- yesterday
Tadpole 2002 Romantic Comedy-Drama Movie
Tadpole is a 2002 American romantic comedy-drama film directed by Gary Winick.
The story revolves around Oscar Grubman, a 15-year-old prep school student who falls in love with his stepmother, Eve. Oscar's friends think he should date girls his own age, but he's smitten with Eve's sophistication and beauty. When Eve doesn't reciprocate his feelings, Oscar turns to her best friend, Diane, who seduces him. As Oscar navigates this complicated situation, he learns valuable lessons about love, relationships, and growing up.
Cast: Aaron Stanford, as Oscar Grubman
Sigourney Weaver, as Eve Grubman
Bebe Neuwirth, as Diane Lodder
John Ritter, as Stanley Grubman
Robert Iler, as Charlie
Kate Mara, as Miranda Spear
#Tadpole2002, #GaryWinick, #AaronStanford, #SigourneyWeaver, #RomanticComedyDrama, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Release Date: January 11, 2002 (Sundance Film Festival), August 2, 2002
Runtime: 78 minutes
Genre: Comedy, Drama, Romanc,
Tadpole is a 2002 American romantic comedy-drama film directed by Gary Winick.
The story revolves around Oscar Grubman, a 15-year-old prep school student who falls in love with his stepmother, Eve. Oscar's friends think he should date girls his own age, but he's smitten with Eve's sophistication and beauty. When Eve doesn't reciprocate his feelings, Oscar turns to her best friend, Diane, who seduces him. As Oscar navigates this complicated situation, he learns valuable lessons about love, relationships, and growing up.
Cast: Aaron Stanford, as Oscar Grubman
Sigourney Weaver, as Eve Grubman
Bebe Neuwirth, as Diane Lodder
John Ritter, as Stanley Grubman
Robert Iler, as Charlie
Kate Mara, as Miranda Spear
#Tadpole2002, #GaryWinick, #AaronStanford, #SigourneyWeaver, #RomanticComedyDrama, #movies, #film, #movie, #cinema, #films, #hollywood, #actor, #s, #love, #art, #cinematography, #netflix, #horror, #actress, #moviescenes, #music, #filmmaking, #cinephile, #tv, #horrormovies, #bollywood, #comedy, #movienight, #photography, #cine, #instagood, #instagram, #director, #moviereview, #drama, #AdultMovies, #RomanceMovies, #SexMovies, #XXX, #XX,
Release Date: January 11, 2002 (Sundance Film Festival), August 2, 2002
Runtime: 78 minutes
Genre: Comedy, Drama, Romanc,
Category
🎥
Short filmTranscript
00:02:29Do you see her hands?
00:02:31I wasn't looking at her hands.
00:02:34Experience, wit, intellect.
00:02:36All revealed by the hands.
00:02:38Does she have fat hands?
00:02:39She had hands like a...
00:02:41Like a steel worker?
00:02:42She had hands like a child.
00:02:48I worry about you, Oster.
00:02:55I really do.
00:02:55Why?
00:02:56Because I'm interested in more than websites?
00:02:58Because you're fetishizing hands.
00:03:00I wouldn't call it a fetish.
00:03:02You find reasons not to like things.
00:03:05That's not true.
00:03:06Like what?
00:03:07Like Miranda Spear.
00:03:09Like simple explanations.
00:03:11I like things I don't understand.
00:03:13You're never gonna get laid that way.
00:03:14It's not all about getting laid, Charlie.
00:03:17Yeah, it is.
00:03:18No, it isn't.
00:03:19It is so.
00:03:20What about love?
00:03:21Yeah, I've heard of it.
00:03:24It's not like you're in love with someone.
00:03:25I knew something was up.
00:03:33Wow, the grubber in love.
00:03:36Who the hell is it?
00:03:37Someone I've known for a while.
00:03:41Do I know her?
00:03:42She doesn't even know.
00:03:44Yet.
00:03:47All right.
00:03:49When do you plan on telling her?
00:03:51That's the thing.
00:03:52I want to find the right time.
00:03:54Definitely this weekend.
00:03:55Maybe tonight.
00:03:56Is she coming over for Thanksgiving?
00:03:58She'll be there.
00:04:00Why?
00:04:01I'm coming over for pie.
00:04:02No, you're not.
00:04:03You're not invited.
00:04:05Grubs.
00:04:18Hi, cat boy.
00:04:19Hey, Jimmy.
00:04:21Home for Thanksgiving?
00:04:22That's right.
00:04:22What happened to your hair?
00:04:25I combed it.
00:04:28I don't like it.
00:04:29Oh, man.
00:04:33How are you doing here?
00:04:38I'm going over to you
00:04:38Yeah, he's like, and I'm going over to you.
00:04:42I'm going over to you.
00:04:45I know.
00:04:45I'm already getting it.
00:04:47I'm going over to you.
00:04:49I'm going over to you.
00:04:50I'm going over to you.
00:04:51Hey, you're going over.
00:04:51Jonathan.
00:04:52Ну, you're going over to the start of our hobby.
00:04:56Hi, Oscar.
00:05:06Hi, Mrs. Lutter.
00:05:07Diane, please.
00:05:09Diane, have you seen Eve anywhere?
00:05:10Yeah, she was just here.
00:05:12Oh, she went to go get some keys so she could get in the lab tomorrow.
00:05:16So far?
00:05:17Excuse me.
00:05:26So, Oscar, can we plan on seeing you at Columbia?
00:05:35Leave him alone, Dad.
00:05:36He's only a sophomore.
00:05:38It's never too early to think about college, Daphne, as it would behoove you to realize.
00:05:41Actually, Professor Tish, I have given some thought to Columbia.
00:05:45Pre-med.
00:05:46Not history?
00:05:47Excuse me.
00:05:49May I have your attention, everybody?
00:05:51I'm sorry to interrupt, but I'd like to make a short Thanksgiving toast.
00:05:56And then invite you all to commence eating.
00:06:00First of all, I'd like to apologize to Native Americans everywhere for decimating their population
00:06:06and basically stealing this country from our...
00:06:08Speak to antiquities, Dan.
00:06:10No, no, no.
00:06:10I'm a traditionalist, and far be it from me to dispense with any excuse to eat turkey and pecan pie.
00:06:17And so, to my recently returned prodigal son...
00:06:21To my distinguished colleagues at the Columbia History Department and their families.
00:06:28And, uh, am I leaving anyone out?
00:06:31Eve?
00:06:32Yes, of course.
00:06:33Although not here.
00:06:36Could it be?
00:06:37Could it be?
00:06:38Could it be...
00:06:39To my lovely wife, Eve?
00:06:44I'm so sorry.
00:06:45She may be the face I can't forget.
00:06:51A trace of pleasure or regret.
00:06:54May be the treasure or the price I have to pay.
00:07:00You turn the corner, you've been hidden away on this small, forgotten back street.
00:07:12It's an old, old house.
00:07:13How's your mom, Oscar?
00:07:14She's still in France?
00:07:16Yeah, she went back a while ago.
00:07:18When's the last time you saw her?
00:07:20I went back last summer.
00:07:21I wish I had an exotic French mother.
00:07:26There's nothing exotic about mothers who live on the Upper East Side.
00:07:31Well, they can be exotic in their own way.
00:07:33You walk in and it's a home.
00:07:35I mean, they do travel.
00:07:35A timeless home.
00:07:36You feel it.
00:07:37It's hard to put it into words.
00:07:40My mom brings me back this stupid...
00:07:42That's not what I'm saying.
00:07:43What I'm saying is that they need a very intimate...
00:07:45That's completely out of time.
00:07:46...rocking shirts that's too small or whatever.
00:07:50I mean, that's cool.
00:07:51You've got that, like, that look, that, like, faraway look.
00:07:54That's cool.
00:07:55I've been studying for four days, things.
00:08:13What's that?
00:08:15A timeless home.
00:08:17Oh.
00:08:18Thanks.
00:08:19I get a little caught up in the whole...
00:08:23I don't know.
00:08:23No, that's good.
00:08:25It's good to get caught up in the feeling of something, the aura.
00:08:29I mean, if everything could be reduced to verbalizable facts,
00:08:32we wouldn't have any need for music, would we?
00:08:38You might have a point there.
00:08:41Of course I have a point.
00:08:44Timeless home.
00:08:45That's like the title of some great lost Puccini operetta.
00:08:49You're sweet, you know that?
00:08:54So how are things at Chauncey?
00:08:57Not bad.
00:08:59Any girls there?
00:09:01Sure there are girls.
00:09:03Well, any you like?
00:09:05Well, they're mostly pretty dumb.
00:09:07They can't all be dumb.
00:09:10It just seems like they haven't lived that much, you know?
00:09:12Well, we're talking about sophomores, right?
00:09:18Yeah.
00:09:19Maybe you should give them a chance, Oscar.
00:09:21I mean...
00:09:22They might have lived more than you think.
00:09:27Sure.
00:09:28You have high expectations, don't you, Oscar?
00:09:40Hey.
00:09:44How are you?
00:09:45Good.
00:09:50It's better.
00:09:52You don't want back problems before you're 40.
00:09:54So how's the chiropity business?
00:09:58Chiropity is feet.
00:10:01Chiropractic?
00:10:02It's pretty good.
00:10:04Stare at backs all day.
00:10:06Tell a lot about a person by their back.
00:10:09I always thought of my spine as incredibly personal.
00:10:12I don't think I could show my spine to just anyone.
00:10:15Maybe if you were in enough pain, you could.
00:10:17Not even then, maybe.
00:10:19Throw a couple of cubes in there, would you, Diane?
00:10:20Sure.
00:10:22How's that endodontist of yours?
00:10:24Great.
00:10:32Oscar?
00:10:33Yes, I know, Professor Charman.
00:10:40As if it wasn't obvious.
00:10:43Who is this?
00:10:47Voltaire?
00:10:48Oscar?
00:10:49Voltaire said,
00:10:50If God did not exist, he would have to be invented.
00:10:55He was a funny guy.
00:10:59Oscar!
00:11:02Excuse moi.
00:11:03Professor Tish wants to stay and gossip about our colleagues a little longer.
00:11:12Will you walk Daphne home?
00:11:13Dad, no.
00:11:14Daphne's been taking the subway since she was eight.
00:11:17She's a good-looking girl, don't you think?
00:11:19She's all right.
00:11:20Well, it would be a nice gesture.
00:11:22An empty gesture.
00:11:23No, Dad, I'm fatigued this evening.
00:11:24I've been on trains, in cars.
00:11:27I've had two lengthy debates on Voltaire and Henry Miller, both of which I won, incidentally.
00:11:31I haven't unpacked yet.
00:11:32I've got a lot of things to do, and I'm not going to stand here and argue about it with you, all right?
00:11:37Do you want to go with me to the Moby concert on Sunday?
00:11:39Not really.
00:11:42I don't go in much for contemporary pop music.
00:11:44What do you go in for?
00:11:47I don't know.
00:11:48Regular stuff.
00:11:49Oscar, contemporary pop music is regular stuff for a 15-year-old.
00:11:55Voltaire or whatever is not regular.
00:11:58Well, we differ.
00:11:59Yeah.
00:12:02God, you're like a 40-year-old after a 15-year-old's body.
00:12:06I mean, it's not a bad body.
00:12:08Taxi!
00:12:09Hold on.
00:12:15Come on.
00:12:19I live six blocks from here.
00:12:22It's cold.
00:12:2570th and Lex.
00:12:26I have to wake up early.
00:12:28You are so weird.
00:12:29Okay, safe trip.
00:12:39Happy Thanksgiving, pal.
00:12:53Say, how old are you anyway?
00:13:1140.
00:13:14Yeah, me too.
00:13:17Doesn't that suck?
00:13:19That's not so bad.
00:13:21Well, your wife probably didn't leave you.
00:13:23I'm not married, actually.
00:13:27Well, don't wait too long.
00:13:28All the best ones get taken.
00:13:31I hear you there.
00:13:41I love the French songs of this era.
00:13:48You're not French.
00:13:50It's part of my act.
00:13:51What act?
00:13:54You're gonna buy me a drink?
00:13:57Bob, the lady's dry.
00:14:01Oh, I gotta go feed the cat.
00:14:06Why so glum, chum?
00:14:09I have high expectations.
00:14:10Yeah, I know what you mean.
00:14:13Yeah, I know what you mean.
00:14:23You have beautiful hands.
00:14:25I know what you about you.
00:14:29You.
00:14:30Ah.
00:14:31Yeah.
00:14:33Yeah.
00:14:43Wow.
00:14:43Oh, jeez.
00:15:02Oscar?
00:15:05Oh, hi, Diane.
00:15:11Top of the night to you.
00:15:12Oscar, you don't look so hot.
00:15:14Don't worry about me.
00:15:16Hey, oh, careful.
00:15:17Careful, come here.
00:15:18Come on, come on.
00:15:19Let me get you some coffee.
00:15:20No, no, no, I gotta get home.
00:15:21No, no, you don't want your father to see you like this.
00:15:25Come on.
00:15:30My wallet was stolen.
00:15:32You got mud?
00:15:33Sort of.
00:15:35What do you mean sort of?
00:15:36She was very pleasant about it.
00:15:42Did you take a coat?
00:15:46No.
00:15:52Come in, make yourself comfortable.
00:16:01Oh, got chilly in here.
00:16:04Hey, that's Eve's scarf.
00:16:05Yeah, I know.
00:16:07I like it.
00:16:08I might forget to give it back.
00:16:09Oh, dear.
00:16:33Okay.
00:16:34What hurts?
00:16:36Everything.
00:16:38Okay.
00:16:43Let's see.
00:16:47Diane?
00:16:48Mm-hmm?
00:16:48What's it like being 40?
00:16:51It's not as bad as people make out.
00:16:55Except everyone you know seems kind of tired.
00:16:58Worn out, you mean?
00:16:58Yeah, like they've seen it all before.
00:17:03Eve's not like that.
00:17:05No, Eve's not like that.
00:17:08And you're not like that.
00:17:10It's nice.
00:17:12You know what?
00:17:13This is really hard to do with your sweater on.
00:17:15Oh.
00:17:17Oh.
00:17:18Oh.
00:17:19Oh.
00:17:20Oh.
00:17:21Let's go.
00:17:51Let's go.
00:18:21Oh, jeez.
00:18:32Oh, jeez.
00:19:02Oh, jeez.
00:19:32Oh, jeez.
00:20:02Oh, jeez.
00:20:03Oh, jeez.
00:20:04Oh, jeez.
00:20:05Oh, jeez.
00:20:06Oh, jeez.
00:20:07Oh, jeez.
00:20:08Oh, jeez.
00:20:09Oh, jeez.
00:20:10Oh, jeez.
00:20:11Oh, jeez.
00:20:12Oh, jeez.
00:20:13Oh, jeez.
00:20:14Oh, jeez.
00:20:15Oh, jeez.
00:20:16Oh, jeez.
00:20:17Oh, jeez.
00:20:18Oh, jeez.
00:20:19Oh, jeez.
00:20:20Oh, jeez.
00:20:21Oh, jeez.
00:20:22Oh, jeez.
00:20:23Oh, jeez.
00:20:24Oh, jeez.
00:20:25Oh, jeez.
00:20:26Oh, jeez.
00:20:27Oh, jeez.
00:20:28Oh, jeez.
00:20:29Oh, jeez.
00:20:30Oh, jeez.
00:20:31Oh, jeez.
00:20:32Oh, jeez.
00:20:33No.
00:20:34And hypercollateral, although the hyper wasn't quite as severe.
00:20:36So the old girl gave you your money's worth?
00:20:40Good morning.
00:20:41Didn't hear you come in.
00:20:42I just got here.
00:20:43Oscar Harry was saying you worked him over pretty good.
00:20:46Oh, no, I didn't.
00:20:47I mean, yes, you worked out the pinched nerve in my back.
00:20:50Yeah.
00:20:51He had quite a knotted muscle.
00:20:52Oh, my God.
00:20:53The pain right here in my shoulder.
00:20:55Took a lot of work.
00:20:57Thank God.
00:20:57My vocation gives me such pleasure.
00:20:59should all be so blessed. Well, thanks again, Mrs. Lutter. I'll put that check in the mail
00:21:04Prano. Nice to meet you, Phil. Hey, you take care, buddy. I'll walk you out. Please, don't
00:21:10bother. No, let's not bother.
00:21:21Man, no one can ever find out about last night, okay? Okay. I mean it. I'm serious. It's
00:21:28very important to me that Eve and my dad never find out about this. Okay, all right. I won't
00:21:35tell. Good. I feel either. He's a lot bigger than me. Actually, he's not. Please. Okay,
00:21:43all right. Love the word. Thank you. Give that to Eve for me.
00:21:58Hey, Oscar. That girl sure
00:22:21was pretty. Who? Facetitious girl. Oh, Daphne. Yeah, I guess she's pretty. Is she new to the
00:22:30one, Deadpool? Yeah. Don't you sleep?
00:22:33Mm-hmm.
00:22:35Gall埃.
00:22:38Hey, look, AJ.
00:22:39I know.
00:22:40I know.
00:22:41Can you talk to me specifically
00:22:42aboutmaMan...
00:22:42Carver? ?
00:22:43Rayman carver that is. Would you agree to me again a hostess?
00:22:46Edward Morgan Pond of the man you K threw to the police Kid,
00:22:48his name Biden boots and preparedness?
00:22:48Crowdlinkon knockout of a hundred pounds?
00:22:49Lverty, a great name?
00:22:50아니면 somebody else is quack Surly decision made off with Ben Ali
00:22:55Stanby Carver.
00:22:55Chadwick Brown was a pilot man's service.
00:22:57Like PT, wheelie destroyed something about him.
00:22:59It much is better. When I started re-reading but hefters I think
00:23:02did not make liking it you know?
00:23:03so hi dad i didn't hear you come in
00:23:10daphne and i got to talking last night is that right
00:23:16is eve around no she left for work at dawn
00:23:24why is she working today she likes to go in when there's no one around to bug her
00:23:30so she's by herself what's that nothing nothing
00:23:49picnic sort of but you have time to help old dad do some grocery shopping don't you
00:23:56now yeah come on dad i thought you were gonna take some
00:24:00time to uh work on your book today well come on i mean that can wait how
00:24:04many people really are dying to read the life and times of
00:24:08arnobius of syca well i think you really underestimate your audience i mean
00:24:12there are a lot of arnobius of syca fans out there that you're completely
00:24:16unaware of really you think so yeah i mean the kids
00:24:21at school the ones in the know anyway talk about arnobius of syca like he was
00:24:25the hip ancient scholar arnobius really
00:24:29pick the winner you should feel really good about it and really motivated
00:24:33you put it that way i i do feel pretty damn motivated
00:24:37either way we need paper towels cereal and we're completely out of cheesecake
00:24:42dad i'm not really the cheesecake anymore grab your coat
00:24:50who is she oscar who that
00:24:54where did you sleep last night i know it wasn't at charlie's
00:24:59come clean this is your old man here
00:25:02what happened did you uh run into some buddies from chauncey
00:25:08go downtown get a couple of beers and stare at the hippies in greenwich village
00:25:12there are no hippies in greenwich village anymore dad well what is it now
00:25:15punks druggies folk mopers crossdressers bikers bankers
00:25:20bankers oh god has it come to that i'm afraid so
00:25:24what a state of affairs
00:25:30so where did you spend the night i ran into uh
00:25:34into a girl yes a girl a pretty girl yes a pretty girl oh oscar it wasn't a
00:25:44you know it wasn't a call girl dad of course it wasn't a call girl
00:25:51what's wrong with you kids are crazy these days i bumped into a girl from chauncey yes a girl from
00:25:57chauncey well what was her name oscar her name is it someone even i should meet no
00:26:02i mean there just isn't any point her name's uh miranda spear and she's just some dumb girl
00:26:12have some respect oscar but maybe this girl's only 15 16 and maybe right now her interests are
00:26:19different from yours but girls have things to say they can be funny consider them oscar listen to them
00:26:27so why should i listen to girls like you listen to eve you mean exactly
00:26:40so
00:26:50so
00:27:24Toi, par tes mille et un attraits, je ne sais jamais qui tu es, tu changes si souvent de visage et d'aspects.
00:27:43Toi, quel que soit ton âge et ton nom, tu es un ange ou le démon, quand pour moi tu prends tour à tour, sous les visages de l'amour.
00:27:58Toi, si Dieu ne t'avait modelé, il m'aurait fallu te créer, pour donner à ma vie sa raison d'exister.
00:28:14Toi, qui est ma joie et mon tourment, tantôt femme, tantôt enfant, tu offres à mon cœur chaque jour, tous les visages de l'amour.
00:28:44Oscar !
00:28:54What a nice surprise !
00:28:56I brought you lunch !
00:28:58You're kidding !
00:29:02Wait, wait one second.
00:29:09Wow, cookies too !
00:29:11Yeah, I know you like them.
00:29:14So what are you working on ?
00:29:19I'm monitoring the depolarization of cardiac myocytes.
00:29:24Oh.
00:29:25Hmm.
00:29:26Hmm.
00:29:39Pericardium.
00:29:41Mitral.
00:29:43Aorta.
00:29:46Such beautiful words.
00:29:49Poetry.
00:29:52Never thought of it that way.
00:29:55It's a pretty complicated business.
00:29:58No.
00:29:59The heart is simple.
00:30:01Fixing it is complicated.
00:30:06So when you're...
00:30:08Working on...
00:30:11Whatever it is you're working on...
00:30:14I mean...
00:30:16How do you see the heart as anything more than a...
00:30:18Than a pump.
00:30:20Yeah.
00:30:22I mean...
00:30:23In the end it's just an organ, right?
00:30:24But...
00:30:26Symbolically...
00:30:28Your heart can fit right in my hand.
00:30:31The heart is this incredibly smart machine.
00:30:35It beats 70 to 80 times a minute and in the space of each beat...
00:30:39Sends deoxygenated blood to your lungs and oxygenated blood to all your organs.
00:30:44Cut the aorta and you'll release the jet of blood that hits the ceiling.
00:30:47Now who needs to use it as a symbol...
00:30:50When the thing itself...
00:30:52Is so magnificent.
00:30:54The thing itself.
00:30:56Hmm.
00:31:01Well as a symbol it should be replaced.
00:31:04The heart's had it's day.
00:31:05Why aren't the kidneys a symbol of love or the liver?
00:31:09Hmm.
00:31:10You broke my liver.
00:31:12My liver aches for you?
00:31:14Doesn't rhyme as well.
00:31:16You know for country songs and Shakespeare.
00:31:19Sure it does.
00:31:21I'm a quiver.
00:31:23Please...
00:31:25Deliver.
00:31:27Deep as a river, my love, my liver.
00:31:30I just can't...
00:31:31Hello?
00:31:38Hi.
00:31:40Oscar's here. Visiting.
00:31:43Yeah.
00:31:45I know.
00:31:47Okay.
00:31:48Your father says don't forget we're having dinner tonight.
00:31:51I haven't forgotten.
00:31:53He says, did you ask Miranda Spear to join us?
00:32:00Who?
00:32:01Miranda's...
00:32:02No. No. Tonight's family night.
00:32:04Well don't worry about that Oscar. I mean, Diane is coming.
00:32:07Diane?
00:32:09And Phil.
00:32:11Sure would be nice to see Diane and Phil.
00:32:14Have you met Phil?
00:32:17I think so.
00:32:19Well, Phil isn't coming, okay? Diane likes to keep her options open.
00:32:23It's just Diane, right?
00:32:25Yeah. I thought so.
00:32:30Hey, buddy. Come on in.
00:32:34Is Diane around?
00:32:36She isn't.
00:32:37Is your back still bothering you?
00:32:38Well, come on in. I'll give you a rubber duck.
00:32:40Thanks. Anyway, I'd rather not trust my back to a dentist.
00:32:43The old gal taught me a few tricks.
00:32:45Why do you call her old gal? You make her sound like she's a horse.
00:32:48Actually, she's more of a wild cat.
00:32:50Diane's with the girls down at Payard if your back's really that bad.
00:32:56Hey, you know, buddy, you're gonna have to learn to relax.
00:32:59You're gonna be dead before you reach 20.
00:33:14It's fun.
00:33:16That's a great job.
00:33:17Thank you for having me.
00:33:19You're welcome, buddy.
00:33:20It's fun, man.
00:33:22Let's do this.
00:33:24Good evening, man.
00:33:26Family, practicing.
00:33:28It's super easy.
00:33:30You know, it's all tough.
00:33:33You know what?
00:33:35It's a great job.
00:33:37You're welcome.
00:33:39Yeah, thank you very much.
00:33:40Diane, can I talk to you for a minute, please?
00:33:59You must be Oscar.
00:34:01I'm Samantha.
00:34:04So, it sounds like you have some interesting ideas about French philosophy.
00:34:08Yes.
00:34:08Uh, Diane was telling us that you regard Voltaire as a comedian.
00:34:17Well, I think that when you look at his body...
00:34:22Excuse me.
00:34:24Diane, can I talk to you for a minute, please?
00:34:26In a minute, Oscar.
00:34:28Oscar.
00:34:30Have a seat.
00:34:34The assertion that all man's actions are essentially self-serving
00:34:37has never been taken to the spirit of what's intended, which was a quote.
00:34:41A quote.
00:34:43And that's what Adam Smith was really saying in The Wealth of Nations.
00:34:46At least that's what I've always thought.
00:34:48More tea, Oscar.
00:34:50Thank you, Abigail.
00:34:51Now, most people are going to tell you that Kune's belief in the inherent goodness...
00:34:56But, Oscar, I don't see how you can dismiss Mirabeau so easily.
00:35:00Mirabeau never even got out of the gates.
00:35:02Oh.
00:35:03You naughty girl.
00:35:04Where did you float in?
00:35:06Isn't he lovely?
00:35:08He's so passionate.
00:35:09And he really listens.
00:35:11Sam, do you want to take him one?
00:35:13Yeah.
00:35:14Go ahead.
00:35:15Oscar, I'd love to chat more with you about this sometime, or, um, about anything.
00:35:22Pretty busy with midterms and all.
00:35:25Anything, anytime.
00:35:27Bye, Oscar.
00:35:29Bye, Samantha.
00:35:30Bye, Oscar.
00:35:31Abigail?
00:35:32Bye, girls.
00:35:33Bye, girls.
00:35:38Well, Oscar, it was a pleasure to meet you.
00:35:42Pleasure.
00:35:43You two be good.
00:35:46Call you tomorrow.
00:35:51Diane?
00:35:51Diane?
00:35:53Didn't, uh, tell anybody about what happened last night, did you?
00:35:57What would it matter if I had?
00:35:59You're a grown-up.
00:36:01Or close enough.
00:36:03Did you?
00:36:08I didn't say anything definite.
00:36:11I may have hinted a little.
00:36:12Hinted?
00:36:13Why do they need hints?
00:36:14This isn't charades.
00:36:15What if one of them tells Phil?
00:36:17Phil Schmill.
00:36:19Phil Schmill?
00:36:20That isn't very nice.
00:36:21That isn't very sensitive at all.
00:36:23Oscar, please.
00:36:25Phil and I are not an item.
00:36:26Excuse me.
00:36:28There's no smoking, Pete.
00:36:32Forget about Phil.
00:36:34Diane, I'd like to ask you not to come to dinner tonight.
00:36:40Not go to Cafe Balou?
00:36:42Are you kidding?
00:36:42Your father's paying.
00:36:43I want to minimize the likelihood of your blabbing to Eve.
00:36:48Maybe you've already told Eve.
00:36:50I haven't even seen Eve yet.
00:36:53Yet?
00:36:53Do you plan to tell her?
00:36:55Oscar, Eve and I grew up together.
00:37:00Stories I could tell you about Eve when we were 15.
00:37:02You wouldn't have recognized her.
00:37:03I don't want to hear it.
00:37:04When we were 15, Eve had this thing for Elvis.
00:37:09Elvis Presley?
00:37:11Flip for any guy in sideburns.
00:37:12Sideburns?
00:37:13What's so great about sideburns?
00:37:16I don't know.
00:37:18Strangest things made her happy.
00:37:20She was always happy back then.
00:37:22Back then?
00:37:24Are you saying now she isn't?
00:37:25No, that wasn't my intention.
00:37:31Look, you know what?
00:37:32Let's just forget it.
00:37:33I shouldn't have said anything.
00:37:34We can't just forget it.
00:37:35We're talking about Eve's happiness here.
00:37:38Well, I guess I can confide in you.
00:37:41We're close now, right?
00:37:42In a manner of speaking.
00:37:44Okay.
00:37:45I don't think Eve is happy.
00:37:49There's a void.
00:37:50Something's missing.
00:37:52What makes you say that?
00:37:54It's a woman thing.
00:37:55I sense it.
00:37:56I feel it.
00:37:57Plus, last week she said there was a void and something was missing.
00:38:01Did she say what?
00:38:03Couldn't put her finger on it.
00:38:09I wouldn't worry about it.
00:38:10She'll get over it.
00:38:15So, who is this girl?
00:38:20A friend of the family's.
00:38:22You gonna see each other again?
00:38:24Tonight.
00:38:25But her best friend's gonna be there.
00:38:28Oh, is the friend cute?
00:38:30I wouldn't call her cute, exactly.
00:38:32I mean, would I like her?
00:38:35No.
00:38:36No, I slept with her last night.
00:38:39With the friend?
00:38:41Damn.
00:38:43Yeah, with the friend.
00:38:45But you don't like the friend.
00:38:47Not really.
00:38:48Not like that.
00:38:50But you're going to dinner with both of them.
00:38:53The woman you like.
00:38:54And the woman you slept with?
00:38:56Yeah.
00:38:57My dad's coming, too.
00:39:01Nothing simple for the grubber.
00:39:03Talk to me, Oscar.
00:39:11What's going on here?
00:39:13I don't know, Charlie.
00:39:15I found her.
00:39:16The girl with the great hands.
00:39:18Terrific hands.
00:39:20You gonna tell me your name?
00:39:26Eve.
00:39:26Eve.
00:39:28Like your mother.
00:39:30Eve's not my mother.
00:39:31She's my stepmother.
00:39:31We're not blood relatives at all.
00:39:35Wait.
00:39:36So, your Eve is that Eve.
00:39:39Your mother.
00:39:41She's very wise.
00:39:43And soft.
00:39:46Are you out of your mind?
00:39:48Do you want to end up in hell or something?
00:39:50Charlie, I love her.
00:39:51Oscar, Eve is married.
00:39:55To your father.
00:39:56I know, but I sense there's a void there.
00:39:58Something missing.
00:39:59She needs something more in her life.
00:40:01Oh.
00:40:02And that would be you.
00:40:03Her stepson.
00:40:07I mean, hey, I know you're French.
00:40:09And you have, like, a different idea of family relations.
00:40:12But...
00:40:13Wait.
00:40:15This means you slept with Diane.
00:40:18I realized that was a mistake.
00:40:20She was wearing Eve's scarf.
00:40:21It smelled of her perfume.
00:40:22I got confused.
00:40:24Ow.
00:40:26I mean, Diane's pretty hot for that age group.
00:40:31These look fake.
00:40:34You really fucked up.
00:40:37Charlie, help me.
00:40:38I need sideburns.
00:40:40All right.
00:40:41Let me think.
00:40:42Let me think.
00:40:50No.
00:40:51No.
00:40:51Oh.
00:41:08I know we've talked about it.
00:41:10It's been the two of us.
00:41:12But the Sherman's love, they know.
00:41:13It turns out it's all right with you if they come with us.
00:41:16Honey?
00:41:18Did you hear me?
00:41:22Sure, Bob.
00:41:24Norm knows the Daniel at the back of his hand.
00:41:26He'll be humming along like he did with Carmen.
00:41:28Can you hear me, Dad?
00:41:37Eve, have you seen my tie?
00:41:41Honey?
00:41:42Honey, I don't want to try the current changes to Chris.
00:41:53Hi.
00:41:55Hi.
00:41:56Hey.
00:41:59You look nice.
00:42:02You look, um, different.
00:42:07Worse or better.
00:42:10Very handsome.
00:42:12You're making me nervous.
00:42:13Relax.
00:42:14I'll be very good tonight.
00:42:15Just don't let me drink.
00:42:22And he looks over at me and he goes,
00:42:24you know, you have really beautiful eyes.
00:42:27I go, yeah, I know that.
00:42:30But, you know, we're in a movie theater.
00:42:32There's no way you can see my eyes.
00:42:34It's dark.
00:42:35So he goes,
00:42:36well, you know what's wrong with a lot of women?
00:42:39They're acutely sensitive.
00:42:41So, Oscar,
00:42:42are you happy at Chauncey?
00:42:44You already asked me that, Dad.
00:42:46I did.
00:42:47And what did you say?
00:42:49I said it was okay.
00:42:51Sometimes you don't listen so good.
00:42:52So well.
00:42:53Listen so well.
00:42:54You see,
00:42:55are you correct?
00:42:56Are you out of facts?
00:42:57So you give your own little anecdotes,
00:42:58but you don't really absorb the reason
00:43:00the person is saying the thing that she is.
00:43:02She?
00:43:02Me.
00:43:03I mean,
00:43:04the reason I'm telling you something.
00:43:06Hmm, that's interesting.
00:43:08And silence, Dad.
00:43:10Silence?
00:43:11Listen to what it tells you.
00:43:12Sometimes it's peaceful.
00:43:14Sometimes it's a shrill scream.
00:43:16Honey, this is Bob Spear.
00:43:32Oh, pleased to meet you.
00:43:34This is my daughter, Miranda.
00:43:35Ah, how's Chauncey treating you, Miranda?
00:43:37Good.
00:43:38Oh, have a nice holiday.
00:43:39You too.
00:43:40Nice to meet you.
00:43:41Hello, I'm Stanley Grubman.
00:43:44Oscar's father.
00:43:45Oscar Grubman?
00:43:46He's here.
00:43:47This is such a coincidence.
00:43:48We were just talking about you, uh,
00:43:51today.
00:43:52About, uh...
00:43:53Zach!
00:43:53Zach!
00:43:54Uh, I was just meeting your friend here,
00:43:57and if you don't mind my saying so,
00:43:58she is a little firecracker.
00:44:00I think, uh,
00:44:00Eve wants to see you.
00:44:01She has to give you a pill or something.
00:44:03What pill?
00:44:04For your condition.
00:44:06For my cholesterol?
00:44:07Yes, yes, your cholesterol.
00:44:09I'm sorry, he gets a little confused.
00:44:12How are you, Oscar?
00:44:13Uh, fine.
00:44:14Happy Thanksgiving.
00:44:17What are you two talking about?
00:44:20Colorado?
00:44:21What's this about pills?
00:44:23He's never been to Colorado.
00:44:26Oscar, you're acting very strangely.
00:44:29What pills?
00:44:30Bonsoir.
00:44:31Would you like to take something to drink?
00:44:33Uh, may we see a wine list, please?
00:44:35Uh, en fait,
00:44:36oublier le vin.
00:44:37Person ne veut.
00:44:39What's this?
00:44:40No wine?
00:44:41Pardon?
00:44:42The boys,
00:44:43he says you are not in the mood for wine.
00:44:45Oscar.
00:44:50Oscar.
00:44:51I'm in the mood.
00:44:53Well, I'll see.
00:44:55Should we take a break once in a while?
00:44:57I mean,
00:44:57what are we dependent?
00:44:58We can't have a good time without alcohol.
00:44:59Oscar,
00:44:59you're making it sound
00:45:00as if we have a problem.
00:45:05Fine.
00:45:06Wine list, please.
00:45:07But why Portugal?
00:45:17When people go to Portugal,
00:45:18I always think
00:45:19all the hotel rooms in Spain
00:45:20must have been booked.
00:45:21See, to me,
00:45:22Portugal is the one
00:45:23that's always held...
00:45:24You know what you're gonna have?
00:45:25Mister.
00:45:27Oh.
00:45:29None for me, thanks.
00:45:30And what do you want, Diane?
00:45:54Peter says I may have a shot at the English prize
00:46:03if I read Beowulf properly.
00:46:05That is,
00:46:05taking into account the times
00:46:06instead of reading it
00:46:07with a contemporary slant.
00:46:09You can't discount history, Oscar.
00:46:13No, you can't.
00:46:15You can't discount it at all.
00:46:19The sales representative,
00:46:21this 25-year-old kid
00:46:23who's talking to me
00:46:23about book jackets
00:46:24for four hours.
00:46:25I'm with cross-eyed.
00:46:27How many pages
00:46:28you got there, Stanley?
00:46:29Well, I have about 700...
00:46:31How are you?
00:46:32I'm good.
00:46:35No.
00:46:37How are you?
00:46:39I'm good, Oscar.
00:46:41It's good to see you.
00:46:43You too.
00:46:45Are you sure
00:46:46you don't have a girlfriend
00:46:47at Chauncey?
00:46:47I would think
00:46:48they'd be lining up.
00:46:51Eve,
00:46:52I've been thinking about
00:46:54maybe going pre-med,
00:46:57maybe Columbia.
00:46:58I mean,
00:46:59I'd be in the city,
00:47:00we could meet.
00:47:03to go over my homework.
00:47:04I mean,
00:47:05if you'd be willing.
00:47:06Well, I'd love to, Oscar,
00:47:08but you love literature.
00:47:11You're fluent in French.
00:47:13You should be a scholar.
00:47:14A lot of medicine's
00:47:15in Latin, right?
00:47:16So I figure French, Latin.
00:47:18I'm not doing so badly
00:47:19in biology.
00:47:20I mean,
00:47:20I know what an isotope is.
00:47:22But if you went pre-med,
00:47:24you couldn't get caught up
00:47:25in the poetry of pericardium.
00:47:28I would get caught up
00:47:29in the poetry of the thing itself,
00:47:30like you do.
00:47:32Don't quote me back
00:47:32to myself.
00:47:34Is the world really waiting
00:47:35for another academic?
00:47:36This is a subject,
00:47:37something I am passionate about.
00:47:39Diane?
00:47:41Diane, would you pass
00:47:42the bread, please?
00:47:43Uh-uh.
00:47:51Are you coming down
00:47:53with something?
00:47:54I'm fine.
00:47:55Are we still playing
00:47:55tennis tomorrow?
00:47:56Oh, is that tomorrow,
00:47:58tennis?
00:47:59Don't you think
00:48:00you've had enough?
00:48:00that I go look
00:48:01at some first editions
00:48:02he just bought?
00:48:03He suspects
00:48:04he's been swindled.
00:48:05You can't be a little
00:48:07more relaxed.
00:48:07I don't say anything.
00:48:09You're a nerd.
00:48:11Okay.
00:48:12Maybe you could go
00:48:13to Norm's
00:48:13in the afternoon.
00:48:15I could.
00:48:16I could.
00:48:17Uh, go in the afternoon.
00:48:19The thing is,
00:48:28I hate tennis.
00:48:29But I have the court booked.
00:48:31I'll play tennis with you,
00:48:32Eve.
00:48:32I love tennis.
00:48:34Yes, Oscar's
00:48:35a wonderful sport.
00:48:36There you go.
00:48:37Oscar will play with you.
00:48:38He will?
00:48:39You don't mind?
00:48:40Not at all.
00:48:41Oscar is very gallant.
00:48:44Oscar has a new girlfriend.
00:48:47Really?
00:48:47Mm-hmm.
00:48:48It seems last evening
00:48:50he had quite
00:48:50the late-night conversation.
00:48:53Oh, tell us about it.
00:48:55Diane, wine is bad
00:48:56for your heart.
00:48:57Oh.
00:48:59I thought wine
00:49:00was good for your heart.
00:49:01It is, in moderation.
00:49:03So who is this girl, Oscar?
00:49:05She's quite a little number
00:49:06by the looks of her.
00:49:08I thought the girls
00:49:09had chauncey
00:49:09hadn't lived enough.
00:49:10Can we change
00:49:11the subject, please?
00:49:17Well, if we're going
00:49:17to change the subject,
00:49:18I'm going to excuse myself
00:49:20for the ladies' room.
00:49:21Okay.
00:49:22Oh, come on.
00:49:28Excuse me.
00:49:33I think that's why
00:49:35he's acting so strange.
00:49:37What the hell
00:49:39are you doing?
00:49:40What do you mean?
00:49:41What do I mean?
00:49:43You're drinking,
00:49:44you're making these jokes,
00:49:44you have your foot
00:49:45in my crotch.
00:49:46Loosen up.
00:49:47Loosen up?
00:49:47I asked you not
00:49:48to let them know.
00:49:50Oh, Fred.
00:49:53Oh, my.
00:49:54What is it?
00:49:57Something very unusual.
00:50:03No one knows anything.
00:50:05Okay.
00:50:05Okay.
00:50:05What is that on your face?
00:50:28What?
00:50:32Oh, ow!
00:50:34Do you two have something
00:50:37you'd like to share
00:50:38with us?
00:50:38What?
00:50:46Oh, God.
00:50:48What's going on?
00:50:50Well, okay.
00:50:52I think what we're
00:50:53talking about here
00:50:53is proof-regor's theory
00:50:54of distortion,
00:50:55which states
00:50:55that prismatic effect
00:50:57of a body
00:50:57reflected on a plane
00:50:58at a certain angle
00:50:59creates an illusion.
00:51:00What is it?
00:51:01An illusion?
00:51:03Oh, what the hell?
00:51:03We're all adults here.
00:51:05No, actually, we're not.
00:51:08Eve,
00:51:09Oscar and I...
00:51:11Both speak French.
00:51:14Oscar and I
00:51:15are lovers.
00:51:19What?
00:51:20What?
00:51:21Are you drunk?
00:51:22Oscar, just relax.
00:51:23I saw them in the mirror.
00:51:25I just hope
00:51:26Miranda Spears
00:51:27didn't see it, too.
00:51:28Dad,
00:51:29there is no Miranda Spear.
00:51:31There is no Miranda...
00:51:32What are you talking about?
00:51:33I shook hands
00:51:33with her father.
00:51:34When did this happen?
00:51:36Last night?
00:51:37Mm-hmm.
00:51:40Stanley...
00:51:41Of course, you know,
00:51:42it's not that uncommon
00:51:43in ancient Rome.
00:51:44Fifty-year-old men
00:51:45would marry
00:51:45fourteen-year-old girls.
00:51:47This is not
00:51:47ancient Rome.
00:51:48I am nowhere
00:51:49near fifty.
00:51:51Well, it is all
00:51:52very the graduate.
00:51:53Except that Oscar
00:51:54hasn't graduated.
00:51:55Come on.
00:51:58Good night,
00:52:15sir.
00:52:16Thanks.
00:52:20So, you're coming
00:52:21a bit soon?
00:52:22Uh, in a while,
00:52:23I just have to finish
00:52:24these chapter notes.
00:52:26Good night,
00:52:27sir.
00:52:47I just don't see
00:52:47why you're so upset.
00:52:48I'm entrusted
00:52:50with this welfare,
00:52:51Diane.
00:52:51I mean,
00:52:52can you imagine
00:52:52if Oscar's mother
00:52:53found out?
00:52:55She's French,
00:52:56isn't she?
00:52:57They're not all
00:52:57like that,
00:52:58okay?
00:53:00You're taking
00:53:01advantage of him.
00:53:02Oh, bullshit, Eve.
00:53:03Oscar's a smart kid.
00:53:06Now, there are
00:53:07some forty-year-old men
00:53:08of whom I am
00:53:08taking advantage.
00:53:09Am I overreacting?
00:53:10He's fifteen.
00:53:12Well, you and I
00:53:12were hardly innocent
00:53:13when we were fifteen.
00:53:16Who went to the
00:53:16Jefferson Airplane
00:53:17concert and pulled
00:53:19down their tube top
00:53:20and made out
00:53:20with all three guys
00:53:21in...
00:53:22That's different, okay?
00:53:23All right,
00:53:23that's different.
00:53:25I know why
00:53:26you're upset.
00:53:28You're upset
00:53:29because you know
00:53:30that deep down
00:53:31inside,
00:53:31if our situations
00:53:32were reversed,
00:53:33you would have
00:53:33done the exact
00:53:34same thing.
00:53:35Don't be ridiculous.
00:53:37You would have.
00:53:37With a fifteen-year-old?
00:53:39Not on your life.
00:53:40Not just a fifteen-year-old.
00:53:43A smart,
00:53:44sweet,
00:53:44passionate person.
00:53:46You're not the only
00:53:47one with something
00:53:48missing.
00:53:51Samantha Stedman
00:53:52gave Oscar
00:53:53her phone number.
00:53:55And you let her?
00:53:57He can take care
00:53:58of himself.
00:54:00I'm not his mother.
00:54:01Neither are you.
00:54:02What is wrong
00:54:03with your friends?
00:54:04Nothing.
00:54:05Jeez.
00:54:06And if you hadn't
00:54:07met somebody
00:54:08in a really long
00:54:09time who was
00:54:09very excited about
00:54:10life,
00:54:11you would consider
00:54:12a fifteen-year-old.
00:54:13the Wait.
00:54:20Yes.
00:54:20No.
00:54:21No.
00:54:22No.
00:54:22No.
00:54:22No.
00:54:24No.
00:54:24No.
00:54:24No.
00:54:25No.
00:54:32No.
00:54:32No.
00:54:39No.
00:54:40Love 30
00:55:01Or 030
00:55:04As if you know what love means
00:55:08It comes from the French word for egg
00:55:11Love
00:55:12Eve
00:55:13I know how it must look
00:55:17I understand how
00:55:19I'm misled you must feel
00:55:21I spoke of
00:55:24Poetic thoughts
00:55:26Love and livers
00:55:27Really hours after having
00:55:29Cheap, meaningless sexual intercourse
00:55:32With your best friend
00:55:33That's 15.30, right?
00:55:37Sir
00:55:37Eve
00:55:41Sometimes
00:55:45The natural call of man
00:55:47Is just too strong to know
00:55:49So that's
00:55:5115.40, right?
00:55:55The ratio you seem particularly fond of
00:55:57And yes, Eve
00:56:02True passion does still exist
00:56:04And I know this
00:56:06Because I'm the man
00:56:08Who feels true passion
00:56:10I think you'll be fine
00:56:32If you're gonna mess with the stuff of Greek tragedies, Oscar
00:56:41You're gonna have to be prepared for the fallout
00:56:43Charlie, help me
00:56:45Okay, let's look at this rationally
00:56:50If you had met even, say, a coffee shop
00:56:53Would you still be attracted to her?
00:56:55I mean, it's not just because she's your mother, is it?
00:56:58She's not my mother
00:56:59Stop saying that
00:57:00Okay
00:57:03Look
00:57:04Maybe it's not your fault
00:57:06I mean
00:57:06Since your father's been married to another woman
00:57:09In the eyes of your church
00:57:10He's a polygamist
00:57:11So maybe you're just genetically predisposed
00:57:15That is
00:57:15Programmed to repeat the mistakes
00:57:18Or sins of your biological
00:57:20Shut up, Charlie
00:57:21You kids having fun?
00:57:28Do you want some cookies or anything?
00:57:30No, Ma
00:57:31We're fine
00:57:31My Oscar can't believe how big you've gotten
00:57:34Yeah, I guess I hit quite a spurt there
00:57:37All right
00:57:38Yeah
00:57:38All right, Ma
00:57:40Thanks
00:57:41And I'll see you later
00:57:42Stick to your own, Mom, will you?
00:58:04Hey, Jimmy
00:58:04What's on your mind, Tadpo?
00:58:09Nobody calls me that anymore, Jimmy
00:58:10What do they call you now?
00:58:14Stupid
00:58:15Everything's messed up
00:58:19Well, what's the trouble, Tadpo?
00:58:24Stupid
00:58:25Women, I guess
00:58:28Not girls
00:58:30No, they're definitely women
00:58:34No women
00:58:37No crime
00:58:40Thanks for that, Jimmy
00:58:44Thanks for that, Jimmy
00:58:44Thanks for that, Jimmy
00:59:10I made you a sandwich.
00:59:27Thanks.
00:59:32Grilled cheese, my favorite.
00:59:35I know.
00:59:36Well, good thing it's something I can actually cook.
00:59:42Dad always burns them.
00:59:45He won't use Teflon.
00:59:48Well, he's a traditionalist.
00:59:52They use Teflon to make replacement hog valves, right?
00:59:58You know, way too much for a 15-year-old.
01:00:01Nothing worth knowing.
01:00:04That's not true, Oscar.
01:00:05There's plenty worth knowing.
01:00:11You know, with Diane...
01:00:18Oscar, I've already decided it's really none of my business.
01:00:23You're old enough to make your own decisions.
01:00:25I want to explain.
01:00:28With Diane...
01:00:31Well...
01:00:32It was Teflon sex.
01:00:36Pardon me?
01:00:37She was doing this thing to my back, pressing, and...
01:00:40I was drunk.
01:00:40She's a chiropractor, that kind of thing.
01:00:42That kind of thing.
01:00:43Hormones racing out of control, or pheromones.
01:00:47I'm not that kind of a person.
01:00:51You told me once that...
01:00:54It could be years before anyone really understood what the hell I was talking about,
01:00:57but...
01:00:58That the day would come...
01:01:00When everyone caught up to me.
01:01:01And while I knew that...
01:01:03Maybe you were just being kind...
01:01:05I knew one thing.
01:01:09That I love...
01:01:13Things.
01:01:15And...
01:01:16And...
01:01:18That's okay.
01:01:19And there was Diane...
01:01:19And she was...
01:01:22Wearing your scarf.
01:01:26Do the dishes.
01:01:56Wearing your scarf.
01:01:58Wearing your scarf.
01:01:59Wearing your scarf.
01:02:00Wearing your scarf.
01:02:01Wearing your scarf.
01:02:02Wearing your scarf.
01:02:03Wearing your scarf.
01:02:04Wearing your scarf.
01:02:05Wearing your scarf.
01:02:06Wearing your scarf.
01:02:07Wearing your scarf.
01:02:08Wearing your scarf.
01:02:09Wearing your scarf.
01:02:10Wearing your scarf.
01:02:11Wearing your scarf.
01:02:12Wearing your scarf.
01:02:13Wearing your scarf.
01:02:14Wearing your scarf.
01:02:15Wearing your scarf.
01:02:16Wearing your scarf.
01:02:17Wearing your scarf.
01:02:18Wearing your scarf.
01:02:19Wearing your scarf.
01:02:20Wearing your scarf.
01:02:21Wearing your scarf.
01:02:22Wearing your scarf.
01:02:23Wearing your scarf.
01:02:24Wearing your scarf.
01:04:56Like what?
01:04:57I don't know. For the last few months, she's been going to bed earlier.
01:05:03Maybe she's just tired or...
01:05:10Or what?
01:05:12I don't know what.
01:05:15And maybe I'm missing something.
01:05:18I thought about what you said last night.
01:05:20Maybe I haven't been listening too well.
01:05:23Then again, maybe I'm just imagining things.
01:05:29I don't know what you're playing right on time.
01:05:38I don't know what you're playing right on time.
01:05:50I don't know what you're playing right on time.
01:05:59I know you're part of the fun.
01:06:01I don't know what you're playing right on time.
01:06:12I don't know what you're playing right on time.
01:06:15The only little boy in New York
01:06:18I get the news I need on the weather report
01:06:27I can gather all the news I need on the weather report
01:06:33Hey, I got nothing to do today
01:06:41But smile and oh, oh, oh
01:06:45Here I am
01:06:46The only little boy in New York
01:06:51Half of the time we're gone
01:06:58But we don't know where and we don't know where
01:07:02I'll get your ticket. I'll be right back
01:07:18You have a loose button
01:07:27I'd sew it for you, but I don't sew
01:07:33I know
01:07:34I'm not a very good mother
01:07:37Stepmother
01:07:39Who says they have to cook and sew?
01:07:44Anyway, you know how to monitor cardiac myocytes, that's enough
01:07:49How's your liver?
01:07:59Hurts
01:08:00Broken?
01:08:03No
01:08:03I love your father very much
01:08:08Me too
01:08:10So, see you back here in about three weeks?
01:08:16You two look very serious
01:08:20We're talking about Christmas
01:08:22Oscar's going to his mother's in France
01:08:25He is?
01:08:27We're going to Portugal
01:08:28Just the two of us
01:08:30We are?
01:08:32If you want
01:08:33Hey
01:08:35Bye, sweetie
01:08:39Bye, sweetie
01:09:10Here.
01:09:12Thanks, Oscar.
01:09:14You're welcome.
01:09:16See you at school.
01:09:18Okay.
01:09:20If we don't find anything pleasant, at least we shall find something new.
01:09:26What's that?
01:09:29Voltaire.
01:09:32Oh, right.
01:09:36See you at school.
01:09:39She's so hot for you.
01:09:51She smells nice.
01:09:55She what?
01:10:06So, what happened with Eve?
01:10:08Come on.
01:10:13Talk to me, Grover.
01:10:19Well, it wasn't as important as I thought it was.
01:10:22I want a glimpse
01:10:22How the others were sealed, they called
01:10:28How much too fast to take that test
01:10:31Ch-ch-ch-ch-changes
01:10:34Turn and face the strange
01:10:36Ch-ch-ch-changes
01:10:37Don't wanna be a richer man
01:10:41Ch-ch-ch-ch-changes
01:10:43Turn and face the strange
01:10:45Ch-ch-ch-changes
01:10:47Ch-ch-ch-changes
01:10:48I'll be a richer man
01:10:48It's gonna have to be a different man
01:10:50Ch-ch-ch-changes
01:10:52Ch-ch-ch-change
01:10:52Ch-ch-ch-changes
01:10:53But I can't trace my own
01:10:56I've watched the ripples change their sides
01:11:11But never leave the stream of warm and permanent sand
01:11:16So the days float through mines
01:11:20But still the days seem the same
01:11:23And these children that you spit on
01:11:28And they try to change their worlds
01:11:32Are immune to your consultations
01:11:37They're quite aware of what they're going through
01:11:40Ch-ch-ch-ch-changes
01:11:42Turn and face some strange
01:11:44Ch-ch-ch-changes
01:11:46Don't tell them to blow up and out of it
01:11:49Ch-ch-ch-ch-changes
01:11:52Turn and face some strange
01:11:54Ch-ch-ch-changes
01:11:56Where's your shame?
01:11:57Your lips is up to her next to me
01:11:59Time may change me
01:12:01But you can twist time
01:12:04Strange fascination
01:12:09Fascinating me
01:12:12Our changes are taking
01:12:17The base I'm going through
01:12:20Ch-ch-ch-ch-changes
01:12:22Turn and face some strange
01:12:25Ch-ch-ch-changes
01:12:26Ooh, look out
01:12:28You rock and rollers
01:12:29Ch-ch-ch-ch-changes
01:12:32Turn and face some strange
01:12:34Ch-ch-ch-changes
01:12:36And since you're now
01:12:37You're gonna get older
01:12:38Time may change me
01:12:41But I can't trace time
01:12:44I've said that time may change me
01:12:47But I can't trace time
01:12:51I can't trace time
01:12:53To be continued...
01:12:56I'll see you next time.
01:13:26I'll see you next time.
01:13:56I'll see you next time.
01:14:26I'll see you next time.
01:14:56I'll see you next time.
01:15:26I'll see you next time.
01:15:28I'll see you next time.
01:15:30Yeah.
01:15:32Yeah.
01:15:34Yeah.
01:15:36Yeah.
01:15:38Yeah.
01:15:40Yeah.
01:15:42Yeah.
01:15:44Yeah.
01:15:46Yeah.
01:15:48Yeah.
01:15:50Yeah.
01:15:52Yeah.
01:15:54Yeah.
01:15:56Yeah.
01:15:58Yeah.
01:16:00Yeah.
01:16:02Yeah.
01:16:04Yeah.
01:16:06Yeah.
01:16:08Yeah.
01:16:10Yeah.
01:16:12Yeah.
01:16:14Yeah.
01:16:16Yeah.
01:16:18Yeah.
01:16:20Yeah.
01:16:22Yeah.
01:16:24Yeah.
01:16:26Yeah.
01:16:28Yeah.
01:16:30Yeah.
01:16:32Yeah.
01:16:34Yeah.
01:16:36Yeah.
01:16:38Yeah.
01:16:40Yeah.
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