"18 Karat Gold" were short-lived offshoot of "Amon Duul II". Their work is of undoubted musical interest. Lothar Meid was a "Amon Duul II" from 1971 until 1974, although he left the group and returned several times. At the same time he was busy with other projects in parallel, such as "18 Karat Gold", "Doldinger's Passport" and "Utopia". Half American and half German Klaus Ebert was only 18 years old when "18 Karat Gold" recorded their only album. From 1976 until 1979 he was a member of "Amon Duul II" in their last stage, when they changed the musical landmarks on the pop-rock. Keith Forsey and Jorg Evers were guests on several albums "Amon Duul II" (also sometimes replaced by the so-called permanent members of the staff on live performances). Forsey, British session drummer living at that time in Germany, in 1971, also made an excellent album with Paul Vincent as a duo "Hallelujah". Olaf Kubler, a well-known producer of "Amon Duul II" and the jazz saxophonist, will not add any exciting ideas when writing this album. As the album turned out to be a commercial failure, the band soon broke up.
19:59Call me doctor, call me doctor, call me Mr. Hype, call me Mr. Hype, all I play is honky-tonk, all I talk is giant, call me Mr. 5%, call me Mr. 5%, call me Dr. Hook, all I say is, have a heart, sing my song, be cool.
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32:27Who's changing all the program
33:27Hey, who's making all the shows go?
33:29Hey, who's making all the shows go?
33:41If you're in a deep sleep
33:51And who's putting a plastic bag
33:53And who's putting a plastic bag over your head
33:58If you're in a deep sleep
33:59If you're in a deep sleep
34:00If you want it or not, you're gonna see me in your nightmare
34:10But if you love me, you'll see me in your nightmare
34:12But if you love me, you'll see me in your dreams