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[Engsub] Designed for Desire 2025 mydrama 2025 Full HD Movie
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Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here. I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery. Until then, we cannot proceed.
01:54Okay, one second.
01:56Hello? Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:15Oh!
02:16Good luck.
02:17I thought you weren't interested.
02:22Take off your clothes. Right now.
02:24Good luck.
02:41So, Ms. Brooks, what do you see in this room?
02:45Well...
02:47It's deliberate.
02:50Controlled.
02:51Powerful.
02:53It's impressive.
02:54But...
02:55But...
02:57It's not...
02:59Satisfying.
03:01Bold again.
03:05Tell me.
03:06How do you know it's satisfying?
03:08Satisfaction lies...
03:10Somewhere in between.
03:11You think you can give me that?
03:13Think you can take the risk and find out?
03:22All yours.
03:24All yours.
03:28Hey.
03:31The women out there would do anything to be in the position you're in.
03:35Unless you have other ideas.
03:43Don't make me regret this risk.
03:44I don't plan to.
03:45The position's been filled.
03:46Go home.
03:50Get out!
03:51Damn.
03:52He doesn't have to be so rude.
03:54Damn.
03:55He doesn't have to be so rude.
03:57Peppy.
03:58Your phone's upside down.
04:00Hi.
04:01How are you feeling?
04:02Hey, jubilation?
04:04Not doing too well, honey.
04:05Damn hospital postponed my surgery again.
04:06I'm so sorry, Peppy.
04:07I'm working things out with the hospital.
04:08I have some good news today, though.
04:10I'm sorry.
04:11Uh, I think that's my landlord.
04:12I have to go.
04:13Love you.
04:14Bye-bye.
04:16Bye-bye.
04:18Bye-bye.
04:19Bye-bye.
04:20Bye-bye.
04:21Bye-bye.
04:23Bye-bye.
04:25Bye-bye.
04:27Bye-bye.
04:28Bye-bye.
04:30Bye-bye.
04:31Bye-bye.
04:32Bye-bye.
04:33Bye-bye.
04:34Bye-bye.
04:37Oh.
04:39What the hell is he doing here?
04:41What are you doing here?
04:43Oh.
04:44What the hell?
04:46Hey!
04:47Whoa, whoa, whoa.
04:48Guys, whoa.
04:49Hey, don't take that!
04:54I did not agree to this!
04:56Actually, you did.
05:00The signing must reside on Mr. President.
05:02I can't quite hear you.
05:03Must reside with Mr. Mercer for the duration of the project?
05:08How long?
05:10Keep reading.
05:12And definitely without exception?
05:19A gift.
05:21What the fuck?
05:22A gift in exchange for being kidnapped?
05:26No thanks.
05:30I need to know where you're at at all times.
05:34It's a tracker.
05:35What? Like a dog collar?
05:38Do you think you own me now?
05:40I wouldn't do that.
05:42Come on, let's go.
05:43This is insane.
05:43Just give me a second to put Crumpet in his carrier and call my grandfather.
05:47No.
05:48There are no animals in the mansion.
05:50You must say goodbye to your little Crumpet.
05:53What?
05:54Absolutely not.
05:55I told you in the contract that I will take care of everything.
06:00I don't care about the contract.
06:02What?
06:02Oh my god!
06:04Goodbyes are always so hard.
06:06Put me down!
06:07What are you doing?
06:11Welcome back, Miss Brooks.
06:13So, I'm not allowed to leave?
06:16If you leave, your contract will be terminated immediately.
06:19And what?
06:20You're just going to leave me all alone in here?
06:21Would you like me to join you?
06:22No, no, no, no.
06:34Why is it making that sound?
06:37Damn, if I leave, Pappy dies.
06:39Shit, I'm trapped with this monster.
06:42Oh my god, is this really happening?
06:44I'm stuck.
06:45This is your uniform.
06:57Work hours have started already.
06:59Tidy yourself up.
07:01Report to Mr. Mercer.
07:02Oh, and, uh, chop chop, Miss Brooks.
07:09Mr. Mercer does not like to be kept waiting.
07:12Enjoy the view?
07:35No, I, um, just didn't want to disturb you.
07:41I don't mind if you stare.
07:43Sorry, sir.
07:44I was just interested in your build.
07:47The building.
07:48The build of the mansion that we're building to work on today.
07:55What time are we leaving for?
07:57Car leave's in ten minutes.
07:59Great.
08:00I'll be ready.
08:01How much further?
08:15Patience, Miss Brooks.
08:25Oh, my, tough one.
08:31Hey, Foxy, I got something that'll keep that jaw clenched.
08:36Wow, original.
08:38Mr. Mercer, we didn't know you was coming in today.
08:41Get off my property.
08:42What?
08:43You're fired.
08:44Leave.
08:45Oh, what the hell?
08:46I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:52If I collapse your loan...
08:54Wait, did he just stand up for me?
08:56Sir, how about you?
08:58Continue your work with Miss Brooks, and I'll handle it.
09:01Come on.
09:06Everything's nearly finished.
09:08I'm gonna have a team come in and make some final measurements over here,
09:11and I'll ensure they know how to keep their mouth shut.
09:13Uh, is this all marble?
09:21Seeing her in my house gives me a strange feeling.
09:24It's so beautiful.
09:26What is it about her?
09:27Why do I want to...
09:29Follow me.
09:29Wow, an elevator?
09:37By the way, what you did out there, thank you.
09:40I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:44Remember that.
09:45Your first task for the client.
09:53I don't know anything about the client.
09:55Who is...
09:56We don't ask about the client.
09:58We only worry about what they desire.
10:01Okay.
10:02Am I allowed to know what the purpose of this room is?
10:05Yes.
10:06Yes.
10:07Right.
10:07The client would like this room transformed into their BDSM chambers.
10:14I hope she doesn't see right through me.
10:21So, how would you do it?
10:24Uh, um...
10:26Paint me a picture.
10:28Right.
10:28Uh, over here, I would put a chaise lounge.
10:36Velvet.
10:37Obviously.
10:38Obviously.
10:39And over here would be a great place to mount a swing.
10:42One with adjustable heights and handles.
10:44And next to it, we could put a cabinet for whips and toys and things.
10:50You're very well versed.
10:52I read a lot.
10:55Certain genres of certain books have certain details.
10:59Right, right.
11:00Of course.
11:02Yeah, it's perfectly normal.
11:03A lot of women read fantasy and romance and fantasy romance.
11:08Anyway, uh, this would be a great place to mount small cuffs.
11:34Don't pick up.
11:38Hello?
11:43Miss Brooks, I'm sorry.
11:44We need the payment.
11:46Uh, I understand.
11:47Is there anything I could do now to hold him there?
11:50Anything that could be done right now?
11:52We need your payment, Miss Brooks.
11:53By tomorrow morning.
11:55All $200,000.
11:57Okay, I'll get it to you.
11:59I promise.
12:02Sorry.
12:02Your contract explicitly states that I receive 100% of your attention at work.
12:08Who was that?
12:11It's personal.
12:12There are no personal calls at work.
12:16I'm sorry.
12:23Mr. Mercer, it won't happen again.
12:25I'll get to work right away.
12:26I'll have designs to you by tomorrow morning.
12:32Take it off.
12:34What?
12:37Your jacket.
12:40Mr. Mercer.
12:44I won't ask twice.
12:45Uh, what's this for?
12:59It's perfect.
13:01Now go get dressed.
13:02No need to pout, Miss Brooks.
13:24You'll be reading some of the top designers.
13:26I don't understand.
13:27How does this take priority over work?
13:30Am I your date or your designer?
13:32You are.
13:35When I say you are.
13:36Ladies and gentlemen,
13:51it is my pleasure to welcome you all to
13:53the annual architectural ball,
13:56proudly hosted by the Mercer Group.
13:58I'd also like to welcome and introduce
14:04our newest interior designer,
14:07Miss Cecilia Brooks.
14:12I thought you said you had the job.
14:15I did everything that I could.
14:17Bitch must have slept with him in the interview.
14:19Fine.
14:19I'll fix it myself.
14:25So without further ado,
14:26please enjoy your drinks
14:27and have a wonderful night.
14:37We have this dance.
14:42Sterling.
14:44I was hoping that maybe we could
14:47walk and talk.
14:48Or maybe dance and discuss.
14:52You must be working so hard.
14:55I was thinking
14:56maybe you would benefit
14:58from a designer who
14:59really knows you.
15:02Your past.
15:04I'm not interested in rehashing
15:05old relationships, no.
15:08It was just a flint.
15:09Does it mean we can't be close?
15:13Sterling could be a
15:14difficult person to work for.
15:16You know you can come to me
15:21if you need
15:23anything.
15:28Get your hands off of her!
15:32What the hell are you doing here, Vincent?
15:36Folks,
15:36looks like the jester came to play!
15:38Get him out of here.
15:47It's alright, folks.
15:48Enjoy the party.
15:49It's okay.
15:51Hey, are you okay?
15:53Why don't you go grab a drink?
15:54I'm going to take care of this.
15:54crazy night, huh?
16:05Too crazy.
16:06I'm Nora,
16:07a close friend of Sterling's.
16:09So,
16:09tell me,
16:11how's the new position
16:12treating you?
16:14It's demanding.
16:16And the client?
16:18What's your feel on them?
16:18Oh, I'm not at liberty
16:20to discuss that.
16:21Come on,
16:21it must be crazy, right?
16:24I really can't.
16:27Oh,
16:28how embarrassing.
16:35What are you doing in here?
16:37Cecilia,
16:37I'm sorry.
16:39I'm so done
16:40with their whole world.
16:43Yeah,
16:44the head of the board
16:45was barking my ear off me.
16:47Stop it!
16:48What?
16:48I'm just trying to help.
16:50Help?
16:50Really?
16:51That's rich.
16:53I mean,
16:54I am rich.
16:56You.
16:57You are a lot of things.
16:59From the moment I met you,
17:00you've controlled
17:00every aspect of my life,
17:01every movement I make.
17:03You're obsessive,
17:04cryptic,
17:05a perfectionist.
17:07But you're not rich.
17:09Not where it counts.
17:28Phil,
17:28excuse me.
17:29I have work to do.
17:35Ooh.
17:37Ooh.
17:45This hand.
17:47What if?
17:49Maybe cuffs?
17:51What if we hang
17:52something around here?
17:53Is that me?
18:11Did I say you could come in here?
18:13Uh, you'll be happy to know that I worked on these all night.
18:23Maybe if you stayed at the gala, you would have learned something.
18:29Learned what?
18:30You follow through with your obligations, so you wouldn't waste your time working on garbage.
18:34Garbage?
18:36I'll need five more by tomorrow morning.
18:38That will take me all night.
18:39Even making those two took me all night, and I barely got them done in time.
18:43You've done it once before.
18:45You can do it again.
18:46Don't you think maybe, just maybe, that's an unreasonable amount of time?
18:51Maybe.
18:52I don't care.
18:53Wait.
18:55I should have remembered.
18:57It's not in the contract.
19:07Oh my god.
19:12Excuse me, miss.
19:14Where's my grandfather?
19:15I'm sorry.
19:16Usually if they're not in the room, it's because the insurance ran out or...
19:19Miss Brooks?
19:33Yes?
19:34I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
19:39He's being very well taken care of.
19:41I don't understand.
19:42How is that possible?
19:43I can't afford that.
19:46I told you.
19:47I'll take care of everything.
19:49What?
19:50I can't believe this.
19:52Oh, but...
19:58But why?
20:00Why would you do that?
20:02Well, when I said I needed your undivided attention, I meant it.
20:08Now the only thing you have to worry about is me.
20:11I'm not your slave.
20:13I'm not your slave.
20:18Five designs.
20:20By tomorrow morning.
20:26You're welcome.
20:27I've been expecting you.
20:35I have a feeling I'll be impressed.
20:38Brushed work is not work to be proud of.
20:45Is this you?
20:46And my parents.
20:47They must be so proud of you.
20:48They never got to see it.
20:50I inherited this company before I was old enough to run it.
20:53I'm so sorry.
20:54It was a long time ago.
20:56What happened?
20:56They vanished.
20:58On a work trip into Europe.
20:59I guess I don't control everything after all.
21:02I'm going to deliver these designs to everyone.
21:05I have a surprise for you.
21:10To your first approval.
21:17It's beautiful.
21:20I do have a request, though.
21:23I was wondering if I could...
21:25I could have a little freedom?
21:26From what?
21:28Me?
21:28No.
21:29No, not you.
21:32I'm this.
21:33Well...
21:34I need to keep track of you.
21:36I mean, what if...
21:38Sterling.
21:41I'm not your parents.
21:42I'll be fine.
21:43I just don't know if I'm ready for that yet.
21:46But you continue to impress me.
21:48I mean, you'll be free as a bird.
21:50I do have more surprises to show you.
22:04But, um, you're going to have to wait until tomorrow.
22:09Hmm.
22:09Full of surprises, aren't you?
22:16And that's why I can't let you go.
22:33What are you two doing here?
22:34There's not supposed to be anyone working today.
22:36We were just swinging by to assess a minor electrical concern.
22:38It seems that the circuit...
22:39It's nothing urgent.
22:40We're going to come back tomorrow with the rest of the crew and get it resolved.
22:44Okay.
22:45Thank you for the update.
22:48Thank you, Mr. Mercer.
22:54I've ordered these beautiful pieces.
22:55White marble.
22:58What the hell?
23:04It's kind of beautiful.
23:05No, no.
23:06It's a mistake.
23:09It's not too perfect.
23:11It's bold.
23:12It's not trying hard.
23:13It just is.
23:16Well, I like my work to be intentional.
23:21Well, I would argue that this elevates the intention of the space.
23:25The juxtaposition between control and chaos.
23:29You have good eyes, Ms. Price.
23:32Follow me.
23:38Your second task for the client.
23:40Master bedroom and nursery.
23:44Oh, the client's a family man.
23:46We don't discuss the client.
23:48Only satisfy their needs.
23:52Would you like to see your designs?
23:54Is it not what you thought?
24:14No, it's...
24:15It's not that.
24:15It...
24:16The power went up.
24:21There's no signal.
24:23Yeah, the soundproofing they put up, uh, cuts signal.
24:27What?
24:28No.
24:41It's not funny.
24:42I'm not laughing.
24:43How long until someone notices that we're gone?
24:46I don't know.
24:47An hour?
24:48Maybe two?
24:50Is it Nora?
24:51The client?
24:53What?
24:54No.
24:54You're not supposed to ask about the client.
24:56Just tell me.
24:58No.
24:59It's not.
24:59Is she...
25:01more?
25:01I built this room because I believed in your vision.
25:07I cleared your schedule.
25:09I cleared your stressors.
25:10All because...
25:12I wanted you.
25:13I wanted you to ask about the client.
25:43Sir, your seven o'clock is waiting upstairs.
26:02Tuck your shirt in, sir.
26:10I know.
26:12I know.
26:15Who the hell are you?
26:16Calm down, sweetie. Put Crumpet down.
26:21Listen, sweetie, I work for Mr. Mercer. He hired me to take care of your grandpa and Crumpet until you return.
26:28Sweetie, what are you doing home?
26:31What am I doing?
26:33This is Agnes, my nurse. She's taking care of me.
26:36Oh, I'm sorry. I'm so embarrassed.
26:43Um, hello?
26:45Why are you at your apartment? If you're there, there's no need for Agnes to stay employed.
26:50Cece, you're ruining my chances.
26:52Go back, Cece.
26:53Oh, okay, okay.
26:55Everything's all right. Agnes has taken very good care of me.
26:58Okay, okay, Pappy. I'll go.
27:00Um, it was nice meeting you, Agnes.
27:02Nice to meet you, dear.
27:03Nice to meet you, dear.
27:14What the hell?
27:16He has a girlfriend?
27:17My girlfriend?
27:23What was I thinking?
27:47Got you now, bitch.
28:02I found her address.
28:05out bitch. I found her address.
28:26Sterling. Sterling, can we talk?
28:30I don't have the time, Miss Brooks.
28:32Sterling, it's important, please.
28:33I'm dealing with something. Figure it out yourself.
28:45You might want to ask me why I'm here, you psycho.
28:48I don't give a damn what you have to say.
28:50I don't trust you.
28:52Well, maybe you should start.
28:54Because I know a dirty little secret about you.
28:59You're about to be broke.
29:03I'm here to offer you a buyout.
29:06Get out.
29:08Hear me out.
29:09Instead of your accounts being compromised facing bankruptcy and becoming the embarrassment of architecture,
29:16we could merge as Hale Mercer.
29:19Even has a nice name.
29:21Oh, you're way out of line.
29:23Am I?
29:25Because someone pretty close to you seems to be worried about you.
29:28Besides, if you don't accept this buyout, I'll publish the information and Mercer Designs will go bye-bye.
29:37Is that a threat?
29:38Think of it more of a bribe.
29:44Get the hell out of my property and out of my sight.
29:50Now!
29:51Miss Brooks, in my office immediately.
30:05Are you sure you want me in there or not your other woman friend?
30:10What are you talking about?
30:12Hand me your sketches.
30:16I have designs, but they're not the originals.
30:18The originals are missing or lost.
30:21What do you mean lost?
30:23I finished the designs last night and I fell asleep, but when I woke up they weren't in my room anymore.
30:28You're lying.
30:29I'm lying?
30:31Why don't you tell that to the next girl you bring over?
30:33Excuse me?
30:35You're so careless.
30:36Careless?
30:37Me?
30:38I'm pretty sure you're the one who's talking about losing sketches.
30:41Something you won't have to deal with anymore.
30:44Marley's gonna be taking you to the project mansion.
30:48Hopefully you can figure out your sketches problems there.
30:52You may go.
30:58Take her and her belongings to the project mansion.
31:02Anything I should know, sir.
31:04She can't be trusted.
31:06And check the cameras.
31:09We have a mole.
31:11Yes, sir.
31:16Miss Brooks.
31:18What are you doing here?
31:21Well, um...
31:23I, uh, had to get some artwork for the client.
31:28You don't trust me.
31:30Not too.
31:32You not trusting me?
31:34You were the one with another woman after all that,
31:36I did this all for you bullshit.
31:38Okay, what woman are you talking about here?
31:40You can't lie to me.
31:41I saw you with her.
31:43I saw you...
31:44Okay, okay, okay.
31:45If it makes you feel any better, I...
31:49I promise I'm looking into it.
31:53You promise?
31:55I promise.
31:56I promise.
31:57No!
32:01Your hands like smoke, they find my skin.
32:05Every move, a little sin.
32:09Pull me closer, don't let go.
32:13Kiss me in the dark, don't say I...
32:16I thought you didn't trust me.
32:17That you were mad at me?
32:18No, you're too hard to resist.
32:20I don't know.
32:21To be honest.
32:33Let's go inside.
33:05Well, hello. I'm here for Mr. Brooks.
33:18I'm sorry, what exactly is this for?
33:20I'm the treatment nurse. I'll be taking him to his appointment for today.
33:24Oh, Mr. Brooks doesn't have an appointment today.
33:26I can assure you he does.
33:31Well, thank you for coming.
33:33Can I bring Crumpet?
33:35Yes, Mr. Brooks. Bring the cat.
33:57Hello, Cecilia. I'll need your full cooperation.
34:00I have something of yours you might want back.
34:02Now that I've got your attention, I need a little favor.
34:07Bring me Mercer's Legacy One design.
34:09You can't do this.
34:10But see, I already have, sweetheart.
34:13Give me the designs.
34:14Tell Sterling and your sweet old pappy dies.
34:17And your little cat, too.
34:19Your choice.
34:19I've been reviewing project management assets.
34:23You're four days late on the Hudson property.
34:25The client is not happy.
34:27Mr. Mercer is not happy.
34:30Pick it up or I'll give your work to her.
34:31She's three days ahead.
34:34Is that a personal email?
34:35Sweetie, you don't have to do this.
34:57Too late, old man.
34:58Who the fuck are you?
35:01Your worst nightmare.
35:02Baby.
35:04I'm so glad you made it.
35:05I set all this up for you.
35:08This better work.
35:09No, no, you won't eat.
35:14No, no, you won't eat.
35:14No, no, you won't eat.
35:44Show me the video.
35:51Yes, sir.
35:55She knew how to evade the cameras.
35:57I can't identify her, but we knew her enough to let her in.
36:02Keep this video between us.
36:04Yes, sir.
36:14Cecilia.
36:20Sterling, you're not working from home today?
36:22What are you doing here?
36:23Who have you been talking to?
36:26No one.
36:26I just, I needed to pick up some paint samples and this was on the way.
36:30On the way to what?
36:32We're like 20 miles south of home.
36:34I'm getting my necklace cleaned.
36:38So if you can't find me or track me for any reason, that's why.
36:48Why do you need your necklace cleaned?
36:50I've just been working a lot.
36:52The drafting table is super dusty and I don't want to get messed up.
36:54It's a woman thing.
37:04I'm trusting you right now.
37:07I know.
37:08What the hell is going on?
37:38Good girl.
37:43Right on time.
37:46Well, don't hesitate now, sweetheart.
37:48Or they're dead.
37:51Come on, Cecilia.
37:53Do it.
37:58Sterling Mercer's legacy designs.
38:01Just like I asked.
38:04Sterling, you won't even know what hit you.
38:06Now let my grandfather go.
38:08He's all yours.
38:10A deal is a deal, pretty lady.
38:17Cece, don't!
38:18Get out of here!
38:20Look, look!
38:31I've had a change of heart.
38:33Please.
38:37Please.
38:39No.
38:40This way.
38:50Wow.
38:52You really know how to tie the room together, darling.
38:55Sterling has my location.
38:57You have no idea what you're in for.
38:58Oh, but I think I do.
39:02You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye.
39:10And then that will pave way for the construction site of all hail designs.
39:15He'll find me.
39:17And when he does-
39:18That's very unlikely, Cecilia.
39:21Now that Sterling has this video, no one's coming to save you.
39:25Screw you.
39:28Screw both of you!
39:29Oh, oh, oh.
39:31But I almost have everything I need.
39:35Hmm?
39:35His financials, his accounts.
39:38You see, the only thing that is missing, my dear,
39:42is the contact for Sterling's project mansion.
39:46What?
39:46Why does that matter?
39:48Well, once I have the contact, I can put in a bid under his.
39:55Therefore, Mercer will no longer have any names attached to any property.
40:02That will never happen.
40:07Who's the client?
40:10How much was the bid offer?
40:13I don't know.
40:14I don't know.
40:16Well, you'll remember.
40:19Trust me.
40:21Even if I did, I wouldn't tell you.
40:32So, tell me.
40:36Who is the client?
40:38He took care of my family.
40:41I'm never going to sell him out.
40:46Unless you forget, sweetheart.
40:49You already gave me the plans.
40:52So, therefore, you are already a betrayer.
40:56Promise?
40:57I don't know anything.
41:00Hmm.
41:00Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
41:06So, tell you what.
41:08This is how it's going to go.
41:10You're going to tell me, and then you, Pappy, and little Kitty can go free.
41:17While Mercer Designs burns to the ground.
41:21Or, I could kill you.
41:25Right here.
41:27Right now.
41:29And Mercer Designs falls anyway.
41:33Okay.
41:35Decisions, decisions, darling.
41:36Wait, no.
41:37No, I'll tell you.
41:38I'll tell you anything you want to know.
41:39Please, just don't touch him.
41:40I'll tell you.
41:50Tell me everything.
41:55I don't...
41:56I don't know a lot.
41:58I just...
42:00I know she's very private.
42:02Very secretive.
42:04She only talks to Serling.
42:05She's an older, conservative woman.
42:10Liar!
42:12That night that I dosed Sterling with that sleeping elixir,
42:16I found your little project mansion and that newly built BDSM room.
42:21Oh, and then all the plans that I stole from Cecilia's bedroom?
42:25They were for a nursery.
42:27Both rooms that an elderly woman wouldn't need in a new home.
42:31You drugged him?
42:31Yes!
42:32I drugged him!
42:33And then I ransacked his mail.
42:42That's where I found you, your address, and your little cat, too.
42:51Well, then.
42:53Looks like you chose...
42:56Oh!
42:57Oh, I'm sorry, my sweetness, but our short little affair is over.
43:03Excuse me.
43:05Well, obviously I don't need your services any longer.
43:10Besides, I don't do witnesses.
43:21Sterling, help me, please!
43:23Sterling, wait, it's a trap!
43:24No!
43:24Sterling, please, you have to help me!
43:26Watch out!
43:27Tell me how to disarm it!
43:35Now!
43:38Back wire!
43:39You little bitch!
43:48Nora, stop!
43:49Put down the knife!
43:51She kidnapped me!
43:52I've been waiting here for hours for you!
43:54Put down the knife!
43:55Come on, let me at her one last time!
43:57She betrayed you!
43:58She's the one who gave up the Legacy One and the third floor!
44:03Wait, how do you know about the Legacy One project?
44:05That was confidential.
44:06That little bitch.
44:07She told Vincent everything!
44:09No, she's lying.
44:11Yeah.
44:11It's all because of her!
44:12She drugged you!
44:16No, I didn't, you bitch!
44:18When I thought I saw you with that woman?
44:21Then now you lost the designs.
44:23No.
44:24No, that wasn't me!
44:25Okay, Vincent made me do it!
44:27He said he threatened my family!
44:28I had no other choice!
44:31I don't believe you.
44:33Arrest her!
44:35No!
44:38Drop some knife!
44:39Get right here!
44:40Get right here!
44:40No!
44:40No!
44:42Vincent, you can't leave!
44:44You have the right to leave!
44:45Get off!
44:45You're silent!
44:46Anything you say in the movie, it's against you and it's going to fall!
44:49Don't get this, my sir!
44:50Wait, no, not on time first!
44:52I'm so sorry!
44:53It's okay.
44:54It's okay.
44:55But I gave him your designs.
44:56I didn't know what else to do.
44:57I was trying to save them.
44:59I didn't mean to.
45:00You're safe.
45:00You're safe.
45:01Okay?
45:03Vincent, we'll be able to touch the project.
45:10I'm so happy you found me.
45:13I thought...
45:13I'll always find you.
45:18How?
45:21Because I know you.
45:24That moment in the parking lot, I knew from your eyes that you needed me.
45:29I will always keep you safe.
45:38Hey, hey, would you two take it someplace else?
45:41Sorry, Pappy.
45:45I'll take you and Crump at home.
45:52Oh, thank goodness you're okay.
45:56I want to tell you something, sweetheart.
45:58I love Agnes.
46:00I really mean it.
46:01Okay, Pappy.
46:02Just get some rest.
46:03I mean it, Cece.
46:05When a man knows, he knows.
46:07Agnes, it's been a long time since I've met someone as caring as you.
46:15And I'd like you to be my wife.
46:19Yes!
46:20I love you, Agnes.
46:30Marley, what are you doing here?
46:31Miss Brooks.
46:33Mind coming with me?
46:35Will you give me a second?
46:36I want to change first.
46:37I want to change the time.
46:39I want to change all the time.
46:39I can change to my wife.
47:00My wife and I miss her.
47:02I like how you feel to be a guest.
47:02I love you, too.
47:03Please do it.
47:04I love you, too.
47:04I love you, too.
47:06I love you.
47:06Everything feels brand new, sunlight doesn't in my mind.
47:11Come here.
47:21This is really beautiful.
47:26We work well together.
47:28I'm glad you think so, Cecilia.
47:32Yes, Sterling?
47:33I have something I need to tell you.
47:39About?
47:41There isn't a legacy, Kalai.
47:44Well, there is, but...
47:47It's not who you think.
47:50I don't follow.
47:53It's me.
47:54What?
47:56This... this is my legacy.
48:01Come here.
48:01I need to show you something.
48:11I made this for you.
48:14Wait one second.
48:15I thought if we put them next to each other, it would create balance.
48:30But then you came in.
48:49You're kind.
48:51Old.
48:53Intuitive.
48:54Sterling.
48:55Beautiful.
48:57Beautiful.
48:59You gave this place a soul.
49:04Cecilia Brooks.
49:07Would you share the love we built together?
49:12Yes.
49:13Yes, Sterling.
49:14Yes.
49:14I said yes to you, to forever too, to every dream we're walking through.
49:33Red dragon.
49:39Record by short drama free.
49:42Follow for more.
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