09:53This is another classic set in Paris, which, I mean, I think Sydney's kind of been transformed
10:07into Paris in a way, has it not?
10:09I'm feeling very French.
10:11How about you?
10:11You feeling French?
10:12Yeah.
10:13You're lucky you're in Paris, yeah?
10:14This one will make you feel like a French.
10:16Nice.
10:17The
10:20the
10:35the
10:37the
10:38the
10:39the
10:44the
10:45the
23:30Woo!
23:32Thank you so much!
23:47There isn't anyone dancing yet, that song was all about dancing.
24:10Come on everyone, it's Saturday, it's five something o'clock, technically everyone can
24:16dance and dancing. What's next?
24:23Alright, this one's got to get you dancing.
24:27And bonus point, if anyone could tell me who sang the song originally, I'll sing the song.
24:36Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Zubi Z
25:06When the puissance ouvre le ciel de moi, les amoureux qui se pavent de vous, comme les oiseaux, ils ont rendez-vous, on n'entend pas tout.
25:20Oh!
25:33Mais dis-moi, savez-vous ce que fatigue un peu, de ce que vêtent, soubise, soubise, soubise, soubise, soubise, soubise en tout.
25:47Mais oui, je vous l'avoue, mais oui, je ne sais pas que vous, que ce que me dit, soubise, soubise, soubise, soubise, soubise, soubise.
28:29All right. Anybody? Who sang that song? Did I hear of Brigitte or of Bardot? Fantastic. You will know your stuff.
28:41It was actually sung by the sometime first lady of France.
28:49It was also a model and an actress.
28:53And an actress.
29:49The destiny is our dream
29:52Who gives us nothing, who promises us
29:55With the pain and the pain
29:58And in the pain, we're in the pain
30:01And in the pain, we're in the pain
30:06You're still still in the pain
30:09You're still in the pain
30:12You're still in the pain
30:15Is it possible to live?
30:18No, no, no, no one will
30:30Is it possible to think that you were in the pain
30:33But Jesus Christ as me
30:37Play me with others
30:39We die
30:45Tu m'aimais encore, il t'en vraiment dit que tu m'aimais encore.
45:54When you tell me that you're not a girl, I know perfectly what you mean.
46:10And if you say that you're not a girl, I know perfectly what you mean.
46:22I'm not a girl, I know perfectly what you mean.
46:30And you're not a girl, I know perfectly what you mean.
46:36And you're not a girl, I know perfectly what you mean.
47:18But you're not a girl, I know perfectly what you mean.
47:24And you're not a girl, I know perfectly what you mean.
47:28And you're not a girl, I know perfectly what you mean.
47:32Woo! Come on, take a white side.
47:34We'll do it again.
47:36This was a girl-like song, it says,
47:46good boy, thioo.
49:50Thank you very much, everybody.
50:15Have a great night.
50:17Play more music to follow.
50:19Won't you join me?
50:29Yes, join Audrey Hepburn as you've never seen her before, kicking over the traces and bringing
50:35to life Truman Capote's Breakfast at Tiffany's.
50:39I never could do that.
50:43Audrey Hepburn as Holly Golightly, who typifies and glorifies the glamorous playmates of this
50:49dizzily spinning world as she and George Pippard breeze through the glitter and shimmer of New York as it has never been captured before.
50:57You have a special invitation to attend Audrey Hepburn's open house on the wildest night New York ever knew.
51:05Timber!
51:07Yes?
51:17Oh, good evening, Ed.
51:19I'll tell you one thing, Fred, darling.
51:27I'd marry you for your money in a minute.
51:29You marry me for my money?
51:31In a minute.
51:33So I guess it's pretty lucky neither of us is rich, huh?
51:37Please, darling, do us if they're looking at me like that.
51:40Holly, I'm in love with you.
51:42So what?
51:43So what?
51:44So plenty.
51:47I love you.
51:48You belong to me.
51:49No.
51:50People don't belong to people.
51:52Of course they do.
51:53I'm not gonna let anyone put me in a cage.
51:55I don't want to put you in a cage.
51:56I want to love you.
51:57Audrey Hepburn and George Pippard searching for love in the big town,
52:02but sharing only part of their lives until they find the deep, warm moment of truth
52:07that can't be hidden, even by the oddball antics on the brittle surface of New York.
52:25Walter Sanders who arrive to travel with us in iTunes,
52:27will be wonderful, friendly and beautiful mountains in the whole town.
52:30Have fun advice.
52:32I'll be asking the coffee.
52:34Take care.
52:35Try the coffee.
52:45Question if you did?
52:46Have fun.
52:48Have fun days!
52:49We've done that.
52:50I'll have good luck!
52:54Hell!
52:55He's lost in the wilderness, he's lost in his loneliness, oh, I said he's lost, yeah,
53:21I said he's lost, it's a man's world, oh, yeah, it's a man's world, oh, oh, but it would
53:35be nothing, not one little bit of thing, without a woman or a girl, it's a man's world, oh, yeah,
53:47it's a man's world, oh, oh, but it would be nothing, not one little bit of thing, without
53:58a woman or a girl, it's a man's world, thank you very much, okay, so the next one, oh,
54:14I named you a cute one, it's a bit of a mash-up.
54:20Head the road, Jack, and don't you come back no more, no more, no more, no more, no more.
54:27Head the road, Jack, and don't you come back no more.
54:36Oh, woman, oh, woman, don't you treat me so mean.
54:40You're the meanest old woman that I've ever seen.
54:44I guess, if you say so, I better pack my things and go.
54:53Sweet dreams are made of these, who am I to disagree?
55:01I travel the world and the seven seas.
55:06Everybody is looking for something, some of them want to use you.
55:13Some of them want to get used by you.
55:17Some of them want to abuse you.
55:21And some of them, yeah, they want to be abused.
55:26Hit the road, Jack, and don't you come back no more, no more, no more, no more.
55:51Hit the road, Jack, and don't you come back no more, no more, no more, no more, no more, no more, no more, no more, no more, no more, no more, don't you treat me so mean.
56:04I'll be back on my feet someday.
56:08Well, I don't care if you do, cause it's understood.
56:12You got no money and you ain't no good.
56:16Well, I guess, if you say so, I better pack my things and go, that's right.
56:25Sweet dreams are made of these, who am I to disagree?
56:32I travel the world and the seven seas.
56:38Everybody is looking for something, some of them want to use you, don't let them.
56:46Some of them want to get used by you, don't do it.
