Passer au playerPasser au contenu principalPasser au pied de page
FilmsActu
  • il y a 3 jours
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
Transcription
00:30...
01:00...
01:02...
01:04...
01:06...
01:08...
01:12...
01:14...
01:16...
01:18...
01:20...
01:22...
01:24...
01:26...
01:28...
01:30...
01:32...
01:34...
01:36...
01:38...
01:42...
01:44...
01:46...
01:48...
01:50...
01:52...
01:54...
01:56...
01:58...
02:00...
02:02...
02:04...
02:12...
02:14...
02:16...
02:18...
02:20...
02:22...
02:24...
02:26...
02:32...
02:36...
02:38...
02:40...
02:42...
02:46...
02:48...
02:50...
02:52...
02:58...
03:00...
03:02...
03:04...
03:06...
03:08...
03:14...
03:16...
03:18...
03:20...
03:22...
03:24...
03:26...
03:28...
03:30...
03:32...
03:34...
03:38...
03:40...
03:42...
03:44...
03:46...
03:48...
03:50...
03:52...
03:54...
03:56...
04:28...
04:30...
04:32...
04:34...
04:36...
04:38...
04:40...
04:42...
04:44...
04:46...
04:48...
04:50...
04:52...
04:54...
04:56Vous avez des fantômes, et j'aime l'extrême,
04:59donc j'ai pensé que je vais partir de l'autre à l'autre.
05:02Et je pense que j'ai travaillé dans le fantôme,
05:04ça a été beaucoup de fun.
05:06Donc j'ai décidé de faire Pusher 4 quelques années,
05:11mais comme un show de TV,
05:12et ça s'est devenu Copenhagen Cowboy,
05:14qui est vraiment Pusher 4.
05:16Il a des mêmes personnages et des mêmes mondes,
05:20mais je n'étais pas plus intéressé
05:24dans la manière dont j'ai eu l'habitude,
05:26parce que social media dominait cette narrative maintenant.
05:30Tout est accessible, et la plupart du tout est réel,
05:35ou à l'aise peut être très réel,
05:37capturé de moment à moment,
05:39et c'est très efficace, et je ne peux pas faire ça.
05:43Mais ce que je peux faire, c'est que je peux manipuler
05:46ça dans mon propre version.
05:48C'est fantôme, et c'est que je me suis plus intéressé.
05:51J'ai perdu la peur de vivre dans le vrai monde,
05:56et d'être plus excitée par stepping dans le théâtre,
06:02le space de l'unreality, comme un stage.
06:05Et donc, c'est comme l'évolution.
06:09Qu'est-ce que tu veux faire ?
06:12Je pense que si les directeurs veulent retourner
06:15et changer leurs films, je suis sûr qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu la liberté de faire
06:23pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27J'ai quand même regardé.
06:29Donc, une fois que j'ai fait quelque chose,
06:31j'ai été ostracisé dans mon corps.
06:33Il n'est plus en moi.
06:36J'ai besoin de faire un truc.
06:38J'ai besoin de faire quelque chose en moi.
06:43J'ai besoin d'essayer.
06:45J'ai besoin d'essayer.
06:49J'ai besoin d'essayer de vous,
06:51mais vous êtes toujours le même.
11:21So you can't deny your own existence
11:23You can't really criticise it
11:25Because I did it my way
11:27The world will see it
11:29As it continues to evolve
11:31And you just have to be
11:33You have to just be
11:34Trust yourself
11:38No, onаждes
11:39On le contraire, c'est comme énergie.
11:41C'est comme, juste pour le prochain.
11:43Je l'aime.
11:45Je suis comme toi.
11:46Je n'ai pas de regrets.
11:47Je pense que c'est une masterpiece.
11:49Et c'est.
11:50Je n'ai pas fait que c'est très expensive.
11:52Est-ce qu'il y a un docteur dans la maison ?
11:54Nous devons avoir un médecin ici.
11:58Est-ce qu'il y a un docteur ?
11:59Quand vous vous mentionnez 2001,
12:02il dit que vous avez changé d'Add Drive.
12:05Mais on va laisser ça sortir.
12:06We won't know about Drive for another 30 years.
12:1030 seconds.
12:10Whether it lives or dies.
12:12I'm talking about films.
12:152001 was made in 1968.
12:18I made this film about 4 years ago.
12:204 years is a zip.
12:22It's not even a blip.
12:24It's not a pimple on the asshole of humanity.
12:28What was funny about talking to Billy Freakin
12:30was that he had a man who had struggled a lot in Hollywood.
12:36and started very successfully at a young age
12:40and then had gone into Sorcerer's
12:43and was still traumatized by that experience
12:48after so many years.
12:49And I think that was what was so sad in a way
12:52that it had such an effect on him.
12:54It was a little bit like Michael Cimino doing Heaven's Gate.
12:57These amazing films, both Sorcerer's and Heaven's Gate
13:02are probably their best films,
13:05for some reason get so destroyed
13:07and then they lose sight of themselves
13:10or they lose their confidence
13:12and it affects all the other movies they make afterwards.
13:14And I was like, I'm never going to be like that
13:17because I'm right, you're wrong.
13:23I mean, I've done two shows,
13:26one with Amazon, one with Netflix
13:27and I like what I was making, obviously,
13:30but I don't know how much I want to continue.
13:36I may want to take a break
13:38and go and make movies again.
13:41I've decided to do more visual arts, you know,
13:45and trying to find other areas of creativity.
13:50But I think it's time to go make a film again.
13:54You said you work on two shows,
13:55but you work on The Famous Five or something.
13:57So The Famous Five was a television show
14:00that I just, how do you say,
14:02executive produced or created,
14:04but I had no involvement in it.
14:07Otherwise, I just created the kind of concept and the story
14:10based on these very famous books.
14:12The Famous Five was more because my kids
14:14would read the books when they were young.
14:16I remember my mother reading me the books.
14:18So it was more like a past history thing
14:21that came up as an opportunity.
14:27Well, I mean, if something is interesting,
14:29you know, why not look at it?
14:31I've had some wonderful meetings in Hollywood,
14:33met wonderful people,
14:35but in the end, I like my freedom.
14:38That's all I really want is just to be free.
14:41When you work in Hollywood, there is a contract.
14:44Some people love that and can work within that.
14:48It's maybe not so much my thing right now,
14:51but who knows, maybe next year I'll do a big,
14:55you know, big superhero movie.
14:57That could be fun, maybe.
14:59I don't know.
15:00I'm pretty open to anything,
15:01but at the same time,
15:02at the end, you should just make what makes you happy.
15:06It's one thing having creative control,
15:08which is easier enough,
15:11but it's where all the money that's invested
15:13puts a burden on you,
15:16because all that money has to get, you know, recouped.
15:19And then you have to make a certain type of movie.
15:21You don't have the freedom to do whatever you want,
15:23because you're a slave to the economics.
15:26If your film costs $200 million or $100 million,
15:30you need to make $300, $400 million to break even.
15:33That already puts a strain on what kind of movie can you make.
15:36And I don't want any conditions on me at all.
15:41You have to be completely free.
15:47I mean, in the beginning,
15:49a lot of people were talking about another drive,
15:52but it was like,
15:53that would be the worst idea I've ever heard of.
15:55So never?
15:56Never.
15:57I've been very lucky to live a fun life,
16:09and it has nothing to do with fame.
16:14You realize very quickly.
16:17It has that I've had opportunities,
16:19and I've been able to work with people.
16:22I've met people.
16:23I've spoken with people.
16:24and it's all been a lot of fun.
16:27But I think when I started,
16:30the idea of being seen was very essential.
16:33The idea of fame.
16:35And fame being an opportunity.
16:37It's like an opportunity.
16:38It's like a stage.
16:39One thing is becoming famous.
16:41The next, what are you going to do with it?
16:43And obviously, it's like anything.
16:45It's an opportunity.
16:47I don't have any love.
16:50You're a mess.
16:51You're working all the time.
16:52I also want to work.
16:54I'm also...
16:55I'm...
16:56Mmm...
16:56We're going to be here in Bangkok for six months.
17:01Yang Han will make his next film,
17:02and I've said yes to the process.
17:06It's new to be together with him,
17:08when he's filming.
17:10When he was doing Drive,
17:11I was home in Denmark with children.
17:14It took over ten months.
17:16It was just for hard to be away from each other.
17:18My daily life is, I have a routine.
17:23I wake up.
17:24I do two-hour sports every day.
17:27Then I usually have lunch.
17:30Then I get yelled at by my kids.
17:33I work at night.
17:35And then try not to get to bed too late.
17:39And then Friday comes,
17:41and it's weekend,
17:42and you try to relax a little more,
17:45and the next day is Monday.
17:47You watch movies?
17:49I used to watch a lot of movies
17:51when I was a lot younger,
17:52but now it's just harder and harder.
17:54There's other things that I find interesting.
17:56Like what?
17:57Well, I did my first exhibition
18:00that just opened in Tokyo,
18:02and that's been a lot of fun to do that.
18:04A collaboration with Hideo Kojima?
18:06Mm-hmm, yeah.
18:07Can you talk about that?
18:08Well, I created an exhibition
18:11that opened on Friday last week in Tokyo,
18:16where I built this installation between us.
18:20I saw my wife and my daughter in the procession.
18:24Hey, it's me!
18:25Where are you going?
18:33Wait!
18:38Don't live without me!
18:41No!
18:43Don't go!
18:45Please, don't go!
18:48And you are in Death Stranding 2.
18:51I am Heart Man,
18:52and Heart Man is forever in Death Stranding.
18:55I think that
19:01don't believe everything you read on the internet.
19:04Okay.
19:04Can you tease us something?
19:06Well, believe everything you read on the internet.
19:08Ah, okay.
19:08Okay.
19:16You're going to sing a good film.
19:25You're going to sing a good film.
19:26You're going to sing a good film.
19:27You're going to sing a good film.
19:27You're going to sing a good film.
19:28You're going to sing a good film.
19:28You're going to sing a good film.
19:29You're going to sing a good film.
19:30You're going to sing a good film.
19:30You're going to sing a good film.
19:31You're going to sing a good film.
19:32You're going to sing a good film.
19:32You're going to sing a good film.
19:33You're going to sing a good film.
19:34You're going to sing a good film.
19:34You're going to sing a good film.
19:35You're going to sing a good film.
19:36You're going to sing a good film.
19:37You're going to sing a good film.
19:38You're going to sing a good film.
19:39You're going to sing a good film.