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00:00:00You
00:00:30Oh, William Blake, and your wife Catherine, who I don't really know, I'm mostly addressing
00:00:43this to you, but as I've told you weeks ago, I am about to go on tour with the mighty Boosh.
00:00:51It is a very special tour, with many fans and many adoring people, please give me the strength
00:01:03like you gave Jim Morrison to find the doors of perception and reach further than I've
00:01:11ever reached before, to be able to squash my enemies, to be more talented than Julian and
00:01:18Noel, than Dave, or Mike, to be able to strive and go further, and destroy like I've never
00:01:29destroyed before, oh William Blake, please help me to do this, and I will do anything, anything.
00:01:48Oh, William Blake, please help me to do this, and I will do anything, anything.
00:01:59Oh, William Blake, please help me to do this, and I will do anything, anything.
00:02:10Oh, William Blake, please help me to do anything, anything.
00:03:32Just keep doing the changing into the front and see if we have enough time.
00:03:38Okay, then Noel and Julie come out front.
00:03:42Guys, for a little extra.
00:03:45Noel, okay, this is me.
00:03:47Now we're going into real-time practicing the costume change from here.
00:03:50Noel, can you go out front, please?
00:03:51Last thing we need to do, so Noel, ours, and go for Harrison. Good luck.
00:04:00See you in hell.
00:04:02And then it's Krakow, isn't it? And then after Krakow, what's after that?
00:04:06What are you doing Tuesday?
00:04:08Why?
00:04:09I'm going to come round and put you down.
00:04:11Tuesday night, yeah? You're in.
00:04:13I'm going to come down, put you down, nail you.
00:04:16Nail your ass.
00:04:17OK, so I've talked about the play, Chris Martin, then you come on, Big Hair.
00:04:22Yeah.
00:04:23Level three, do you call it?
00:04:24You say, there's a nice joke you've had where you said me and Chris Martin talk about,
00:04:28it's a crazy night on Hampstead, didn't get in until 11, yeah?
00:04:31And that was that night inspired me to write this play about the future.
00:04:35What happens then, that's the thing, isn't it?
00:04:41I don't know how it could be.
00:04:43Yeah, Moon Hitcher.
00:04:44This last one, is it yours then?
00:04:46After that, yeah, stand up.
00:05:00I can't know how we get out of this, I don't know how we get out of it mentally.
00:05:02So you might go, you know, what about the other weeks, mate?
00:05:06It's a crimp.
00:05:07Yeah, crimp.
00:05:08I go, the other week, remember?
00:05:09I said your eyes, I said you had eyes like that.
00:05:12Yeah.
00:05:13Or did you leave that cliff?
00:05:14Mm.
00:05:15And you went, er...
00:05:17Huh?
00:05:18Yeah, we came back here.
00:05:19Yeah, we came back here.
00:05:20You turn up, start shouting Bush Baby at me for no reason.
00:05:24I suppose we've got big eyes, yeah?
00:05:25Get it?
00:05:26Get it?
00:05:27No one knew what you are about.
00:05:28Yeah, but I knew when you knew that's enough for me.
00:05:30No one else at the funeral did.
00:05:31Ooh!
00:05:32Ooh!
00:05:33Ooh!
00:05:34Ooh!
00:05:35Ooh!
00:05:36Ooh!
00:05:37Ooh!
00:05:38Ooh!
00:05:39Ooh!
00:05:40Ooh!
00:05:41Ooh!
00:05:42Ooh!
00:05:43Ooh!
00:05:44Ooh!
00:05:45Ooh!
00:05:46What?
00:05:47You went away from me.
00:05:48I went away from me.
00:05:49Here comes Mr Harley-master.
00:05:50Stealing my laprims.
00:05:51Here comes Mr Harley-master.
00:05:52Here comes Mr Harley-master.
00:05:53Yellow Whanca.
00:05:54That'll get massive round of applause.
00:05:55I'll get a massive round of applause.
00:06:01I'll get the sound of four girls' women.
00:06:04I'll get the sound of 15 vaginas snapping shots.
00:06:08I'm going to show like wallet wallets.
00:06:12Like a Scotsman's wallet.
00:06:15He came in to do the percussion.
00:06:17No, but you didn't.
00:06:18Huge flight case.
00:06:19Four on Brazilian street instruments.
00:06:22This is your half-hour call for tonight's performance.
00:06:24What?
00:06:25I have this.
00:06:27He built one of these up.
00:06:30One by one.
00:06:36Okay.
00:06:46I'll tell you what, good shot, actually.
00:06:48Just some close-ups of these double acts.
00:06:50They're all dead now.
00:06:51No doubt.
00:06:52Yeah.
00:06:53That'll be you two.
00:06:54Okay.
00:06:55Slightly dodgy, isn't it?
00:06:57Sambo make-up.
00:06:58And there's old Terry Brown there.
00:07:01Made me want to play vibes.
00:07:03These guys are due in banjo with us.
00:07:06Yeah.
00:07:07He looks like one of those sort of child men.
00:07:10You know, the old men who had tiny, young faces.
00:07:13The child men?
00:07:14The child men.
00:07:15He's one of the child men.
00:07:17Who are the child men?
00:07:18The child men.
00:07:19They've come at night.
00:07:20Tuck you in bed so hard that you died.
00:07:22He's a child men.
00:07:23He's never really a child men.
00:07:25The child men.
00:07:26The child men.
00:07:27The child men.
00:07:28The child men.
00:07:30He's some good.
00:07:31I love you.
00:07:32I love you.
00:07:33I love you.
00:07:34Now I'm Waedm.
00:07:35Now I'm吸 here.
00:07:37It's all about the unconscious, man.
00:07:41Let's go.
00:07:42Bye bye.
00:07:47It's very warm.
00:07:48It's all about this guy.
00:07:51Ladies and gentlemen, this is your beginner's call for this evening's performance of the night and wish.
00:07:57That's your call, please, gentlemen, for the night and wish.
00:08:00Good call, gentlemen of the orchestra.
00:08:03Stand by for you.
00:08:05What, are you going to wear it?
00:08:08Yeah.
00:08:12Rich, let's have some fucking fun, mama.
00:08:15Yeah.
00:08:18Booche, fam.
00:08:21Fuck.
00:08:22Give the game away!
00:08:23Shit!
00:08:26Can't really breathe, can't really breathe.
00:08:35Yeah.
00:08:36Boost family.
00:08:39Fuck.
00:08:42Give the game away.
00:08:43Shit.
00:08:46Can't really breathe. Can't really breathe.
00:09:05Yeah.
00:09:06All right. Are you ready to set sail into the future?
00:09:09Yeah.
00:09:11Go grab your ticket, hoist your anchor,
00:09:14and scrape those barnacles off your anus,
00:09:18cause here comes the mighty Boomer!
00:09:35We're future sailors, we're future sailors, oh yeah!
00:10:03We're future sailors, we're future sailors, oh yeah!
00:10:10Yeah!
00:10:20It's like six.
00:10:22Look at how cool are you.
00:10:23I love this new hair.
00:10:24It's so cute.
00:10:25It's so cute.
00:10:26It's so cute.
00:10:27It's so cute.
00:10:28It's so cute.
00:10:29It's so cool.
00:10:30It's so cool.
00:10:31It's so cool.
00:10:32It's so cute.
00:10:33It's so cute.
00:10:34It's so cute.
00:10:35It's so cute.
00:10:36It's so cute.
00:10:37It's so cute.
00:10:38It's so cute.
00:10:39It's so cute.
00:10:40It's so cute.
00:10:41Do you know what's not as powerful?
00:10:42It's just not as powerful having four people do a joke in a row,
00:10:45the same joke,
00:10:46No.
00:10:47No.
00:10:48Than it is to go cappuccino, latte, big mac, big mac, big mac, I'm loving it.
00:10:49The rhythm of that is great.
00:10:50It's one joke.
00:10:51Yeah.
00:10:52It's one joke.
00:10:53Now it's, it's that toilet and stuff.
00:10:54Can I use your toilet and Starbucks?
00:10:55And now Dave's going good food costs less at the same place.
00:10:56Oh, no.
00:10:57Let's move on.
00:10:58And Mike's the only one doing what he's told.
00:10:59And then by the time I go, I'm loving it, it's not working.
00:11:00I was going to say, which I thought you might want or not, was just that,
00:11:05because I didn't, I didn't even say it, but I thought of course I should just come on and go,
00:11:09because you weren't there.
00:11:10And it was like weird.
00:11:11I was thinking, oh, well, Vince is just finishing his hair off.
00:11:13Oh, that's a good idea.
00:11:14I sort of wondered.
00:11:15Right.
00:11:16We're doing a play,
00:11:17we're doing a play,
00:11:18I'm loving it,
00:11:19I'm loving it,
00:11:20I'm loving it,
00:11:21the rhythm of that is great,
00:11:22it's one joke.
00:11:23Now it's,
00:11:24it's one joke.
00:11:25Now it's,
00:11:26it's one joke.
00:11:27Now it's,
00:11:28it's,
00:11:29we're doing a play,
00:11:30it's just finished,
00:11:31I just wonder if that would help actually,
00:11:32or whether they would just know anyway what's happening.
00:11:34I don't think that's a problem.
00:11:35We can try you saying,
00:11:36he's doing his hair,
00:11:37or we can come on together,
00:11:38it's fine,
00:11:39and I'll just go level three,
00:11:40get the laugh,
00:11:41and that's out of the way with,
00:11:42and you can go, right,
00:11:43now, second half.
00:11:44I'll come on and say that.
00:11:47Bob will come back to you.
00:11:49Bob will put down.
00:11:50Yeah.
00:11:51Could be there.
00:11:52I could do it.
00:11:53But that's after,
00:11:54after Naboo isn't it?
00:11:55No,
00:11:56that's before,
00:11:57after the moon,
00:11:59is it?
00:12:00No.
00:12:01How long was the second half, Paul?
00:12:02Six and a half hours.
00:12:03I don't know.
00:12:04Is it all right?
00:12:06Is that fair all right?
00:12:07Yeah,
00:12:08fine.
00:12:09Hey,
00:12:10you all right?
00:12:11So,
00:12:12hmm.
00:12:13What are you doing?
00:12:14You on the train?
00:12:15No.
00:12:16No.
00:12:17Oh,
00:12:18what are you doing?
00:12:19It's a great.
00:12:20It's a great win.
00:12:22What are you doing?
00:12:23That's great.
00:12:24Oh,
00:12:25my God.
00:12:26Oh,
00:12:27my God.
00:12:28CHEERING AND APPLAUSE
00:12:40That's great.
00:12:43Oh, my God.
00:12:45Good to meet you.
00:12:47It's going all good.
00:12:49It was my brother's ears.
00:12:53He is fantastic.
00:12:55It's getting in the camera.
00:12:56I don't know if that'll work.
00:12:58My hands are shaking.
00:13:11Breathe, breathe, slow, slow.
00:13:23Oli.
00:13:24Sorry about that.
00:13:27OK, now you're OK.
00:13:29Move right back and I'll see Steve Elwood.
00:13:32They took a piece of my brain!
00:13:37I love you.
00:13:39Oh, no!
00:13:41Vance!
00:13:43Are you turned away?
00:13:44No!
00:13:45No!
00:13:46Oh, no!
00:13:48I need you.
00:13:52Excuse me, who's that?
00:13:53Who's it?
00:13:54It's the Mighty Booth.
00:13:56The Mighty Booth.
00:13:58Who's that?
00:14:00Oh, look at this.
00:14:02It's like a zoo, isn't it?
00:14:04What's going on here?
00:14:05Yeah.
00:14:06That's nice, that little skeleton.
00:14:07Hi!
00:14:09Listen, I wanted to talk to you about food.
00:14:14We love you.
00:14:15Thanks for coming.
00:14:17Stay in school.
00:14:18Stay in school.
00:14:19Don't run with scissors.
00:14:21Eat your greens.
00:14:23Eat your vegetables.
00:14:25Don't talk to strangers.
00:14:26Why have I brought, like, seven books or eight books on tour?
00:14:46I know, I'm on tour for a while, but just bring one and read it.
00:14:50I didn't get another one.
00:14:52Walking around a library in my city.
00:14:54Can you come with me?
00:14:59Why are you saving?
00:15:01Why?
00:15:03I don't know.
00:15:05Because I'm not sure.
00:15:06I always feel that a beard is the enemy of comedy.
00:15:12But that isn't true.
00:15:14But Howard's a mustachioed, sort of,
00:15:18kind of quite pompous, mustachioed fool.
00:15:24And the beard makes him look a bit...
00:15:27Like he doesn't care.
00:15:29Have you shaved, Rich?
00:15:31Only the best man.
00:15:33Shaved twice.
00:15:36Three times today.
00:15:37It's already brought my moustache out, hasn't it?
00:15:40Yeah.
00:15:42It's good.
00:15:44It really brings that moustache when you shave.
00:15:46Wow.
00:15:48Brine it out, take it home.
00:15:50Brings it right out.
00:15:53Look how big my hair is falling the wrong way.
00:15:55You have to straighten it quickly.
00:15:57I put my straighteners on, I could do it.
00:15:59Look at the state of that.
00:16:00So...
00:16:01Oh, you're right.
00:16:02Oh, no.
00:16:05Oh, no, no, no.
00:16:11Ruff...
00:16:13Ruff...
00:16:15Wow!
00:16:17I used to be a strong little fox.
00:16:33It went wrong because I wanted to seek my fortune in the bright lights in the big city.
00:16:39I wanted to be like Michael J. Fox.
00:16:44Get it?
00:16:45I don't.
00:16:48Oh, fun times.
00:16:50I set off for the city.
00:16:52Yeah, with a hope and a dream.
00:16:55And I got there and it was the early 90s.
00:16:57I snuck into a sort of alleyway behind a nightclub and it was...
00:17:01I snuck into a bin and I could hear the music coming through the walls of the nightclub.
00:17:05And so I used to sneak in.
00:17:07Sneak in under the cover of darkness through a cat flap.
00:17:10It's a sad tale.
00:17:12Oh, that's me.
00:17:17It's a sad tale indeed.
00:17:19Yeah, I would dance between the feet of the humans there all night long grooving my fox booty.
00:17:25Hold me.
00:17:26Oh, yeah.
00:17:28So what?
00:17:59Hello, I was wondering if you saw the top by any chance, please.
00:18:22Oh wow, the beach top.
00:18:23It's quite hard to saw that brick.
00:18:29Can't you ask me if I can't eat another sandwich?
00:18:37You know, if I never ate a sandwich in my life, it would be too soon.
00:18:43I haven't even heard that one before, but someone picks up a sandwich with wedges on the side.
00:18:50I've got a man alive.
00:18:52How many sandwiches can we eat in our life?
00:18:55Yeah.
00:18:56We're not on this planet for very long and we're wasting valuable time eating sandwiches.
00:19:01What the fuck are we doing?
00:19:03Yeah.
00:19:04You're getting a sandwich mash.
00:19:05Yeah, a sandwich maker.
00:19:06So nice.
00:19:07A Breville.
00:19:08A Breville on the bus.
00:19:09That'd be good.
00:19:10Sympathy for the Breville.
00:19:12Oh, look at you, Petey Pooh.
00:19:21I don't know about you, Elliot.
00:19:22You're all right?
00:19:23Who?
00:19:24Rich.
00:19:25What happened?
00:19:26What did I do?
00:19:27I overheard.
00:19:28Wyatt.
00:19:29What?
00:19:30What?
00:19:31With the waking?
00:19:32With the waking?
00:19:33Could you stop with the waking?
00:19:34With the waking?
00:19:35Ugh.
00:19:36No, I don't want to talk with you.
00:19:37What happened?
00:19:38What happened?
00:19:39What happened?
00:19:40Look at you, Petey Pooh.
00:19:41I know about you, Elliot.
00:19:42I know about you, Elliot.
00:19:43I know about you, Elliot.
00:19:44I know about you, Elliot.
00:19:45You're all right?
00:19:46Oh, I'm talking in.
00:19:47Who?
00:19:48Rich.
00:19:49I'm at Hamilton.
00:19:50What did I do?
00:19:51I overheard.
00:19:52What?
00:19:53What?
00:19:57With the waking?
00:19:58With the waking?
00:19:59Could you stop with the waking?
00:20:00What if it wasn't the wanking, then you just...
00:20:04It's something other than the wanking.
00:20:07Oh, my God.
00:20:09What kind of a reputation do I have on this tour?
00:20:13Feeble.
00:20:14What? What was it over?
00:20:17It's a bit of a bird.
00:20:19What? A bird?
00:20:20It's a bit of a bird.
00:20:21I killed a pigeon.
00:20:25Killed a pigeon, poured some milk on it and then wanked on it.
00:20:29Is that so wrong?
00:20:32No, we've seen another choice for it.
00:20:38I'll just say what I'm told.
00:20:40This is amazing, this head draw, yeah?
00:20:42Level one, yeah?
00:20:43Shoots out a cannonball of hot air, yeah?
00:20:45Right into your face, dries your hair instantaneously.
00:20:48It's genius, right?
00:20:49Level two takes every hair off your head,
00:20:52puts it onto a zebra's head,
00:20:53takes a photo of that zebra,
00:20:55replaces the hair onto your head.
00:20:56You get to keep the photo as a souvenir.
00:21:00Jackety!
00:21:01He's full of everything!
00:21:08I've been here at the gate,
00:21:09so I've been here with the campaign, alright?
00:21:10How was your gig?
00:21:11Was it good?
00:21:12It was a play,
00:21:13it was like a serious play.
00:21:14How was your play?
00:21:15Michael Gamble, you know Michael Gamble?
00:21:17Yeah, I love it.
00:21:18Good to see you in the session.
00:21:19Yeah, and another actor, David Bradley,
00:21:21who you probably know is in Harry Potter films.
00:21:23It's good.
00:21:24Cheers.
00:21:25Anyway, nice to see you.
00:21:26Nice to see you.
00:21:27What kind of crazy larks are you lot going to get up to tonight?
00:21:34That's a good lark.
00:21:35How are you?
00:21:36We're up to crazies.
00:21:37Yeah?
00:21:38You going to do some quite anxiety?
00:21:40I need them this morning.
00:21:41I'm not going to go on.
00:21:42Bye.
00:21:43Good to see you.
00:21:44Good to see you.
00:21:45Bye.
00:21:46Good to see you.
00:21:47Bye.
00:21:48Bye.
00:21:49Bye.
00:21:50Bye.
00:21:51Bye.
00:21:52Bye.
00:21:53Bye.
00:21:54Bye.
00:21:56Bye.
00:21:57Bye.
00:21:58Bye.
00:22:00Bye.
00:22:01Bye.
00:22:02guitar solo
00:22:32You can't just come back here a month later and expect everything to be the same.
00:22:52It doesn't work that way, you bitch.
00:22:55You son of a bitch.
00:22:57Whatever kind of bitch you are, you just have to...
00:23:01You have to relearn what I've been through in my life in this show.
00:23:06You just can't just jump back in.
00:23:10I've been through hell and back.
00:23:12You've been through nothing.
00:23:14You don't know what it's like to be me.
00:23:17So what did you do?
00:23:18Don't come back in with your camera.
00:23:21I've been through so much.
00:23:24It hurts just the fucking...
00:23:26The thing with the...
00:23:39He put up the kettle on and the thing come out and the electricity thing go off.
00:23:46Look at Robin Williams.
00:23:48Crank him up.
00:23:50It's the show-off man.
00:23:52Yeah.
00:23:53Looking on the move.
00:23:53Sorry.
00:23:55We sort of had a crash now.
00:23:56It went...
00:23:57We'll hear George Foreman-ed your face.
00:24:01Well, that might be...
00:24:15trended...
00:24:17PIANO PLAYS
00:24:47Ladies and gentlemen, welcome to the new event.
00:25:06Ladies and gentlemen, welcome to the new event.
00:25:17Ladies and gentlemen, welcome to the new event.
00:25:47Scrape those particles off your pelvic region.
00:25:52Because here comes the S.S. Mighty Boon!
00:26:01I got one more.
00:26:06Oh!
00:26:07E!
00:26:09Oh!
00:26:10Oh!
00:26:11Oh!
00:26:12Another winner, hails?
00:26:14I got one more.
00:26:15Oh!
00:26:16Oh!
00:26:17That's what I'm saying.
00:26:19Really loves it after.
00:26:21Oh!
00:26:22I could pop that look.
00:26:23I've got one of the stash.
00:26:24I could do the kings of the other books.
00:26:26Oh, you think?
00:26:27Oh, yeah.
00:26:28Yeah.
00:26:29Oh!
00:26:30Big as hell.
00:26:31That's not really the stash, is it?
00:26:33Oh!
00:26:34That's a bottle smudge.
00:26:35LAUGHTER
00:26:36Oh, yeah.
00:26:37Oh!
00:26:38Oh!
00:26:39Oh!
00:26:40Oh!
00:26:41Oh, yeah!
00:26:42Oh!
00:26:43Oh!
00:26:44Oh!
00:26:45Oh!
00:26:46Oh, yeah!
00:26:47Oh, yeah!
00:26:48Oh!
00:26:49Oh!
00:26:50Oh, yeah!
00:26:51Oh, yeah!
00:26:52Oh, yeah.
00:26:53Oh, yeah!
00:26:54You can't bring the guests back to the hotel.
00:26:55Can't drink, can't move, stand up, sit down, just drink water and stand in the corner.
00:27:00Clack, we're going to put you all in crates until tomorrow's late.
00:27:03I mean, we could go out to the pub, I mean.
00:27:05You said it's quite good, huh?
00:27:07I don't even really want to go out.
00:27:09We're out here.
00:27:11This is only one night out in the year.
00:27:14I could really do it if we're just going home with a little hot chocolate.
00:27:18I read two pages of my book.
00:27:21Hey!
00:27:22Who?
00:27:23Who hell, he?
00:27:24Well, today is show 55.
00:27:27Oh, right.
00:27:28And we have on sale 110 shows.
00:27:32So, tonight was halfway.
00:27:34Broke in the back.
00:27:35Yeah, I was getting back.
00:27:37Broke back moment, look.
00:27:38Yeah, right, there you go.
00:27:40It was a broke back moment.
00:27:4155 shows?
00:27:4255.
00:27:43How many did we do last tour?
00:27:46We did...
00:27:47How do you feel after 55?
00:27:4972.
00:27:50It felt good.
00:27:51I think if we were just doing the show, drinking orange juice, going to bed, it would be fine.
00:27:59It's just the after show activities that are killing me.
00:28:01If I was more of a professional, it would be fine.
00:28:04Weirdly enough, June, have you had anything?
00:28:07Touch wood, I'm sure I'll get something because I'm all right.
00:28:09What a disease?
00:28:10But I haven't had a cold even since we started.
00:28:12No, not really.
00:28:14No.
00:28:15You've caught any diseases yet.
00:28:16Oh, yeah.
00:28:17I've got everything.
00:28:18Elephantitis.
00:28:19Elephantitis.
00:28:20Gonorrhea.
00:28:25Got something off colon anus.
00:28:26A sort of fungal growth.
00:28:27I don't know what that is.
00:28:30Colon anus.
00:28:31You've got piles of colon anus.
00:28:32You've got piles of colon anus.
00:28:34That's quite a good joke.
00:28:36What a hell of a wolf.
00:28:38Come on.
00:28:43Ahhaagh.
00:28:44There are two writes, Oh.
00:28:46Oh, yeah.
00:28:49There are two lines in space.
00:28:55Yeah, that's all I can say.
00:28:58Two lines in space, as well as a man to expose the ανus.
00:29:01Try it!
00:29:03Hit it.
00:29:04Thewl anti-1900 wen you have sex well as not.
00:29:05Mm-hmm.
00:29:35Mm-hmm.
00:30:05Mm-hmm.
00:30:35Mm-hmm.
00:30:36English women.
00:30:37It was coming out of the walls, wasn't it?
00:30:40Pretty women.
00:30:41Unbelievable.
00:30:42Pretty women.
00:30:43It's usual.
00:30:44Da-da-da-da.
00:30:45Pretty women.
00:30:48Women with their judging eyes, judging and flushing at the same time.
00:30:55Quite a skill.
00:30:57Fudge.
00:30:58Fudge.
00:30:59Yeah.
00:31:00Fudgeicles.
00:31:01No more fudgeicles.
00:31:02Is this annoying for you?
00:31:04We are eating out, isn't it?
00:31:05Yeah, it is quite annoying.
00:31:06We're eating at lunch.
00:31:07Anyway, what I wanted to ask you was...
00:31:09Is this an interview?
00:31:11Yeah.
00:31:12He asked me for a photograph and I said, I don't actually...
00:31:14I'd rather not.
00:31:15I don't really want to...
00:31:16I don't like to have my photograph taken.
00:31:18He went, well, yeah, good work swimming the channel, mate.
00:31:21That is a sort of a dig, as in, you're David Walliams, sort of.
00:31:26I don't reckon I...
00:31:27So, obviously, he had no respect for me at all.
00:31:30Do you think it was a joke?
00:31:31Or do you think he might have actually...
00:31:32Yeah, no, it was a joke.
00:31:33Yeah, it was a joke because he said something else about Little Britain afterwards.
00:31:35This guy stank, he looked like a tramp.
00:31:38He went, Naboo, Naboo.
00:31:40And I went, get the fuck off of me, yeah?
00:31:42You dirty man.
00:31:43And he went, I just want to shake your hand.
00:31:45And I went, well, just get off of me.
00:31:47I was, like, looking for rage.
00:31:48I felt awful, but I was, like, I didn't know what was going on.
00:31:51I didn't want him to kill me.
00:31:53Go, go, go.
00:31:55His hands were the dirtiest hands you've ever seen.
00:31:57They looked like he'd just dug a hole.
00:32:18I liked it.
00:32:19I felt so like he was.
00:32:20Yugosl, the moon was a little bit pretty.
00:32:21I've got all a sudden, I thought I could do it.
00:32:23I thought he was a couple more筋 things.
00:32:24But I would know that, like, I had to take it.
00:32:26I had to take a notch and walk away.
00:32:28I was, like, nothing.
00:32:29I fit into that.
00:32:30I felt like he would believe that he didn't want me.
00:32:31And he could do that.
00:32:32But he did be a little bit.
00:32:33I didn't want him to forget it.
00:32:34He said I did not want him to give him.
00:32:35I need to try and eat it.
00:32:36He went down.
00:32:37He did get me to deal with that.
00:32:38He did not want him to live in.
00:32:39He did not want him to talk to you,
00:32:41He did not want him.
00:34:42Could have been. Could have been this.
00:34:45That is a better shot.
00:34:47Look at Dylan.
00:34:48Dylan's skinny legs.
00:34:55Oh, no, Lee.
00:34:56No, Lee.
00:34:57Oh, shut up.
00:35:01Oh, I saw.
00:35:07I'm like, look at me, I'm broken.
00:35:10I'm like Chatterton, the death of a poet.
00:35:12I'm like a fucking fucking butter.
00:35:15I'm broken.
00:35:16I'm having an open flush pack.
00:35:20That's nice, isn't it?
00:35:21Oh, my God.
00:35:30Bye-tie.
00:35:44Bye-tie.
00:35:45Bye-tie.
00:35:45My name is Mindhorn Bruno, Mindhorn, Mindhorn.
00:36:12I swim backwards, forwards, sideways, I'm in love with a woman, she's got no eyes, I found her drawing cows, it brews, I don't know her name, I call her Mrs. China, she were a coiffure, but it ended in bloodshed.
00:36:39Spasm boy. Spasm boys.
00:36:46Your work is done.
00:36:53Sell this immediately.
00:36:57Finished for the day.
00:37:00Playtime now.
00:37:03Sell it now.
00:37:04Sell this and give me play playtime.
00:37:07You're a genius.
00:37:09Yes.
00:37:10Please rest.
00:37:11He's done it again.
00:37:14Bob, Mildred, come in here.
00:37:16Check this out.
00:37:19It's playtime now.
00:37:21No, he can't do anything more.
00:37:24Wait, I think he's doing more.
00:37:26That's exactly what it needed.
00:37:30Playtime now.
00:37:32Oh shit, he's ruined it.
00:37:34It's okay, Phil.
00:37:35I got a photo with you.
00:37:36A photo.
00:37:37It's okay.
00:37:38Yeah, fine, yeah.
00:37:40Thanks very much.
00:37:41It's okay, Phil.
00:37:42I got a photo with you.
00:37:43A photo.
00:37:44It's okay.
00:37:45Yeah, fine, yeah.
00:37:47Thanks very much.
00:37:48We're both looking forward to it.
00:37:54Do you mind if I treat your mother to a bacon field mouse?
00:38:00I would like to take you and your family up for bacon buddies at six.
00:38:07I would like to wrap your family up in a giant seesaw.
00:38:13Would you mind if I picked you up at seven in a giant Tonka truck?
00:38:23Dear Jacob, I reenact sea battles and I thought that you and your family would be perfect examples.
00:38:29To get on the SS destroyers.
00:38:43The next station is North Greenwich.
00:38:45Exit of the O2.
00:38:59Oh, there.
00:39:00It's there.
00:39:01It's there.
00:39:02It's there.
00:39:03It's dying.
00:39:04It just might be a back entrance.
00:39:14Bike riders, you know.
00:39:18Enjoy your evening.
00:39:20All the best.
00:39:21Look, they got so far, so fast.
00:39:26They're just there now.
00:39:28They're winners.
00:39:30Look at us weaving through the traffic.
00:39:34We did it.
00:39:35We win.
00:39:36We are the win-win.
00:39:37We are the win-win people.
00:39:38We won life.
00:39:39And the traffic leader.
00:39:45Win-win-win-win.
00:39:48We are 30 yards ahead of you, ripped all the time.
00:39:51Well, I'll see you later.
00:39:52Have a really lovely time.
00:39:54Oh, there's something.
00:39:55Can you see the sort of thing?
00:39:56Oh, there's something.
00:39:57The signs.
00:39:58Look at that.
00:39:59You got that?
00:40:00See that?
00:40:01Yeah.
00:40:02Oh, my God.
00:40:03Name in lights.
00:40:04Nestle.
00:40:05I'm playing tonight.
00:40:06I need the stage door to get in.
00:40:11Hello.
00:40:12Shall I come round to the...
00:40:15Oh, right.
00:40:16Just in there?
00:40:17Okay, cool.
00:40:18It's all right.
00:40:19All right.
00:40:20Just in there.
00:40:21Okay, cool.
00:40:22All right.
00:40:23All right.
00:40:24All right.
00:40:25All right.
00:40:26Just in there.
00:40:27Okay, cool.
00:40:28All right.
00:40:29All right.
00:40:30All right.
00:40:31All right.
00:40:32All right.
00:40:33All right.
00:40:34All right.
00:40:35All right.
00:40:36All right.
00:40:37We've got the mighty bush.
00:40:38We are the mighty bush.
00:40:39No, no, no.
00:40:40We are the mighty bush.
00:40:41We're going to have a backstage compound.
00:40:42I am.
00:40:43And he is.
00:40:46Cock box, sir.
00:40:51Just in case he was a fan.
00:40:52Which he clearly wasn't.
00:40:53No.
00:41:05All right.
00:41:06All right.
00:41:07All right.
00:41:08All right.
00:41:09All right.
00:41:10All right.
00:41:11All right.
00:41:12All right.
00:41:13All right.
00:41:14All right.
00:41:15All right.
00:41:16All right.
00:41:17All right.
00:41:18All right.
00:41:19All right.
00:41:20All right.
00:41:21All right.
00:41:22All right.
00:41:23All right.
00:41:24All right.
00:41:25All right.
00:41:26All right.
00:41:27All right.
00:41:28All right.
00:41:29All right.
00:41:30So, you're so loud.
00:41:31You seem to be so loud.
00:41:32You're feeling nothing at all.
00:41:33I'm like the emperor.
00:41:34I'm like Tutankhamun.
00:41:35I feel nothing.
00:41:39I'll faint after the gig.
00:41:40That was amazing.
00:41:55That was amazing.
00:42:00My own little O2.
00:42:03Yeah, zoom into that one, why don't you?
00:42:05Yeah, right in.
00:42:06Right in on it.
00:42:09All June's way back, he's got a spot.
00:42:13Imagine that.
00:42:17The spot magnified 150,000 times.
00:42:21The thing about June is he suits the spot.
00:42:25Oh!
00:42:31Look at the birdies in the shotgun.
00:42:33We've both been made to face the wall, look.
00:42:37What they don't know is I've got a new act that I'm doing tonight.
00:42:41I've got some ping pong balls that I'm going to release from certain places.
00:42:48I think it seems to get the right moment to do my spot.
00:42:52Well, you don't need to bob it on.
00:42:54Just do it.
00:42:55Well, I want you to do it.
00:42:56What?
00:42:57What?
00:42:58Do a full, maybe?
00:42:59A beauty spot on my nose.
00:43:00I just got a big spot on my nose.
00:43:01I'm just trying to get rid of it.
00:43:02But you can't put it on that bit.
00:43:03You've got to put it on the whole lot and then...
00:43:06We've got to make your whole face a spot.
00:43:08Is that right?
00:43:10It was a tension away from the actual spot.
00:43:12I didn't bring my inhaler.
00:43:28I feel nothing, Rich. I feel nothing.
00:43:33I feel nothing.
00:43:34I feel nothing.
00:43:35I feel nothing.
00:43:36I feel nothing.
00:43:37Do you feel anything?
00:43:38Yeah.
00:43:39Cold.
00:43:40What do you feel?
00:43:41Cold.
00:43:42I'm dead inside.
00:43:43I'm dead inside.
00:43:47Ladies and gentlemen, are you ready to set sail into the future?
00:43:56The future!
00:44:00Mighty!
00:44:04Woo!
00:44:12Fuck me!
00:44:20I can't do this.
00:44:21I can't do this.
00:44:24Hello, O2!
00:44:30Wow.
00:44:31Yep.
00:44:32O2, you cheeky bitch.
00:44:36I like the way we say O2 like you're a planet.
00:44:38O2.
00:44:39How you doing?
00:44:40You alright?
00:44:41What about the back slope?
00:44:42People at the back!
00:44:43Oh!
00:44:44Oh, you permed my hair!
00:44:45That's the Bethnal Green up there.
00:44:46What about you lot?
00:44:47The troglodytes?
00:44:48The groundwellers?
00:44:49They are mighty!
00:44:50What about just you?
00:44:51The groundwellers!
00:44:52Oh!
00:44:53Oh!
00:44:54Oh!
00:44:55Oh, you permed my hair!
00:44:56Oh!
00:44:57Oh!
00:44:58Oh!
00:44:59Oh!
00:45:00Oh!
00:45:01Oh!
00:45:02Oh!
00:45:03Oh!
00:45:04Oh!
00:45:05Oh!
00:45:06Oh!
00:45:07Oh!
00:45:08Oh!
00:45:09Oh!
00:45:10Oh!
00:45:11Oh!
00:45:12Oh!
00:45:13Oh!
00:45:14Oh!
00:45:15Oh!
00:45:16Oh!
00:45:17Oh!
00:45:18Oh!
00:45:19Oh!
00:45:20Oh!
00:45:21Oh!
00:45:22Oh!
00:45:25Oh!
00:45:26Oh!
00:45:28Oh!
00:45:29Oh.
00:45:30Oh!
00:45:32Oh!
00:45:33Oh!
00:45:34Oh!
00:45:35Oh!
00:45:37Oh!
00:45:38What about everyone together, let's knit you all together!
00:45:41Aентов!
00:45:42That Would Be Start!
00:45:43Oh!
00:45:44Oh!
00:45:45Whoa!
00:45:46It is Captain Pugwash!
00:45:47Aar!
00:45:48Are you ready?
00:46:06Thanks Wembley looks small
00:46:18You know Coldplay played last night?
00:46:20Chris Martin came to his gig on the tube
00:46:22He did
00:46:24What a cunt
00:46:26That was my gig
00:46:28That was my dude
00:46:34First half
00:46:36First half
00:46:38First half
00:46:40So quickly though
00:46:42I can't believe the first half is over
00:46:44I know Coldplay played there last night
00:46:46And they're massive aren't they
00:46:48So big it's so ridiculous
00:46:50It's just nonsense
00:46:52It's mental
00:46:54It's great though
00:46:56Fuck you do feel like you're privileged
00:46:58To be, you know
00:47:00To actually play to that sort of crowd
00:47:02Except now I will die on her asses
00:47:04It's like having a focus group of laughs
00:47:06At the front and hoping that everyone else
00:47:08Has got their sense of humor in
00:47:10I mean they can in the sound
00:47:12There's no delay in them hearing it
00:47:14Yeah, yeah
00:47:16It's just you on stage
00:47:18Yeah, we're waiting for a laugh
00:47:20So it's taking a while to come back to us
00:47:22It's alright though, I don't know
00:47:24I can't tell you see, I see no problem
00:47:26But we're doing an awful joke so
00:47:28Just off
00:47:30Remember the Henna tickets?
00:47:32Was that 35 was it?
00:47:34That was 35, yeah
00:47:3635 people
00:47:38Yep
00:47:40The open road
00:47:50I love it
00:47:52The open road
00:47:54I love it
00:47:56Ah
00:47:58Ah
00:48:00The open road
00:48:02The open road
00:48:04I love it
00:48:06Ah
00:48:08Driving
00:48:10Where does this road lead I wonder?
00:48:12The open road
00:48:14Where does this road lead I wonder?
00:48:16The open road
00:48:18Where does this road lead I wonder?
00:48:20The open road
00:48:22Where did it lead? Nobody knows
00:48:24Some people say
00:48:26Oxford
00:48:28Ah
00:48:30A small-minded
00:48:32The road
00:48:34It could lead anywhere
00:48:36To any adventure
00:48:38To any place
00:48:44A dart round it
00:48:46And this wood
00:48:52What's that?
00:48:53Hitchhiker?
00:48:56I'm not picking him up
00:48:58I'm Howard Moon
00:49:00That's not for no man
00:49:06You're making me
00:49:08LAUGHTER
00:49:10LAUGHTER
00:49:18And snap us to the box
00:49:20Is it trouble sweet?
00:49:22LAUGHTER
00:49:24Oh
00:49:28Isn't that the first place we did
00:49:30All the best men show twice a day?
00:49:32That was close
00:49:34Yeah, all the best men show you twice a day,
00:49:38Henning Chickens, all the best men show you twice a day,
00:49:42O2 Arena, 12,000 people.
00:49:45Still doesn't work.
00:49:46Let's go, people.
00:49:47OK, people, I want to see enthusiasm.
00:49:50OK, now, most of the audience left in the interval,
00:49:52but there's still a good portion of people out there.
00:49:55All right.
00:49:55So we've really got to go for it.
00:49:56OK.
00:49:57It's kind of ground upside down.
00:49:58We've got 40 people, and they're all deaf.
00:50:02But I really think we should go for it.
00:50:03Van Halen effect, just give it all you got.
00:50:06Leave a pound of blood on the floor.
00:50:44Take care.
00:50:47Take care.
00:50:48Bye.
00:50:49Bye.
00:50:51Bye.
00:50:52Bye.
00:50:52Bye.
00:52:25It works well, because the rhythm of the pace suits those big venues, like you doing a line, a set-up line, in a visual or a sort of short, and the rhythm of that pace always works, like, like a visual joke after a set-up of a big sort of monologue.
00:52:55I know why you're standing there chewing on that coat. I know why you're standing there chewing on that coat.
00:53:11I'm going to clap my name on a diamond tree. I'm going to kiss your face and I'll throw you in the sea.
00:53:19Hey, where's Mike? Disappear. Doesn't exist.
00:53:34Never did. Yep. There he is.
00:53:36Oh, hey, Mike. There you go. My bad.
00:53:41Acceptable form of weight.
00:53:46Oh, the moor.
00:53:46Where's the end?
00:53:48Oh.
00:53:49So this is the moor.
00:53:50Yeah, the moor.
00:53:51Yeah, the moor.
00:53:52Oh.
00:53:53Okay, that's cool. Turn around.
00:53:54I'm taking it off now.
00:53:55I just saw a sign that said, take more care.
00:53:57Yeah.
00:53:58See, it's good.
00:53:59Yeah.
00:54:00It's more.
00:54:01More, more, more.
00:54:02It's not a farmer joke.
00:54:03This is more. Let's go.
00:54:05I kind of feel like I need to see more.
00:54:28Auringon lunta. Koko tää aurinkokunta.
00:54:56ызблод
00:55:01隊
00:55:02pa
00:55:04Metat
00:55:05American
00:55:066
00:55:07Ґ
00:55:08ызблод
00:55:13ызблод
00:56:22With such a horrid clang as on Mount Sinai rang, while the red fire and the smoldering clouds outbreak, the aged earth aghast with terror of that blast,
00:56:31out from the surface of the centre shake, when at the world's last session, the dreadful judge in middle air shall spread his throne.
00:56:38Dave Brown defeated at Poole by Noel Fielding, a king for us all.
00:56:48Didn't know Milton wrote that. It's quite a nice little book.
00:56:51Oh, that's nice.
00:56:52Oh, I've got any money on me, though.
00:56:53You got any cash on you?
00:56:54No.
00:56:55I've been standing here for it. Oh, I have, actually. Should I get it?
00:56:59Yeah, get that, and can I borrow some to get a custard pie?
00:57:02Yeah, of course.
00:57:03We're on the way to Plymouth to do a gig.
00:57:04Oh, excellent.
00:57:05Excellent.
00:57:06Yeah, we played there last night.
00:57:07Excellent.
00:57:08Oh, excellent.
00:57:09That's the kids of rainbow.
00:57:10Oh, excellent.
00:57:11Oh.
00:57:12Nice meeting you.
00:57:13Oh, nice to meet you.
00:57:14Nice to meet you.
00:57:15Nice to meet you.
00:57:16Yeah.
00:57:17Oh, yeah, the red beard.
00:57:18Cool.
00:57:24Cool, there you go.
00:57:25Hello, Naboo.
00:57:26Hello, Naboo.
00:57:27You're so cool.
00:57:28This is brilliant.
00:57:30It's like Naboo in your dashboard.
00:57:32Yeah, like you should be in the booth.
00:57:34Is this your lucky feather?
00:57:35Yeah, yeah, it's buzzard feather.
00:57:36Buzzard feather, really?
00:57:37Yeah, yeah, yeah.
00:57:38Wow, brilliant.
00:57:39This is so cool.
00:57:40That'll bring me good luck tonight.
00:57:42All right, it's a pleasure.
00:57:44Awesome, man.
00:57:50It's a buzzard feather.
00:57:51That's amazing.
00:57:52You wear that.
00:57:53It'll bring you a half of the duck.
00:57:54I could put it on the skull head, couldn't I?
00:57:56On the Indian one.
00:57:57Yeah.
00:57:58Now I've got some...
00:57:59The minor English poems of John Milton.
00:58:00Not the major ones, just the minor ones.
00:58:01Yeah.
00:58:02I just have to re...
00:58:04I'm reworking Milton's work.
00:58:06No, this is no good.
00:58:09I don't think so.
00:58:11Repetitive.
00:58:14I just stepped out my car right now.
00:58:31Been driving all night through.
00:58:35I'm not so sure quite where this is.
00:58:45Am I dreaming?
00:58:48Dreaming?
00:58:52Oh.
00:58:53No.
00:58:54No.
00:58:55No.
00:58:56No.
00:58:58No.
00:59:00No.
00:59:01No.
00:59:02No.
00:59:03I don't know.
00:59:33Nothing here appeals to me, nothing here means anything to me, nothing here catching my eye, apart from BK, apart from TK, BK's could be good, TK's could be good.
00:59:55Why? Nothing here makes no sense. It's madness, it's mesmerising.
01:00:03There are, look at that, that looks, what's up there? Nothing out there at all.
01:00:27Usually in here, this sort of clearing here.
01:00:33What happens now is the boots are in place, and then I have to kind of keep out of sight, so I'm going to go around here.
01:00:41And then, hopefully, it will happen.
01:00:49The thing is, it doesn't always come.
01:01:03I thought I saw a fairy when I was about five.
01:01:11In my Nan's garden, I was sitting on her shed, picking cooking apples off a tree with my cat.
01:01:16I had a cat called Jeff, named after Jeff Rotel. My mum and dad named it.
01:01:22And I'm sure I saw a sort of, I don't know, figure running through the grass.
01:01:28It's not the sort of thing that you can go around telling people.
01:01:32I can see fairies. I see fairies.
01:01:37People don't like that sort of talk.
01:01:40I find it excludes you from most social groups.
01:01:44I don't know.
01:01:46I can see fairies.
01:01:48I have to go around here.
01:01:50I can see fairies.
01:01:52I can see fairies.
01:01:54I cannot see fairies.
01:01:56I can see fairies.
01:01:58I can see fairies.
01:02:00I cannot see fairies.
01:02:02There's a whole live show in there, well, maybe five minutes of dialogue, but it's a start, let's go.
01:02:32How are we doing, mate?
01:02:53All good.
01:03:02Darling, I'm home.
01:03:09Come here.
01:03:12This is quite grand, this little thing.
01:03:18You'll be sleeping in there tonight?
01:03:21This is a fair thing.
01:03:23Your coffin will arrive in there.
01:03:26I've got a strange little room that I'll never use.
01:03:30This character's good.
01:03:33Look at that.
01:03:36Totally impractical.
01:03:40I quite like that.
01:03:47Yes.
01:03:48Basic eye-hospital bathroom.
01:03:53Sort of room that I imagine Hancock tried to kill himself in.
01:04:05Oh.
01:04:06Oh.
01:04:07Don't forget the wine.
01:04:08Oh.
01:04:09What's in here?
01:04:10Oh.
01:04:11What's in here?
01:04:14What's in here?
01:04:16What's in here?
01:04:20What's in here?
01:04:23What's in here?
01:04:24What's in here?
01:04:26What's in here?
01:04:28What's in here?
01:04:30We should feel obliged to recoil from you with abhorrence.
01:04:33Did I tell you?
01:04:34I do already repeat.
01:04:35Abhorrence.
01:04:36You say so.
01:04:37It's Mark Lowe's a young man.
01:04:38And young men are apt to persevere.
01:04:40And if you were to persevere, you...
01:04:42They're not ... can still ...
01:04:44You're vent.
01:04:46No?
01:04:47I'll leave it.
01:04:48I don't know what to do, but I don't know what to do.
01:05:18You hear your mouth.
01:05:19Get to that.
01:05:22Get to that.
01:05:24Not too much.
01:05:26Get to that.
01:05:28Get to that.
01:05:29Nope, we are here.
01:05:31Understand it.
01:05:32Where did you get to that?
01:05:34Get to that.
01:05:37I'm not afraid.
01:05:42Keep me up.
01:06:18Last jump, last jump, last jump, last jump, come on everybody, last jump, last jump, last jump, that's the spirit piece.
01:06:36Last jump, last jump, baby, come on, last jump.
01:06:41I feel the drink.
01:06:42Yeah.
01:06:43You're so wasted.
01:06:44I haven't really eaten anything.
01:06:46I think that was bad.
01:06:47How are you feeling?
01:06:48It's bad.
01:06:49Does it feel real?
01:06:50That's so wasted.
01:06:51Can you actually conceive and there are no more shows?
01:06:54What are you going to do?
01:06:59Sleep for a week, probably.
01:07:01What's Rich going to do?
01:07:03He's already cracking up, isn't he?
01:07:05You can hear him going, his fucking mind falling apart.
01:07:08You did those.
01:07:09You did those.
01:07:10You did those.
01:07:11You did those.
01:07:12You got the thing.
01:07:13You did those.
01:07:14You got the thing.
01:07:15You did those.
01:07:16You got the thing.
01:07:17You did it.
01:07:18You did those.
01:07:19You, you got, you got the thing, you did it, you did those, you did those.
01:07:28Yeah, it was really good.
01:07:31They're not real, are they?
01:07:32Yeah, they are.
01:07:33No, they've been doctored.
01:07:36That's what's annoying about it.
01:07:38They've done stuff to it.
01:07:39How do you know? What do you mean?
01:07:40What?
01:07:40What do you mean, to make them more human?
01:07:42Yeah, they've done stuff to their little places.
01:07:44Look, look at that wanker.
01:07:46It's put me off now, you've said that they've been doctored.
01:07:51Yeah, I know, it's not good, is it?
01:07:59Let me get in.
01:08:01Come on, let me get, it's seven o'clock.
01:08:08Excellent.
01:08:08There we go.
01:08:10Are you all right?
01:08:11Yeah.
01:08:12Come on.
01:08:12Get out of my phone.
01:08:13Come on, darling.
01:08:13Come on, you get out of your phone.
01:08:15Come on, beautiful.
01:08:18That's it.
01:08:20Smile.
01:08:22Come say hello.
01:08:23This is Michael.
01:08:25Hello.
01:08:25Come say hello.
01:08:26Get off.
01:08:27Come on.
01:08:27Get off me, you shot.
01:08:30Come be shot.
01:08:30Hello.
01:08:31That's it.
01:08:36Hello.
01:08:37Hello.
01:08:37It's personal.
01:08:58You're still.
01:09:00Hit girl.
01:09:01Here we go.
01:09:02Go into the night.
01:09:12Quite a few.
01:09:15We just had the cycle of vision.
01:09:16Yeah.
01:09:17We should dress like this.
01:09:18We have Americans.
01:09:20We have Australians.
01:09:21We have Austrians.
01:09:21Irish.
01:09:22Irish.
01:09:23Sheffield.
01:09:24That's what they all look like in Arizona.
01:09:35With this costume in a carry-on bag.
01:09:38This is it.
01:09:39This is it.
01:09:41We delivered the bomb.
01:09:45This is it.
01:09:47We are in the country of last things.
01:09:49Enjoy it, baby.
01:09:52Enjoy it, baby.
01:09:53Ladies and gentlemen of Aberdeen!
01:10:14Are you ready to set sail into the future?
01:10:18Yeah!
01:10:18Well, all righty, then.
01:10:25Grab your booby hatch.
01:10:28Cover up your tickets.
01:10:30And scrape those barnacles off your poop deck.
01:10:34Because here comes the HMS...
01:10:40Mighty...
01:10:46Baaaaaargh!
01:10:54Thank you, thank you, thank you, thank you!
01:10:56Come on, a flashback.
01:10:58Flashback to the 70s.
01:10:59This isn't my mum's big velvet skirts.
01:11:05Can I have an ice cream?
01:11:08Hey!
01:11:10Oh, there he is, catching hot wash.
01:11:13So, Abelie, you ready for your first guest?
01:11:16This guy is my favourite American, and he's your favourite American,
01:11:21it's Bob Fassi!
01:11:23CHEERING AND APPLAUSE
01:11:25What a hell!
01:11:27What a hell!
01:11:28Oh!
01:11:29Oh!
01:11:30Oh!
01:11:31Oh, I hate you, Christ!
01:11:33Oh!
01:11:34Oh!
01:11:35How exciting is it?
01:11:36Oh, oh, oh, oh, oh, oh!
01:11:38Oh!
01:11:38Oh, oh, oh, oh, oh, oh, oh, oh, oh!
01:11:42Oh, oh, oh, oh, oh, oh!
01:11:43Oh, my God!
01:11:46We're going to be able to do the show tonight.
01:11:47Make me feel loved, make me feel welcome,
01:11:49it's the BoomBolo!
01:11:55Hey!
01:11:57Yeah!
01:11:58What's my name?
01:12:00Naboo!
01:12:01Say my name.
01:12:03Naboo!
01:12:04And again...
01:12:05Naboo!
01:12:06What's my name?
01:12:08Yeah!
01:12:08Nafu!
01:12:09Say my name
01:12:10Nafu, Nafu
01:12:12And again
01:12:13Nafu!
01:12:14I love pussy!
01:12:15I love pussy every day
01:12:17I love it in the pub
01:12:18but only after dark
01:12:20Pussy!
01:12:21We do it!
01:12:21It's all about the pussy!
01:12:27Oh, like a...
01:12:28like a...
01:12:30like an old stinky auntie with a...
01:12:33bad stubble
01:12:35mothball-ridden cardigan
01:12:37Who the fuck have you come as?
01:12:40Sand!
01:12:42Who is it?
01:12:44Stand up!
01:12:45Let's have a little stand on your chair!
01:12:48Look at that!
01:12:54The irony would...
01:12:56come as me in pies, wouldn't you love?
01:12:59The irony is
01:13:00you didn't even know you were coming at the booth tonight, did you?
01:13:03That's just how you dress normally, innit?
01:13:06Freaks of nature
01:13:08Alright, love
01:13:09How are you doing?
01:13:10I think what I'll do is probably just give you a bit of a lift here
01:13:12and...
01:13:13cut into it a bit there
01:13:14Alright, mate, a little high five?
01:13:15I don't think so
01:13:18I don't think so, mate!
01:13:19I don't high five!
01:13:21Because I'm a Cockney, that's why!
01:13:23I ain't a septic tag, am I?
01:13:25Oh, blimey!
01:13:26I went to LA, they're all high-fiving all over the place
01:13:28High five, high five, high five
01:13:30Quite useful, though, really
01:13:31They'd go on that line
01:13:32Whoa!
01:13:33A Stanley knife
01:13:34I'm in the belly
01:13:35Cut along
01:13:36Pull out the liver
01:13:37Back pocket
01:13:38Flog it on eBay
01:13:39I'm in the señal
01:13:52Oh!
01:13:53Oh!
01:13:54Holy jedem
01:13:56Fuck you!
01:13:57This button is never so easy
01:13:59I'm asking you...
01:14:00It's gonna be too high
01:14:01It's gonna be too high
01:14:03Oh, you should be too high
01:14:05I don't know
01:14:06Oh, boy
01:14:22Oh
01:14:36I'm Charlie, Charlie, Charlie, Charlie, Charlie
01:14:38Come and everybody, Charlie, everybody see each other
01:14:41Pickin' this room
01:14:43You're my two, we got this
01:14:46Pickin' this room
01:14:48You're my two, we got this room
01:14:50Popping around your heart, your mind, and here
01:14:52Pick something around your heart, your mind, and your soul
01:15:06Thank you!
01:15:08Thank you
01:15:10Thanks a lot, Aveline, you've been incredible
01:15:12Cheers
01:15:16Adios, Aberdeen
01:15:20Thank you
01:15:22Thank you, good night
01:15:24Thank you for coming
01:15:30Thank you
01:15:32Thank you, cheers
01:15:36Thank you
01:15:46Go, go, go, go
01:15:48Dave, Dave, quick
01:15:50Rich, quick
01:15:56Go
01:16:06Come here, Rich
01:16:22Come here, Rich
01:16:26Come here
01:16:28Come here
01:16:30Come here
01:16:36I'm serious man
01:16:37Mike's, the old Mike's started crying
01:16:38Did it again
01:16:40Did it again
01:16:44Did it again
01:16:48Did it again
01:16:50Did it again
01:16:54Did it again
01:16:56Did it again
01:16:58Good, all right
01:17:00Good, all right
01:17:02Cheers
01:17:04Thank you
01:17:05Did it again
01:17:06Hey
01:17:08We love you
01:17:10We love you
01:17:14We love you
01:17:16We love you
01:17:18We love you
01:17:20We love you
01:17:26Among the dandies
01:17:28I found my place
01:17:30Among the dandies
01:17:32I found my face
01:17:34Hunting off the dark and perfect wonder
01:17:38Among the dark and perfect wonder
01:17:40Among the dandies
01:17:42I found my face
01:17:43Among the dandies
01:17:44I found my face
01:17:45I found my face
01:17:46I found my face
01:17:47Hunting off the dark and perfect wonder
01:17:50Only my past will do
01:17:52T-mash
01:17:54Only my past will do
01:17:56T-mash
01:17:58A king of fish
01:18:01Dressed in blue
01:18:02I got shusha
01:18:04To sheila
01:18:06Ba ba da da
01:18:22T-mash
01:18:24T-mash
01:18:25T-mash
01:18:26T-mash
01:18:27T-mash
01:18:28T-mash
01:18:29T-mash
01:18:30T-mash
01:18:31T-mash
01:18:32T-mash
01:18:33T-mash
01:18:34T-mash
01:18:35T-mash
01:18:36T-mash
01:18:37T-mash
01:18:38T-mash
01:18:39T-mash
01:18:40T-mash
01:18:41T-mash
01:18:42T-mash
01:18:43T-mash
01:18:44T-mash
01:18:45T-mash
01:18:46T-mash
01:18:47T-mash
01:18:48T-mash
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