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00:00I want to apologize.
00:10When I say we're on Tiempo de Marte.
00:23Tiempo de Marte has made history.
00:26And it's left its mark on a whole generation of viewers.
00:28What do you think about TV today?
00:30Do you think a lot has changed?
00:31Do we still celebrate the same things?
00:36When you've enjoyed the good fortune
00:38of having the highest ratings for the longest time
00:40with a program like Tiempo de Marte,
00:43you end up with a really good understanding
00:46of what truly sticks.
00:49Because, you know, times change.
00:51But the essentials, they always seem to prevail.
00:55Who triumphs?
00:56Those blessed with beauty,
00:58or with lots of money,
01:00or someone normal.
01:01That's it.
01:02Every time.
01:03Every time.
01:13Well...
01:18I take it back.
01:19I was lucky enough to experience first-hand
01:22an absolute phenomenon.
01:25At the turn of the millennium,
01:27for the first couple of years,
01:28the weirdest things began to happen,
01:31never to repeat themselves.
01:33Out of nowhere,
01:34the center spotlight
01:36was commanded by kids
01:37who seemed to defy all rules of stardom.
01:40Celebrities who weren't beautiful,
01:42who weren't rich,
01:43and far from normal.
01:47The phenomenon was named Tamarismo.
01:50Tamarismo after Tamara.
01:52The woman at the heart of it all.
01:55An accidental songstress
01:56who came out of nowhere
01:57and stayed at the top of the charts
01:58for months and months on end.
02:01With a song called,
02:02No Cambie.
02:03A song that many ridiculed,
02:10but nobody, nobody could get out of their head.
02:14A song that sparked brawls,
02:16betrayals, vendettas.
02:19A full-blown televised spectacle
02:21with many protagonists, of course,
02:23each with their own version of the truth.
02:25We listen to each and every one of their versions,
02:28even though they all contradict one another,
02:30and even though each of these stories
02:32led us further away from the truth.
02:34Don't talk to my daughter like that.
02:36Can you believe, for instance,
02:38that Tamara showed up to all of her gigs
02:41accompanied by her mother?
02:44Margarita Seis Dedos got so famous
02:47just by swinging her purse
02:49to protect her daughter from the cameras.
02:53Some even went as far to say
02:55that she had a brick hidden in her purse.
02:59If that is a lie,
03:01it's the first of many.
03:04It's the first of many.
03:09The writing room!
03:11I have to use the bathroom.
03:12All right, all right.
03:13I have to use the bathroom.
03:14All right, all right.
03:15I have to use the bathroom.
03:16All right, all right.
03:17All right, all right.
03:18Where was it?
03:19I have to use the bathroom.
03:20All right, all right.
03:21All right, all right.
03:26Where was it?
03:27That was silly.
03:28It's not in here.
03:29It's not in here.
03:30Is it here?
03:31Yeah.
03:32I have to use the bathroom.
03:33I have to use the bathroom.
03:34All right, all right, all right.
03:35I have to use the bathroom.
03:37All right, all right.
03:38It's not in here.
03:39All right, all right.
03:41What was it?
03:43Where was it?
03:50That was silly. It's not in here.
03:55Is it here?
03:58Yep.
03:58It's here!
04:12Floreal?
04:15Floreal!
04:18Mother of God, what is this?
04:20Floreal?
04:33Floreal?
04:36Margarita, where did you go?
04:39My goodness. My goodness.
04:43Hello?
04:45Margarita, where in God's name have you gone?
04:50I'm inside the hotel, but I don't know where.
05:02Listen to me. Come this way.
05:08Not that way. This way.
05:14Come, come.
05:18Hello?
05:18Yes, that's it. This way.
05:24Good. Keep going. Come on.
05:36Well, I'm good now.
05:41Are you good too?
05:42Very good.
05:46Give me a kiss, my love.
05:57Mama, what's the most important thing in your life?
06:00Being a mother, I always felt like I was missing something, but then I had you.
06:09Floreal?
06:12Where's that strange music coming from?
06:14I don't know.
06:17Margarita?
06:21Oh, look who I have here.
06:24Your baby.
06:26What a pretty little angel.
06:27Oh, my baby girl.
06:27She's beautiful.
06:29She is beautiful. Just perfect.
06:31Perfect.
06:32So beautiful.
06:33What's her name?
06:34Maria Del Mar.
06:35Maria Del Mar.
06:37This lovely girl.
06:43And from the moment I met you, I knew you were a special girl.
06:47What?
06:48You come and go.
06:49You come and go.
06:53Hey.
06:54Come, come, come, come, come, come, come, come a chameleon.
06:58You come and go.
07:00You come and go.
07:32Have you seen a needle?
08:02No.
08:04Darling, was it you who took it?
08:09The needle?
08:10No.
08:11Are you sure?
08:12Yeah.
08:13Get off.
08:14What are you doing?
08:15You sure you didn't take the needle I was using?
08:17I said no.
08:18You didn't swallow it, did you?
08:19No.
08:20Oh, really?
08:21Come here.
08:22I said no.
08:23Let me take a look at you.
08:24No.
08:25I said no.
08:26I said no.
08:27I said get off of me.
08:28Open up.
08:29Marka, you pinned it right there.
08:33The other day my daughter told me that they caught her dancing in the ladies room by herself
08:43with no music.
08:44No music.
08:45No music.
08:46Wow.
08:47Poor thing.
08:48Listen, I'm telling you that girl is disturbed.
08:50I'm not surprised.
08:51She spends her days glued to that ghost.
08:52How could she not be?
08:56She's watching.
08:57She's watching.
08:58God, I get so bad for her.
09:00I mean, can you imagine having a child at that age?
09:04I'm not surprised she won't let the poor girl leave her side.
09:07Poor thing.
09:08It's a bit much, isn't it?
09:09They're always together.
09:10She doesn't even have friends.
09:12Which one though?
09:13Hmm.
09:14Do you recall that day you walked in with your face all bruised up?
09:20And even your school bag was torn.
09:23You told me two girls in your class had done it.
09:28Do you recall?
09:30Mm-hmm.
09:31It was those two.
09:33It was those two.
09:36It was, wasn't it?
09:38Tell me the truth.
09:53I feel like I've heard this music.
10:11There's no way.
10:13I have heard it before.
10:15A long time ago.
10:17Impossible.
10:18It was released today.
10:19It's cause it's one of those songs that someone else sang first.
10:23No, they just released it.
10:25Every day is like survival.
10:29You're my lover, love my rival.
10:35Every day is like survival.
10:38Darling.
10:40Let's go to the movies later.
10:43No.
10:44How about an ice cream?
10:46No.
10:48Well, what do you feel like doing?
10:50Dancing.
10:51Okay, think of something we could do together.
10:54Buy me some red shoes.
10:57You want some red shoes?
10:59Mm-hmm.
11:00You have red shoes.
11:01But they're too small.
11:03I can't until I know.
11:06How to feel.
11:07The contradiction, you come and go.
11:12You come and go.
11:14Come and go.
11:16Come and go and come and come and come, come and come and give me you.
11:27What's the matter?
11:30Are they expensive?
11:38I just don't want you to keep growing.
11:42All right, Mama.
12:00Okay, so anyway, I finish by saying, um, I tell her, here's a bouquet of flowers for the most beautiful woman in the world.
12:22Then she tells me, well, where's the bouquet of flowers?
12:25And then I say, well, where's the most beautiful woman in the world?
12:28Okay, that was it.
12:33Thank you so much.
12:35And you're watching everything like it's a movie or something.
12:38Like on the outside, I was inside, but at the same time, I was looking at it from the outside, I saw everything.
12:45There were police officers and people all around, and no one was doing anything.
12:50And there was this guy saying there was a...
12:51Pardon?
12:52Do you have a cigarette?
12:53No, sorry, I don't smoke.
12:58Hey, hon, he's done with his bin now.
13:02Whenever you're ready.
13:03Okay.
13:07What you doing, Mama?
13:09Going with you.
13:10No, you're staying here.
13:16Remember, when the music starts, count to five, okay?
13:18Okay.
13:21Don't worry, Mom.
13:23You're gonna do great.
13:23Take care.
13:49Bye.
13:50Let's go.
14:20Hey, where's my daughter?
14:34Well, lady, she's on stage right now.
14:37That's the girl you walked in with earlier.
14:50She's on stage right now.
15:20Hey, you haven't said a word.
15:39About what?
15:40About the concert.
15:41You didn't like it?
15:43Yes, very, very much.
15:51Ma, I'm going to do this for the rest of my life.
15:57So you can't just say you liked it very much.
15:59Give me your honest opinion.
16:00What would you rather I say?
16:10What's the most important thing in your life?
16:13You.
16:13I'm sorry, darling.
16:23I didn't mean to wake you.
16:26What's the matter?
16:32Darling, doesn't it make you nervous to sing in front of such a large crowd?
16:37What?
16:38There was hardly anyone there.
16:40Well, I didn't like it.
16:42People were looking at you funny.
16:44And it was all men.
16:46I don't care about that.
16:49Unless I fall for someone.
16:51But it's got to be with someone who likes my music.
16:54Otherwise, they won't fall in love.
16:56You have to be careful.
16:58With all men.
17:04Have you ever been in love?
17:07With your father?
17:08No.
17:09How do you do in the movies?
17:10No.
17:13Yeah.
17:18He was very handsome, and he'd say the loveliest things to me.
17:22I can't remember exactly.
17:27Well, some of it I can.
17:30But it didn't end well.
17:32How come?
17:33His family didn't like me.
17:36They said I wasn't good enough for him.
17:39And they made sure we never saw each other again.
17:42That day felt as though my heart had lost its footing.
18:12As if it were about to break in half.
18:14And for many years, I felt as though an infinite emptiness
18:40had taken shelter where my heart had once been.
18:44Well, if he loved you so much, why didn't he run away with you?
18:47What a fool.
18:49Well, you know what, though?
18:52I thank God every day that he actually was such a fool.
19:03Mama?
19:03Yeah, babe.
19:06Don't worry, okay?
19:08Because when I record my first album, I swear, I'll stay home more, all right?
19:23What album?
19:24Here are the CDs, Margarita.
19:28Look, look how they've turned out.
19:30What do you think?
19:31Huh?
19:34Well, I'm, uh, I'll leave these here.
19:37All right, then.
19:39150.
19:40So let's go over this so everything's clear, okay?
19:43This is the total cost for the studio.
19:45The composing, the arranging, the lyrics, the mixing, all of it.
19:50This is what we talked about.
19:52The number we agreed on.
19:54See?
19:55The number's significant, but I want us to be on the same page.
19:58The number is significant.
20:00But when it comes to her safety, no number's too high.
20:04What?
20:04What do you mean, safety?
20:06Mama, come look, come!
20:07Do you like it, Mommy?
20:16That's me singing.
20:19Isn't it cool?
20:31Do you like it, Mommy?
20:34Do you like my stage name?
20:37I look cute in that picture, huh?
20:46Margarita, here are the bands that helped Tamara record her album.
20:50Together, virtual dreams and nine and a half weeks in the back of a bus.
20:53They're great, don't you think?
20:55So great.
20:55Right?
21:03Bye.
21:04Bye.
21:04Bye.
21:04Bye.
21:04Bye.
21:04Bye.
21:04See ya.
21:06Goodbye.
21:06Bye.
21:06Bye.
21:07Bye.
21:08Bye.
21:12Mama, look.
21:13Look what it says here, as advertised on television.
21:18It's bananas.
21:21It's not that simple, you know?
21:23You must be really happy.
21:24You're famous now.
21:26Of course not.
21:27We still have to go to Madrid.
21:28To Madrid?
21:29For what?
21:30Well, because they gotta hear our CDs.
21:33Can't you mail them or something, hon?
21:35No, of course not.
21:36Seriously, Madrid.
21:37Seriously, Madrid.
21:38Seriously, Madrid.
21:39Seriously, Madrid.
21:52So long.
21:53See ya.
21:53Goodbye.
21:55Bye.
21:55Bye.
21:56Bye.
21:58Me miro en el espejo.
22:01Sonrio mientras pienso que voy a salir dispuesta a que mueras por mÃ.
22:11Un poco más de rÃmel.
22:14Mama, look.
22:20Holy moly.
22:23Look.
22:24Hurry.
22:26Come, Mama, look.
22:28It's Madrid.
22:31Look, it's huge.
22:35Whoa.
22:36That one's pretty cool, too.
22:38Hey, good morning, are you Lolita de Granada?
22:54That's me, Lolita de Granada.
23:06Out of your service.
23:08I didn't think you'd still be here.
23:10Well, yeah, you still haven't listened to my CDs.
23:13We will listen to them and we'll be in touch.
23:16I think we'll wait.
23:17Right, Mama?
23:18Of course.
23:20Don't you have anything better to do?
23:22I'm an artist.
23:23Of course I don't.
23:24Oh, boy.
23:25Check this one out.
23:27Props to you, babe.
23:28This way, please.
23:33This is pathetic.
23:35We haven't even been here a month.
23:36Their problem, not ours.
23:38Our problem, ours.
23:39I want to go back, Mom.
23:40And why do you want to go back?
23:43Because we still have plenty of CDs.
23:47Look, that's me and you.
23:52We're on our way back to Madrid.
23:55Bye.
23:56See you.
23:56Bye.
23:56Bye.
23:57Bye.
23:57Bye.
23:58Bye.
23:59Bye.
24:00Bye.
24:01Bye.
24:02Bye.
24:03Bye.
24:04Bye.
24:05Bye.
24:06Bye.
24:07Bye.
24:08Bye.
24:09Bye.
24:10Bye.
24:11Bye.
24:12Bye.
24:13Bye.
24:14Bye.
24:15Bye.
24:16Bye.
24:17Bye.
24:26Bye.
24:38Excuse me, are you Miguel Diego?
24:40Uh, yeah, yeah.
24:43So, we had a meeting this afternoon.
24:45I'm tomorrow what time beautiful well in the afternoon yeah but it's evening already well how
24:52about now then well right now we're heading to Guadalix okay so you want to hit your ride anywhere
24:59or come with we have an awesome gig lined up you want to be in showbiz right yes well this
25:05would be like a master class come on get in well I mean the song is fine yeah I can tell that the
25:17musicians are a bit young and the lyrics are a bit weak I mean you can't sing about leaving your house
25:23with with no underwear on hmm you want to know how I'd say that you're out on the town on an
25:30adventure and you have some candy but you have no one to unwrap it for you you walk with your piece
25:37of candy should someone want to eat it but first they have to carefully unwrap it can make it the
25:42cellophane caramelito with some missing cellophane
25:45well ladies and gentlemen we have made it this far and have had an amazing time yeah it's it's
26:03Westman Westman like a catchphrase I made up like comor from chiquito you know if fans remember that I
26:11swear your career as an artist is made all right I wouldn't give you a catchphrase because you're
26:16not one of those stars that come to Madrid to to be funny you know what these stars like you have
26:20to do in Madrid Sparkle huh Westman yeah take this flyer stop by on Friday everyone is going to be
26:29there I'm sure we'll find something for you okay
26:41oh yeah get fucked dirty little cunt fucking bitch
26:54okay wait here this bottle come on spit it out Tony it turns out that Miguel was supposed to meet up with
27:07a girl some basketball and some basketball and this basketball and that blah blah whatever the point
27:10is she came with her mother poor guy where it's that woman sitting right there look at her she looks
27:20like a fossil sitting after dry where is Miguel oh in the bathroom I think with Richard but when you
27:25see him tell him I'm looking for him say it's urgent and then I'm gonna need a hand with Tampa
27:28De Marte I've had three floozies tell me go fuck myself so who cares I mean table De Marte is hilarious
27:34because of you man you get up there with your with your turnips and read people their fortunes
27:38and whatnot right well that's what I do they're making a fuss now they want me to bring some
27:42sleight of black eye a lawsuit against me or they want nothing to do with me audiences don't want
27:47art anymore Tony they want trash relax they'll want you elsewhere where Tony it's the same everywhere
27:52else on Tiempo de Marte on tumbleo on el reno de las mananas TV has become an assorted
27:58poor milkshake hey and where's Leonardo huh where are you taking me hang on mama give me the CD please
28:04quick thank you for you thank you you got mama this here is Leonardo Dante
28:15pleased to meet you ma'am hello he's a very important composer well I don't know about
28:24important I wish I was I do compose my own songs and I write for very famous artists as well like
28:29Manolo Escobar for example really wow yeah you see an embargo a lovely song if I say so and it went
28:36like your love is rose and spurs your love is a light in the storm makes me feel cold inside at
28:45times makes me feel warm sounds cool doesn't it very pretty yeah it's pretty listen but this this
28:53isn't the sample you mentioned is it this is a full-fledged record 11 tracks plus a remix all of
28:59these songs are yours yep well tell you what I'm gonna listen to it very closely and I can grab your
29:05contact details from Miguel I'll hit you up and we'll take it from there that work for you sure
29:09yeah well then thanks so much tomorrow lovely to meet you ma'am goodbye take care now
29:15hey what's up gorgeous
29:39play this play this why what is this just play it well which one up to you
29:48play this play it well which one up to you
29:52well
29:56yeah
29:57I'm
29:58yeah
30:00yeah
30:03yeah
30:07well
30:09Vuelvo el teléfono y después
30:16Pienso que algo no va bien
30:23Solo consigo oÃr tu voz
30:30Grabada en el contestador
30:37No me pidas que te crean más
30:43Yo ya estoy cansada de esperar
30:50No me digas que tú eres asÃ
30:57Nunca se te dio muy bien mentir
31:04Tres dÃas sin aparecer
31:11No habrá disculpas esta vez
31:18No espero una explicación
31:25Es el final para los dos
31:32No me pidas que te crean más
31:38Yo ya estoy cansada de esperar
31:44No me digas que tú eres asÃ
31:51Nunca se te vio muy bien mentir
31:58No me digas que tú eres asÃ
32:04No me digas que tú eres asÃ
32:08What are you doing?
32:38Nothing.
32:39What do you mean, nothing?
32:40Nothing.
32:41What are you off to?
32:42No, nowhere.
32:43What's in there?
32:44Nothing.
32:45Let me see.
32:46Give it to me.
32:47Show me right now.
32:48No.
32:49Open it.
32:50Stop!
32:51Stop!
32:52Let me see.
32:57What's this, huh?
33:00What is this?
33:03Don't scare me, please.
33:06This is a costume for some kind of strumpet.
33:09Stop!
33:13I'm leaving.
33:14I'm 30 years old.
33:15Well, I'm coming with you.
33:16No.
33:17Well, I'm going to Santorce then.
33:20Well, go then.
33:21What's up, gorgeous?
33:22How's it going?
33:23What's up, gorgeous?
33:24How's it going?
33:25He's a big film director.
33:26He's expecting us.
33:27He's gonna love you.
33:28You'll see.
33:29He's gonna love you.
33:30You'll see.
33:31What's up, gorgeous?
33:32How's it going?
33:33He's a big film director.
33:34He's expecting us.
33:35He's gonna love you.
33:36You'll see.
33:37He's gonna love you.
33:38Good.
33:39What's up, gorgeous?
33:40How's it going?
33:45You're in the movie.
33:46How's it going?
33:47What's it going?
33:48What's up, gorgeous?
33:50He's a big film director.
33:52He's expecting us.
33:54He's gonna love you.
33:55You'll see.
33:56Oh, my God.
34:26Good evening.
34:48Good evening.
34:49What are you doing out here in this cold, sweetheart?
34:51I'm looking for a place to spend the evening
34:54until the bus leaves from Chalmartin.
34:56Of course, of course.
34:58Come in.
34:58Come in, come in.
35:01What's your name?
35:03Margarita Seis Dedos.
35:05Come with me, Margarita.
35:09So you're a northerner, huh?
35:11Yes, Santorce.
35:12Basque country.
35:14And what brought you to Madrid?
35:16My daughter.
35:16Your daughter, huh?
35:21You've given her everything, haven't you?
35:23Without a doubt.
35:24Right.
35:25Yet here you are.
35:27Yep.
35:28Mm-hmm.
35:30Don't worry, sweetheart.
35:33You'll be nice and comfy here.
35:35Come.
35:36I want you to meet the rest of the guests.
35:38But it's late.
35:39They must be asleep.
35:40Nah, it's never too late or too early here.
35:42Don't have schedules.
35:44Time is relative.
35:44Ladies, please welcome Margarita, our new housemate.
36:02Welcome.
36:02Welcome, Margarita.
36:04Hello there.
36:06Welcome.
36:07I was just telling Margarita that all of us here have made great sacrifices for our daughters,
36:11haven't we?
36:12Mm-hmm.
36:13Yes, we have.
36:14Absolutely.
36:15Good evening.
36:15My daughter's father went off to war.
36:17I single-handedly raised her.
36:19And when she got older, she went off to find her father and abandoned me.
36:23My daughter stopped talking to us.
36:25We went bankrupt and she never spoke to us again.
36:27I broke my hip and my daughter put me in a home, remorseless.
36:34I too gave my daughter everything, but all she wanted was my assets.
36:38We ended up parting ways.
36:39Well, I gave mine a kidney.
36:41A year later, she started dating a biologist and went off to Sydney.
36:45Just like that.
36:46Took the kidney with her.
36:47Gosh, what a nightmare.
36:48I brought mine here to Spain.
36:50And when she finally turned 18, she went back, saying she wanted to reconnect with her roots.
36:56Yes, she is.
36:56Because her roots aren't her actual mother, the one who birthed her.
36:59Absolutely.
37:00Well, I gave my daughter power of attorney.
37:03And the double-crossing piece of shit decided to spend all my hard-earned money living in opulence.
37:09She did whatever she wanted.
37:11She sold my apartment and left me in ruins.
37:14Well then, Margarita, how about I show you to your room now?
37:17Oh, terrible.
37:18Come on.
37:18Oh, goodness.
37:19Yes.
37:19Oh, goodness.
37:19Oh, goodness.
37:19Oh, goodness.
37:20Oh, goodness.
37:20Oh, goodness.
37:21Oh, goodness.
37:21Oh, goodness.
37:21Oh, goodness.
37:22Oh, goodness.
37:22Oh, goodness.
37:22Oh, goodness.
37:22Oh, goodness.
37:23Oh, goodness.
37:23Oh, goodness.
37:24Oh, goodness.
37:25Oh, goodness.
37:25Oh, goodness.
37:26Oh, goodness.
37:27Oh, goodness.
37:28Oh, goodness.
37:29Oh, goodness.
37:30Oh, goodness.
37:31Oh, goodness.
37:32Oh, goodness.
37:33Oh, goodness.
37:34Oh, goodness.
37:35Oh, goodness.
37:36Oh, goodness.
37:37Oh, goodness.
37:38Oh, goodness.
37:39Oh, goodness.
37:40Oh, goodness.
37:41Oh, goodness.
37:42Oh, goodness.
37:43Oh, goodness.
37:44Oh, goodness.
37:45Oh, goodness.
37:46Oh, goodness.
37:47Oh, goodness.
37:48Oh, goodness.
37:49Oh, goodness.
37:50Oh, goodness.
37:51Oh, goodness.
37:52Oh, goodness.
37:53Oh, goodness.
37:54Oh, goodness.
37:55Don't forget if you feel like eating breakfast, enjoying a card game with the ladies, a little glass of wine, or anything else, you can come downstairs.
38:06When you're in this house, there is no schedule.
38:14I'll make sure that everything you need is at your disposal.
38:25Everything is fluid, here it is!
38:37Lätted by the foule
38:41Lätted by the foule
38:44Lätted by the foule
38:47Lätted by the foule
38:53I'd like to offer an apology.
39:17Yes, I apologize for fooling you into thinking that we're on Tiempo de Marte,
39:21when it's not true.
39:24We're not on Tiempo de Marte.
39:26Well, we're not on Tiempo de Marte just yet.
39:28To be crystal clear, this doesn't officially begin until these two people come on stage.
39:34Andrei Barecce and Macarena Barcelona!
39:51All right now, all right now.
39:53What have you got for us tonight?
39:56Macarena, more of the same.
39:58No, not more of the same, no.
39:59More of the incomparable tomorrow.
40:01To be honest, tomorrow and more of the same don't exactly go hand in hand,
40:05because there's lots of other truth issues.
40:07She's dressing lots of balls at the moment, the ball of fruit shop, the ball of marriage to Paco Pora,
40:11and some Claire Ryan.
40:13No, no, no, you got it all wrong.
40:15Okay, it's called closing, so the game is one.
40:18I'm only going to go over here.
40:19I'm going to go over here.
40:19I'm going to go over here.
40:20I'm going to go over here.
40:21Oh, that's just one way.
40:23I don't know if you can switch it out by switching your hand, okay?
40:26You see, I have three ways.
40:27No, no, no, you got it all wrong.
40:29Oh, can't you see that she leaked the tape or something because she needs to stay right before she's laying it up?
40:35You can draw.
40:36Oh.
40:36If that's the case, you flip it over.
40:39Ace two or three, and that's the best hand?
40:40I think she's crazy.
40:41I don't think she missed.
40:41No.
40:42So it's about getting rid of all your cards.
40:43Cards one to four.
40:45Gotcha.
40:45Right.
40:46So you flip it over and say, close it.
40:59Margarita, let's go.
41:19Our soap opera's about to start Come Down.
41:22That's my daughter's voice.
41:24What do you mean that's your daughter's voice?
41:27What daughter?
41:28Come on, the soap's getting juicy.
41:33Margarita, what's going on?
41:37What are you doing?
41:39Where are you going?
41:41What are you doing?
41:41Oh, my God.
41:43Teodora!
41:44Teodora!
41:50Margarita, go back to your room.
41:53But why?
41:54Because you won't find your daughter out there.
41:56And why is that?
41:57Your daughter is no longer your daughter.
41:59Your daughter, she's changed.
42:01She's famous now.
42:05It's more complicated, though.
42:06This is who you'll encounter, not your daughter.
42:12This is who.
42:23Have you read what's written on the cover?
42:25As advertised on television.
42:29And that's not easy at all.
42:31It's exceptional.
42:32What do you do?
42:40No.
42:40No, no.
42:44No, no.
43:15What do you think?
43:20Beautiful.
43:21Are you another fan?
43:22Much so.
43:23I'm not surprised.
43:25She's become a superstar all on her own and without the support of the record industry.
43:30She's an icon who doesn't follow the rules of the establishment.
43:32Oh, I'm aware, sir. She's my daughter.
43:45It was supposed to be for a movie.
43:51I never, ever thought that everyone would watch it at home just like that.
43:55Tamara, when you say piece of shit, who are you referring to exactly?
43:59Miguel de Diego.
44:00He was my old manager.
44:02He's upset that we no longer work together.
44:05And this is his revenge.
44:06Hi, Mama.
44:20Hello, darling.
44:22You're still here.
44:24Brought you something.
44:25Would you mind autographing it?
44:31I'm planning on taking it home with me.
44:35And I'm going to frame it and I'm going to hang it next to the map of Biscay.
44:40And when you appear on TV, I'm going to turn up the volume so everyone can see and hear you loud and clear.
44:47When are you planning to go back now?
44:49Well, the bus leaves in a little while.
44:54Oh, Mama.
44:55Take me with you.
44:57No, darling.
44:58Yes.
44:59Coming to Madrid was a mistake.
45:01It was a mistake.
45:02No, honey.
45:03It turned into a nightmare, Ma.
45:06Sweetheart.
45:07You'll see.
45:08Why, you don't believe me?
45:09Yes, darling.
45:10Of course I do.
45:13I think you'd still see me as a little girl.
45:15Oh, sweetheart, um, I don't, I'm, I'm, here's what I'll do.
45:22Let me try this.
45:23I'm going to count to three.
45:29And when I open my eyes, I'll see you for the woman that you are.
45:35You'll see.
45:38One.
45:41Two.
45:42Three.
45:49Guess that didn't work.
45:52So sorry, darling.
45:55I still see you as my little girl.
45:57Well, don't worry, Mama, because at least you gave it a shot.
46:02You're still my little girl.
46:11Him.
46:12Why is he dressed like that?
46:15I'll explain later, Mama.
46:17It's a long story.
46:18This way.
46:19Where's the men, ladies and gentlemen?
46:20We've got both of them here, mother and daughter.
46:23Do you know what your daughter here Tamara's up to every night?
46:26Do you know what kind of girl she is?
46:27Or are you confused like half the country?
46:29Perhaps you're the one who taught her her low-life slutty ways?
46:33What's that saying?
46:34You know the one I'm talking about?
46:36Horse of a feather?
46:37Flocked together, bound by greed and dressed in leather?
46:40Huh?
46:40Is that right?
46:44Makes sense to keep it in the bear of my ear, I mean...
46:46I don't know about you all, but I couldn't believe it.
47:03After the video we just watched, we have collectively come to the conclusion that the Marismo isn't just the Mara.
47:09Turns out the Mara is just half of the equation.
47:11And the other half of the equation is...
47:15Her beast of a mother.
47:17Let's give it up for Samara and Margarita Seistelos.
47:45And the artist, are you serious?
48:00I realize that the world will roll their eyes so far back, they'll be able to see their brain.
48:04I'm sorry, but have you seen the number of records I've sold?
48:08Cell phone, ringtone?
48:09Give the shit about ringtones, they're tacky.
48:11Actually, I take that back.
48:12They're stupid.
48:13You do not speak like that to my daughter.
48:23Just what we needed.
48:25Sit down, lady.
48:25Go on, don't hurt yourself.
48:26Go on, don't hurt yourself.
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