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00:00Como los actores, ¿cómo se sienten a obtener un ovation, un aplauso, un reconocimiento en ese modo?
00:05Y especialmente si ustedes pueden comparar a lo que va a pasar mañana,
00:08que va a estar en frente a un panel con un montón de fans y todos van a cheerle por ustedes.
00:13¿Cómo se sienten a un actor? ¿Cómo se sienten a un actor?
00:16Me tienden tu pregunta un poco.
00:18Como un director, ¿cómo se sienten?
00:20Porque tú eres mucho más responsable por la historia de la historia y cómo se sienten.
00:24Y, you know, un actor es uno de muchos participantes,
00:27even if it was a two-hander kind of thing, like,
00:29what does that feel like as a director to get that type of response?
00:38This franchise really has, like, such iconic scenes, like the door, the first T-Rex attack.
00:43I believe you guys have, in both your filmographies, really iconic scenes.
00:47The swimming lesson in Moonlight, the 360 shot in Avengers.
00:51So I wanted to ask you, when you are filming those scenes,
00:54are you aware of how iconic this is going to become?
00:57And does that change at all the way you approach the scene?
00:59You really don't know.
01:00I mean, certainly you might have a director say to you something like,
01:04you know, this is going to be, this is going to look really cool or whatever.
01:07This will be, you know, and they'll come up to you.
01:08This is a trailer moment or whatever.
01:10These like corny things that people say,
01:11but you have to just keep your eye on the prize.
01:14You're like in the moment.
01:15Because otherwise it doesn't amount to an iconic moment if it doesn't work dramatically.
01:19I got, I mean, I just got goosebumps and I, but that's the fan in me, you know,
01:23because the five year old boy who's watching Jurassic is never,
01:26well, that's why we all know it so much.
01:27We sort of carry our little, little Rupert and little Johnny around with us.
01:31Yeah.
01:32But yeah, no, you do.
01:33There's something about this is that the production values are so extraordinary
01:37that it's hard not to suddenly go, I'm in a, I'm in a, I'm being chased by a dinosaur.
01:42You know, you just want to be immersed in what you're doing
01:45and just do the best work you can do on the day and make sure that you're just doing your job.
01:50The way things have to come together for something to have a larger meaning or purpose
01:54or to resonate with people in a larger way.
01:58I, I feel like if there's any chance of that happening and not saying that I ever go into something
02:03with that in mind, but if there's any chance of that happening,
02:05it's probably going to be because you really committed to doing your job on the day.
02:08Everybody was really committed to just being in that moment.
02:11You don't necessarily know, nor could we, which bits are going to become those iconic moments.
02:17And that's why it's thrilling because the writing is so good.
02:20The acting was so good across the board.
02:22And God knows what Gareth Edwards got up to with the special effects.
02:25But the bit that becomes a meme or goes viral or is on a t-shirt, you know,
02:30that's what's so exciting to be like, oh, that's what caught everyone's imagination.
02:33How exciting.
02:34Yeah.
02:34We've seen a Jurassic scene and it led, like you mentioned, to be a kid, to be a kid.
02:39We were crying, we were really excited.
02:41And I want to talk to you about your experience with that first movie.
02:45You told me that it led to be a kid.
02:47Yes.
02:48What do you think of having seen that first movie in a few years ago?
02:51No, it was, I mean, one, I think I got all my panic attacks to Spielberg for that movie.
02:59Yeah.
03:01Yeah, that's what I'm doing, I think.
03:04Cause I was like, I'll give it to you, thank you so much, thanks to Spielberg for that movie,
03:07we want to talk to your work that...
03:09I think I was like, okay, maybe I'll give it to you.
03:11A lot of times, yeah, yeah, I'll give it to you.
03:12You know, I'll be like, okay, so, you know, I talk about the music.
03:13It's a very nice people.
03:14Yeah, I feel like that you do.
03:14Yeah.
03:15I think I like the music part.
03:16I've been like, okay?
03:17You know, you go, you know, I'm like a συ, you know, you know, you know,
03:19I'm like, I'm like, I'm like everything I'm like,
03:22the music that I'm like you know.
03:23Yeah.
03:25La mochila, la loncherita, no sé si te acuerdas, era de metal, las loncheras, de Jurassic, todo era de dinosaurios.
03:33No, pues sí, marcó una generación.
03:36Estuve en Cannes para la premiera Eleanor the Great y para esa innovación.
03:40Y por favor corregirme si estoy equivocado, ¿crees que grabaste a Eleanor the Great antes de grabar Jurassic?
03:45Sí, sí.
03:46Entonces, quería preguntarte, ¿la manera en que dirigiste a Eleanor,
03:49¿alguna manera cambió la manera en que estás progestando ahora en Jurassic?
03:55I don't know.
03:56I mean, I think I, in some ways, I mean, I have a much greater appreciation and understanding
04:05of the prep period and the post period of production, which I was not as, like, privy to.
04:14And then I think, you know, in some ways, you're just more aware of, like, inefficiencies, you know,
04:21and so, and that can be both a good thing and a bad thing.
04:25You know, it can maybe sometimes make things more frustrating or can help sometimes things
04:30move along, like, more quickly.
04:33But I think anybody here, like, there's so many actors that have had, like, everybody here
04:36has had long careers and worked a lot.
04:39So I think we're all basically having, like, the same conversation on set as to how to help
04:45and support our director, Gareth, and, you know, like, make stuff move more smoothly, yeah.
04:53I want to say to you that I was in Cannes for the Wes Anderson film.
04:56And I was in the theater when they all applauded the standing ovation.
05:01So I wanted to ask you, as an actor, how does it feel to get an ovation and for, you know,
05:07from the audience?
05:08And if you guys can compare it to maybe tomorrow, where you're going to meet a lot of fans,
05:13a lot of fans from Jurassic Park are going to applaud you and cheer you the same way that
05:17they did, you know, back there in France.
05:19And so I was wondering, is that different for you guys to have that kind of, you know, reception?
05:25Well, yeah, I think when you step into the Jurassic franchise, I think the only way to
05:29really get through it is to pretend that it's a tiny student film and that it's absolutely
05:35keeping the bubble, which we did do.
05:37And it was really brilliant because obviously shared times with extraordinary people.
05:42And so stepping out and then, you know, where you realize the impact, the global impact
05:46that it has.
05:46And there's a massive fan base and you just hope that, you know, you've done everyone
05:51proud who's loved the film as much as we did growing up.
05:53I remember being at Cannes, not this time, another time, but after COVID.
05:57So no one had been to the theatre for two years.
06:00And we went there with Asteroid City and it was one of the first kind of things.
06:04And it felt like, yes, they were applauding the film, but they were applauding the idea
06:08of a film, of going to the movies.
06:10It's such a part of our culture.
06:12It's a 20th century invention, but it's like what everyone really, really loves.
06:16There's nobody who says, oh, I hate going to the movies.
06:18It's like, doesn't exist.
06:20So it's a joy, as Johnny said, to be part of this.
06:22Y no tienes como un momento como dicen los americanos de full circle, porque trabajaste
06:26con Chris Pratt, que fue en Chistu en Jurassic.
06:28Sí.
06:28Y ahora trabajaste, ahora estás en Jurassic.
06:31Y de alguna forma, mi pregunta es, ¿aprendiste algo de trabajar en Hollywood en tu primera
06:35película que fue, correga me estoy mal, Magnificent, que de alguna manera llegó de Lincoln
06:41hasta ahorita en Jurassic?
06:44¿Aprendiste algo en ese set, tu primer día en el set, en ese set, que hasta ahora sigues aplicando
06:47cualquier sitio que vas?
06:48Sí, yo creo que en todos los proyectos, digo, voy aprendiendo cosas y tengo la oportunidad
06:55de trabajar con actores que admiro mucho y son, este, y de alguna otra forma les aprendo
07:02algo, ¿no?
07:02Esa película de Seven con, de los Siete Magníficos con Denzel, pues, no, las escenas que tengo
07:10con él y estar absorbiendo todo, todo lo que es el profesionalismo que tiene, la ética,
07:17la entrega que tiene a lo que está haciendo, ¿no?
07:21Cómo hace el approach a las escenas.
07:24Pues sí, voy absorbiendo de todos.
07:26Este, yo creo que cada proyecto me ha dejado algo.
07:28¡Gracias!

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