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21:27And in the next few weeks, I will be ready for the rest of the day.
21:57If I am not, I will be able to close the day.
22:01I am not sure.
22:02I will be able to close the day.
22:04I will be able to close the day.
22:05I will be able to close the day.
22:07I will be able to close the day.
22:14Arjan, look at this scene.
22:17Just like the lights off, the actor came out.
22:21He came in the other room.
22:23He is not the one or the two.
22:31Complicated.
22:34In this rehearsal, you are not sitting at this point.
22:40Sir.
22:43He is talking about the chate.
22:44He is not able to see the person in the dark clothes.
22:47I know that he is always a lot of pain.
22:50He is a very weak person.
22:51He has to attend many customers.
22:53Sir, now imagine.
22:54The chate is a part of the chate.
22:56Now, the chate is still in front of the chate.
22:57He is not only creating chate.
22:59He is serving one customer.
23:01He is keeping up with the attention.
23:02Not only to take a breath.
23:03Sir, he has no need to take off his mouth.
23:05He has no need to take off his eyes.
23:07And in this moment, he has seen him as far as he is.
23:09He has not only seen him.
23:10The clothes, his cutters,
23:11he has no need to take off his mouth.
23:12He has no need to take off his mouth.
23:13When he has to take his breath,
23:16there are so many customers in his house.
23:18Where is H. H. H.
23:20Sir, he has closed his house today.
23:22He is not here.
23:25Today? Sunday?
23:30Look at him.
23:31Yes, sir.
23:36In the back of the area,
23:37there is someone's body in the back of the Shafki Nagar.
23:43This is a very difficult one.
23:45You're right.
23:46You're right.
23:47No.
23:48Maybe a little more.
23:49No.
23:50Okay.
23:51Yes.
23:52No.
23:53Yes, sir.
23:54Yes, sir.
23:55No.
23:56No.
23:57No.
23:58No.
23:59No.
24:00No.
24:01No.
24:02No.
24:03No.
24:04No.
24:05No.
24:06No.
24:07No.
24:08No.
24:09No.
24:10No.
24:11No.
24:12Sir, look at this.
24:22Sir, these are two different people.
24:25One small and one big.
24:27That means, sir, one height was bigger and one small.
24:30Sir, but this is not a strange thing.
24:32We were coming to ask the person,
24:34he has already been murdered.
24:36I didn't lie to him until today.
24:40Anything I did Manisha,
24:41it just took me away and left behind me.
24:44I was just away and left behind me before you.
24:46I wasn't behind behind behind me.
24:49This is a shame.
24:50This is a shame.
24:51You have no right.
24:53You met me.
24:54I have given you everything.
24:56So,
24:57I didn't demand you from that?
24:59Hold this.
25:00What are you saying?
25:02I'm sorry, brother. That's R.A. did improvise.
25:06Why are you lying? Why are you lying?
25:08What do I do?
25:09Hey, calm down.
25:10Go, take a break.
25:14You too, go.
25:15Sorry.
25:21Yes, sir. You were saying something.
25:23No, no. Take a break.
25:25Don't drink tea.
25:32You were doing good.
25:38R.A. did a little off script, but you were brilliant.
25:43What are you doing now?
25:45Yes, sir.
25:46You were doing so fast.
25:47I mean, there were so many scenes, so many dialogues.
25:50We were so difficult to kill her.
25:52How much time did you do?
25:54Sir, it was about three weeks.
25:56I mean, you started to do three weeks before this character?
26:00No.
26:02That...
26:03That actually...
26:04Say it.
26:05Manalka will be fine.
26:07That...
26:09That...
26:10Shiraag Boyi told me to prepare me for the role.
26:17No, brother.
26:18The next two weekends are full.
26:20People are asking for tickets.
26:21The next month, I'll give a big big stage to me.
26:25Director, sir.
26:30Can I come?
26:31Yes, sir.
26:32Please.
26:37Natak is a hit for you, boss.
26:39In the scene of the heroine's death,
26:41the scene of the heroine's death in every show.
26:43It's the same.
26:44It's the same.
26:45The audience will come.
26:46The heroine's death to Mumbai.
26:47The heroine's death to the heroine's death.
26:50The heroine's death has made a blockbuster.
26:53What?
26:54What's that, sir?
26:55I'm wrong.
26:57Ankitah was not going to Mumbai.
27:00Yes, sir.
27:02She was going to go.
27:04Ankitah, stop!
27:05Ankitah!
27:06One more time, listen to my story.
27:07Please.
27:08There will be a lot of trouble.
27:09Please.
27:10Leave me, Chiraag.
27:11Ankitah, you can't leave me like this show.
27:13I have noticed.
27:15Four shows.
27:16I haven't done anything.
27:17Ankitah?
27:18Ankitah?
27:19You did anything else, Ankitah.
27:21God, Chiraag.
27:22Please, man.
27:23You are so desperate.
27:24So, what happened to us?
27:25Coffee dates?
27:26You have to talk at night and night?
27:28Listen.
27:29You had to spend time.
27:30I needed a lead role.
27:31The rest of all are your delusions.
27:33Do you understand?
27:34You have used me, Ankitah.
27:36You have not used me.
27:37Who has used me?
27:38Who is the role of my salary for three years?
27:41Where is my salary?
27:43You are not taking your own money
27:45in your hobbies.
27:46But this is my profession.
27:48This is my home.
27:49This is my home.
27:50Do you understand?
27:51I can't pay rent for six months.
27:53I've never asked you once.
27:54No?
27:55Two weeks.
27:56Four shows.
27:57And then a bus.
27:59After that, I'm going to Mumbai.
28:01And that is bloody final.
28:07You are very passionate.
28:09Take your work.
28:10Take your theatre.
28:11You do everything.
28:13But if you want this to someone else,
28:15you will kill it.
28:16Sir, I didn't kill it.
28:18Sir, I was sitting in the show.
28:20Yes, I know.
28:21But it's so complicated.
28:23Who can kill a killer?
28:25One of the most fun director.
28:27Sir, I have no trust in my thoughts.
28:29I have not been murdered for her.
28:30Sir, in fact, this show,
28:32I have written for Ankitah.
28:33And the show also liked the audience.
28:35So, when the show was so much,
28:37maybe Ankitah will leave a dream of Mumbai.
28:41And she will stay here.
28:43Ankitah is going to Mumbai.
28:44What is happening?
28:45Can you tell me about this?
28:46No, sir.
28:47The hotel is broken.
28:48Everyone seems to have to cancel the show.
28:51But I have to say that I have to prepare Sanjita.
28:54But I have to tell him that I didn't tell him that...
28:57Why?
28:59Don't go away from the city.
29:02Sir.
29:03There is another show for Ankitah.
29:06Sir, there is no stage experience.
29:08So, sir, if you have completed this auditorium,
29:11then we will have to do a little research in the show.
29:17If you allow, sir.
29:19Do it.
29:25Chirag Jay.
29:27I didn't understand the climax of Natak.
29:30That was Kaushik, Mukota.
29:32What was that?
29:35Metaphor.
29:36The patriarchy of the man.
29:39Madam Ji.
29:40Meili.
29:41In the form of the woman,
29:42the appearance of the woman,
29:43the identity of her identity and dreams.
29:47Wow.
29:48What a thought.
29:50But these things were also applied in life.
30:02I took the time to take the time to take the time to take the time to take the time.
30:11Hey, Gelkarji.
30:13You've already started acting in the theater.
30:15You've really started acting in the theater.
30:16Let's go.
30:17Let's calculate the time.
30:20Let's go a little bit, Gelkarji.
30:22I'm taking the seat and taking the seat.
30:32No, no.
30:36Let's go.
30:38Sir.
30:394 minutes, 40 seconds.
30:41I'll take the costume for 2 minutes.
30:44It's possible, but it's a difficult spot.
30:52Arjan,
30:53did the Forensic Report come?
30:55No, sir.
30:56I can't see.
30:57Sir, that chart-pala has been left on a history sheet.
31:00There are already two cases.
31:02Fraud and blackmailing.
31:03Blackmailing?
31:07Interesting.
31:09I don't know how many people will have to understand this case.
31:30No, sir.
31:31I have to say that.
31:32I don't know how many people will have to understand this case.
31:33What was going on there?
31:34Sir, there is something.
31:35I have to say that.
31:36A little bit.
31:37I have to say that.
31:38Do not touch.
31:39Never touch.
31:40Let me open it.
31:41Actually, sir.
31:42The first time,
31:43I have to say that.
31:44I have to say that.
31:45I have to say that.
31:46I have to say that.
31:47You have to say that.
31:48I have to say that.
31:50Actually, sir.
31:51Actually, sir, one week before Arian and Angita, there was a lot of pain.
32:08Yes, it was a pain. But sir, I don't want to talk about it again.
32:15I don't want to die.
32:18A month ago, I knew that a big production house of Mumbai is looking for a new face.
32:24For Akash Kapur's film.
32:26The film was romantic.
32:28So, I asked Angita to make an audition scene.
32:32Okay. And then?
32:34Then what?
32:36I got to meet her. I didn't get to meet her.
32:38That's it. That's why I got to fight her.
32:41That's it.
32:43That was my contact. That was my audition.
32:46I had just requested her to help me.
32:49But she did that with Akash Kapur.
32:52Compromise favors.
32:54I mean, if you got a job, you got a talent.
32:57And if you got a job, you got a compromise.
33:00It's not easy.
33:02It's not easy.
33:03And to do theatre, it's only a struggle.
33:05It's not money.
33:06It's not my name.
33:07But I loved it from theatre.
33:09That's why I left my job on stage.
33:12Angita, it's just...
33:14That's what happened to her, sir.
33:16But I didn't kill her, sir.
33:18No, no, no.
33:20You won't tell me.
33:21We'll do it.
33:22Okay?
33:24So...
33:25So...
33:47Madam...
33:48You guys don't have to try again today.
33:51We'll get to meet you.
33:56What's this?
33:58Bank statement.
34:00Yes.
34:01Look at this account number.
34:02It's yours, right?
34:03That's why you transferred the card to the card.
34:06Which card to the card?
34:08I don't remember.
34:09Okay.
34:10This.
34:11This is $15,000.
34:13It was $15,000.
34:14It was just four days before you transferred the card.
34:16That's why you killed Angita one day before.
34:18Tell me.
34:19Oh, this is $15,000.
34:20Sir, that was for Kaushik's money.
34:22It wasn't for cash.
34:23It wasn't for cash.
34:24It was for cash.
34:25And it was a new shift in the new room.
34:26So, you paid for deposit.
34:27You paid for deposit.
34:30What?
34:31A new deposit.
34:32Was Kaushik's money.
34:34Was Kaushik's money.
34:35Yes, ma'am.
34:36They were going to marry Madhu and Kaushik.
34:38That's why.
34:39What?
34:40Kaushik and Madhu.
34:42Madhu?
34:43Yes, sir.
34:44But you didn't tell someone in the group, right?
34:46If they all know, they're going to get the dynamic.
34:49Okay.
34:52Look, son.
34:53I'm not going to get the dynamic.
34:55Let me tell you.
34:56Why do they give it to you?
34:58Sir, Udhar, sir.
35:00They were very difficult.
35:02They were going to play.
35:04And they were going to leave the heroine.
35:08How do they know they?
35:12Koshik, come on.
35:14Look at him.
35:18Look at him.
35:19Go back to him.
35:20Mood.
35:21Come on.
35:22Look at him.
35:23Sorry.
35:24Let me go.
35:28Hey, look.
35:29Hey.
35:30Hey.
35:31Hey, look.
35:32Three murders will become the case.
35:34Well, the better it is,
35:36that you tell us before,
35:38that you have come to the method acting
35:39and killed him by the method acting.
35:43The method acting.
35:45Oh, my God.
35:47He's gone.
35:49Now, can you tell me,
35:51or you'll ask me to ask me?
35:53What are you saying now?
35:55The date has been fixed.
35:57The deposit is gone.
35:59We all know.
36:01He's my man.
36:03What's the reason?
36:05He's such a good actor.
36:07He's such a big theater group.
36:09So you need to know that a girl
36:11who will see his man
36:13who will react?
36:15He'll talk.
36:17He'll laugh.
36:19But if this is the same thing,
36:21you'll know from the first time.
36:27Shah,
36:29you...
36:31both of you...
36:33Why?
36:35He's a man.
36:37He's a man.
36:39He's a man.
36:41He's a man.
36:43He killed the man.
36:45I'll tell you.
36:47So you've seen.
36:49Kaushik and Madhu have planned this.
36:51After she killed the man on the stage,
36:53she went back to the stage.
36:55She was waiting for her.
36:57With the punishment of the punishment.
36:59Without time-waste, Kaushik gave her mask to the door.
37:06So, whoever he was looking for, she felt that she killed her back.
37:11Kaushik gave her a costume and sat herself in her armory.
37:16Madhu gave her to Kaushik's clothes.
37:20And Madhu found her costume with a big chalakie.
37:26so that everyone would think that the one who killed him was in the same costume.
37:30And then, at the time of Madhukartan call,
37:33the rest of the team came to the stage.
37:36You both knew that if you get caught,
37:39we will trace the victim to the victim.
37:41That's why you gave the money to the people,
37:43so that we can get angry.
37:45But in such a situation,
37:47you should keep the victim's feelings.
37:49He was a man of a man.
37:51He was a man of blackmailing.
37:52That's why he knew that he was killed in the theater,
37:55and you both had more money.
37:57But you had money,
38:00so I have to keep him safe.
38:08What evidence is that you guys have?
38:15This is the evidence.
38:17This is from your house from Mangetar.
38:21The footprints that we got out of the body,
38:23and they match exactly that.
38:25And we believe that if we have a problem with your house,
38:29then we will get one of the other footprints,
38:31which will match the other footprints.
38:33That's why I don't do that.
38:35Tell me.
38:42Sir.
38:44Sir, we saw Ankita's notice.
38:47I've seen the evidence.
38:49It's a very good one.
38:53You can't go to the end of the night.
38:54Ankita?
38:55There's a notice, right?
38:57Four shows.
38:58I've never done anything with you.
39:00After that, I'm going to Mumbai,
39:02and this will be the final.
39:04I told her that she will go.
39:10Look, she's gone.
39:12How can she do that?
39:15How much work?
39:17How much work?
39:18Everything is bad.
39:20There's no difference between her.
39:22She was able to enter the film industry.
39:25And she will do it without this show.
39:29She is the same as Ankita.
39:32The work of three months is so hard.
39:34The rest of her life, food, everything is done.
39:38What will we do now?
39:41And how will she do it?
39:43How will she do it?
39:45No.
39:47It will happen.
39:48It will happen in any situation.
39:50We have to do something in the face.
39:52We are not a criminal.
39:54We didn't want to kill her.
39:57We were only able to explain her.
39:59Take care of her.
40:00Take care of her.
40:01Are you crazy?
40:02Let me leave such a big opportunity.
40:04Sorry, but I can't stay with the losers in Radhi Theater Group.
40:08Ankita, if you left, the whole play will cancel.
40:13And we will not come here.
40:15Ankita, we need money.
40:18And after this play, we are going to marry.
40:22So please leave.
40:23Sir, the money that we give you is not going to come to come to come to come to come to come.
40:29and struggle with food that you don't have money.
40:32Let's get married.
40:34And if you want to marry,
40:35then how much money?
40:37Leave it.
40:38I don't have to handle this.
40:40So please leave.
40:45Sir,
40:46the money that you give us
40:48doesn't come from us.
40:50I'm here.
40:52Because
40:54I think
40:55that I'm doing something in life.
40:57Every time I told you,
40:59it was my life for me.
41:02This stage is everything for me.
41:04And that, Ankitah,
41:07I've never seen a poor and selfish person.
41:12It's possible.
41:14But Ankitah,
41:16I've never given you the right to save someone's life.
41:20Do you understand?
41:22Arjan,
41:25take a ride.
41:27Every year,
41:29the young people start their dreams from the theater.
41:32Serials,
41:33film,
41:34when you're scared,
41:35you don't have to breathe.
41:36And you're above your mind.
41:38It means that the anger,
41:39the anger just becomes a moment.
41:41The anger and the anger
41:43was just that.
41:45it night
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