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Mumbai: In an exclusive Interview with Actor Shishir Sharma, where he discussed his latest film ‘Rasa’ and shared insights on the evolving Bollywood landscape. He talked about his role as a chef in the film, which explored emotions through food, and praised the director's clear vision. Shishir also shared his thoughts on the industry's shift towards networking and PR, the rise of OTT platforms, and the importance of focusing on one's craft. With over three decades of experience, he emphasized the value of taking on diverse roles and letting the audience decide the nature of a film.  


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Transcript
00:00first of all, welcome to INS. Thank you.
00:02First of all, welcome to INS. Thank you.
00:04First of all, you should know about RASA.
00:06What reason was that this film was a psychological failure.
00:10So, what role is your role?
00:12Can you tell us about it?
00:14First of all, I would like to thank RASA.
00:18I would like to thank RASA.
00:20I would like to thank RASA.
00:22I would like to thank RASA.
00:24When I was given this script,
00:28I could go into three steps.
00:32I was given it.
00:34It was good for the script.
00:36After reading, I felt that I could do this film.
00:40If anything could happen with dates,
00:44I could edit things,
00:46I was going to prepare them.
00:48Everything was beautiful.
00:50After reading, I felt very strong to the actor.
00:55I think this character is very important for me because there are so many characters that are very important.
01:04When you work in a solo film, there are other actors.
01:12But if you have to carry the film on your shoulders, this is a big responsibility.
01:22We were also using a very strong character, a very strong film.
01:31Well, I wouldn't say it's a psychological thriller.
01:34I would say it is a thriller with a lot of fantasy.
01:37Where there is a question of emotions,
01:42the emotions go through food.
01:47And if you've seen the trailer and if the audience has seen the trailer, please watch the trailer.
01:53It is more of fantasy.
01:56Yes, there is a bit of supernatural, if I can say so.
02:02But that is supernatural for a long time.
02:09You watch the film.
02:11I don't want to say too much about the film.
02:13I don't want to tell the story about the whole story.
02:16What will happen to the film release?
02:18Sir, how did you make a chef's idea of acting?
02:22Is it the actual cooking shock?
02:24Or is it just the camera on the camera?
02:26No, I am not.
02:27I am not.
02:28I am not.
02:29I am not.
02:30I am not.
02:31I am not.
02:32I am not.
02:33I am not.
02:34But when you wear a chef's apron or whatever you wear,
02:39you wear a mask,
02:42you wear a mask.
02:43Because you are a chef.
03:09you know must know how to plate the dish you must know how to keep the dish you must know how to
03:16arrange your kitchen platform you must also be very very clean and neat in your
03:25on your kitchen platform to harik cheese
03:27i would say i'm i'm a okay cook i have not excelled it and i have not really it's not a
03:48dish or a cooking range that will tell
03:53you can say that this dish is not good it's not a good dish
03:59sir
04:01sir
04:03i have a drama
04:05but in india food and film both dramas are more
04:07so your opinion is that it is more
04:09more
04:11actually
04:15if you look at food
04:17in the film
04:21ڈال دیتے ہیں لیکن اس فلم میں ویسا کچھ بھی نہیں ہے یہ بالکل پیور
04:26food کے اوپر film ہے ایک emotion ہے ایک philosophy ہے ایک amalgamation ہے
04:35between the chef and his philosophy chef reconstructing food into emotions that we
04:44have and that is being served on the table for the people who come to taste the food
04:53sir یہ فلم south indian firmical نے direct کیا تو کیا بولیوڈ اور
04:58south bollywood اب south سے story tellings رہا ہے کی کیا مجھے ایسا کچھ بھی نہیں
05:04لگتا ہے کہ آپ کہیں سے بھی ہو اس میں کیا فرق پڑتا ہے اب south سے
05:09ہو north سے ہو northease سے ہو کیا پڑتا as long as you are confident in making
05:17a film as long as you have the concept in your mind and you are so strong in your perception
05:25to make the film مجھے ایسا کچھ بھی نہیں لگتا ہے کہ آپ کہیں سے بھی ہوں
05:30آپ ایکٹر کہیں سے بھی لے لیجی وہ ایکٹر آپ کیوں لیتے ہیں اگر آپ
05:35film بنا رہے ہیں آپ نے کہا کہ شیشے صرف مجھے آپ سے ایک
05:38film کروانی ہے آپ کہیں سے بھی ہوں مجھے اس سے کوئی فرق نہیں پڑتا
05:43but the the script has to be engaging enough for me to say yes so i don't think
05:52these two directors angit and pritish although they're from from the south from kerala
05:58doesn't really matter they are they were very very clear in their head
06:04dhutuja was very clear in her head she is the writer that i want this
06:09period how you're going to deliver it is what you have to see
06:15sir
06:16uh
06:31uh
06:33I have no attention to this film that is for jingoism.
06:41I go to the script and if I feel like I should work, then I do it.
06:47I don't really fall into the bracket of comparing patriotism to jingoism.
06:53I want to remove that line.
06:59I don't want to get into any kind of controversies that you have this film or this film.
07:06No, it's the audience.
07:08If the audience says that it is jingoism, then they will have to accept it.
07:14But I don't have to accept it.
07:16The film is very popular.
07:19It's about patriotism.
07:21It's about jingoism.
07:24But I think that Uri was a surgical strike film.
07:31He clearly said that this is a surgical strike film.
07:38Razi was a spy film, a spy thriller.
07:42I won't say that this is a jingoism or a patriotism.
07:46It is a film.
07:48Very well directed, very well acted.
07:51And I think both of them were excellent, excellent films.
07:55Sir, if you talk about Bollywood,
07:58I'm an actor.
07:59I will do it.
08:00There's no problem.
08:01Sir.
08:02I will do it.
08:03There's no problem.
08:04Sir.
08:05Being a senior actor, sir,
08:06I mean,
08:07I will do it.
08:08There's no problem.
08:09Sir.
08:10Being a senior actor, sir.
08:11I mean,
08:12I will do it.
08:13There's no problem.
08:14Sir, I don't say that the role my middle school took is almost every time is waste,
08:20Wheel of Sarah's end,
08:23a gamble of my career in my age group.
08:25If I was at a father,
08:27a principal or my grandfather,
08:28can't I make difference?
08:29I'm an actor and I will do it.
08:31There's no problem.
08:32But this thing is sad,
08:33I don't say this is that time of waste.
08:36The new actors does nothing because of UX,
08:39why is it?
08:40So how about precisely done?
08:42time waste that is there that is the way they want to work
08:47when we started acting or
08:51in front of the camera when we started acting
08:54we never thought about it
08:56at that time there was no competition
08:58now the competition has increased
09:00so obviously if I did not do it
09:04then there will be something else to do
09:06or I will do it
09:08and I will not do it
09:10so the competition has increased so that they have to do
09:22the PR work
09:24and I don't think there is anything wrong in doing PR work
09:26there are no time wasting tactics
09:28they are trying to increase their knowledge
09:32so I don't think there is a problem
09:36sir according to
09:38according to
09:40OTT
09:42actors
09:44or confused
09:46see
09:48OTT
09:50many people have got
09:52no shock
09:54whether they are actors or technicians
09:56who are
09:58anybody who is
10:00who is wanting to work
10:02is most welcome to work
10:04or OTT
10:06which is a very very good thing
10:08of course everybody needs to
10:10in the case
10:12it is a very good thing
10:14in the time of the year
10:16when the COVID-19 time of the year
10:18in the year
10:20two years
10:22many people have been closed
10:24and everything was closed
10:26and when they came back
10:27they had to absorb them
10:28and they had to absorb them
10:30and they had to absorb them
10:32and they had to absorb them
10:34so, that is
10:35one of my experiences
10:36and that is
10:37so, that is
10:39my experience
10:40is a very good thing
10:41that we can imagine
10:42I have to have
10:43I can imagine
10:44and I will find
10:45what we can imagine
10:46as I am
10:47how we can imagine
10:48and I will see
10:49that
10:50is the case
10:51every time
10:52I have to do
10:53all
10:54every time
10:55it is
10:56the case
10:57of the
10:58Federal
10:59Federal
11:00Federal
11:01Federal
11:02Federal

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