- yesterday
Category
🎥
Short filmTranscript
00:00:00Ladies and gentlemen, you are about to see a masterpiece of mystery that has
00:00:09baffled even the experts. Try and match your wits against theirs. Watch every
00:00:15move, listen to every word. Can you guess the identity of Jack the Ripper?
00:00:30I don't know.
00:01:00Ah, hello dear.
00:01:04Oh, it's a nasty night, isn't it?
00:01:08Here.
00:01:12Here, go and get yourself a little nip.
00:01:16Thank you, Mick, thank you. Same for you, it's for him.
00:01:30Thank you, Mick.
00:02:00Thank you, Mick.
00:02:22Mary Clark.
00:02:26Are you Mary Clark?
00:02:30Where can I find Mary Clark?
00:03:00Mary Clark.
00:03:08Mary Clark.
00:03:10The End
00:03:40Yes, Nelly, we know all about that
00:04:08But I still want to know why you hit him with a bottle
00:04:11Like I said, he insulted me
00:04:14Come, Nelly, you've been insulted before
00:04:17That's hardly the point, officer
00:04:20Anyway, he wouldn't pay me what he owed me
00:04:24Ah, that's better
00:04:24Now we're getting nearer the facts
00:04:26He insulted me
00:04:28Oh, good evening, sir
00:04:30Is Inspector Amelie?
00:04:31Yes, sir
00:04:31Shall I tell you what?
00:04:32Oh, it's the top
00:04:36That, Nelly, was the assistant commissioner from Scotland Yard
00:04:39Not that it's any of your business
00:04:41It says if he's come to put a rocket under your fat backside
00:04:45Another of them ripper jobs last night
00:04:49Oh, hadn't you heard about it?
00:04:53You've had all the extra men you've asked for
00:04:54The rest of London is practically naked of policemen
00:04:58And still you're no nailer to making an arrest
00:05:00I've made plenty of arrests, sir
00:05:01Dozens of them
00:05:02Every lunatic and sensation seeker in London
00:05:05Has given himself up as Jack the River
00:05:06Stop using that stupid man
00:05:08I didn't christen him, sir
00:05:11But the one who did knew what he was talking about
00:05:12Have you ever seen any of his victims?
00:05:16No
00:05:16Body's a body, isn't it?
00:05:18What's the point of romanticizing these crimes?
00:05:21Do you know that they've asked another question in the house today?
00:05:24So I heard
00:05:24Home secretary's practically out of his mind
00:05:26What's being done, they keep asking him
00:05:28He's run out of replies
00:05:29He has my deepest sympathy
00:05:31There's no cause to be flippant, O'Neill
00:05:33I have not been flippant, sir
00:05:35And I'm going to tell you something else
00:05:36Do you know how long it is since I've been home?
00:05:41Four days
00:05:41Do you know what sleep I've had in the last 48 hours?
00:05:45Six hours, all here on this chair
00:05:47I've got every man working in this station every hour God created
00:05:50Most of them are ready to drop
00:05:52But they go on just like I do
00:05:54Because it's their job
00:05:55Despite the fact that every ignorant layabout
00:05:58From here to Westminster and back
00:05:59Thinks they're lazy and incompetent
00:06:01And they ought to be dismissed
00:06:02You must pardon me if I don't feel sympathy for the home secretary
00:06:06Just because he's embarrassed in the house
00:06:08Yes
00:06:09Yes, of course
00:06:11Well
00:06:13What's the next move?
00:06:14Every line of investigation will be followed to its logical conclusion
00:06:18That's what you said last time
00:06:19And I shall very likely say it next time, too
00:06:21Come in
00:06:23What is it?
00:06:25Sorry, sir, but there's a man in the bar of the Red Goose
00:06:27Asking questions about the Ripper
00:06:28The governor thinks the crowd might start getting ideas
00:06:31The crowd of the Red Goose always have ideas of some sort or another
00:06:36I suppose I'd better go down and see what it's all about
00:06:38All right, Sergeant
00:06:39You'll excuse me, sir
00:06:41Of course
00:06:41But remember, Inspector
00:06:43The police force are in particularly bad order at the moment
00:06:46We're all lying on you to do something about it
00:06:48I shall continue to do my best, sir
00:06:50I'm sure you will
00:06:50There's a good fellow
00:06:51Now, off you go
00:06:52This man might be the Ripper himself, eh?
00:06:56He might, sir
00:06:57He might
00:06:58We know what you're about, mister
00:07:01Don't give us that stuff
00:07:03All I asked was if anyone had actually seen the Ripper
00:07:05We heard what you said
00:07:06We're not deaf
00:07:07We want to know why you asked it, that's what
00:07:10I'm interested, that's why
00:07:11We know you're interested, mister
00:07:12How interested?
00:07:14Oh, I'm sorry
00:07:15Couldn't be that you're interested to see if anyone's seen your face, are you?
00:07:18No, you don't think that
00:07:19Come now, gentlemen
00:07:22I just arrived from America this morning
00:07:25That's what you say
00:07:27Can you prove it?
00:07:28I should have to prove it
00:07:29Let's give it to him
00:07:31Hold on a minute, boys
00:07:32This gent ain't done their work
00:07:34You keep out of this
00:07:35Well, come on, what you waiting for?
00:07:37Well, come on, he's a foreigner
00:07:55They said the Ripper was a foreigner
00:07:56Now, Mr. Jack the Ripper
00:08:07Well, what have you got to say for yourself?
00:08:10We'll soon make him talk, won't we, boys?
00:08:16Ah!
00:08:22All right, my friend
00:08:24Let's see how you like your belly slit open
00:08:26Stop that
00:08:31Let him go, Charlie
00:08:33You too, Tom
00:08:36Well, he's been asking all sorts of questions, Mr. O'Neill
00:08:38Questions about the Ripper
00:08:39Since when did you take the law into your own hands?
00:08:42All due respect to you, Mr. O'Neill
00:08:44But the police haven't been much help, have they?
00:08:45That's still no excuse
00:08:47Now, get out of here, all of you
00:08:48Come on
00:08:48Take him with you
00:08:49Come on, move
00:08:51You'll listen to him
00:08:55Make sure he's bad as he is
00:08:56Now, get a move on
00:08:58Come on, hurry it up
00:09:00Nice piece of work, mister
00:09:05The way you handle them, I mean
00:09:07Nasty rough men they are
00:09:09There
00:09:10That's right, better now, sir
00:09:12Yes, thank you
00:09:13Give it back, Snakey
00:09:18Give what back?
00:09:20He's a friend of mine
00:09:21Oh, in my life, Mr. O'Neill
00:09:23I never knew he was a mate of yours
00:09:24Mr. O'Neill, I swear I never
00:09:36I wouldn't have done it
00:09:37Ta-da
00:09:54Oh!
00:09:55Drink.
00:09:56Whiskey.
00:09:57Two whiskey, please.
00:09:58Well?
00:09:59Well, what?
00:10:00Now we're quits.
00:10:01Now visit America, you dragged me out of a fight in New York.
00:10:03You come to London in favor of a check.
00:10:05All part of the Metropolitan Police Service?
00:10:06When did you arrive?
00:10:07This morning.
00:10:08Oh, why didn't you come and see me?
00:10:09Well, I thought I'd have a look around the scene of the crime.
00:10:11Get a little local color.
00:10:12You nearly became part of the local color.
00:10:15Bright red.
00:10:16Thanks.
00:10:17Oh, and thanks for your help, young lady.
00:10:19Oh, that's all right, sir.
00:10:20Hello, Alan.
00:10:21How's your mother?
00:10:22Oh, she's much better, thank you, Mr. Neal.
00:10:23Good.
00:10:24Nice kid.
00:10:27You know, I'm almost glad I came.
00:10:30You'll excuse me asking, but why did you come?
00:10:32Your letter just said you were arriving.
00:10:34Believe it or not, the New York Police Department have given me a vacation.
00:10:38Well, you chose a good time to come to London.
00:10:40So it seems.
00:10:41Want any help?
00:10:43What about your vacation?
00:10:44Well, a change is as good as the rest.
00:10:46Anyway, in New York, we don't have a ripper.
00:10:48Are you serious?
00:10:50Yeah.
00:10:51Do you mind if I take a line?
00:10:53By all means, it can't do any harm.
00:10:55Well, I'd settle that.
00:10:57Where do we start?
00:10:59First, I suggest you come home and have some supper with me.
00:11:03After supper, you can go around to the station, start reading up what we know today.
00:11:06Get some of that local color we're talking about.
00:11:08Since when can a policeman afford to travel three thousand miles on a vacation?
00:11:24Something I didn't tell you, Ned.
00:11:26The department are paying.
00:11:27Oh.
00:11:28They're interested in this ripper business insofar as it affects the local populace.
00:11:32General reactions, attitude towards the police, mob violence, stuff like that.
00:11:36Well, see for yourself.
00:11:37Look at this straight.
00:11:38Before this ripper business started, you could hardly move along here.
00:11:41Stalls, barrel organs, people spilling out of the pubs.
00:11:44It was a happy place.
00:11:46Not particularly moral, but happy.
00:11:48Take these men that attacked you in there.
00:11:51One of them is a blacksmith, another a shop assistant.
00:11:53I know them well.
00:11:54Apart from the one with the knife, they're just ordinary people.
00:11:57Now, they didn't seem much like ordinary people to me.
00:11:59That's what the ripper has done to them.
00:12:01Now, do you mean it sounds like this?
00:12:02No jokes, please.
00:12:05You'll learn.
00:12:07Come on.
00:12:17The next time you come in here and can't pay, I'll have you fix proper.
00:12:23Ah, none of that, none of that of it.
00:12:27Hey, you.
00:12:30You're late.
00:12:32I'm sorry, sir.
00:12:33I lost my way.
00:12:34First day and late.
00:12:36I don't know what some of you girls think this place is.
00:12:40Go on, get inside.
00:12:43Good evening, Mr. O'Neill.
00:12:45And you too, sir.
00:12:46Who was that?
00:12:47Oh, just a drunk, Mr. O'Neill.
00:12:48We get them all the time.
00:12:49The girl, the girl.
00:12:50Oh, the girl.
00:12:51Oh, she's new.
00:12:52Started today.
00:12:54Just make sure that nothing happens or like happened the Turner girl.
00:12:57But, Mr. O'Neill, I should be responsible for what happens to my employees in their spare time.
00:13:02It's no good pleading innocence with me about the Turner girl.
00:13:05She came to me the day before she jumped into the river.
00:13:08I told her to go back to her family and the country, but she thought she knew better.
00:13:12I'm gonna keep an eye on this new girl.
00:13:15So help me if anything happens or I'll come back here and I'll break every bottle, glass, mirror, table and chair over your filthy head.
00:13:21Come on, Sam.
00:13:22Come on, Sam.
00:13:39Thank you, Miss.
00:13:40Good night.
00:13:41Good evening, Hodges.
00:13:42Good evening, Miss.
00:13:43Do you know where my guardian is?
00:13:44Well, Dr. Trenton's supposed to be operating by now, Miss.
00:13:46Would you like me to tell him you're here?
00:13:47Oh, don't bother.
00:13:48I don't want to interrupt him.
00:13:50I'll wait for him in the Almaner's office.
00:13:51Very well, Miss.
00:13:52If I see him, I'll tell him you're here.
00:13:55Hodges, have you seen Dr. Trenton?
00:13:57Good evening, Dr. O'Neill.
00:13:58I thought he was operating right now.
00:14:00Well, he's supposed to be, but we can't find him anywhere.
00:14:02Perhaps he went on an outside case.
00:14:04Must be a very important one to take him away when he should be in the theatre.
00:14:07What are you doing here?
00:14:08I came to meet him.
00:14:09And I want to see Mrs. Bolton.
00:14:11Maybe I'll see you later.
00:14:13Well, if you find him, will you tell him I'm waiting in the Almaner's office?
00:14:17Of course.
00:14:18I'll see you later.
00:14:19Hello, my dear.
00:14:24You shouldn't be about as late as this.
00:14:28Nonsense, Mrs. Bolton.
00:14:31Hello, my dear. You shouldn't be about as late as this.
00:14:44Nonsense, Mrs. Bolton.
00:14:46If I were to take over your duties, I should be a great deal later.
00:14:49If you take over my duties, I still don't think Dr. Trenter will allow it.
00:14:54I'm of age now. I can make up my own mind.
00:14:57Indeed you can, my dear. Indeed you can.
00:14:59How about a nice cup of tea?
00:15:04Can I go now, sir?
00:15:05Yes. You'll be all right walking here by yourself.
00:15:07Oh, of course. It's only a little white.
00:15:09Oh, dear. Good night. See you tomorrow.
00:15:11Good night, sir.
00:15:29It's you. What do you want?
00:15:35You'll be on the air with a bottle tonight.
00:15:37Well, it was no more than what you deserved.
00:15:39Now get out of me way or I'll call the governor.
00:15:41He's in the bar room.
00:15:42Good night.
00:16:02So...
00:16:05Mary Clark
00:16:20Mary Clark
00:16:23No, that's not my name, I'm sorry
00:16:26Where can I find her?
00:16:35No, that's not my name
00:17:05No, that's not my name
00:17:35Any sign of Dr. Tanya?
00:17:52Yes, sir
00:17:52Cover those instruments in front of our patient
00:18:01I think you'll be frightened, old kitty
00:18:12Dr. Tranter is a very good surgeon
00:18:14He won't feel a thing
00:18:15Sorry I'm late
00:18:21Outside case
00:18:22Already here?
00:18:24Yes, sir
00:18:25Let me see that
00:18:26Now let's see what we can do for you, shall we?
00:18:35Thank you, nurse
00:18:37Breathe deeply
00:18:41Deep
00:18:42That's right, breathe deeply
00:18:52Now, don't fight, relax
00:18:56Relax
00:18:57That's right, now breathe deeply
00:18:59Now count with me
00:19:01One
00:19:02Two
00:19:03Two
00:19:04Three
00:19:05Three
00:19:06Four
00:19:07Five
00:19:09Six
00:19:12Six
00:19:14Six
00:19:16Six
00:19:17Six
00:19:26Careful
00:19:26Careful
00:19:27Cut deeply, John
00:19:35That's the secret of surgery these days
00:19:37Cut deeply
00:19:39When underneath us some gold, Jim
00:19:44Isn't it a pretty that the likes of her
00:19:49Hello?
00:19:50What have we got here, then?
00:19:52You catch gold sleeping out here, old boy
00:19:55What have we got here, then?
00:19:57You catch gold sleeping out here, old boy
00:20:00Yes, school
00:20:02What is it, old girl?
00:20:04Yes, it is a girlie
00:20:08It is not old girl, neither
00:20:11Ducks, what are you doing keeping in the oven?
00:20:15Now, why don't you go home, eh?
00:20:18You've got a load on every duck's here
00:20:22I'll give you an hand
00:20:23My God
00:20:29The Ripper! The Ripper! He's done an end!
00:20:32The Ripper! He's done another of them!
00:20:38Help! The Ripper! He's done it again!
00:20:42Help! Help! Please help!
00:20:46He's done it again!
00:20:47Well, shut the window. How many times do I have to repeat?
00:20:50I must have the window shut when I'm operating.
00:20:52Shut it this instant!
00:20:54Help! Help!
00:20:59She works in the Red Goose, don't she?
00:21:06Ruddy police! You don't feel safe these days, do you, dearie?
00:21:10I'll tell you how sight it was. It was me! I found her!
00:21:13Was it?
00:21:14Yeah, she's just lying there. I thought she was sleeping.
00:21:16Come along, now. Move back to her.
00:21:18Bloody marvellous. The police always arrive half an hour after.
00:21:22The brave boys in blue.
00:21:24Yeah, why can't we have protection?
00:21:26Here's Mr O'Neil now.
00:21:28What you gonna do about that, O'Neil?
00:21:33Keep back.
00:21:39Is it always like that?
00:21:41Always.
00:21:46You know her?
00:21:47Name of Ellie Murray, sir. She's a barmaid at the Red Goose.
00:21:50Poor kid.
00:21:51They're all poor kids, sir.
00:21:53What's the verdict, Inspector?
00:21:54Natural causes!
00:21:56You pity Jack didn't rip up a copper, eh, O'Neil?
00:22:00Did you call the wagon-busters?
00:22:02Hey, you can't come through here.
00:22:04That's all right, Constable.
00:22:08O'Neil, have you no control over these crowds at all?
00:22:11Mutilation.
00:22:21Admirable diagnosis.
00:22:27And who might this be?
00:22:28Uh, Mr. Lowry, sir. He's an American.
00:22:30That would account for it.
00:22:31Have the body taken to the hospital. I'll do a post-mortem right away.
00:22:33I've already sent for the wagon.
00:22:35Heavens, man, let's get this thing out of the gutter.
00:22:37Carry her.
00:22:38It's only a few hundred yards.
00:22:39And be quick about it.
00:22:40I told him.
00:22:41It's about time somebody's started giving a few orders around here.
00:22:44Come along. Break it up, break it up. Get up with him.
00:22:47Who is the distinguished gentleman?
00:22:49Sir David Rogers.
00:22:50He's governor of the Mercy Hospital for Women.
00:22:52It's just around the corner from here.
00:22:54Not exactly sociable, is he?
00:22:56Oh, he's all right.
00:22:57His bark is worse than his bite.
00:22:59He's performed the majority of post-mortems on these girls.
00:23:02It's easy to understand why he's short-tempered.
00:23:05I'll get Sir David to look at her the next time he comes in,
00:23:07but she'll be all right.
00:23:08Oh, incidentally, Anne called for you earlier.
00:23:10She's downstairs in the Orman's office.
00:23:12Oh.
00:23:15Oh, Louis.
00:23:16If you're taking those things away to clean,
00:23:18clean and hone this for me, will you?
00:23:21I'll pick it up tomorrow.
00:23:24A boiled lancing.
00:23:25Rather nasty.
00:23:26With that?
00:23:27It was the only one I had with me.
00:23:28A little like cutting a fingernail with a pair of garden shears.
00:23:34These are the patient's records.
00:23:36We keep them for a year.
00:23:37Then if they haven't even...
00:23:38Ah, Mrs. Bolton.
00:23:39There's a body coming into the morgue.
00:23:40I'm going to do a post-mortem.
00:23:41Let them know, will you?
00:23:42Yes, Sir David.
00:23:45Well, good evening.
00:23:47Who are you?
00:23:48Anne Fort, sir.
00:23:50I'm Dr. Tranky.
00:23:51Of course, you're Tranky's ward, aren't you?
00:23:53How silly of me.
00:23:54What are you doing messing about with this stuff?
00:23:56Well, Mrs. Bolton's going on holiday shortly, sir.
00:23:59And I'm taking over her duties as almoner while she's away.
00:24:02That's right.
00:24:03I'd forgotten.
00:24:04Admirable.
00:24:05Admirable.
00:24:06Evening, Santa.
00:24:07Just been talking to your ward.
00:24:08Delighted she's going to be the new almoner.
00:24:10Pretty vase is just what this place needs.
00:24:13I was going to tell you as soon as everything was arranged.
00:24:16We'll talk about that later.
00:24:17Go along.
00:24:18Sir David's here, sir.
00:24:19He wants you in the morgue.
00:24:20What on earth for?
00:24:21They're bringing in a body.
00:24:22What sort of body?
00:24:23A dead one.
00:24:24I know that.
00:24:25But why should Sir David want to see you tonight?
00:24:26It's a ripper job, sir.
00:24:27Oh.
00:24:28I see.
00:24:29Oh.
00:24:30Sir David's doing a post-mortem.
00:24:31So I understand.
00:24:32Come along, my dear.
00:24:33Here they come now, sir.
00:24:34Well, open them up.
00:24:35I want to get away before they arrive.
00:24:36Well, do you think they're very wise, sir?
00:24:37I mean, they get a little nasty when something like this happens.
00:24:38I'm perfectly capable of looking after myself, Erkut.
00:24:40I could.
00:24:41I could.
00:24:42I could.
00:24:43I could.
00:24:44I could.
00:24:45I could.
00:24:46I could.
00:24:47I could.
00:24:48I could.
00:24:49I could.
00:24:50I could.
00:24:51I could.
00:24:52I could.
00:24:53I could.
00:24:54I could.
00:24:55I could.
00:24:56I could.
00:24:57I could.
00:24:58I could, I could.
00:24:59I could.
00:25:00I could.
00:25:01Good night.
00:25:02Good night, sir.
00:25:05Good evening, Dr. Tranter.
00:25:06Good evening, Inspector.
00:25:08Who is it this time?
00:25:09Another little drab from the streets.
00:25:11Even if it was, what difference would it make?
00:25:14Our police force recruiting colonials now, Inspector?
00:25:17Uh, this is Mr. Lowry, sir.
00:25:19Sam, Dr. Tranter.
00:25:20Mr. Lowry's an American.
00:25:22I fail to see the distinction.
00:25:24We had a war way back, remember?
00:25:26A revolution, Mr. Larry, not a war.
00:25:45Now, if you'll excuse me, please.
00:25:47You're not going to try and get through that crowd, sir, are you?
00:25:49Well, of course I am.
00:25:50I wouldn't, especially with the young lady.
00:25:53Come along, Ed.
00:25:56Come along.
00:26:06Get out of the way.
00:26:08You heard what I said? Get out of the way.
00:26:17Get him out of here.
00:26:18Get out of here!
00:26:28Grab the girl, Sam.
00:26:29Get back!
00:26:45Thank you, Mr.
00:26:46Lowry. Sam Lowry.
00:26:48My name's Ann. Ann Thorne.
00:26:51Pleased to meet you.
00:26:52I'm most grateful to you, sir.
00:26:54Come along, my dear. We'll go out by the back.
00:26:56Thank you again.
00:26:59Sir David is doing it post-mortem. We'd like to be present. Is that all right?
00:27:05Of course, Inspector.
00:27:07Could you come this way, please?
00:27:09Turn in.
00:27:15Don't worry. They'll quieten down.
00:27:17Come on.
00:27:23Here he comes! Look at him!
00:27:25There's a back!
00:27:27There he is, old Etherace Prince!
00:27:29Hey, there's a back!
00:27:30He's the Ripper!
00:27:35Come on, now!
00:27:37Come on, now!
00:27:39Don't sell me!
00:27:40Don't sell me!
00:27:41Don't sell me!
00:27:42Don't sell me!
00:27:43Don't sell me!
00:27:44Don't sell me!
00:27:45Don't sell me!
00:27:46Don't sell me!
00:27:47I'm sorry, Anne, but you saw what happened here tonight.
00:27:59That sort of job's not for you.
00:28:01Don't you understand? This is the sort of work I want to do.
00:28:04It's no place for a woman.
00:28:05Mrs. Bolton's a woman.
00:28:08Mrs. Bolton's different.
00:28:10She's only different because she's not your ward.
00:28:13I'm of age now.
00:28:15I feel I have certain responsibilities.
00:28:17The emancipation of womanhood that I've heard so much about.
00:28:20So you've been bitten by this disease, too.
00:28:23Call it what you like.
00:28:24But this is the work I want to do.
00:28:28Sooner have done it with your blessing.
00:28:30I've always tried to act in the best way possible for you.
00:28:33But as you've said, you're of age and a determined young woman.
00:28:37Well, go ahead, Anne.
00:28:38Take the job.
00:28:39Do the work if it pleases you.
00:28:40But not with my blessing.
00:28:48Oh, so much for that.
00:28:50Get rid of those, are you?
00:28:52Yes, sir.
00:28:53You interested in the findings of the post-mortem, gentlemen?
00:28:55No, not unless they're different.
00:28:57They're not.
00:28:58Bruises on the neck.
00:28:59Deep-seated multiple abdominal incisions.
00:29:02And as before, inflicted by someone who knew what he was doing.
00:29:05Excuse me, sir, David.
00:29:06How do you mean, knew what he was doing?
00:29:08As the inspector told you, young man,
00:29:10these wounds are not the savage slashings of a maniac.
00:29:13They're careful, well-defined abdominal incisions
00:29:16that show a good knowledge of anatomy and surgery.
00:29:18You mean a doctor?
00:29:20Doctor, nurse, student, anyone of a number of professions.
00:29:29Where is the donde you think of and gunners?
00:29:32I think it was an orange.
00:29:33I knew the truth to clean you up and very much.
00:29:36Okay.
00:30:08All right, Louis. I'll look after her now.
00:30:30Under the circumstances, there is no verdict I can give other than murder by a person or persons unknown.
00:30:38However, before I adjourn this court, I would like to say this, and it is not my opinion alone.
00:30:47Public confidence in the police has never been as low as it is today.
00:30:51In their complete inability to apprehend the perpetrator of these ghastly crimes,
00:30:57they are showing themselves to be incompetent, inadequate and inept.
00:31:02Court is adjourned.
00:31:08Incompetent, inadequate and inept.
00:31:10All the papers are going to love this.
00:31:12Shushan, is that Shushan?
00:31:13No, Sonny, go away.
00:31:14What do you think about the coroner's report?
00:31:15What about a statement?
00:31:16A gentleman in your head when the coroner said.
00:31:18Oh, Mr. Lawry.
00:31:30Miss Ford.
00:31:31How nice.
00:31:32May I share a carriage?
00:31:33Certainly, when I get one.
00:31:36Maybe we'll stand a better chance at the street.
00:31:39All right, then.
00:31:42You've been to the inquest?
00:31:44Of course, why do you ask?
00:31:46I thought, oh, it doesn't matter.
00:31:48You thought, what is a girl like me doing,
00:31:50being interested in such things?
00:31:52You're as bad as my uncle.
00:31:54It's a social problem as well as a criminal one, you know.
00:31:57Oh, how come?
00:31:58It's a matter of class difference.
00:32:00If it happened to some old duchess in Mayfair,
00:32:04there'd be such an outcry,
00:32:05something would have to be done about it,
00:32:06and done quickly.
00:32:08Because these are poor people,
00:32:10and not particularly respectable,
00:32:12the general reaction from the...
00:32:14The right side of the tracks?
00:32:15That's it.
00:32:16The general reaction is,
00:32:18they're probably not getting much more than they deserve.
00:32:20Oh, yes, ma'am.
00:32:22You're making fun of me.
00:32:24Believe me, I'm not.
00:32:30And how are your investigations going, Mr. Lowry?
00:32:34Has the well-trained American mind
00:32:36brought new light to bear on the subject?
00:32:38Now you're making fun of me.
00:32:40Seriously, though, the most difficult thing I've found
00:32:42is getting to know the people in the place.
00:32:44London isn't just one city.
00:32:46It's a hundred.
00:32:47Each section is completely different.
00:32:49What I need is a competent guide to show me around.
00:32:51One who knows both sides of the tracks.
00:32:55And is accepted.
00:32:57You think this may help?
00:32:59Oh, indeed I do.
00:33:01You wouldn't know anyone, would you?
00:33:04Well, I suppose I could...
00:33:07I'll take you around, Mr. Lowry.
00:33:09How would that be?
00:33:10That'd be just fine.
00:33:11When can we start?
00:33:12When would you like to start?
00:33:14This evening.
00:33:16Call for me at my house at 8.
00:33:1827 Bruton Square.
00:33:19That'll be just fine.
00:33:21Are you just one to sit?
00:33:22Or are you going somewhere?
00:33:24No, I'm not going anywhere.
00:33:27How about you?
00:33:30Oh, will you ask him to take me to the hospital?
00:33:32Certainly.
00:33:33Oh, and thanks for the ride, Miss Wharton.
00:33:36Until this evening.
00:33:41Mercy Hospital for Women, Whitechapel, please.
00:33:43Mr. Lowry, I would have been extremely disappointed
00:33:46if you hadn't managed to fabricate a reason
00:33:48for wanting to see me again.
00:33:59Tell him I'll be right down, will you?
00:34:01Tell who?
00:34:02Oh, Uncle.
00:34:04I thought it was Perkins announcing my escort.
00:34:06Who's the lucky man this evening?
00:34:08That American policeman, Mr. Lowry.
00:34:10Remember we met him that awful night at the hospital?
00:34:12You're going out with him?
00:34:14Yes.
00:34:15I wish you wouldn't.
00:34:17Why on earth not?
00:34:18Well, he seems so...
00:34:20so brash.
00:34:21Uncle.
00:34:22Just because he has an accent and didn't go to Eden.
00:34:25I still wish you wouldn't go out with him.
00:34:27I'm perfectly capable of taking care of myself, you know.
00:34:30Yes, I know that, but it's...
00:34:32it's just that I don't like the idea of you going about with a policeman.
00:34:36What is it?
00:34:37There's a Mr. Lowry downstairs, Miss.
00:34:39Oh, tell him I'll be down in a moment.
00:34:41Where's he taking you?
00:34:42To work.
00:34:43To a concert.
00:34:44Chamber music.
00:34:45Very dull.
00:34:46Good night, darling.
00:34:47Good night.
00:34:48Good night.
00:34:49Good night, darling.
00:34:50Good night.
00:34:51Good night.
00:34:52Good night.
00:34:53Good night.
00:34:58Good night.
00:35:13Waiter, waiter, to the table, please.
00:35:38Ah, the stone news, sir.
00:35:40Good evening, sir.
00:35:41Good evening, madam.
00:35:42Oh, let me get you to the table.
00:35:43Oh, that's a private room.
00:35:46Oh, no, no.
00:35:47This will be just fine.
00:35:48Good, sir.
00:35:49Waiter.
00:35:50Here, sir.
00:35:50Champagne.
00:35:52On the house.
00:35:55Oh, and that's to which side of the tracks you're showing me this evening.
00:36:13Oh, and there.
00:36:15One in one.
00:36:23Oh, you're right.
00:36:24I'm trying to assess you're standing in your position already.
00:36:27Yeah.
00:36:29Oh, you're right.
00:36:29Waiter, sir.
00:36:30Oh, you're right.
00:36:30We've just had one in our place.
00:36:32To chamber music.
00:36:51To chamber music.
00:36:53Hey, what the...
00:36:54What is chamber music, anyway?
00:36:56That's to be our next conducted tour.
00:37:02Are you looking for someone?
00:37:06Yeah, the new girl.
00:37:07What new girl?
00:37:09The one in the inn.
00:37:14O'Neill warned the manager he intends to take a paternal interest in her future welfare.
00:37:19Glad somebody does.
00:37:21Now, what are you looking at?
00:37:23It seems we're not the only ones to have crossed the tracks this evening.
00:37:27Evening, my lord.
00:37:28Everything ready?
00:37:29Of course, my lord.
00:37:30Your usual room, the champagne's iced.
00:37:32Careful at all.
00:37:33This way, my lord.
00:37:53Wait a minute.
00:37:55Who's that?
00:37:55That one at the end, sir.
00:37:56She's already been here a week, my lord.
00:38:03Some of us are better.
00:38:05Send her up with Margaret as soon as you can.
00:38:07There's a good cover.
00:38:07Hey, you two.
00:38:29Hey, you two.
00:38:38Upstairs, in ten minutes.
00:38:40All right, who is it?
00:38:41Sobwick. He's got a friend with him.
00:38:42Show her what to do.
00:38:44Well, not her.
00:38:45Why not?
00:38:45She's only been here a week.
00:38:47Well, it's time she started only her living.
00:38:49You don't mind having a drink with a couple of special customers, do you, my dear?
00:38:53I don't think so.
00:38:54No, of course not.
00:38:57Ten minutes.
00:38:58Come on, love.
00:38:59Here, come on, go along.
00:39:04Come on, love.
00:39:10Come on, love.
00:39:15Sing to me only with thy life, and I will prevail to his try.
00:39:28Oh, my God, I will be in the club,
00:39:35and I will not go away.
00:39:40Yes, sir.
00:39:43Oh, my God, I will be in the club,
00:39:48and I will not go away.
00:39:54You shan't be long now, old boy.
00:39:58Just give them time to change into something appropriate.
00:40:08Got any gin, love? Why?
00:40:10To paint my toenails with, what do you think?
00:40:13Yes, I have. Well, I'm going to keep it.
00:40:15Do you know what it cost me?
00:40:16I have a very good idea, darling.
00:40:19What have you got over there?
00:40:20Methylated spirits.
00:40:21Oh, you are a mean lot of cows this evening.
00:40:23Why don't you buy some of your own?
00:40:26Watch out, Maggie, she's after your booze.
00:40:29Am I all right?
00:40:30Don't worry yourself, dear, you look lovely.
00:40:32Do mine, dearie.
00:40:33There we are.
00:40:34Mine, mine, don't we look lovely.
00:40:36Now, if they make a joke laugh, even if you don't understand it,
00:40:39keep smiling like you're having a wonderful time.
00:40:42I can't imagine why a lord should want to meet me.
00:40:44I won't know what to say.
00:40:46You don't have to say anything, dearie.
00:40:48Just watch Maggie, she'll show you what to do.
00:40:50Play your cards right and you might end up a duchess.
00:40:53Why don't you button your mouth?
00:40:54Oh, listen to the lady.
00:40:56Don't take any notes on her.
00:40:57Since when have you become so high and mighty?
00:40:59Since his lordship gave up sluts like you.
00:41:01Why, you coward!
00:41:02Very nice.
00:41:15Very nice indeed.
00:41:17Now, Jackie's with you.
00:41:19Room four.
00:41:21Have you been at the bottle again?
00:41:23Oh, go to hell.
00:41:25Come on, you lot, you're all on in five minutes.
00:41:27Go away, we know.
00:41:31Freddie, we want some extra ammunition.
00:41:33Maggie, you're looking jaunty.
00:41:37I'm Margaret and this is Hazel, she's new.
00:41:39Fascinating.
00:41:40Come over here, dear.
00:41:42Come on, love, he's not going to bite you.
00:41:44I wouldn't bank on that, dear.
00:41:46Go on, dear, do like the gentleman's.
00:41:48Sit down.
00:41:50A glass of champagne?
00:41:54No, thank you, sir.
00:41:56I don't drink.
00:41:57She is new.
00:41:58Of course she drinks.
00:42:00If the young lady doesn't want to drink, she doesn't have to.
00:42:03I like a gal that knows her own mind.
00:42:06Thank you, sir.
00:42:07You don't have to call me sir, my dear.
00:42:09Tom's the name.
00:42:11But I don't know you.
00:42:13Oh, she's a coward, this one.
00:42:14Always joking.
00:42:15Call him Tom like he says.
00:42:17All right.
00:42:19Tom.
00:42:20Are you quite sure you won't have one, my dear?
00:42:23Yeah?
00:42:25All right, then.
00:42:26Perhaps just this once.
00:42:28Oh, are you sure, my dear?
00:42:31I don't want you to do anything that you don't want to do.
00:42:36Well, I'd like to.
00:42:38We'll take ours in the other room.
00:42:40Have fun, children.
00:42:46Where have they gone?
00:42:48They thought we'd like to be alone.
00:42:50What for?
00:42:51I thought we were having a party.
00:42:53We are.
00:42:54A private, intimate party.
00:42:56Just you and I.
00:42:57Oh, well, I don't think I...
00:42:58Now, come on.
00:42:59Finish up your bubbly.
00:43:00Why?
00:43:01Won't do you any harm.
00:43:02You like it, don't you?
00:43:04Drink it up, lass.
00:43:06Right to the bottom.
00:43:07Come on, now.
00:43:08That's it.
00:43:09Barely wasn't so bad, was it?
00:43:12You like me, don't you?
00:43:15You seem very kind.
00:43:17Seeing as how you like me.
00:43:20What about giving me a little kiss?
00:43:22I should have not have slain.
00:43:23Just one little...
00:43:24Oh, champagne, poor champagne.
00:43:28Oh, Freddie.
00:43:30Oh, God, not here, Freddie.
00:43:32Come on.
00:43:33Oh, all right.
00:43:34I think I'd better be gone.
00:43:35Oh, signora.
00:43:36Come here.
00:43:37I must go.
00:43:38What about the kiss you're going to give me?
00:43:39Leave me alone.
00:43:40Leave me alone.
00:43:41Leave me alone.
00:43:42I'd like you to go with a bit of spirit.
00:43:43Look what you've done.
00:43:44You've ruined my dress.
00:43:45Take it off, then.
00:43:46You little-
00:43:50What are you doing here?
00:43:51That man...
00:43:52He told my dress.
00:43:53I told my dress.
00:43:54That man...
00:43:55...he told my dress.
00:43:56It's not a kiss you're going to give me.
00:43:57I'm going to give you a kiss you're going to give me.
00:43:58Leave me alone.
00:43:59Let me go.
00:44:00I'd like you to go with a bit of spirit.
00:44:02Look what you've done.
00:44:03You've ruined my dress.
00:44:04Take it off, then.
00:44:05You little...
00:44:12What are you doing here?
00:44:14That man...
00:44:15He tore my dress.
00:44:16Oh, don't be so stupid, girl.
00:44:19What do you think you went up there for?
00:44:23Hey, come back, you little fool.
00:44:26Well, don't just stand there.
00:44:27Go after her.
00:44:28We don't want no trouble with the police.
00:44:34Police?
00:44:35Come back.
00:44:39What's your hurry?
00:44:41Is he after you?
00:44:43Hide here.
00:44:44Please?
00:44:46Not bad.
00:45:10Thank you so much.
00:45:11Are you married, Clark?
00:45:14Are you married, Clark?
00:45:16Oh, you're married.
00:45:17Hey!
00:45:24Come on!
00:45:25I'm living in the family here.
00:45:27I'm living in the family.
00:45:28I'm living in a happy life.
00:45:29I'm living in the family.
00:45:30I'm living in a happy life.
00:45:32That's right.
00:45:33You never have been in a happy life.
00:45:35Howl!
00:46:05Enough education for one evening?
00:46:11Fine.
00:46:16The river!
00:46:17He's done it again!
00:46:19The river's done it again!
00:46:24Come on, help!
00:46:27Help!
00:46:27The river's done it again!
00:46:35Lowry!
00:46:37I trust you have an explanation for bringing my ward to an establishment like this?
00:46:40I brought him.
00:46:41I find that hard to believe.
00:46:42However, luckily I happen to see you.
00:46:45Come along, my dear, I'll take you home.
00:46:47You'd better go.
00:46:48Well, if you say so.
00:46:49I assume you're off to join the morbid and the sensation seekers at the scene of the crime.
00:46:54I've had a most pleasant evening. Thank you very much. Good night.
00:46:56Good night.
00:46:57Sir?
00:46:58I don't approve of Mr. Lowry any more than I approve of places like this.
00:47:01Well, why are you here?
00:47:02Since you must know, I didn't believe your story of a concert, and I followed you.
00:47:05Now, shall we go home?
00:47:26Anyone sent for a doctor?
00:47:28Undertaker, more likely.
00:47:29A wagon's been sent for, sir.
00:47:31Inspector O'Neil?
00:47:32Yeah, he's been sent for, too, sir.
00:47:33Why don't O'Neil here? Then it might never have happened.
00:47:35He's never here when he's wanted.
00:47:36Stay safe no more.
00:47:37Come on, why don't you go home?
00:47:38Yeah, get rid of them all.
00:47:39Hey, Tim!
00:47:40He's the ripper!
00:47:40Hold that ripper!
00:47:41Look at them now!
00:47:42That's what he did it with!
00:47:43You done it, didn't you?
00:47:44You're the ripper, aren't you?
00:47:45He's dumb!
00:47:46He can't talk!
00:47:47Or won't!
00:47:48Let's get him!
00:47:49Let's get him!
00:47:49Let's get him!
00:47:50Oh, my God!
00:47:51It's the ripper!
00:47:52I've got a man!
00:47:53Come on!
00:47:54You're the ripper!
00:47:54Oh, my God!
00:47:55You're the ripper!
00:47:55I'm not the ripper!
00:47:56I'm not the ripper!
00:47:57I'm not the ripper!
00:47:57Look at them now!
00:47:59That's what he did it with!
00:47:59You done it, didn't you?
00:48:00You're the ripper, aren't you?
00:48:01It's dumb!
00:48:02He can't talk!
00:48:03Or won't!
00:48:04Let's get him!
00:48:05He can't talk or won't let's get him
00:48:35Oh
00:49:05Grab him
00:49:35Now, let's see how you like it
00:49:47It'll be our head next time, now get out of here before I forget I'm a policeman
00:49:51Move! Go on, hold all of you
00:49:55Come on, then
00:49:59I went to see the Home Secretary personally
00:50:02He was delighted
00:50:04There'll be a promotion in this for you, O'Neil
00:50:06I'm not making any promises, though
00:50:08But there's every chance
00:50:10What do you think of that, eh?
00:50:12Very gratifying, sir
00:50:13I thought you'd feel that way
00:50:15Now, I think we'll keep the fiend here tonight
00:50:18And to organize well, of course, the crowd will probably try to rob us of our prey
00:50:22And then tomorrow morning we'll move him
00:50:24Can't move him, sir
00:50:26Can't
00:50:27Why not?
00:50:28He hasn't been charged with anything
00:50:32You're joking, you're wrong
00:50:33I put Benz into protective custody, sir, nothing more
00:50:36Well, go down to his cell and charge him right away
00:50:40With what?
00:50:41Murder, multiple murder
00:50:43He is Jack the Ripper
00:50:45Is he?
00:50:46What do you mean, is he?
00:50:47Of course he is!
00:50:48You locked him up, didn't you?
00:50:49Protective custody, I said, sir
00:50:50I'm sorry, sir
00:50:51I can hardly see someone breaking the door down
00:50:54Here, turn it up
00:50:55Get rid of him, Sergeant
00:50:56Well, they want a statement, sir
00:50:58Do as I say!
00:50:59This instant!
00:51:00Come on, get him
00:51:01What's going to happen to him?
00:51:03Has he been charged?
00:51:04What does Inspector O'Neil think his chances are?
00:51:06He's letting O'Neil make a statement
00:51:07Gentlemen, please
00:51:08You've all had the official statement
00:51:09I'm afraid I can't add to it
00:51:10Louis Benz, an employee at the Mercy Hospital for Women has been taken into custody
00:51:14Now, what sort of a statement is that?
00:51:15That's right
00:51:16The official sort, that's all you're going to get
00:51:18Where's O'Neil?
00:51:19Aren't you Sir David Rogers?
00:51:20Benz works at your hospital
00:51:21What do you think about this affair?
00:51:22Do you think Benz is Sir Ripper?
00:51:23Is O'Neil in here?
00:51:24Yes sir, but you can't go in there
00:51:25Ah
00:51:26O'Neil, what's this idea about Louis Benz being locked up?
00:51:29That's right, sir
00:51:30What do you mean that's right?
00:51:31Release him immediately
00:51:32What may I ask?
00:51:33Who are you?
00:51:34This is the Sister Commissioner Hodges of Scotland Yard, Sir David
00:51:37Ah, good
00:51:38Then perhaps you can talk some sense to this mutton-headed policeman
00:51:41Tell him to release Benz at once
00:51:42I shall do no such thing
00:51:44Who do you think you are barging in here like this, giving me instructions?
00:51:47Never mind who I am
00:51:48Do as I tell you
00:51:50You realise, of course, that this Benz is Jack the Ripper
00:51:53Jack the Ripper
00:51:54Balderdash
00:51:55Whose idea is that?
00:51:57Yours, O'Neil?
00:51:58Er, no sir
00:51:59Yours then, I suppose
00:52:01Really, Mr. Assistant Commissioner, I think the Metropolitan Police Force is starved by a bunch of half-wits
00:52:06And not so half-witted as those at the top
00:52:08What put that damn fool idea to your head, anyway?
00:52:10Benz was carrying a bag full of surgical instruments
00:52:13Oh, was he now?
00:52:14Well, of course, that makes a difference
00:52:17What do you suppose these are?
00:52:19Toothpicks?
00:52:21Go on, arrest me
00:52:22While you're at it, try locking up the rest of my staff, can't to, er, all of us
00:52:26There's not one Jack the Ripper, there's half a dozen of us
00:52:28We take it in turns
00:52:29Louis Benz is in protective custody
00:52:33He hasn't yet been charged
00:52:35I... we thought it was the only safe place for him
00:52:39Then why didn't you say so in the first place?
00:52:41I'm still not saying he isn't the Ripper
00:52:43Then you're still being asinine
00:52:45And I'm going to see the Home Secretary and tell him so
00:52:47Good night, sir
00:52:53Shall I go downstairs now, sir, and charge Benz?
00:52:56No, no, O'Neill
00:52:59We'll leave it for a while
00:53:01Well, if you'll pardon me, sir, I have work to do
00:53:03What's that?
00:53:05I'm going to try and find Jack the Ripper
00:53:10Come on, sir
00:53:12My life, Mr. O'Neill
00:53:14How was I to hear the poor little thing would go and get herself carved up by the Ripper?
00:53:17You can't blame me for that, can you?
00:53:19What was it that sent her running out into the night on her own?
00:53:22I can't blame you for that either, I suppose
00:53:24Well, I...
00:53:25Well?
00:53:26I've got to make a living, Mr. O'Neill
00:53:28The legitimate side of the business don't pay nothing
00:53:31People come in here, they buy half a beer and they sit all the evening
00:53:34I've got to make a living
00:53:36The suit, now mind the suit, Mr. O'Neill
00:53:39Listen you
00:53:40It so happens that I've got something else that's taking up all of my time
00:53:43But as soon as I clear it up, you better start looking for a new way of making a living
00:53:47Because I'm going to close this place up so tight it won't see daylight for twenty years
00:53:55Flaming busybody
00:53:57I hope the Ripper carves him up
00:53:59I'll climb along here, sir
00:54:01And just there was where I saw the courting couple
00:54:03And then I went on, see
00:54:04Pretty couple on this doorway
00:54:05Yes, that's right, sir
00:54:06And then I went on and then...
00:54:07That's where you discover the body
00:54:08Oh no, sir
00:54:09No, it...
00:54:10Here, wait a minute
00:54:12You're right, Mr. O'Neill
00:54:13You're dead right
00:54:15So he wasn't courting after all
00:54:17The Ripper, Harry
00:54:18You saw the Ripper
00:54:19Oh, good
00:54:20Harry, what did this man look like?
00:54:22Well, I don't know, sir
00:54:23I didn't really look at him, actually
00:54:25Here, wait a minute
00:54:26If he was a Ripper, I heard him talk
00:54:28Talk?
00:54:29What was he saying?
00:54:30Well, I just passed by, still looking for the young lady
00:54:32And I heard him say, is your name... is your name Sunday or other?
00:54:36Well, what Harry is your name what?
00:54:38Mary
00:54:40Mary it was
00:54:41Mary something
00:54:42Think, ma'am, think
00:54:43Oh, I am thinking, sir
00:54:45Mary
00:54:46Mary
00:54:47Mary
00:54:48Mary Clark
00:54:49That was it
00:54:50Is your name, Mary Clark
00:54:53Mary Clark
00:54:54Did you ring any bells, no?
00:54:56Not right, oh
00:54:57All right, Harry, you can go now
00:54:58Not a word of this to anyone, do you understand?
00:55:00Yes, sir
00:55:01I say, sir
00:55:02I say, sir
00:55:03That's so you don't forget, huh?
00:55:04Oh, thanks, Mr. Larry
00:55:05Good night
00:55:06Good night, sir
00:55:07Mary Clark
00:55:09I wonder who she is
00:55:10Whoever she is, the Ripper's looking for her, but he hasn't found her yet
00:55:13That doesn't explain why these other young girls have been butchered
00:55:16Why? They could identify them, couldn't they?
00:55:18Yeah
00:55:19Let's hope for her sake we find her first
00:55:22Kitty, you're not well enough yet
00:55:27Ann, you speak to her
00:55:29Won't do any good
00:55:31Just a few more days
00:55:33Until you're really strong
00:55:34No, thank you, Miss Allsane
00:55:36I want to go home
00:55:38All right, Kitty
00:55:44But I want you to promise me something
00:55:47What?
00:55:48That you'll let me come and visit you
00:55:50Morning
00:55:52Morning, sir
00:55:55I bet you'll have to get someone else to assist in the theatre
00:55:58Those idiots have still got vents locked up
00:56:00Yes, sir
00:56:01Hello, dear
00:56:02You one of mine?
00:56:03No, Dr. Tranter's case, sir
00:56:04He's asking her to be discharged
00:56:05And I told her I do not consider her fit enough
00:56:08Oh, what does Dr. Tranter say?
00:56:10He says we can't hold her against her will
00:56:12I bet he's right
00:56:13If she insists on leaving, we can't stop her
00:56:15But I must say, I think you're being very foolish, young lady
00:56:18The doctor here knows what's best for you
00:56:20I still want to go home, sir
00:56:22All right, Urquhart
00:56:23Sign the discharge
00:56:24Yes, sir
00:56:25Don't forget about the theatre assistant, will you?
00:56:26No, no, sir
00:56:43I think this is him
00:56:45Your name's Clark, isn't it?
00:56:48Yes
00:56:49Yes
00:56:50I'm Inspector O'Neil
00:56:51Good luck
00:56:53God help me, governor
00:56:54I wasn't there
00:56:55This fellow said to me that I want to make myself a couple of quid
00:56:58And I said no, not if it ain't honest
00:57:00Anyway, I wasn't there
00:57:01Records show that you have a daughter, Mary
00:57:03Mary Clark
00:57:04Even if I had been there, I wouldn't
00:57:06What, Mary?
00:57:08What's my poor little baby daughter got to do with all this?
00:57:11You do have a daughter, Mary
00:57:12Yeah, and a sweeter kind of girl never lives
00:57:15She depends on me, you know
00:57:16I'm her only means of support
00:57:18If you locks me up, she'll starve to death
00:57:20We're not going to lock you up, Clark
00:57:21We just want to find out about your daughter
00:57:24Honest?
00:57:25That's all
00:57:26It's not about the Houston road job, then
00:57:28The one where I wasn't there
00:57:29No, we just want to find your daughter
00:57:30Oh, I can't help you, I'm afraid
00:57:33What's that supposed to mean?
00:57:34I ain't seen the little slut for ten years
00:57:36You just said that
00:57:37Oh, that's flannel, gov
00:57:38Just flannel
00:57:39There's no idea where she is, son
00:57:40No, I forgot I had a daughter
00:57:41To tell that other fella come looking for her
00:57:43What other fella?
00:57:44I don't know who he was
00:57:45About four months ago
00:57:46Posh fella he was, top
00:57:48What do you look like?
00:57:49I didn't see him properly
00:57:50Because it was dark
00:57:51But he was a posh fella
00:57:53He, uh
00:57:54He was carrying a little black bag
00:57:56Black bag
00:58:26Well, so much for that fool idea of Louis Bentz being the river
00:58:52I've already released him
00:58:54About time, too
00:58:55Take that, Urquhart
00:58:57The whole idea was a lot of nonsense, anyway
00:59:02Go on, take it
00:59:03No name?
00:59:04Yeah
00:59:07Here we are
00:59:09Grace Merchant
00:59:25Hello Kitty
00:59:26Hello Miss
00:59:27May I come in?
00:59:29You want to?
00:59:30Of course I want to
00:59:32You said I could come and visit you
00:59:34What did you come round for?
00:59:36See how you are?
00:59:38Oh, I'm all right thank you
00:59:39Do you need anything?
00:59:40No thank you
00:59:41Lovely
00:59:42Do you need anything?
00:59:43No thank you
00:59:45Lovely flowers
00:59:49Is this your young man?
00:59:51Leave it alone
00:59:52I'm sorry
00:59:53I'm sorry
00:59:54I...
00:59:55I didn't mean to upset you
00:59:57Shouldn't have behaved like that
00:59:58It was very rude of me
00:59:59I'm sorry
01:00:00It's all right
01:00:04He was my young man
01:00:06We were going to be married
01:00:10He found out about
01:00:12Well, my life before I met him
01:00:14The man I've been with
01:00:16Don't think he would understand
01:00:17What is life for a girl like me?
01:00:19Not much good
01:00:21Never was
01:00:24Then I met him
01:00:26He was very kind
01:00:29He said he loved me
01:00:33I wanted to tell him all about myself
01:00:35And what I was
01:00:37But somehow each time I was going to
01:00:39I put it off
01:00:41Then as I said
01:00:43He found out
01:00:44And the next day they found his body in the river
01:00:50Oh, Kitty
01:00:52Oh, how dreadful
01:00:54I'm so sorry
01:00:55Oh, it's all over now
01:00:59I'm sorry, can I get you something?
01:01:00A cup of tea
01:01:01Will you stay there?
01:01:02I'll get you
01:01:14Oh, it's all over now
01:01:15Kitty, when was the last time you had something to eat?
01:01:31Yesterday evening
01:01:33But I'll be all right
01:01:34I'm going out later to see a woman I know about at job
01:01:35Yes, but you won't get paid for at least a week
01:01:38In the meantime, you've got to eat
01:01:40Look, I'll put you down on the parish register
01:01:42That way you can get food from the hospital
01:01:44I don't want any charity
01:01:45Now, don't be so silly
01:01:46You've been ill
01:01:47If you don't eat, you'll find yourself back in hospital
01:01:50It's cheaper for us to keep you out
01:01:52Oh, have you got a birth certificate?
01:01:54Yes, what do you want it for?
01:01:55What do you want it for?
01:01:56Well, I have to have it for the parish register
01:01:58Oh
01:02:01Fine
01:02:04I'll call around later this evening
01:02:05Bring you a hand cup
01:02:07Oh, I don't want you to go to any trouble, Miss
01:02:09Oh, it's no trouble
01:02:13Good
01:02:17Thank you, Miss
01:02:18You're very kind
01:02:20See you later this evening
01:02:25Everyone
01:02:30Come on
01:02:32Come on
01:02:35Come on
01:02:37Come on
01:02:39Now
01:02:46We're all right
01:02:47THE END
01:03:17THE END
01:03:47THE END
01:04:17THE END
01:04:47THE END
01:05:17THE END
01:05:19THE END
01:05:21I THOUGHT IT WAS YOU
01:05:22I'VE BEEN FOLLOWING YOU
01:05:23YOU SHOULDN'T TRY TO HIDE
01:05:24NOW THEN
01:05:25WHAT'S GOING ON HERE
01:05:26HOW DID YOU TWO GET IN
01:05:27THE GATE WAS OPEN
01:05:28OR WAS IT NOW
01:05:30WE'LL HAVE TO SEE ABOUT THAT
01:05:32AND I'LL ASK YOU BOTH TO LEAVE
01:05:34OF COURSE
01:05:35WE'LL LEAVE AT ONCE
01:05:36ANN
01:05:48WHAT'S THE MATTER
01:05:50WHAT'S THE MATTER
01:05:52I SAW YOU COME FROM KIDDY
01:05:53KNOWLE'S PLACE
01:05:54AND I TRIED TO CATCH UP WITH YOU
01:05:55BUT YOU WERE GOING SO FAST
01:05:57I WAS FRIGHTENED
01:05:59FRIGHTENED?
01:06:00WHAT ON EARTH
01:06:02OH NO
01:06:04WAIT A MINUTE
01:06:06YOU DIDN'T THINK THAT I
01:06:08THAT I WAS
01:06:10OH ANN
01:06:12OH COME ON
01:06:14I WALKED BACK TO THE HOSPITAL
01:06:16WITH YOU
01:06:18GIVE ME THE CLIPS
01:06:22AND PUT THAT ONE THERE
01:06:24NOT THERE
01:06:25IDIOT THERE
01:06:26BUT HOLD IT
01:06:34IT'S NO GOOD BARNES
01:06:36LEAVE HER ALONE
01:06:38LET HER DIE IN PEACE
01:06:40JUST LOOKING IN
01:06:42TO SEE IF EVERYTHING'S ALL RIGHT
01:06:44WHAT'S THE MATTER LOUIE?
01:06:47WHAT'S THAT?
01:06:49LET ME HAVE A LOOK
01:06:51VERY GOOD SIR
01:06:52SHE'S GOING TO DIE
01:06:56NONSENSE
01:06:57NO ONE DIES WHILE THEIR HEART'S
01:06:58STILL BEATING
01:06:59WE MUST HURRY
01:07:00GET THAT CLIP OUT
01:07:01IT'S STRANGLING THE BLOODWESTLE
01:07:02LOUIE I WANT SWAB, CLIPS,
01:07:03STERILIZING TAN
01:07:04QUICKLY
01:07:21HELLO DEAR
01:07:33WHAT'S THE MATTER?
01:07:34I FEEL A BIT TIRED, I'M GOING HOME
01:07:35ARE YOU READY?
01:07:37I HAVE SOME WORK TO DO FIRST
01:07:38ANYWAY, MR. LOWRY'S CALLING FOR ME LATER
01:07:39KITTY KNOWS
01:07:40KITTY KNOWS, ISN'T THAT THE GIRL I OPERATED ON?
01:07:41YES
01:07:44MARY CLARK
01:07:45IS ON HER BIRTH CERTIFICATE
01:07:47WELL, IF YOU'RE NOT COMING HOME
01:07:48I'LL GET ALONG
01:07:49WELL, SHE'LL BE ALL RIGHT
01:07:50HEY, TRENDO?
01:07:51YES
01:07:52YES
01:07:53MARY CLARK
01:07:54IS ON HER BIRTH CERTIFICATE
01:07:55WELL, IF YOU'RE NOT COMING HOME
01:07:56I'LL GET ALONG
01:07:57WELL, SHE'LL BE ALL RIGHT
01:07:58HEY, TRENDO?
01:07:59YES, SIR, I THINK SHE WILL
01:08:00OF COURSE SHE WILL
01:08:01SO, DAVID
01:08:02WHAT IS IT?
01:08:03I'D LIKE YOU TO ACCEPT MY RESIGNATION
01:08:06UNCLE
01:08:07RESIGNATION?
01:08:08WHAT ARE YOU TALKING ABOUT?
01:08:09WELL, YOU SAW WHAT HAPPENED HERE
01:08:11IF YOU HADN'T ARRIVED WHEN YOU DID
01:08:12THAT GIRL WOULD HAVE DIED
01:08:14EVEN LOUIE BENZ KNEW WHEN I WAS MAKING A MISTAKE
01:08:23GOOD HEAVENS, MAN, THAT'S NO REASON TO RESIGN
01:08:25I THINK IT IS
01:08:26I FEEL I'VE COME TO THE END OF MY WORK HERE
01:08:29NONSENSE
01:08:30YOU'VE BEEN OVERWORKING, THAT'S ALL
01:08:32YOU'LL NEED A REST
01:08:34LOOK, WHY NOT TAKE A COUPLE OF WEEKS OFF
01:08:36THEN IF YOU STILL WANT TO RESIGN
01:08:38WE CAN TALK ABOUT IT AGAIN
01:08:39VERY WELL, SIR
01:08:41I'LL WALK TO THE GATES WITH YOU
01:08:43AND TRANTER
01:08:46YOU'LL NEVER COME TO THE END OF YOUR WORK HERE
01:08:48REMEMBER THAT
01:08:49THANK YOU, SIR
01:08:50GOOD NIGHT
01:08:51GOOD NIGHT
01:08:52EXCUSE ME
01:09:03BUT UNCLE
01:09:04BECAUSE OF ONE SMALL ERROR
01:09:07I'VE TOLD YOU WHY
01:09:08I FEEL I'VE ACCOMPLISHED EVERYTHING
01:09:10THAT I SET OUT TO DO IN THIS PART OF LONDON
01:09:12THERE'S NO MORE FOR ME
01:09:14SER DAVID'S SUGGESTION WAS RIGHT
01:09:16TAKE TWO WEEKS REST
01:09:18GOOD NIGHT, MY DEAR
01:09:20AND DON'T BE TOO LATE HOME
01:09:22I'LL BE ALL RIGHT
01:09:23I'LL BE ALL RIGHT
01:09:53I'LL BE ALL RIGHT
01:09:54GOOD NIGHT
01:10:03I'LL BE AWAY
01:10:05I DON'T KNOW
01:10:37Kitty Knoll. She said, would you wait, sir?
01:10:39Thanks.
01:11:37Kitty?
01:11:43Kitty?
01:11:46Kitty?
01:12:07Annap tratar.
01:12:08Mary Clark.
01:12:09Yes?
01:12:10Why you are sort.
01:12:11You're that you?
01:12:13Who I am.
01:12:14You knew my son rather well.
01:12:16Oh, you're Paul's father.
01:12:18I was.
01:12:21What do you want?
01:12:22I was.
01:12:24What do you want?
01:12:26I want my son.
01:12:28But he's dead, isn't he?
01:12:30You killed him.
01:12:32I killed him?
01:12:34Surely as if you'd plunge a knife into his heart.
01:12:36He was going to be a surgeon, you know.
01:12:40A brilliant surgeon.
01:12:42A genius.
01:12:44But you turned his mind.
01:12:46You drove my boy to suicide.
01:12:48No, I loved him.
01:12:50How dare you speak of love?
01:12:52You defile the word.
01:12:54Like some foul, malignant virus,
01:12:56you and your kind contaminate the gutters you inhabit.
01:12:58The very air you breathe, nobody's safe.
01:13:02I've been sweeping the streets looking for you, Mary Clark.
01:13:06Scouring the pavements,
01:13:08so young men may be safe.
01:13:10Young men, lifeline.
01:13:12Paul.
01:13:14Paul.
01:13:16You're ill.
01:13:18Yeah, the same you are.
01:13:24The virus.
01:13:26I must kill the virus.
01:13:28I must kill it before it's too late.
01:13:30Destroy it.
01:13:32Now, Mary Clark.
01:13:34Oh, no!
01:13:36No!
01:13:37No!
01:13:38No!
01:13:39You, you, you!
01:13:40Keith!
01:13:42No!
01:13:43No, no!
01:13:44No!
01:13:45No!
01:13:47No!
01:13:48No!
01:13:49Ah!
01:13:50No!
01:14:03No! No!
01:14:07No! No!
01:14:33No!
01:15:03No!
01:15:06No!
01:15:17No!
01:15:20No!
01:15:22No!
01:15:28No!
01:15:30I'm here!
01:15:31Did you see him? See who it was!
01:15:33Don't look!
01:15:50All right, all right, all right, all right!
01:15:52What's all this noise about?
01:15:55Come on, you idiot! Open up!
01:15:56I'm sorry, David!
01:15:59What's happened?
01:16:00You're all covered in blood!
01:16:03Are you all right?
01:16:07Are you all right?
01:16:11No!
01:16:13No!
01:16:14No!
01:16:15No!
01:16:17No!
01:16:21No!
01:16:22No!
01:16:24No!
01:16:29No!
01:16:32No!
01:16:33We'll be here in a minute.
01:16:51Do you know what to do?
01:16:52Yes, I think so.
01:17:03Good evening, Sir David.
01:17:29What do you want?
01:17:31Working late, aren't you?
01:17:33Obviously.
01:17:34What are you doing here?
01:17:36I have reason to believe the Ripper is somewhere in this hospital.
01:17:40Nonsense.
01:17:41The reporter has just been attacked.
01:17:43Why should that lead you to believe the Ripper's in the building?
01:17:46I was under the impression he confined his attacks to women.
01:17:49Well, there has been another killing.
01:17:51Only this time he was forced to leave in a hurry.
01:17:56He left this behind.
01:17:58Well, just like my back.
01:18:01Eh, Mr. Lowry?
01:18:03Now, if you don't mind, I've work to do.
01:18:05Good evening, Sir David.
01:18:07Look here, Inspector, this is a mortuary, not a public art gallery.
01:18:11I'm sorry, sir, but I came to see you about the porter.
01:18:13Mr. Lowry's already informed me.
01:18:15The porter was murdered by some ruffian.
01:18:17I didn't say he'd been murdered, Sir David.
01:18:19I said he'd been attacked.
01:18:21Well, you... you implied it then.
01:18:25He's been taken to the operating theatre.
01:18:28Dr. Ecker thinks he can be saved.
01:18:30He'd like you to operate.
01:18:32Well, that's... that's quite impossible.
01:18:35Look, can't you see? I'm busy.
01:18:37I've got to finish this post-bortem.
01:18:39I think you'd better come to the theatre, sir.
01:18:42Are you telling me what to do, Inspector?
01:18:44Yes, sir, I am.
01:18:46This is impertinence, gross impertinence.
01:18:49Possibly, but we want to save this man's life.
01:18:52You're a doctor, surely that's your wish too?
01:18:58Very well.
01:19:00I'll see what I can do.
01:19:02Thank you, sir.
01:19:16To be fair.
01:19:31Why don't you walk here?
01:19:32To be fair!
01:19:34That'sbad!
01:19:35Gold noch...
01:19:38Mr. David, please.
01:20:03This hospital is becoming like Piccadilly Circus.
01:20:10If I see this man, I must see him alone.
01:20:14Is that clear?
01:20:15Perfectly clear, Sir David.
01:20:17How is he, Dr. Rickert?
01:20:30He's regaining consciousness slowly.
01:20:32It's all right, Hodges.
01:20:34Sir David's here to look after you now.
01:21:02Quick, ground floor.
01:21:09On the back.
01:21:10Quick, ground floor.
01:21:17On the back.
01:21:18On the back.
01:21:19On the back.
01:21:20On the back.
01:21:23On the back.
01:21:28On the back.
01:21:31THE END
01:22:01Why, we didn't take him to the morgue in the first place, speaks to me.
01:22:10Well, old friend, even I can see he was dead.
01:22:31Let's go!
01:22:36Let's go!
01:22:38Let's go!
01:22:40Let's go!
01:22:42Let's go!
01:22:50Let's go!
01:22:51Let's go!
01:22:53Let's go!
01:22:55Let's go!
01:22:57Let's go! Let's go!
01:22:59Let's go!
01:23:03Let's go!
01:23:27Let's go!
01:23:39But you don't know. Not for sure.
01:23:43We know, but we can't prove it.
01:23:45We'll never be able to prove it.
01:23:47The most infamous murderer since Bluebeard
01:23:49and the files will always be marked unsolved.
01:23:53Well, good night.
01:23:55All right.
01:23:57Night, you two.
01:24:25The End
01:24:27The End
01:24:29The End
01:24:31The End
01:24:33The End
01:24:35The End
01:24:37The End
01:24:39The End
01:24:41The End
01:24:43The End
01:24:45The End
01:24:47The End
01:24:49The End
01:24:51The End
01:24:53The End
01:24:55The End
Recommended
0:11
|
Up next
1:29:43
1:32:39
48:05
5:05
3:03
3:53
1:12
2:08
2:10
0:57
1:54
1:38:45
1:22:36
1:12:02