Passer au playerPasser au contenu principalPasser au pied de page
FilmsActu
  • aujourd’hui
✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673

La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma

FilmsActu X Nicolas Winding Refn (Interview)
© 2025
Transcription
00:30...
01:00...
01:02...
01:04...
01:06...
01:10...
01:12...
01:14...
01:16...
01:18...
01:20...
01:22...
01:24...
01:26...
01:28...
01:30...
01:32...
01:34...
01:36...
01:42...
01:44...
01:46...
01:48...
01:50...
01:52...
01:54...
01:56...
01:58...
02:00...
02:02...
02:04...
02:24...
02:26...
02:28...
02:38...
02:40...
02:42...
02:48...
02:50...
03:12...
03:14...
03:18...
03:20...
03:22...
03:24...
03:26...
03:28...
03:30...
03:32...
03:34...
03:36...
03:38...
03:40...
03:44...
03:46...
04:08...
04:14...
04:16...
04:18...
04:20...
04:22...
04:24...
04:28...
04:30...
04:32...
04:34...
04:36...
04:38...
04:40...
04:42...
04:44...
04:46...
04:48...
04:50...
04:52...
04:54...
04:56...
04:58...
05:30...
05:32...
05:34...
05:36...
05:38...
05:40...
05:42...
05:44...
05:46...
05:48...
05:50...
05:52...
05:54...
05:56...
05:58C'est ce qui se passe dans l'espace théâtre,
06:02l'espace d'un-réalité, comme un stage.
06:05Et donc, c'est comme l'évolution, vous le savez.
06:12Je pense que si les directeurs veulent revenir
06:15et changer leurs films, je suis sûre qu'il y a une raison.
06:18Je n'ai pas besoin de faire.
06:20Je n'ai jamais eu la liberté créative
06:23pour faire le film que je voulais faire.
06:25Donc, il n'y a rien à changer.
06:27Je n'ai pas besoin d'un côté.
06:29Donc, une fois que j'ai fait quelque chose,
06:30j'ai été ostracisé dans mon corps.
06:33Il n'est plus en moi.
06:36J'ai besoin d'un côté de quelque chose.
06:57J'ai besoin d'un côté de 4K.
06:59J'ai besoin d'un côté de 4K.
06:59J'ai besoin d'un côté de 4K.
07:01J'ai besoin d'un côté de 4K.
07:04J'ai besoin d'un côté de 4K.
07:06J'ai besoin d'un côté de 4K.
07:10J'ai besoin d'un côté de 4K.
07:11J'ai besoin d'un côté de 4K.
07:14J'ai besoin d'un côté de 4K.
07:16J'ai besoin d'un côté de 4K.
07:17J'ai besoin d'un côté de 4K.
07:19J'ai besoin d'un côté de 4K.
07:21avec tout tout en 4K.
07:23Et je faisais toutes les restaurations
07:24moi-même.
07:25Donc, c'est tout qui vient de moi.
07:28Et vous pouvez acheter
07:29directement de moi
07:30à www.buyenwr.com
07:32Je vais signer votre box set
07:34et sender l'offre à vous.
07:37Je suis un grand fan
07:39de 4K.
07:40Je l'aime 4K.
07:42Je pense que 4K
07:43est, comme,
07:43c'est magnifique.
07:45Parce que beaucoup de films
07:46peuvent être re-watched
07:49avec une meilleure qualité
07:50et qui ne veut pas ça.
07:53Donc, c'est comme un nouveau
07:55de la nouvelle normale pour moi.
07:58Donc, je décide de faire
08:00tous mes films en 4K,
08:01lentement les ennemis.
08:06Je pense que cinéma,
08:08et télévision pour ça,
08:10a très difficile de faire
08:12dans les dernières années,
08:1410, 15 ans.
08:16Gamin, social media,
08:18VR, canvases
08:19are exploding
08:20and they're constantly
08:21evolving
08:22because technology
08:23is allowing them
08:24to evolve.
08:25Movies and television,
08:27TV is becoming
08:28more and more
08:28just content
08:30that you almost
08:31look at
08:31while you're doing
08:32other things.
08:33And movies
08:34are still
08:35that window
08:35of exclusivité,
08:37of the collective
08:38experience.
08:39But I think
08:40that movies
08:41also need
08:42to re-evaluate
08:44themselves.
08:44I remember
08:45when we were
08:45in Cannes
08:46for Only God Forgives
08:47and I,
08:48after everyone
08:49had been booing me
08:50for so long
08:51that during
08:52my stay,
08:54I did say,
08:55look,
08:56you can be angry
08:57with me
08:57and about my film,
08:58but I am
08:59from the future
09:01and I'm going
09:01to make something
09:02that's going
09:03to predict
09:03what it's going
09:04to be like
09:05if you want
09:05to make films
09:06in the future.
09:07And I was right
09:09because right
09:10after Only God
09:11Forgives,
09:11the industry
09:12changed because
09:13of Netflix.
09:14Netflix was
09:14the game changer
09:15and it changed
09:17not so much
09:18what we're making
09:18but it's how
09:19we experienced
09:20film and content
09:22essentially,
09:23how we viewed it.
09:24And I think
09:25that to justify
09:26or for a movie
09:27to exist
09:28in longevity,
09:29you have to
09:30see what a film
09:32can become
09:33rather than
09:33what it used to be.
09:35violence is like
09:38sex.
09:39It's all about
09:40the build-up.
09:40Bang, bang,
09:41and then it's
09:42to the other wall.
09:43Now make it
09:43dirty, unique,
09:44interesting,
09:45never seen before
09:46in violence.
09:50I'm not that
09:51strategic,
09:52but I will say
09:53that everything
09:55is an evolution
09:56of something.
09:58And there can
09:59be a tendency
10:00when something
10:02is liked
10:03that everyone
10:05wants the same
10:07saying.
10:08But I don't
10:08necessarily think
10:09that's true.
10:10It's better to
10:10give them
10:11something else
10:12or something
10:12different
10:13or something
10:14that destroys
10:15your past
10:16in order to
10:17make something
10:18new,
10:19to transition.
10:20You know,
10:20obviously the
10:21two films
10:22are very different
10:23but what ties
10:24them is
10:25myself and
10:27Ryan's
10:27interaction.
10:29However,
10:29I find that
10:30interesting.
10:31It's like
10:31taking something
10:32and turning
10:33it on its
10:33head.
10:34It's taking
10:34the ultimate
10:35superhero
10:36in one movie
10:37and emasculating
10:38him in the next.
10:39It's taking
10:40one movie
10:41that's very
10:41poppy
10:42and another
10:42movie that's
10:43very esoteric.
10:46And that,
10:47I think,
10:47is what makes
10:49the world
10:49interesting,
10:50is that things
10:51can become
10:51different.
10:53It can evolve
10:53into other
10:54components.
10:56Rather than
10:56just always
10:57staying in
10:58the same
10:58repeat lane
10:59because you
11:00very quickly
11:01run out of
11:01steam,
11:02in my opinion.
11:03I was very
11:05happy but
11:05obviously,
11:07you know,
11:08a lot of
11:08harsh reactions
11:09and a lot
11:11of booing
11:11and screaming
11:12but then I
11:13was like,
11:13that's kind
11:14of cool
11:15because then
11:16you're like
11:16the sex
11:17pistols of
11:17cinema.
11:18You know,
11:18you're like
11:19the one
11:19everyone throws
11:20bottles at
11:21but you
11:21can't deny
11:22it existence.
11:23You can't
11:24really criticize
11:25it because
11:26I did it
11:26my way.
11:27The world
11:28will see it
11:29as it
11:29continues to
11:30evolve
11:31and you
11:32just have
11:32to be,
11:33you have
11:33to just
11:34to be,
11:34trust yourself.
11:35So you
11:35never lose
11:36your vision
11:36when you
11:37have that
11:38strong reaction?
11:39No,
11:39on the
11:39contrary,
11:40you're like,
11:40it's like
11:41energy.
11:41It's like,
11:42just wait
11:42for the
11:42next one.
11:43I love
11:44that.
11:45I'm like
11:45you,
11:46I have
11:46no regrets
11:47about
11:47Only God
11:47Forgives.
11:48I think
11:48it's a
11:48masterpiece
11:49and it
11:49is.
11:50I just
11:51didn't
11:51make it
11:51very expensive.
11:52Is there
11:52a doctor
11:53in the
11:53house?
11:54We need
11:55to get
11:56a medic
11:56in here.
11:57Is there
11:58a doctor
11:59around?
12:00When you
12:00were mentioning
12:012001,
12:02it says
12:03you forgot
12:03to add
12:04Drive.
12:05We'll
12:05let that
12:05slip.
12:06We won't
12:07know about
12:07Drive for
12:08another 30
12:09years.
12:1030 seconds.
12:10Whether it
12:11lives or
12:12dies.
12:12I'm talking
12:13about films
12:132001 was
12:16made in
12:161968.
12:18I made
12:18this film
12:19about four
12:19years ago.
12:20Four years
12:21is a zip.
12:22It's not
12:22even a blip.
12:24It's not
12:24a pimple
12:25on the
12:26asshole
12:27of humanity.
12:28What was
12:29funny about
12:29talking to
12:30Billy Freakin
12:30was that
12:31he had a
12:33man who
12:33had struggled
12:34a lot in
12:35Hollywood and
12:36started very
12:38successfully at
12:40a young age
12:40and then
12:42gone into
12:42sorceress and
12:44was still
12:46traumatized by
12:47that experience
12:48after so
12:48many years.
12:49I think that
12:50was what was
12:51so sad in
12:52a way that
12:52it had such
12:53an effect on
12:54him.
12:54it's a little
12:55bit like
12:55Michael Cimino
12:56doing Heaven's
12:57Gate.
12:57These amazing
12:59films, both
13:00Sorcerers and
13:01Heaven's Gate
13:02are probably
13:03their best
13:03films, for
13:05some reason
13:05get so
13:06destroyed and
13:07then they
13:08lose sight of
13:10themselves or
13:10they lose their
13:11confidence and
13:12affects all the
13:13other movies they
13:14make afterwards.
13:15And I was like
13:16I'm never going to
13:17be like that
13:17because I'm
13:18right, you're
13:19wrong.
13:19I mean I've
13:24done two shows
13:26one with Amazon
13:27one with Netflix
13:27and I like what
13:29I was making
13:30obviously but I
13:31I don't know
13:32how how
13:34much I want
13:35to continue
13:36I may want to
13:37take a break
13:38and go and
13:40make movies
13:40again.
13:41I've decided to
13:42do more
13:42visual arts
13:44you know and
13:45trying to
13:48find other
13:48areas of
13:49creativity but
13:51I think it's
13:51time to go
13:52make a film
13:53again.
13:54You said you
13:54work on two
13:55shows but you
13:55work on The
13:56Famous Five
13:56also.
13:57The Famous Five
13:58was a television
14:00show that I
14:00just how do you
14:02say executive
14:03produced or
14:03created but I
14:04had no
14:05involvement in
14:06it otherwise I
14:07just created the
14:08kind of concept
14:09and the story
14:10based on these
14:11very famous
14:11books.
14:12The Famous Five
14:13was more because
14:13my kids would
14:14read the books
14:15when they were
14:16young.
14:16I remember my
14:17mother reading
14:17me the books
14:18so it was more
14:19like a past
14:21history thing
14:21that came up
14:22as an opportunity.
14:27Well I mean
14:28if anything
14:28if something is
14:29interesting you
14:30know why not
14:30look at it.
14:31I've had some
14:31wonderful meetings
14:32in Hollywood
14:33met wonderful
14:34people but in
14:36the end I
14:36like my freedom
14:37that's all I
14:39really want is
14:40just to be free.
14:41When you work
14:41in Hollywood
14:42there is a
14:43contract.
14:44some people
14:45love that and
14:46can work within
14:46that.
14:48It's maybe not
14:49so much my
14:50thing right now
14:51but who knows
14:51maybe next year
14:52I'll do a big
14:53superhero movie
14:56that could be
14:58fun maybe.
14:59I don't know.
15:00I'm pretty open
15:00to anything but
15:01at the same time
15:02at the end you
15:04should just make
15:04what makes you
15:05happy.
15:06It's one thing
15:06having creative
15:07control which is
15:08easier enough
15:10but it's where
15:11all the money
15:12that's invested
15:13puts a burden
15:15on you
15:15because all that
15:16money has to
15:17get recouped
15:19and then you
15:19have to make
15:20a certain type
15:20of movie.
15:21You don't have
15:22the freedom
15:22to do whatever
15:23you want
15:23because you're
15:24a slave to
15:25the economics.
15:27If your film
15:27costs $200 million
15:29or $100 million
15:30you need to make
15:31$300-400 million
15:32to break even.
15:33That already
15:34puts a strain
15:34on what kind
15:35of movie
15:35can you make
15:36and I don't
15:37want any
15:38conditions on me
15:39at all.
15:42You have to be
15:42completely free.
15:47I mean in the
15:48beginning a lot
15:49of people were
15:50talking about
15:50another drive
15:51but it was like
15:52that would be
15:53the worst idea
15:54I've ever heard of.
15:56So never?
15:56Never.
15:57I've been very
16:06lucky to live
16:07a fun life
16:09and it has
16:12nothing to do
16:13with fame.
16:14You realize
16:15very quickly.
16:17It has that
16:18I've had
16:18opportunities
16:19and I've been
16:20able to work
16:20with people
16:21I've met people
16:23I've spoken
16:24with people
16:24and it's all
16:26been a lot
16:27of fun
16:27but I think
16:28when I started
16:29the idea
16:31of being seen
16:32was very
16:33essential
16:33the idea
16:34of fame
16:34and fame
16:35being
16:36an opportunity
16:37it's like
16:37an opportunity
16:38it's like
16:38a stage
16:39one thing
16:40is becoming
16:40famous
16:41the next
16:42what are you
16:42going to do
16:42with it
16:43and obviously
16:44it's like
16:44anything
16:45it's an opportunity
16:46I don't have
16:48any love
16:48I don't have
16:51I don't have
16:51working
16:52I also have
16:53working
16:54I also have
16:55we're here
16:59in Bangkok
16:59for 6 months
17:00he'll make
17:02his next film
17:02and I've said
17:03yes to the
17:03process
17:04it's new
17:06that we're
17:07together
17:08when he's filming
17:09last he made
17:11drive
17:11I was home
17:12in Denmark
17:12with the children
17:13and it took
17:1410 months
17:15and it was
17:16hard to be
17:17from each other
17:18my daily life
17:22is I have a
17:23routine
17:23I wake up
17:24I do
17:25two hour
17:26sports
17:26every day
17:27then I usually
17:28have lunch
17:29then I get
17:31yelled at
17:31by my kids
17:32I work
17:33at night
17:34and then
17:35try not
17:36to get
17:37to bed
17:38too late
17:39and then
17:39Friday comes
17:41and it's weekend
17:42and
17:42you try to
17:44relax a little
17:45more
17:45and the next
17:46day is Monday
17:47you watch movies
17:48I used to watch
17:50a lot of movies
17:51when I was a lot
17:51younger
17:52but now it's
17:53just harder
17:53and harder
17:54there's other
17:54things that I
17:55find interesting
17:56like what
17:57well I did
17:58my first exhibition
18:00that just opened
18:01in Tokyo
18:02and that's been
18:03a lot of fun
18:03to do that
18:04collaboration
18:05with Hideo Kojima
18:06can you talk
18:08about that
18:08well I created
18:10an exhibition
18:11that opened
18:13Friday
18:14last week
18:15in Tokyo
18:16where I built
18:17this installation
18:18between us
18:20I saw my wife
18:21and my daughter
18:22in the procession
18:24hey
18:24it's me
18:26where are you going
18:32wait
18:34don't leave without me
18:40I am heart man
18:52and heart man
18:53is forever
18:54in death stranding
18:55I think that
19:01don't believe
19:02everything you read
19:03on the internet
19:04can you tease us
19:05something
19:05well believe
19:06everything you read
19:07on the internet
19:08we're going to see
19:18a beautiful film
19:19you