25:05I cleared your stressors.
25:07All because...
25:09I wanted you.
25:24Sir, your...
25:45Seven o'clock is waiting upstairs.
25:47Tuck your shirt in, sir.
26:06I know.
26:08I know.
26:09Who the hell are you?
26:12Calm down, sweetie.
26:14Put Crumpet down.
26:17Listen, sweetie.
26:18I work for Mr. Mercer.
26:20He hired me to take care of your grandpa and Crumpet until you return.
26:24Sweetie, what are you doing home?
26:26What am I doing?
26:29This is Agnes, my nurse.
26:31She's taking care of me.
26:32Oh, I'm sorry.
26:34I'm so embarrassed.
26:39Um, hello?
26:40Why are you at your apartment?
26:43If you're there, there's no need for Agnes to stay employed.
26:46Cece, you're ruining my chances.
26:48Go back, Cece.
26:49Oh, okay, okay.
26:51Everything's all right.
26:52Agnes has taken very good care of me.
26:54Okay, okay, Pappy.
26:55I'll go.
26:56Um, it was nice meeting you, Agnes.
26:59Nice to meet you, dear.
27:10What the hell?
27:12He has a girlfriend?
27:19What was I thinking?
27:25What was I thinking?
27:55Got you now, bitch.
28:04I found her address.
28:21Sterling.
28:23Sterling.
28:25Can we talk?
28:26I don't have the time, Miss Brooks.
28:27Sterling, it's important.
28:28Please.
28:29Well, I'm dealing with something.
28:30Figure it out yourself.
28:41You might want to ask me why I'm here, you psycho.
28:44I don't give a damn what you have to say.
28:46I don't trust you.
28:47Well, maybe you should start.
28:49Because I know a dirty little secret about you.
28:55You're about to be broke.
29:00I'm here to offer you a buyout.
29:03Get out.
29:04Hear me out.
29:05Instead of your accounts being compromised, facing bankruptcy,
29:09and becoming the embarrassment of architecture, we could merge as Hale Mercer.
29:16Even has a nice name.
29:19Oh, you're way out of line.
29:20Am I?
29:21Because someone pretty close to you seems to be worried about you.
29:25Besides, if you don't accept this buyout,
29:28I'll publish the information.
29:31And Mercer Designs will go bye-bye.
29:34Is that a threat?
29:35Think of it.
29:37Or of a...
29:39bribe.
29:43Get the hell out of my property.
29:45And out of my sight.
29:47Now!
29:48Now!
29:58Miss Brooks!
30:02In my office immediately.
30:04Are you sure you want me in there?
30:05Or not your other woman friend?
30:07What are you talking about?
30:08Hand me your sketches.
30:12I have designs, but they're not the originals.
30:15The originals are missing or lost.
30:18What do you mean lost?
30:19I finished the designs last night and I fell asleep,
30:22but when I woke up, they weren't in my room anymore.
30:24You're lying.
30:26I'm lying?
30:26Why don't you tell that to the next girl you bring over?
30:31Excuse me?
30:32You're so careless.
30:33Careless?
30:34Me?
30:35I'm pretty sure you're the one who's talking about losing sketches.
30:38Something you won't have to deal with anymore.
30:42Marley's going to be taking you to the project mansion.
30:45Hopefully you can figure out your sketches problems there.
30:49You may go.
30:56Take her and her belongings to the project mansion.
30:59Anything I should know, sir.
31:01She can't be trusted.
31:04And check the cameras.
31:06We have a mole.
31:08Yes, sir.
31:09Miss Brooks.
31:15What are you doing here?
31:18Well, um...
31:20I, uh...
31:21Had to get some artwork for the client.
31:25You don't trust me.
31:27I, too.
31:30You're not trusting me?
31:31You were the one with another woman after all that
31:33I did this all for you bullshit.
31:35Okay, what woman are you talking about here?
31:37You can't lie to me.
31:39I saw you with her.
31:40I saw you...
31:41Okay, okay.
31:42Okay.
31:42If it makes you feel any better, I...
31:46I promise I'm looking into it.
31:48You promise?
31:52I promise.
31:54Okay.
31:55Oh!
31:55Oh!
31:55Oh!
31:55Oh!
31:55Oh!
32:13I thought you didn't trust me.
32:15That you were mad at me?
32:16No, you're too hard to resist.
32:18Touch me with a light, oh, I'm gone.
32:22Love me deep, hold me slow.
32:25Oh, kiss me in the dark, take all I hide.
32:30Let's go inside.
32:31Watch your fire, I'm on the inside.
32:44Eyes like knives, you cut right through.
32:47Every look says what you do.
32:51Pull me under, soft and deep.
32:54You're the secret I can't keep.
32:57Breath on glass, you trace my name.
33:01No one else can play this game.
33:04You don't ask, you just take.
33:07And I give, and I pray.
33:10Well, hello, I'm here for Mr. Brooks.
33:15I'm sorry, what exactly is this for?
33:17I'm the treatment nurse.
33:18I'll be taking him to his appointment for today.
33:20Oh, Mr. Brooks doesn't have an appointment today.
33:22I can assure you he does.
33:28Well, thank you for coming.
33:30Can I bring Crumpet?
33:31Yes, Mr. Brooks.
33:33Bring the cat.
33:34Hello, Cecilia.
33:55I'll need your full cooperation.
33:57I have something of yours you might want back.
33:59Now that I've got your attention, I need a little favor.
34:04Bring me Mercer's Legacy One design.
34:06You can't do this.
34:07But see, I already have, sweetheart.
34:10Give me the designs.
34:11Tell Sterling and your sweet old pappy dies.
34:14And your little cat, too.
34:16Your choice.
34:16I've been reviewing project management assets.
34:20You're four days late on the Hudson property.
34:22The client is not happy.
34:24Mr. Mercer is not happy.
34:27Pick it up or I'll give your work to her.
34:28She's three days ahead.
34:31Is that a personal email?
34:51Sweetie, you don't have to do this.
34:53Too late, old man.
34:55Who the fuck are you?
34:57Your worst nightmare?
34:59Baby.
35:01I'm so glad you made it.
35:02I set all this up for you.
35:05This better work.
35:06No, no, no, no, no, no, no, no.
35:36Show me the video.
35:48Yes, sir.
35:52She knew how to invade the cameras.
35:55I can't identify her, but we knew her enough to let her in.
35:59Keep this video between us.
36:02Yes, sir.
36:06Cecilia.
36:18Sterling, you're not working from home today?
36:20What are you doing here?
36:22Who have you been talking to?
36:24No one.
36:24I just, I needed to pick up some paint samples, and this was on the way.
36:28On the way to what?
36:30We're like 20 miles south of home.
36:33I'm getting my necklace cleaned.
36:36So if you can't find me or track me for any reason, that's why.
36:47Why do you need your necklace cleaned?
36:49I've just been working a lot.
36:51The drafting table is super dusty, and I don't want to get messed up.
36:53It's a woman thing.
37:03I'm trusting you right now.
37:06I know.
37:07What the hell is going on?
37:22Good girl.
37:41Right on time.
37:44Well, don't hesitate now, sweetheart.
37:46Come on, Cecilia.
37:51Do it.
37:57Sterling versus legacy designs.
38:00Just like I asked.
38:02Oh.
38:03Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:09A deal is a deal, pretty lady.
38:16Cece, don't.
38:18Get out of here.
38:19Look, look.
38:20I've had a change of heart.
38:37Please.
38:38No.
38:40This way.
38:40Well, you really know how to tie the room together, darling.
38:54Sterling has my location.
38:56You have no idea what you're in for.
38:58Oh, but I think I do.
39:00You see, when that timer goes off, you and that little tracker and this entire place will
39:09go bye-bye, and then that will pave way for the construction site of all hell designs.
39:15He'll find me.
39:17And when he does-
39:17That's very unlikely, Cecilia.
39:21Now that Sterling has this video, no one's coming to save you.
39:26Screw you.
39:28Screw both of you!
39:29Oh, oh, oh.
39:31But I almost have everything I need.
39:35Hmm?
39:36His financials, his accounts.
39:38You see, the only thing that is missing, my dear, is the contact for Sterling's Project
39:45Mansion.
39:46What?
39:47Why does that matter?
39:48Well, once I have the contact, I can put in a bid under his.
39:56Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:07Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:16Or you'll remember.
40:18Trust me.
40:21Even if I did, I wouldn't tell you.
40:32So!
40:34Tell me!
40:36Who is the client?
40:38He took care of my family.
40:40Well, I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:52So therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
40:59Well, I can see that you're a lady of your word, which makes it kind of harder to believe
41:05you.
41:06So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:16While Mercer Designs burns to the ground.
41:21Or, I could kill you right here, right now, and Mercer Designs falls anyway.
41:30Okay.
41:35Decisions, decisions, darling!
41:36Wait, no!
41:37No, I'll tell you!
41:37I'll tell you anything you want to know!
41:38Please, don't touch him!
41:40I'll tell you!
41:41Tell me everything.
41:55I don't...
41:56I don't know a lot.
41:58I just...
41:59I know she's very private.
42:01Very secretive.
42:03She only talks to Sterling.
42:06She's an older, conservative woman.
42:10Liar!
42:11That night that I dosed Sterling with that sleeping elixir,
42:16I found your little project mansion,
42:19and that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:27Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:33And then I ransacked his mail.
42:41That's where I found you,
42:44your address,
42:45and your little cat, too.
42:49Well, then.
42:54Looks like you chose...
42:56Oh!
42:58Oh, I'm sorry, my sweetness,
42:59but our short little affair is over.
43:04Excuse me.
43:05Well,
43:07obviously,
43:08I don't need your services any longer.
43:10Besides,
43:12I don't
43:13do
43:14witnesses.
43:15Sterling,
43:22help me,
43:22please!
43:23Sterling, wait,
43:24it's a trap!
43:24No!
43:25Sterling,
43:25please,
43:25you have to help me!
43:26Watch out!
43:27Tell me how to disarm it!
43:36Now!
43:38Backwire!
43:46You little bitch!
43:48Nora, stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:55Come on,
43:56let me at her one last time!
43:57She betrayed you!
43:59She's the one who gave up the Legacy One
44:01on the third floor!
44:03Wait,
44:04how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch,
44:07she told Vincent everything!
44:10No,
44:10she's lying!
44:11It's all because of her!
44:16She drugged you!
44:17No,
44:17I didn't,
44:18you bitch!
44:19When I thought I saw you with that woman?
44:22Then how you lost the designs?
44:24No!
44:24No,
44:25that wasn't me!
44:26Okay,
44:26Vincent made me do it!
44:28He said he threatened my family!
44:29I had no other choice!
44:32I don't believe you.
44:34Arrest her!
44:35No!
44:36No!
44:37No!
44:38No!
44:39You're safe!
44:39Stop the knife!
44:40Get out of here!
44:41Get out of here!
44:41Go!
44:43They saved you,
44:44please!
44:45You have the lights,
44:46now you're silent!
44:47Anything you say,
44:48can't a movie just against you
44:50and it's gonna fall!
44:50No!
44:50Get this,
44:51my sir!
44:51Wait,
44:51no,
44:52no,
44:52I'm timeless!
44:52I'm so sorry!
44:55It's okay,
44:55it's okay.
44:56But I gave him your designs,
44:57I didn't know what else to do.
44:59I was trying to save them.
45:00I didn't mean to.
45:01You're safe,
45:02you're safe,
45:03okay?
45:04Vincent,
45:04we'll be able to touch the project.
45:13I'm so happy you found me,
45:14I thought.
45:15I will always find you.
45:19How?
45:23Because I know you.
45:25That moment in the parking lot,
45:27I knew from your eyes
45:28that you needed me.
45:33I will always keep you safe.
45:39Hey,
45:40hey,
45:41would you two take it someplace else?
45:45Sorry,
45:46Bappy.
45:46I'll take you and Crump at home.
45:53Oh,
45:54thank goodness you're okay.
45:57I want to tell you something,
45:59sweetheart.
46:00I love Agnes,
46:01I really mean it.
46:02I'll keep happy.
46:04Just get some rest.
46:05I mean it,
46:06Cece.
46:06When a man knows,
46:08he knows.
46:12Agnes,
46:13it's been a long time
46:14since I've met someone
46:15as caring as you.
46:17And I'd like you to be my wife.
46:20Yes!
46:22I love you,
46:23Agnes.
46:24I love you,
46:25Agnes.
46:25Marley,
46:32what are you doing here?
46:33Miss Brooks.
46:35Mind coming with me?
46:37Will you give me a second?
46:38I want to change first.
46:39What?
46:42I'm scared.
46:45Have a few ladies,
46:48Pat.
46:53Alright.
46:57Woke up and the sky was pink.
47:00Coffee tastes like sugar dreams
47:03Traffic sounds like melodies
47:06Since you've been around
47:08Everything feels right now
47:11Sunlight dancing in my mind
47:13Come on.
47:14And I don't know what you do
47:17But love just fits like truth
47:20You got me flowing
47:23This is really beautiful.
47:28We work well together.
47:30I'm glad you think so, Cecilia.
47:34Yes, Sterling?
47:38I have something I need to tell you.
47:42About?
47:42There isn't a legacy, Kalaya.
47:47Well, there is, but
47:48It's not who you think.
47:52I don't follow.
47:56It's me.
47:58What?
47:58This, this is my legacy.
48:04Come here.
48:05I need to show you something.
48:15I made this for you.
48:17Wait, one second.
48:18I thought
48:30If we put them next to each other
48:32It would create
48:33Bounce.
48:33Bounce.
48:33But then you came in.
48:50You're kind.
48:54Old.
48:56Intuitive.
48:57Sterling.
48:58You gave this place a soul.
49:07Cecilia Brooks.
49:11Would you share the love we built together?
49:13Yes.
49:14Yes, Sterling.
49:15I said yes to you
49:26To forever too
49:29To every dream
49:31We're walking through
49:34Joo.
49:36To every dream
49:37I was at escape.
49:43Well, I was at right
49:44To live here
49:45Bye, bye.
49:45Now, hi.
49:46Well, I didn't show you
49:47To my baby
49:47But I was pretty
49:49Like, I have
49:50可是, you're maybe
49:51I'm loser
49:51In literature
49:51And you,
49:52I have read
49:52Other people
49:52And me
49:54You're battling me
49:55Hearing
49:58Maker.
49:59ILLE wy
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50:54
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