- 2 days ago
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Short filmTranscript
00:00:00Hey, how much should take you to my place baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money but you won't fuck a guy?
00:00:28I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got a trainer better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass?
00:00:52When you were knee deep in debt?
00:00:54Me!
00:00:58And how are we doing with the search?
00:01:00Not good, boss. Still going.
00:01:02Find her. I don't care what it takes.
00:01:05I found the perfect woman for you.
00:01:11It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:15Dad, we've been over this.
00:01:17I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Arduin.
00:01:22I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never cared when you drove Mom away?
00:01:28Or when you sent me to that orphanage all by myself?
00:01:31Silence! How dare you?
00:01:33It's for the Arduin family business.
00:01:35You're marrying Carla Jennings. End of discussion.
00:01:38Dad.
00:01:40Dad.
00:01:41I paid your 500 grand debt and I gave you a job.
00:01:48Now if you want to quit so bad, pay me back and get the fuck out of my clump.
00:01:53Please you know I don't have $500,000. Just give me another chance.
00:01:57Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do.
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:15She looks just like her.
00:02:18Will you marry me?
00:02:32Will you marry me?
00:02:37Now let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:03:05This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right.
00:03:17Sign this agreement, and we'll be contractually married for a year.
00:03:21After that, you can file for divorce.
00:03:23Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:46Is that so?
00:03:48Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:54Hey, where am I staying, by the way?
00:04:08In the guest room.
00:04:09Total jerk. This isn't bad.
00:04:17It's been over 10 years. I miss you so much.
00:04:31And...
00:04:38...
00:04:40...
00:04:41...
00:04:42...
00:04:43...
00:04:44...
00:04:46Nas, I need you to find out everything you can about the woman I just married.
00:05:04See if she grew up in the same orphanage.
00:05:06Sorry, I didn't mean to.
00:05:23This is my bathroom.
00:05:24What do you think you're doing?
00:05:26Nice try, trying to use your little tricks to get my attention.
00:05:30Not gonna work though, sorry.
00:05:34I wasn't trying to get your attention.
00:05:42You mind turning that off?
00:05:46I just thought the carpet needed some cleaning.
00:05:48You're here to be my wife, not a maid.
00:05:53Who are you?
00:05:57Wait, you're that stripper.
00:06:00What are you doing in Edward's house?
00:06:02I am.
00:06:03Who are you?
00:06:04I am Edward's fiancé.
00:06:09Edward, you're marrying a stripper?
00:06:12I thought I was your fiancé.
00:06:14My father arranged for us to get married only for the sake of our families.
00:06:18We wouldn't be happy even if we did get married.
00:06:20But I would be happy, Edward.
00:06:22Carla, you know I have someone that I love.
00:06:26She's the one I'm waiting for.
00:06:29I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:34dumber than I thought.
00:06:36Miss, get it straight.
00:06:39I'm not competing with you.
00:06:41Stop it.
00:06:43Edward?
00:06:44Are you defending her now?
00:06:47You're not dumb bitch.
00:06:49Just wait.
00:06:51Wow.
00:06:52You got a lot of admirers, huh?
00:06:54Need more that I need to watch out for?
00:06:56Look, if you see me in the living room, don't show your face.
00:07:00Same will go for me.
00:07:02Your house, your rules, big deal!
00:07:11Hi, I'm Velma.
00:07:14I've worked a lot of odd jobs in the city.
00:07:19Waitressing and working in nightclubs.
00:07:25All for a chance to act.
00:07:32I'm also looking for someone.
00:07:39And I hope that one day he sees me on screen.
00:07:48That way he knows that I'm still here.
00:07:53Okay.
00:07:54I hope you see me.
00:08:09That's okay, Sarah.
00:08:24Thumbna doesn't need to dine with me.
00:08:26Bring my food to my room and I'll eat there.
00:08:28Yes.
00:08:29It's fine.
00:08:31I usually don't eat with people anyway.
00:08:34By the way, I'm going out for a bit today.
00:08:37Where you go is none of my concern.
00:08:41Fine!
00:08:45Is he always this big of a jerk?
00:08:47Excuse him, ma'am.
00:08:48He's just used to living alone.
00:08:50I'm sorry, Sarah.
00:08:52It must be difficult dealing with him every day.
00:08:55It's okay.
00:09:02Yeah, I'll be right there.
00:09:07Okay, sit.
00:09:19So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:25Is it true?
00:09:26I didn't know that he was a billionaire until after we were married.
00:09:29You're joking!
00:09:30How did you manage that?
00:09:31Shh!
00:09:32I just signed a contract.
00:09:34It's fake.
00:09:35What?
00:09:36Well, who cares?
00:09:37What are you waiting for?
00:09:38Seal the deal.
00:09:39I know that I can't think about anyone but Algar.
00:09:42Oh.
00:09:43T, it's been ten years since you two escaped the orphanage.
00:09:47I mean, Algar could be anywhere.
00:09:48He could be dead.
00:09:49He's not dead!
00:09:50Okay, um.
00:09:51It's okay.
00:09:52Okay.
00:09:53I'm sorry.
00:09:54So, what's your plan?
00:09:57Keep things the way they are, I guess.
00:10:00Except, now I can focus more on acting and not dancing in strip clubs.
00:10:05Hey!
00:10:06That's exciting, right?
00:10:07That's something you've always wanted to do since you were a kid.
00:10:10Is that audition today?
00:10:11Yeah.
00:10:12Yeah.
00:10:19Hi.
00:10:20I'm here for the audition.
00:10:23You think you could just show up like that, you slut?
00:10:30You slut!
00:10:31Are you stalking me?
00:10:33Oh, don't flatter yourself.
00:10:35I'm the lead of this production.
00:10:37She's not auditioning.
00:10:38Sorry.
00:10:39You can't do this.
00:10:41I worked so hard for this opportunity.
00:10:43Oh, like stripping for men and fucking them in strip clubs?
00:10:47Got it.
00:10:48I was dancing.
00:10:49That's it.
00:10:50What's the fucking difference?
00:10:52I eat girls like you for breakfast.
00:10:56Let's go, Derek.
00:11:00No.
00:11:01Please!
00:11:02Wait!
00:11:09Be quiet!
00:11:10Come on!
00:11:16No!
00:11:30No, no!
00:11:33No, no, no!
00:11:36Boss, get the details, Thelma, she went to high school not far from here, dropped out,
00:11:55the husband auditioning for films, she worked at nightclubs to make a living, bad relationship
00:12:01with her parents, but not an orphan, no name changes and definitely never been to an orphanage.
00:12:24I wanted it to be her so bad, of course it can't be Helen.
00:12:29I've been looking for this girl for 10 years, who is she?
00:12:34Someone more important to me than life itself.
00:12:48It is her.
00:12:54Find me the location where this photo was sent.
00:12:56Got it.
00:12:57The photo's been sent.
00:12:58Good.
00:12:59Where is she?
00:13:00Oh.
00:13:01Out like a leg.
00:13:03I guess marrying Edward won't solve everything.
00:13:07How about you fed it?
00:13:09Do whatever you want with her, and clean it after you're done.
00:13:15I've been searching for you for so long, and you were right here.
00:13:32Boss, he's gone.
00:13:33Find him.
00:13:34And keep this between us.
00:13:35Got it.
00:13:36Oh God, save me.
00:13:37Come on.
00:13:38I got you.
00:13:39Come on.
00:13:40I got you.
00:13:41Come on.
00:13:42Come on, I got you.
00:13:50Come on.
00:13:51Bye.
00:13:52Bye.
00:13:54Hey, Matt.
00:14:01Come on, I got you.
00:14:14Bogor.
00:14:17I'm sorry.
00:14:19I can't tell you who I am.
00:14:22Not yet.
00:14:31We'll need your names once we're out of here, right?
00:14:42Yeah, we're starting a new life.
00:14:45I'll be...Telma. What about you?
00:14:49Algar.
00:14:51Helen!
00:14:53Where are you?
00:14:55You have to run quick.
00:14:56Trying to escape again?
00:14:58I warned you it's not gonna work.
00:15:00Looks like I gotta give you some real punishment.
00:15:03You go first.
00:15:04At least one of us needs to escape.
00:15:06No, you go.
00:15:08She's gonna kill you.
00:15:09I won't let her catch me.
00:15:10Just go, I'll find you.
00:15:12Let's meet the...amusement park.
00:15:18I'll wait for you, Algar.
00:15:24Oh, you're not going anywhere.
00:15:26I'll bring her back, rest assured.
00:15:28After I'm done with you!
00:15:38I'll wait for you, Algar.
00:15:47What happened?
00:15:48Nothing to worry about.
00:15:50Just some issues with the film crewman.
00:15:53Why are you being so nice to me?
00:15:56No reason.
00:15:58Here, take this card.
00:16:00It's unlimited.
00:16:02Spend it however you want.
00:16:03Why are you doing this? I don't want your money.
00:16:05Well, if you need money, just let me know and you can stop looking for odd jobs.
00:16:16Odd jobs?
00:16:18Acting is my dream.
00:16:21I danced in strip clubs for a living, but people like you born from a silver spoon wouldn't understand that.
00:16:27Then stop doing it.
00:16:30We're in a contract marriage, right?
00:16:33I won't interfere with your life and you can't meddle in mine.
00:16:38Acting is something that I've always wanted.
00:16:41And besides, I'm not going to take your money besides the number that we agreed on.
00:16:46I need to rest now.
00:16:52Do you mind?
00:17:13Look at this mess.
00:17:14Clean it up if you even think about going to bed.
00:17:33Eat up. He must be starving.
00:17:37Nah, you probably work hard for this.
00:17:40Come on, take it.
00:17:44I can't believe she locked you out for three days and made you do all this.
00:17:50Did she even feed you at all?
00:17:52You made it easier for me.
00:17:54No, get back before she sees you here.
00:18:15Excuse me. I'm calling to ask about my audition.
00:18:19I'm sorry. Your name has been blacklisted from reproduction.
00:18:23What?
00:18:24I'm sorry.
00:18:25I'm sorry.
00:18:26I'm sorry.
00:18:27I'm sorry.
00:18:29Hey, I'm sorry.
00:18:30You're okay.
00:18:31I need to get some Massachusetts.
00:18:34how about a drink there are two glasses of scotch there pick one I'm sorry just a friendly gesture
00:18:50from the bar one more thing only one of those glasses is poison fruit you should have known
00:18:59better that would happen when you kidnap them here I'll do it for you hold it go go
00:19:12take him away
00:19:20this is what I've become Thelma I hope you never see me like this ruthless merciless
00:19:36both glasses would have silenced the man I simply can't forgive him for what he did
00:19:44what the fuck happened to you how did he find you what happened
00:20:01oh you can't even talk now god you fucking useless
00:20:08inform every production you can reach Thelma will never be an actress
00:20:13make sure of it go
00:20:19are you okay
00:20:32I've been blacklisted by every production company even the actors guild what am I going to do
00:20:40hey don't lose heart okay I happen to know of an audition going on today if you're interested
00:20:44since when did a good friend of mine tip me off now come on let's go
00:20:49all right it's better than moping around here
00:20:51here it is
00:20:56so I can just go in there just like this
00:20:59yes I got everything set up okay just go ahead go in and do you think
00:21:03you got this
00:21:04you got this
00:21:05break away
00:21:06what is she doing to do
00:21:20who is she nobody she's not here for the audition too is she well in that case we're in for a treat
00:21:34carla jenny you're up next
00:21:39I can't believe it it was you
00:22:00that's right I never thought you'd find me
00:22:06but it must come to an end
00:22:08oh no
00:22:12cut
00:22:25I'm sorry were you shot or did someone just step on your toe
00:22:31can I just try again I was just a bit nervous
00:22:35miss jennings we are making a thriller with a tragic ending
00:22:40what you just did was borderline comedy
00:22:42excuse me
00:22:44do you know how close I am with your investor
00:22:47sir she was indeed recommended for the role
00:22:52may we give her another chance
00:22:54no no no no no we are creating art that appeals to our audience and she is clearly
00:23:07not right for the role next
00:23:10I'm sorry miss jennings that was great
00:23:13maybe another project or another
00:23:16what are you still doing here
00:23:19thought you were blacklisted
00:23:21so it was you you know if that's the best you got then I'm not that worried
00:23:25you think you could do better than me
00:23:28you're nothing
00:23:31yeah show us what you got
00:23:34Thelma
00:23:36so it was you
00:23:52all this time
00:23:54that's right
00:23:56I never thought you would find me
00:23:59but now it must come to an end
00:24:02no this can't be it for us
00:24:09cut
00:24:16well that was amazing
00:24:21oh you fully captured that role
00:24:24congratulations you get the part
00:24:27what
00:24:32what about me
00:24:34you promised me
00:24:35oh come on you have to admit
00:24:37she was exceptional
00:24:38she is perfect for the part
00:24:40girl
00:24:41you killed it
00:24:42you were great
00:24:44I'm Alex
00:24:46looks like we're going to be team partners
00:24:47Thelma
00:24:48hey do you want to go somewhere more private
00:24:50we can talk about the script
00:24:51yeah sure
00:24:52what the fuck
00:25:07hitting on the wrong girl buddy
00:25:09Edward what are you doing
00:25:10I need to go talk to Thelma
00:25:14how about you shoot another day
00:25:15what are you doing
00:25:21gonna explain yourself
00:25:22I don't owe you any explanations
00:25:25so you're seeing new guys
00:25:27what no we were just acting out a scene
00:25:32a scene where you two get real close
00:25:34like a couple
00:25:35I was just doing my job
00:25:37there's nothing wrong with it
00:25:38and besides even if I was seeing someone
00:25:41it would be none of your business
00:25:42yay
00:25:50I heard you got the lead role
00:25:53that's amazing
00:25:54I knew you'd kill it
00:25:56Janet what is Edward doing here
00:25:58who?
00:25:58come on you know who I'm talking about
00:26:00oh
00:26:01um
00:26:02gosh you still don't know do you?
00:26:04you know what?
00:26:07well he's actually the investor
00:26:09of this movie
00:26:11this is his project
00:26:13why did you bring me here then?
00:26:21well it was actually his idea
00:26:23hello
00:26:27hi is this Jean?
00:26:30who is this?
00:26:31this is Edward Arduin
00:26:32I recently invested in a film project
00:26:35and I want you to take your friend Thelma
00:26:37I think she'll be great
00:26:39for a lead role
00:26:40wait wait
00:26:40you're Edward Arduin?
00:26:42I wired the payment to your account
00:26:44thank you
00:26:45wait wait wait
00:26:46I still can't believe
00:26:51I spoke to the legendary Edward Arduin
00:26:54I can't believe you knew all this time
00:26:56and you didn't tell me
00:26:57oh well
00:26:58don't look at me
00:26:59I'm just the middle man
00:27:00doing somebody else a favor
00:27:01okay
00:27:02and you still got the lead
00:27:04it's amazing
00:27:05but you know
00:27:08a lot of people say
00:27:09that Edward's not very nice
00:27:10he's like a stone-cold man
00:27:12so why is he being so good to you?
00:27:15yeah I don't get it either
00:27:17I mean
00:27:17women must be throwing themselves at him
00:27:20why would he help you?
00:27:30maybe he's fallen for you
00:27:31come on
00:27:33that's impossible
00:27:34he said some pretty harsh stuff earlier
00:27:36so
00:27:37wow
00:27:38is that why you look all gloomy?
00:27:40what happened?
00:27:41did you guys fight?
00:27:42he saw me doing a scene
00:27:43with another actor
00:27:45and
00:27:45it's
00:27:48whatever
00:27:48why do you care
00:27:53what he thinks though?
00:27:56come on girl
00:27:57this does not sound like you
00:27:59are you sure
00:28:00you haven't fallen for him too?
00:28:02no it's just
00:28:03there's
00:28:04there's something about him
00:28:05that's
00:28:06familiar
00:28:07like
00:28:08like
00:28:09I've seen him before
00:28:12hmm
00:28:13thank goodness you here Helen
00:28:33this place is depressing
00:28:35I don't know if I could make it without you
00:28:37you're the one protecting me
00:28:41I can't stand watching you getting hurt
00:28:43you're as sweet as a sugar pea
00:28:45can I call you sugar pea?
00:28:47sure
00:28:47as long as I can call you my little rock
00:28:50my little rock
00:28:52cause you make me feel safe
00:28:53like a rock fell and I'll never break
00:28:55deal
00:28:57help
00:28:58Music
00:28:59vorish
00:28:59Melker
00:29:01蔀
00:29:02what have you done to me?
00:29:05Melker
00:29:05what have you done to me?
00:29:11GHz
00:29:11you see your face everywhere
00:29:14I see your face everywhere.
00:29:26Oh good, just in time.
00:29:35Damn.
00:29:38Why are you being so nice to me?
00:29:44Look, I'm sorry about today.
00:29:47It was stupid of me to react that way.
00:29:51No, I mean, why did you help me get the role for your film?
00:30:01Well, you won't take my money,
00:30:03and I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:10Oh, okay, so that's why.
00:30:14They're all rich people who just want themselves.
00:30:16What was that?
00:30:17Nothing.
00:30:18This is great.
00:30:24You know, you can be real sweet sometimes.
00:30:27This is delicious.
00:30:29I'm glad you like it.
00:30:32Sweet pea.
00:30:33Good morning, madam.
00:30:35Edward has left already.
00:30:38Oh, I saw you were cooking last night.
00:30:40I watched your utensils.
00:30:42Uh, yeah.
00:30:43It was Edward.
00:30:44He is the cook.
00:30:45Edward.
00:30:46Gotta go.
00:30:47Okay.
00:30:48Okay.
00:30:49Okay.
00:30:50I'm good.
00:30:51What is going on?
00:30:52What are we waiting for?
00:30:53Let's get started.
00:30:54One of our lead roles is not here yet.
00:30:55Oh, my God.
00:30:56The one thing I ask everyone here is to be professional.
00:31:00Woo!
00:31:01Sorry, guys.
00:31:02Traffic was nightmare.
00:31:03All right.
00:31:04I'm ready to start.
00:31:05Wait.
00:31:06I thought that she didn't get the part.
00:31:07Wait.
00:31:08I thought that she didn't get the part.
00:31:09Well, how about that?
00:31:10Looks like I'm going to be playing your Misty.
00:31:11After this, nobody's even going to remember you.
00:31:12We'll see about that.
00:31:1342 Delta Take Two.
00:31:16I'm ready and go.
00:31:17Get ready for it.
00:31:18All ready for it.
00:31:19Who is this?
00:31:20Yeah.
00:31:21Good work.
00:31:22He's been a pilot.
00:31:23Yeah, I am.
00:31:24Got an update.
00:31:26So, what do you think we'll do with you is to be professional?
00:31:28Sorry, guys.
00:31:29Traffic was nightmare.
00:31:30All right.
00:31:31I'm ready to start.
00:31:32Wait.
00:31:33I thought that she didn't get the part.
00:31:34Well, how about that?
00:31:35Looks like I'm going to be playing your Misty.
00:31:36After this, nobody's even gonna remember you.
00:31:37We'll see about that.
00:31:3942 Delta Take Two.
00:31:40Ready, and action!
00:31:44You have to leave now!
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what!
00:31:55Cut!
00:31:56Cut, cut.
00:31:56What do you think you're doing?
00:31:58Just playing my role.
00:32:03Carla, what the hell was that?
00:32:06That wasn't even in the script.
00:32:07I was just adding some extra touch to it.
00:32:10You know, for the sake of art.
00:32:11Art?
00:32:13A slap doesn't make any sense.
00:32:15And who gave you the authority to change my script?
00:32:19It's fine.
00:32:21She can hit me.
00:32:22Oh.
00:32:24Thelma, are you sure about this?
00:32:26It's all good if it's all for the sake of the effect.
00:32:29Wow.
00:32:30I knew I was right in choosing you as my lead.
00:32:34Okay, okay.
00:32:35Uh, back to ones, please.
00:32:37Yes, thank you.
00:32:38Can you pick up my script?
00:32:40And action!
00:32:42You have to leave now!
00:32:44Not without the love of my life.
00:32:46I'll wait for him no matter what!
00:32:50Edward?
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a perfect team, don't we?
00:33:02Jay, have these two switch roles.
00:33:05I want Thelma to do the slapping.
00:33:08Since it's all for the sake of art.
00:33:16But Thelma's the lead.
00:33:18Yeah, that wouldn't make any sense.
00:33:21We can't make more changes to the script, Ed.
00:33:23We're already behind.
00:33:24Better get right to it, then.
00:33:26You don't have to do this for me.
00:33:29I'm not doing it for you.
00:33:30I'm doing it for my own investment.
00:33:32All right, uh, we have added a line to the script.
00:33:42So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:33:48Got it?
00:33:50All right.
00:33:51And, uh, action.
00:33:54You have to leave now.
00:33:56Not without the love of my life.
00:33:58I'll wait for him no matter what.
00:34:00But what if he's dead?
00:34:01What if he finds somebody else?
00:34:03You're just gonna spend the rest of your life waiting for someone who will never come?
00:34:12Then I'll be sure to leave no room for regret.
00:34:18Cut!
00:34:20Oh, Bravo!
00:34:21Oh, that was perfect, Thelma!
00:34:24You handled that perfectly.
00:34:27Thelma, were you not supposed to slap Carla after that line?
00:34:30Uh, no need for that.
00:34:33I think that my character is above that kind of pettiness.
00:34:44I'm going to expose you, Thelma.
00:34:47Sooner or later.
00:34:51Where are you, my little rock?
00:35:02I'm doing fine.
00:35:04Don't you worry.
00:35:07You know it's bad to waste food.
00:35:10Do you think you deserve to be punished?
00:35:12Yes, headmistress, I do.
00:35:15Ma'am, Helen's sick.
00:35:16That's why she couldn't finish.
00:35:18Oh, isn't that sweet.
00:35:20Too bad.
00:35:21She's getting more punishment because of you.
00:35:24Isn't that sweet?
00:35:25Well, if you so insist, you can take it for her.
00:35:29Oh, get off.
00:35:31You're alright.
00:35:32Found the worker who leaked info to our computer.
00:35:47A manager who's worked with us for 20 years.
00:35:51What do we do with him?
00:35:52Uh, fire him.
00:35:56Sue him if we need to.
00:35:58Can't have disloyalty in the company.
00:36:01It might ruin him and his family.
00:36:03So be it.
00:36:05Alright.
00:36:33Elker
00:36:49Elker
00:37:03Where's my...
00:37:23Oh, no, no, no.
00:37:33Oh, no, no, no, no, no, no.
00:38:03I carried you to your bed last night and that was it.
00:38:11No, seriously, what are you doing?
00:38:14Nothing, sweet pea.
00:38:16What did you just call me?
00:38:19Sweet pea.
00:38:22You sat in your sleep last night.
00:38:23You see, well, don't ever do that again.
00:38:30Sure.
00:38:31Sure.
00:38:31Hi.
00:38:45Could you maybe explain this scene a little bit?
00:38:48I'm not sure if I get it.
00:38:49I mean, it is pretty straightforward to just do what it says without improvising.
00:38:52Well, Emma, you were so great yesterday.
00:39:00I want to go over this one part.
00:39:02Now, when you say this line, I'm about...
00:39:04We'll see who wins.
00:39:09Nos, what am I doing this afternoon?
00:39:12Well, it's kind of a very important meeting.
00:39:15Did you forget?
00:39:17Canceled.
00:39:18Send them my apologies.
00:39:20What?
00:39:21So, what do you normally do when you're not working?
00:39:25Uh, I do striptease.
00:39:28Oh.
00:39:29I was thinking more along the lines of going to the movies.
00:39:34There's actually a good one out right now.
00:39:36I mean, maybe if you're interested, we could try to catch it together.
00:39:39Sorry, but I really need to focus on this job right now.
00:39:43Oh, yeah.
00:39:43Sure, sure.
00:39:43You're a really interesting person to talk to, you know that?
00:39:50Edward!
00:39:51Are you here to see me?
00:39:54Oh, you're a little dad.
00:39:56Oh.
00:39:59Edward?
00:40:00It's not for you.
00:40:01I'm sorry.
00:40:02Why is she still talking about me?
00:40:05Go put the snacks in the lounge.
00:40:07Got it, boss.
00:40:07Edward?
00:40:15What's your name again?
00:40:17Actually, it doesn't matter.
00:40:19What were you talking to my wife about?
00:40:29Oh.
00:40:31Thelma, I had no idea that you were married.
00:40:35Oh, don't worry about it, man.
00:40:36We were just talking about stuff in the script.
00:40:39Is that right?
00:40:40Hey, so you must be Edward Arduin.
00:40:43I've heard a lot about you.
00:40:44I'm Alex.
00:40:46Cool.
00:40:46Bye, Alex.
00:40:48Great.
00:40:49Yeah, well, I'll see you later.
00:40:51Thelma.
00:40:52No, you won't.
00:40:53Good.
00:40:53You guys are all here.
00:40:55Edward brought snacks.
00:40:56They're in the lounge if anyone wants them.
00:40:58Yes, I'll come.
00:41:02Snacks.
00:41:02Edward doesn't usually come to set this often.
00:41:09He's quite the busy man.
00:41:10I think he's here to see you.
00:41:12He's here to see Carla, not me.
00:41:14Oh, please.
00:41:15Can you not see the way he looks at you?
00:41:17Whatever.
00:41:19Oh, speak of the devil.
00:41:22I will give you two some privacy.
00:41:23Wait.
00:41:24No, don't.
00:41:25Excuse me.
00:41:25You're getting out of hand.
00:41:33Don't forget, I'm the one who hired you.
00:41:36Excuse me?
00:41:37Stay away from Alex.
00:41:39Got it?
00:41:40What are you talking about?
00:41:41There's nothing going on between us.
00:41:42Besides, you came here to see Carla.
00:41:48So you're jealous.
00:41:50What are you talking about?
00:41:51I'm not jealous.
00:41:55What are you doing?
00:42:03Carla and I aren't together.
00:42:05I'm here for you.
00:42:06You really expect me to believe that?
00:42:08Don't look.
00:42:14Yeah, girl?
00:42:18What?
00:42:25Jean, are you absolutely sure?
00:42:28Yes, positive.
00:42:29I used to know this guy from the streets
00:42:31and he and Algar drifted around for months.
00:42:34So where is he?
00:42:35Well, they later got separated
00:42:38so he has no idea after that,
00:42:39but that's got to mean that Algar's still alive, right?
00:42:43Oh my goodness.
00:42:44Thank you so much.
00:42:46You have no idea how much this means to me.
00:42:47It's been 10 years.
00:42:51Don't forget, you are married too.
00:42:53What are you going to do?
00:42:54I'll divorce him once our contract is up.
00:42:58I needed the money.
00:43:00Algar will understand.
00:43:02I don't know.
00:43:03Edward seemed really into you.
00:43:07Actually, Jean,
00:43:08I think I should keep my distance from him.
00:43:21You okay?
00:43:22Yeah.
00:43:24Want to tell me what happened?
00:43:29I just want to be alone for a bit, okay?
00:43:33Is this about Carla?
00:43:35I told you, I went to see you, not her.
00:43:39Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:45Is this because we're moving too fast?
00:43:48I just think that we should keep our distance.
00:44:14Please.
00:44:16Please.
00:44:23Thought she was playing hard to get, huh?
00:44:25Maybe she doesn't want to seem too eager.
00:44:28I mean, why would anyone reject you?
00:44:31It's impossible.
00:44:33Come on.
00:44:34Let's get to the set.
00:44:35Hey, Thelma.
00:44:40You'll be wearing this dress for the next scene.
00:44:42Is that okay?
00:44:42That's fine.
00:44:46So you think you could just take whatever you want?
00:44:48I thought this was my personal changing room, like it's always been.
00:44:58Carla, this room is for the lead role.
00:45:00Yours is outside.
00:45:02Well, actually, I'm all done here.
00:45:05Carla loves taking things that aren't hers.
00:45:07Be my guest.
00:45:08Use it.
00:45:08Oh, well, aren't you quite generous then, hmm?
00:45:14Edward's not here so you can drop the act.
00:45:17We actually need to get back to work if there's nothing else.
00:45:21Actually, I can finish my makeup myself.
00:45:27Go on.
00:45:28What do you want to talk about?
00:45:29Let's make a deal.
00:45:31A deal?
00:45:31A deal?
00:45:35Who the fuck do you think you are?
00:45:37Well, as far as I know, I'm Edward's wife.
00:45:45Gunner, deal.
00:45:46Stop picking fights with me.
00:45:47Stop giving me a hard time on set, and I won't take anything away from you.
00:45:51I'll actually help you with whatever you and Edward have going on.
00:45:57Alright, deal.
00:46:00I'm done with this room, by the way.
00:46:02It's yours if you still want it.
00:46:03I don't need your pity.
00:46:07Don't you have, like, business to run?
00:46:20What are you doing here all day?
00:46:22Hey, um, actually, about what happened.
00:46:31I think that we should talk.
00:46:34Why don't you meet me in the lounge after we wrap up?
00:46:37Why can't we talk now?
00:46:39Wanted to be a surprise.
00:46:41See you later.
00:46:42What does she want to talk about?
00:46:54Does she not want to see me?
00:46:57Hi, Edward.
00:46:59Carla?
00:47:02Why are you here?
00:47:03Where's Stella?
00:47:04Who should I meet?
00:47:05What are you doing?
00:47:06Maybe you have a squirt?
00:47:10What are you doing?
00:47:11Are you trying to set those two up?
00:47:13Yeah, and if they're together, then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:20Well, if you have a better idea, then let's hear it.
00:47:26Edward!
00:47:26If they're together, then they'll have nothing to do with me.
00:47:34Well, as long as you're okay with this.
00:47:37Of course I am.
00:47:38Why wouldn't I be?
00:47:40I mean, now I can just focus on what really matters, and I can try to find Algar.
00:47:48Edward!
00:47:50What the fuck are you doing?
00:47:56Whatever games you're playing, you need to stop.
00:48:01What are you talking about?
00:48:02You came here to see Carla, right?
00:48:05Thelma, come on.
00:48:07Edward, we're going to be divorced really soon.
00:48:10So?
00:48:11So if you're attracted to somebody, then go for it.
00:48:13I want you to be happy.
00:48:14The only person I love is you.
00:48:21Edward, how could you?
00:48:25Everything I do for you, Carla.
00:48:27I do for your father.
00:48:29He looked out for me, so this is me hanging back.
00:48:40I'm already in love with somebody else.
00:48:43It's never going to be you.
00:48:45But if that man didn't exist, would you consider me?
00:48:48Stop it, Edward.
00:48:49It's never going to happen.
00:48:50What do I do, Algar?
00:48:58I know you're out there.
00:49:00What do I do?
00:49:01Boss, you've been here for a while.
00:49:16Is everything okay?
00:49:17Why don't you tell her you're the one she's looking for?
00:49:24Do you remember what I did to return to the Arduin family?
00:49:27About Algar.
00:49:40Are you telling me that Mr. Arduin knows his illegitimate son is Algar?
00:49:47Yes.
00:49:48And now the old man wants him back.
00:49:51Another brat to share their inheritance.
00:49:55If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:01Madam, it's our fault.
00:50:04Please don't withdraw your donation to the orphanage.
00:50:07If we work together on this, I could even help you get rid of Algar for good.
00:50:21Take care of it.
00:50:23But make sure we lose it.
00:50:28Shall we go to the Arduin Rose Garden?
00:50:30Yes, please, sir.
00:50:31I just have to see it, sir.
00:50:33I've hoped.
00:50:33Goodness, sir.
00:50:34Yes.
00:50:37I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:43I eliminated everyone associated with her.
00:50:48Over the years,
00:50:54I did whatever it took to gain my father's approval,
00:50:59to secure my inheritance.
00:51:02My methods were ruthless.
00:51:05My conscience.
00:51:07Callous.
00:51:09You did what you had to do.
00:51:12And now I'm a different man.
00:51:14A monster.
00:51:15She doesn't even recognize.
00:51:18If she finds out this is the man she's been looking for all these years,
00:51:20it'll drive her away.
00:51:24I can't lose her again.
00:51:26Argonne and I...
00:51:26We roamed the city for a winter.
00:51:41and a lot of people say he made some enemies.
00:51:47One night, under the bridge where we slept,
00:51:50he got stabbed, and he died.
00:51:54No, you're mistaken.
00:51:58He always had a ring with him.
00:52:00It was a nice ring.
00:52:02I think it had the letters A and H on it.
00:52:07I told him he could pawn it for a few bucks,
00:52:10but he just kept it with him.
00:52:13No, he can't just be gone.
00:52:16He can't just be gone.
00:52:17It's okay.
00:52:26Oh, Thelma.
00:52:29Sweetie, what's wrong?
00:52:31Oh, my God, baby, you have an evening three days.
00:52:35Can I get you something?
00:52:37Anything?
00:52:37I mean, it's not good for you.
00:52:42Oh, my God.
00:52:43It's okay.
00:52:44It's okay.
00:52:47This is my fault.
00:52:50She's burning up.
00:52:52The doctor said it was from emotional distress and not eating.
00:52:58Go make her something late.
00:53:00I'll stay with her.
00:53:01Yes.
00:53:02You need to get some rest and let me handle this.
00:53:12No, it's okay.
00:53:13Leave it to me.
00:53:15Look, I know you care,
00:53:17but I've never seen you do this for anyone.
00:53:20And if the old lady were here,
00:53:21she'd be heartbroken
00:53:23to see you this exhausted.
00:53:25Don't worry about me, Sarah.
00:53:27You can go now.
00:53:28I'm not hungry.
00:53:44Please eat and get better.
00:53:45Thelma, oh my god, are you okay?
00:54:15I've been trying to call you for ten times.
00:54:18You haven't done something stupid, have you?
00:54:21I can't find a reason to go.
00:54:24Stop saying that, okay?
00:54:26Don't listen to what that guy said.
00:54:28He doesn't know what he's talking about.
00:54:30They never found Alger's body.
00:54:32Maybe he's still alive.
00:54:35You've waited ten years, okay?
00:54:38You sure you're going to give up now?
00:54:40Don't you want to find out the truth for yourself?
00:54:43Yeah, you're right.
00:54:46I should keep going.
00:54:48Good.
00:54:49Now go get some sleep and get back to set, girl, okay?
00:54:52That is something that you've always wanted,
00:54:54and you're not going to screw it up, all right?
00:54:57Yeah.
00:54:59I understand.
00:55:02I'll keep going for Alger.
00:55:06I want that bitch, Dad.
00:55:08You got that thing ready?
00:55:09I'm sure I would do the job.
00:55:18All right.
00:55:19Don't mess this up.
00:55:21Ready for first aid.
00:55:23Coming!
00:55:23Coming!
00:55:23Uh, you wanted to see me?
00:55:36Yes.
00:55:37It is about the scene where you're stabbed.
00:55:40We will be using this as a prop.
00:55:42So once the safety is clicked off,
00:55:45the blade will go back inside itself upon impact,
00:55:47so don't worry.
00:55:48It's not going to hurt you.
00:55:49See?
00:55:51Nice.
00:55:54Exactly.
00:55:59Uh, Thelma, Carla, all set.
00:56:02All departments ready?
00:56:08And action.
00:56:14Wait!
00:56:16Cut!
00:56:17Cut!
00:56:17Edward?
00:56:18Are you okay?
00:56:19Oh, God, how did this happen?
00:56:20Edward, don't die on me.
00:56:25Please.
00:56:25I know that my past is complicated,
00:56:28and I'm not worthy of your time or your love.
00:56:32What makes me so special?
00:56:38Okay, I admit.
00:56:39I think somewhere along the way,
00:56:41I became attracted to you,
00:56:43and I know that you keep this stone-cold face,
00:56:47but I know that that's not the real you.
00:56:50Please, show me the real you.
00:56:55Let me in.
00:57:00Edward!
00:57:07What are you doing?
00:57:08That's not funny.
00:57:09I was worried sick.
00:57:10What's the matter with you?
00:57:11How else could I get such a lovely monologue?
00:57:14Okay, you know what?
00:57:15I'm going to go get a doctor.
00:57:16No, no, no.
00:57:17No.
00:57:17I'm fine.
00:57:19No.
00:57:20Look, not even a scratch.
00:57:22Just need a minute.
00:57:23Are you sure?
00:57:24It seemed pretty serious.
00:57:26Yeah, the knife didn't even get to me.
00:57:29Something blocked it.
00:57:31Really?
00:57:32Where is it?
00:57:34Nothing.
00:57:35I'll find out what happened today.
00:57:37Meanwhile, be more careful on set, yeah?
00:57:41No, don't worry about it.
00:57:43You're the patient.
00:57:44Just rest up now.
00:57:47I heard everything you were saying, by the way.
00:57:50Okay.
00:57:50You know what?
00:57:51I'm really getting you a doctor now.
00:57:52Just shut up.
00:58:03You...
00:58:05saved my life.
00:58:06I'm sorry.
00:58:07I'm sorry.
00:58:08I wasn't thinking.
00:58:09It won't happen again.
00:58:10I promise.
00:58:11Jay, get a replacement for her role.
00:58:11She's done.
00:58:12I'm not sure what we're going to do after your little incident.
00:58:30I'm sorry.
00:58:31I wasn't thinking.
00:58:32It won't happen again.
00:58:33I promise.
00:58:34It won't happen again.
00:58:35Get a replacement for her role.
00:58:36She's done.
00:58:37Edward, what are you saying?
00:58:38I told you to stop pulling these tricks behind my back.
00:58:39I didn't do anything.
00:58:40Don't listen to her.
00:58:41She's making it all up.
00:58:42Carla had someone on the prop team switch the fake knife with a real one.
00:58:43She almost killed Thelma and myself.
00:58:44Edward, I'm sorry.
00:58:45I messed up.
00:58:46Please, please give me another chance.
00:58:47I've given you plenty of chances.
00:58:48I've given you plenty of chances.
00:58:49Really, Edward?
00:58:50After all these years?
00:58:51Please stop burying yourself.
00:58:52Hey, hey.
00:58:53Do you want to do anything?
00:58:54I didn't do anything.
00:58:55I didn't do anything.
00:58:56I didn't do anything.
00:58:57Don't listen to her.
00:58:58She's making it all up.
00:58:59Carla had someone on the prop team switch the fake knife with a real one.
00:59:01She almost killed Thelma and myself.
00:59:02Edward, I'm sorry.
00:59:03I messed up.
00:59:04Please, please give me another chance.
00:59:05I've given you plenty of chances.
00:59:08Really, Edward?
00:59:09After all these years?
00:59:12Please stop burying yourself.
00:59:15Hey, hey.
00:59:16Doing all of this for a man?
00:59:18I hope it's worth it.
00:59:21Edward, you know everything I did is because I love you.
00:59:25If you try hurting her again, you will be sorry.
00:59:36Hand her over to the police.
00:59:41Well, now that that's over, we should talk about what you said to me earlier.
00:59:46Which is what?
00:59:47That you were attracted to me.
00:59:53No, we're not going to talk about that.
00:59:55That's not fair.
00:59:56You tricked me.
00:59:58Got it.
00:59:59What if the person you're looking for is me?
01:00:00What if the person you're looking for is me?
01:00:16Don't be ridiculous.
01:00:17Besides, you come from a rich and powerful family and he's an orphan like me.
01:00:29And he's incredibly kind.
01:00:33He wouldn't even step on an aunt.
01:00:35I can't say the same thing about you.
01:00:40People can change.
01:00:44And I'll never stop searching for him.
01:00:46I'm afraid that you can't stop me.
01:00:48Am I even worthy of love?
01:01:01Am I even worthy of love?
01:01:03You're a billionaire.
01:01:06I'm sure that there's plenty of women fighting over you.
01:01:10Plus, I stand by what I said.
01:01:15I don't think that this Edward is the real you.
01:01:20Do you remember when we first met?
01:01:25You saved me.
01:01:27You're a good person.
01:01:29You're kind to Nos.
01:01:31To Sarah.
01:01:35You'll find the love that you deserve.
01:01:43He's gone.
01:01:44I waited 10 years and he's just gone.
01:01:55Do you like the man I am now?
01:01:57It doesn't matter.
01:01:58We're getting divorced in a year.
01:02:04If I give you all my properties and assets, can we not get a divorce?
01:02:09No.
01:02:35My head.
01:02:36Do you remember what happened?
01:02:46He said something about money and assets.
01:02:52And then after that, not a thing.
01:03:01All right.
01:03:02Okay, back to work.
01:03:03Come on.
01:03:06I can't be watching people get arrested all day.
01:03:09Hey.
01:03:10Can we talk?
01:03:13I heard you've been looking for someone.
01:03:15Yes.
01:03:20I believe this could be helpful.
01:03:23This place is reopening soon.
01:03:27I'd like for you to come.
01:03:29What does this have to do with the man that I'm looking for?
01:03:32You'll see.
01:03:33You'll see.
01:03:36Okay, I'll go.
01:03:38Good.
01:03:39I don't want to spoil the place.
01:03:41What does this have to do with Edward?
01:03:44You'll see.
01:03:48Look at that.
01:03:49See?
01:03:50Oh my God.
01:03:51Yes, I trusted you.
01:03:52Guys, we're blowing up.
01:03:53What do you mean?
01:03:55After we posted the behind the scenes, we went viral.
01:03:59Thelma became a sensation.
01:04:01She's now trending number one.
01:04:03Big star.
01:04:04Trending?
01:04:05Does this mean more money?
01:04:06Of course it does.
01:04:07And that is just the easy part.
01:04:10I was thinking about my next movie and I want you to be in it.
01:04:15Wow.
01:04:16This is a dream come true.
01:04:18And we're having a wrap party at the hottest bar tonight.
01:04:21All right.
01:04:22You wonder who's so generous.
01:04:33Boss, I bought this new contract.
01:04:34Do you think Thelma will be surprised by the party I'm throwing for her?
01:04:37Oh, definitely.
01:04:38So should I pick her up or do I just show up at the party?
01:04:43You don't do this often, do you?
01:05:03Great party, Edward.
01:05:05It'll only be fitting, right?
01:05:07Not entirely bad.
01:05:10So, thank you.
01:05:13How would you like to thank me?
01:05:15Uh, sorry everybody.
01:05:16Attention, attention.
01:05:17Thank you, thank you.
01:05:19Uh, first off, this has been an amazing three months.
01:05:25I'd like to thank everybody in here.
01:05:27And, uh, here is to its huge success.
01:05:33Cheers.
01:05:34Cheers.
01:05:35Mm-hmm.
01:05:37And now, a few words from Edward, the man, the big boss.
01:05:41Without him, none of this would be possible.
01:05:44Thank you all so much.
01:05:46I just want to say how grateful I am for the opportunity.
01:05:49Jay is an exceptional director.
01:05:52He's casting remarkable.
01:05:56Thelma's performance in particular, out of this world.
01:06:00And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:06Cheers.
01:06:07Thelma!
01:06:08Thelma!
01:06:09The superstar!
01:06:10Stop it!
01:06:11Uh, by the way, do you think Alger will watch my new show?
01:06:12Do you think he'll recognize me?
01:06:13Oh, Thelma.
01:06:14I know this is really hard to hear, but you gotta let him go.
01:06:16Alger's gone.
01:06:17I'm not giving up until I know for sure.
01:06:29Hey!
01:06:30Let me out!
01:06:31What?
01:06:33You can't believe me.
01:06:35You can't believe me.
01:06:36It's time to believe me.
01:06:38How do you think Alger will watch my new show?
01:06:40Do you think he'll recognize me?
01:06:41No.
01:06:43Hey! Let me out!
01:06:51Thelma! Are you quitting?
01:06:53What are you talking about?
01:06:54Production told me you turned down Jay's new project
01:06:57and you didn't show up for any of the promo events.
01:07:00What new project is this about? Who told you this?
01:07:03Oh. Oh no.
01:07:06Couldn't be Edward.
01:07:09Could it?
01:07:10Edward?
01:07:13So, he turned it down and he told everybody that I quit?
01:07:18Maybe he thought it was for your own good?
01:07:21Interfering with my career without telling me?
01:07:23How is that for my own good?
01:07:30Babe, Mr. Erdogan is in a meeting right now.
01:07:32He got me out of my way.
01:07:34Apologies, gentlemen. Let's take a break.
01:07:36We'll continue this afternoon.
01:07:41Did you turn down the offer for my new film?
01:07:50Can I explain?
01:07:51This will terminate our contract marriage.
01:07:53The deal is over.
01:07:56What do you mean?
01:07:57I'll pay the penalty for breaching our contract.
01:08:00Once it's settled, I don't want you meddling in my life anymore.
01:08:03You almost got hurt on set.
01:08:05I was trying to protect you.
01:08:06God, I don't need your protection, okay?
01:08:08I can look out for myself.
01:08:10This is my life.
01:08:12You're making a big mistake here.
01:08:14Just stay out of my work and my personal life, Edward.
01:08:19We're done.
01:08:26Hey, it's Thelma. Can I see you real quick?
01:08:32Thelma, you're very talented.
01:08:35It was such a shame just seeing you give up.
01:08:39But I knew you had it in you from the start.
01:08:42I saw it in you all the way.
01:08:47Now I strictly get to make decisions for myself.
01:08:52Now let's see this next project.
01:08:55Next project, next project.
01:08:57Here it is.
01:09:00What do you think?
01:09:05Let's just say that it's a pleasure doing business with you, Jay.
01:09:13Congratulations.
01:09:16Come on.
01:09:17Please move, I'm leaving it.
01:09:18You need to calm down.
01:09:19What are you doing?
01:09:20Excuse me, I'm perfectly calm.
01:09:21How about we both compromise?
01:09:23You continue with your acting as long as it's through Ardoin Investments.
01:09:26You still don't get it, do you?
01:09:27I'm not your accessory.
01:09:29I am not a part of the Ardoin family.
01:09:32Plus, the only person that I am.
01:09:33can make decisions for me is myself.
01:09:34Can't we talk about it for the sake of our relationship?
01:09:36Look, I'm thankful for everything that you've done for me.
01:09:40You've crossed the line.
01:09:42Goodbye, Edward.
01:09:43Oh, Thelma.
01:09:44Look, I have rarely seen Edward smile since his father passed away.
01:09:46And he's like a new man.
01:09:47You know what?
01:09:48I'm not a part of the Ardoin family.
01:09:49I'm not a part of the Ardoin family.
01:09:50I'm not a part of the Ardoin family.
01:09:51Plus, the only person that can make decisions for me is myself.
01:09:52Can't we talk about it for the sake of our relationship?
01:09:54Look, I'm thankful for everything that you've done for me.
01:09:58You've crossed the line.
01:10:00Goodbye, Edward.
01:10:02Oh, Thelma.
01:10:07Look, I have rarely seen Edward smile since his father passed away.
01:10:11And he's like a new man now that you're here.
01:10:14I'm sorry, but I can't stay here.
01:10:20It's okay, Sarah.
01:10:22Let her go.
01:10:23Since when did we become stalkers?
01:10:39Where is she?
01:10:40I know she has a bunch of crazy fans trying to get her attention, but if those assholes think they have a shot with my woman.
01:10:50You've not seen the news?
01:10:52Thelma has announced she's single again.
01:10:55What?
01:10:56Yeah, even a bunch of haters have turned into fans now.
01:11:00Especially after watching her show.
01:11:07Are you okay?
01:11:09Dammit.
01:11:10You, that guy was up to no good.
01:11:11Thelma.
01:11:12Thelma, Thelma.
01:11:13Thelma.
01:11:14Thelma.
01:11:15Thelma.
01:11:16Thelma.
01:11:17Thelma.
01:11:18Thelma.
01:11:19Thelma.
01:11:20Thelma.
01:11:21Thelma.
01:11:22Are you still working with Ardawan Investment Family?
01:11:24The Ardawan Family's never officially announced your divorce.
01:11:27Is there something that they're hiding?
01:11:29Was your marriage to Edward Ardawan strictly business, like the tabloids say?
01:11:37Uh...
01:11:39Why don't you ask the man himself?
01:11:49Hey, Mr. Ardawan, you got a second?
01:11:51I don't.
01:11:52It's fine.
01:11:57So, Mr. Ardawan, what brings you here?
01:11:59Thinking of joining the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry, I can't help you with that.
01:12:07Uh, so this new film is a romantic drama with some comedy.
01:12:12You and Jay's new movie too, yeah?
01:12:14You ever want any work?
01:12:16Let's go!
01:12:17No.
01:12:18Not yet.
01:12:19As always, I would love to thank our amazing director, Jay, for all of his amazing visions,
01:12:24and everyone else who's helped me on this incredible journey.
01:12:29What?
01:12:30Well, specifically?
01:12:32And I'm so excited to get started because I know that this is going to be another hit.
01:12:36Alright, ready to check out the set for the new movie?
01:12:39I'll walk in.
01:12:40Uh, actually, do you want to check it out together?
01:12:43Sure.
01:12:46Thelma, Thelma, Thelma!
01:12:50How do you win back a little bit?
01:12:52Um, flowers, romance, gifts are always a good movie.
01:12:58How original?
01:12:59Let's get back to the office.
01:13:00Fine.
01:13:09I, uh, got these for you.
01:13:12You can just leave them there.
01:13:21Thelma, I'm sorry.
01:13:23I was wrong.
01:13:29Please, give me another chance.
01:13:33I promise I won't be overbearing.
01:13:35I'll respect all your opinions, and I'll never interfere with your career again.
01:13:44The flowers look good.
01:13:52I'll take these, and we can talk about the rest later.
01:13:56Go!
01:14:04Go!
01:14:05I don't want to see you again!
01:14:08Cuts!
01:14:10Well done, everybody.
01:14:11That is a wrap.
01:14:13Great.
01:14:14Here.
01:14:15I got you a cup of coffee.
01:14:17Thanks, Alex.
01:14:18I need to know where she is.
01:14:30Now!
01:14:31Uh, I think I might know where she is.
01:14:32Why the hell would you, though?
01:14:33Do you have something to do with it?
01:14:34No!
01:14:35Man, look, all right.
01:14:36Carla was talking to some sketchy dude about Carla's basement.
01:14:38I think Thelma might be there.
01:14:39Trust me, man.
01:14:40I don't want anything bad to happen to her either.
01:14:41Believe me.
01:14:43Thelma?
01:14:44Where are you?
01:14:45Thanks.
01:14:46You're sitting here.
01:14:47No!
01:14:48I need to know where she is.
01:14:50I need to know where she is.
01:14:52I think I might know where she is.
01:14:53Why the hell would you know?
01:14:54Do you have something to do with it?
01:14:55No, man.
01:14:56Look, Carla was talking to some sketchy dude about Carla's basement.
01:14:57I think Thelma might be there.
01:14:58Trust me, man.
01:14:59I don't want anything bad to happen to her either.
01:15:00Believe me.
01:15:01Delma? Where are you?
01:15:20Let's not do anything stupid. Whatever you want, just name it.
01:15:27Edward, Edward, Edward.
01:15:32How did you find this place?
01:15:39You again?
01:15:41You didn't seriously believe I would just walk away, did you?
01:15:44You're a coward.
01:15:48Killer.
01:15:49And Edward, I want you to watch.
01:15:52If you touch her, I will skin you alive.
01:15:56I got it!
01:16:01Ah!
01:16:04Delma, run!
01:16:05It's okay.
01:16:06It's over.
01:16:07It's okay.
01:16:08It's over.
01:16:13It's all over.
01:16:14It's okay.
01:16:15It's over.
01:16:16It's all over.
01:16:20It's okay.
01:16:21It's okay.
01:16:22It's okay.
01:16:23It's okay.
01:16:25It's okay.
01:16:26It's okay.
01:16:27It's okay.
01:16:29It's alright.
01:16:31It's okay.
01:16:32It's over.
01:16:34It's all over.
01:16:35It's all over.
01:16:58It's today.
01:17:00I promised Ness I would go.
01:17:05Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:15I thought it closed down years ago.
01:17:19Elma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Ness told me to come. What are you doing here?
01:17:27Well, now that you're here, I need to tell you a little secret.
01:17:32Be right back.
01:17:34Edward?
01:17:47Don't be scared, sweet man.
01:17:48What did you just call me?
01:17:50I told you I'd meet you here, Helen.
01:18:03I told you I'd meet you here, Helen.
01:18:07I told you, Helen.
01:18:08Alcar, but how? Why didn't you tell me after all this time?
01:18:16After I escaped the orphanage, the headmistress sent people after me.
01:18:21So I had to fake my own death.
01:18:24I survived.
01:18:26But the price was becoming a different man.
01:18:29Cold.
01:18:31Ruthless.
01:18:32Even cruel.
01:18:34And I was so scared that if you found out this was the man I'd become, you wouldn't love me anymore.
01:18:43Besides, the Arduin family erased every trace of my past.
01:18:47If they find out you're the one I'm looking for, they'll use you against me.
01:18:52And I can't risk that.
01:18:54Alcar, you know that I love you.
01:19:01You do?
01:19:05Yeah, with you by my side, I'm not afraid of anything.
01:19:10I don't want us to ever be apart again.
01:19:23Yes!
01:19:30I don't want us to ever be apart again.
01:19:33But our next thing is to beæ„äžäș, that I love you.
01:19:35The second thing is to live in the dark.
01:19:38I don't want us to be able to figure out who I am in the dark.
01:19:40I feel a little crazy.
01:19:41I don't want us to live in the dark.
01:19:42I love you.
01:19:43I don't want us to live in the dark.
01:19:44It's too much of the dark.
01:19:46I don't want us to be able to hide.
01:19:48You can reach us, I don't want us to be able to hide.
01:19:49I do believe in the dark.
01:19:50I think that's why I really do know how it is.
01:19:52Do you know when I am going to be able to hide the dark.
01:19:55It's too quiet.
01:19:56I don't want us to be able to hide all the holes of the leaves.
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