- yesterday
ನ್ಯಾಷನಲ್ ಸ್ಟಾರ್ ಯಶ್ ಈಗಾಗಲೇ ಸಾಕಷ್ಟು ಪ್ರಖ್ಯಾತಿ ಹೊಂದಿದ್ದು ಬಾಲಿವುಡ್ ನಲ್ಲಿ ರಾಮಾಯಣ ಸಿನಿಮಾವನ್ನ ಮಾಡುತ್ತಿದ್ದಾರೆ ಸ್ಯಾಂಡಲ್ವುಡ್ ನಲ್ಲಿ ಯಶ್ ರವರ ತಾಯಿ ಪುಷ್ಪ ಸಿನಿಮಾ ನಿರ್ಮಾಣಕ್ಕೆ ಕೈ ಹಾಕಿದ್ದು ಕೊತ್ತಲವಾಡಿ ಎಂಬ ಸಿನಿಮಾವನ್ನು PA ಪ್ರೊಡಕ್ಷನ್ ಅಡಿಯಲ್ಲಿ ನಿರ್ಮಾಣ ಮಾಡಿದ್ದಾರೆ ಈ ಸಿನಿಮಾದಲ್ಲಿ ನಾಯಕನಾಗಿ ಪೃಥ್ವಿ ಅಂಬರ್ ನಾಯಕಿಯಾಗಿ ಕಾವ್ಯ ಶೈವ ನಟಿಸಿದ್ದು ಈ ಸಿನಿಮಾದ ಕುರಿತು ಯಶ್ ತಾಯಿ ಪುಷ್ಪ ಫಿಲ್ಮಿ ಬೀಟ್‌ಗೆ ಸಂದರ್ಶನ ಕೊಟ್ಟಿದ್ದಾರೆ
National star Yash has already gained immense popularity and is currently working on the Bollywood film Ramayana. In Sandalwood, Yash's mother, Pushpa, has stepped into film production. Under the banner of PA Productions, she has produced a film titled Kothalavadi. The movie features Pruthvi Ambaar in the lead role and Kavya Shaiva as the female lead. Pushpa recently gave an interview to FilmiBeat, where she spoke about the film Kothalavadi.
#YashMotherPushpa #YashMotherPushpanterview #PAProduction #PushpaArunkumar #PushpaProduction #KothalavadiMovie #StarTalk #Filmibeat #YashMother #YashMotherProduction #SandaloodCinima
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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National star Yash has already gained immense popularity and is currently working on the Bollywood film Ramayana. In Sandalwood, Yash's mother, Pushpa, has stepped into film production. Under the banner of PA Productions, she has produced a film titled Kothalavadi. The movie features Pruthvi Ambaar in the lead role and Kavya Shaiva as the female lead. Pushpa recently gave an interview to FilmiBeat, where she spoke about the film Kothalavadi.
#YashMotherPushpa #YashMotherPushpanterview #PAProduction #PushpaArunkumar #PushpaProduction #KothalavadiMovie #StarTalk #Filmibeat #YashMother #YashMotherProduction #SandaloodCinima
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
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Category
🎥
Short filmTranscript
00:00When we met a woman, he had a woman
00:28её doesn't change, but they don't change.
00:30She doesn't change her mind.
00:34She doesn't change her mind.
00:36She doesn't change, she likes her body,
00:38She doesn't change her mind.
00:40She doesn't change her mind.
00:42She doesn't change her mind.
00:46I've never changed my mind.
00:48My mum is not the same as my mother.
00:51I've not cleaned her mind.
00:53She said I don't have any trouble with my mind,
00:56the camera can't be seen.
00:58That's not true.
01:00The cinema is one day one day, one day, one day, one day.
01:08Nice. Yes sir.
01:10The cinema is one way to talk about it.
01:12You can prove a glimpse in this video.
01:14And the madam is telling you,
01:16you are a part of it.
01:18You can see who is a camera man.
01:20Now, some direction combination.
01:22If you go there, you can see the results of the results in the screen.
01:27There are a combination of these.
01:29So, a director of the major is a director.
01:31That combination is not a combination.
01:33We start to talk in the beginning.
01:35And the major is production.
01:37We are all working with the pack up.
01:40And they are working with the director of the major.
01:44So, now I am not sure. Quality-wise, I am not sure.
01:47Content to acting is new.
01:48I am not sure how to talk.
01:49You can divide by yourself and divide by yourself.
01:52And, you can get the same idea of what you can do about yourself.
01:56No way, I can go here, I can go here.
01:57But, in Europe, what do you do?
02:00Completely let's say, I don't want anything to go here.
02:02So, completely you don't want to go here.
02:04I can purchase a costume or something.
02:06If I buy a costume, I don't want to go here and get some colors.
02:12I'm going to go shopping.
02:13I'm going to go shopping.
02:15I can go to the paint road here.
02:17But in total, there is a major reason for this quality.
02:20No matter how much of them, they don't have production or anything.
02:24They are the overall crew.
02:27So, they are good.
02:29So, the final output is great.
02:32You can tell me,
02:33I don't know if you want to do this.
02:37That's the grading.
02:39The color grading is completely completed.
02:42We have a great idea of grading,
02:44but it's cost-wise.
02:47Actually, it doesn't have the cost of production.
02:50It doesn't have the cost of it.
02:51But I don't have to shoot at all.
02:54Color-wise, background-wise, everything is properly painted.
02:57Overall, there is only 4-5 colors.
02:59That color palette is properly made.
03:01So, if you have a grading issue,
03:03if you have any other stuff, it doesn't have to be wasted.
03:05It doesn't have to be any other stuff.
03:07It doesn't have to be any other stuff.
03:09It doesn't have to be any other stuff.
03:12It doesn't have to be any other stuff.
03:14So, it's a great grading.
03:16It doesn't have to be any other stuff.
03:18So, finally, if you have any other stuff,
03:20you can get a phone in 10 minutes.
03:22It doesn't have to be any other stuff.
03:24Okay, sir, it doesn't have to be any other stuff.
03:26Okay, sir, it doesn't have to be any other stuff.
03:28Okay, you can get a production.
03:30You can get a full director.
03:34You can get a director.
03:35And who wants to ask you to ask?
03:39Andra, I don't have to use this.
03:43It doesn't have to be any other stuff.
03:47And Kelsa is a hard worker.
03:49We have a no-marker.
03:51As you do our young people,
03:53it's a gift, and we are a gift.
03:54The good thing is,
03:56is that the girl who had to be a gift,
03:57is who killed God.
03:58is who won the lady's himself.
03:59is who won the Kelsa.
04:00This is a thing.
04:02All the problems are all on the world.
04:04This guy will be disturbed.
04:06If it was to be a professional, you won't turn on a cinema.
04:11The music was completely slow.
04:13We should start this television from October.
04:16In 7 years, one is preparing for.
04:19One is preparation.
04:22Stella is not like she was still there.
04:25This is the one who is still there.
04:28There was no difference.
04:29We were still there.
04:32That's why I'm telling you.
04:34He's not a publicist.
04:38He's a young man.
04:40He's negative.
04:42He's a negative man.
04:44It's a negative man.
04:46But some of us are wrong.
04:48Some are strong.
04:52We're not a bad person.
04:54We're not a bad person.
04:56We're not a bad person.
04:58But we're not a bad person.
05:00We're not a bad person.
05:02We're not a bad person.
05:04So we're not a bad person.
05:06We're not a bad person.
05:08So this is a negative one.
05:10We're not a bad person.
05:12We need to know this guy.
05:14We're not a bad person.
05:16We need to know the guy who's left.
05:18We have to know the guy who is right.
05:20He was right.
05:22I'm sorry.
05:24I'm sorry to know.
05:26I'm sorry.
05:28But you know that guy is right.
05:30S. I was like, I was going to go to ask him to do this.
05:35He had to go to the father's office, he was like a guy.
05:38He had to make a job like this.
05:39He was like, I was going to ask him to do this.
05:41He was like, oh my god, I have to ask him to do this.
05:45I'm going to ask him, he's like, oh my god, I'm going to ask him.
05:51But, if you did it, you would want to ask him to come.
05:55You have to ask him, I don't know.
05:57What if I want to be taught in a relationship with my dad?
06:01But what we can do is that reason would find it other than me.
06:05What we cannot find, what we cannot find.
06:08We cannot find it maybe even as we can find it.
06:13We cannot find God.
06:15Where we live today, where we live, we live, we live.
06:19If we go to a gym, we cannot find it only.
06:24I mean, you have to be prepared for use, don't you, everything is ready to be prepared.
06:27Where do you teach this director?
06:30We teach them to teach them.
06:32During the course of the time, we teach them to teach them.
06:34The director is taught to teach them from the other years.
06:38We teach them to teach them.
06:41It's just because I teach them to teach them as a whole.
06:44The only thing I teach students is to teach them by,
06:46and teach them in a whole complicated manner.
06:49My quality has the same.
06:51This is fine with me.
06:52I was a guy who would like to work with an S-Rekmen and a cameraman and a guy who would like to work with.
06:57Everything would be successful.
06:59That's my team.
07:01We didn't have a lot of time to work with an S-Rail.
07:06But if I was a S-Rail and a S-Rail, I wouldn't have done anything with a Magnesis.
07:12I don't know.
07:13There are many banners, many stars, who are going to promote, trailer launch, people, people, fans, etc.
07:29But if you are a manel, a manel, a manel, a manel, a manel, a manel, a manel, a manel, a manel.
07:39A manel, a manel, a manel, a manel, a manel.
07:45There are many different things here at the time.
07:48I got inspired by the other people, like the other people.
07:51If you are a manel, I got inspired by the other people, and if you have one other person, I can get inspired.
07:55Next picture will tell you.
07:58Have you just heard about how low and low, low and low, low and low, high and low.
08:02I was told to my mother,
08:04She was so young a lot,
08:06but she was young.
08:09She was young.
08:11She was young.
08:13I didn't know how to do this.
08:16She was young.
08:19She was young.
08:22She was young.
08:24She was young.
08:26She was young.
08:28It's the best place for us.
08:31No one is like this, you or me.
08:34If we ask ourselves, we ask ourselves, we're going to do this.
08:38We can't do it anymore.
08:40We're not going to do it anymore.
08:42This is not just that you, you, you, you, you're not going to do it anymore.
08:44We don't do it anymore.
08:46We don't do it anymore.
08:47We don't do it anymore.
08:49It's not that good.
08:52They're not going to be able to do it anymore.
08:54The stars are not going to fall.
08:56Their dependency has between.
09:01They can discipline each other.
09:04They can't get the same thing.
09:06They can't get that same thing.
09:09Because they can't get the same thing.
09:10Whatever they do is, they can't understand that.
09:12They can't go off our own not bad anymore.
09:14They can't be fine.
09:15It's so funny.
09:16That looks good, right?
09:17They are trying to play the dance,
09:19there are playing the cinema,
09:20they are playing the dance,
09:21they are throwing the beading,
09:22we are serving the same way.
09:23If we are also the first director of the Ganesh, the Ganesh, the Ganesh and the founder of the Ganesh and the Ganesh.
09:30All we have were from here.
09:32We were able to get a lot of money.
09:34We were able to get a lot of money money.
09:37I'm talking about her as a hero.
09:39One thing if you have to start the production, you started the production.
09:43You have to debut her as a hero.
09:45You have to be our first member.
09:48So, have you been in the selection of the Ganesh?
09:51No, I was talking to you as director, but they were all the same.
09:54They were doing large picture-selection, and they didn't understand me.
09:57They were realized that someone gets more camera-man,
10:01or they can come out all day.
10:05They would be completely off their face,
10:05saying, even now I'm going up to the house,
10:07it's like this.
10:10Kelsa got a little bit of a job in my life.
10:12You are not doing interview.
10:13I told you you will a quality of your life.
10:16And if you ask for all your questions,
10:17that's not мі hands down to Kelsa.
10:19That's a joke.
10:20It's a joke.
10:21I wanna say,
10:22that's all that.
10:23What's wrong with you?
10:24What's your job?
10:25What's your job?
10:26What's your job?
10:27I'll try to be a job.
10:28I'm trying to figure it out.
10:30That's why our directors are,
10:31some of them don't do costume for Tyler,
10:33and they're all getting changed.
10:34These are the job that's not good.
10:36They're all getting changed.
10:38They're all getting changed.
10:39That's why we're going to get our dream.
10:41Actually, this film has been connected personally.
10:43I don't think this film is enough.
10:44I have done the film.
10:45I have done it.
10:46But this film is something special.
10:48After people travel, they say, okay, it's important and it's been out of it.
10:54We had to run out of theland, that's how it's been.
10:58It's a great idea.
11:00You definitely have to know what you like.
11:04If someone has to know something, my ability is to know something like that.
11:07Everything is important in the amount.
11:10Every day, in the morning, three hours.
11:13you have to go to the house, the room, the hotel, it is a big deal.
11:19It's a big deal.
11:22It's a big deal.
11:25I don't even know how you can do the equipment.
11:30It's been a long time for me.
11:33I'm not sure how I'm going to go to the cinema, but I'm not sure how I'm going to go.
11:38But it's also not a big deal.
11:40My plan has had all the same taste and I have something to do like this.
11:47And I think we can do something interesting during the interview, but I've read some of these interviews.
11:51So I don't have to wait for anything at any time.
11:53I couldn't do any of this in anything, even my vision started.
11:56I'd say the film, I'm going to do any other.
11:59The film used to say, I thought it wasn't the last night of the interview.
12:02And I never told you, I don't know.
12:03I had to say that it's brilliant.
12:05If we don't do anything at the interview, then the film came out.
12:08You are the cameraman who is tracking all the lights.
12:11He will not see the camera on you.
12:15So it's not just all to the camera.
12:18I think I'm not as doğru as we're talking.
12:21We've become ready.
12:22They help be able to fix all the things we have.
12:25So, we are talking about the people who can talk about the 2008s.
12:29Because I actually went to work just like that.
12:32And Iually went to work on them.
12:34That's what I really got to fix all the things I had.
12:36I actually had a good routine, the first thing.
12:40After getting up here, when my dad was filming the filming the movie,
12:44the videos were filming the film as well.
12:46He talked to me as a director from that film.
12:50After getting up with her, I showed her photo.
12:54He looked at him all the time.
12:56After shooting, we got to shoot the film.
12:59From there we got to shoot all the time to kill.
13:02So we got to shoot all the time.
13:05It's been a long time.
13:12It's not a long time.
13:15It's been a long time.
13:21It's been a long time.
13:24We have a choice for this film.
13:27We are watching a voice.
13:30We are watching a talk show.
13:34To make sure we are the producer, we have no idea.
13:37We have no secret to this movie.
13:39There was a talk about the cinema,
13:40if someone was to have a director,
13:44or if someone was to have a great person,
13:46or if someone is a producer,
13:47that was the channel so hard to talk.
13:50But they were used to know that they were used to be,
13:52that they were used to be used to be used to be used to.
13:56But we know that we are used to it,
13:58that we are used to be used to the same person.
14:00But we are used to the toxic people,
14:01and we are used to the same person.
14:03No, we don't have a taxi. We don't have to talk to each other.
14:11Yes, you couldn't talk to each other like a movie but he couldn't talk to each other.
14:16If it was not like the team, it wouldn't be.
14:20If we look at this behind-screen, we would like to talk to each other.
14:26So, the director of the show was just the same.
14:28That's why he did that.
14:30Like that, he didn't have the first time.
14:33He was a big fan of the show.
14:35One of our Rajeshadar is a writer, a Shikinth.
14:38One of them was a first-trail camera and a camera.
14:41And they were just the same.
14:42One of them was just the same.
14:44One of them was just the same.
14:46One of them was a friend of Gopal Desh.
14:48And they came from the cinema,
14:50and they came from the camera and came from the camera.
14:53They came from the cinema.
14:55I was told to justline that he knew that his worst thing in the film was.
15:01He never said anything, but he knew everything.
15:04He said that he had a job and he was the one who passed away from this film.
15:09That's what he put away from the film.
15:11He had been friends with his friends at a time playing cinema.
15:14He was the first person that didn't get up on the film.
15:19It was the first person that that sent him to his home.
15:21They failed to get up on the film.
15:23We didn't like to discuss anything about that.
15:26They were good with Gopal.
15:29We always sang in full lighting and say a good chance.
15:32They actually didn't play.
15:34I wouldn't say that, we didn't have any drama.
15:36So we discussed every night.
15:37And I'd like to make a scene for my director.
15:39They were good with that.
15:41They were good and full at a stage.
15:43When we came out of the first day shooting, then we'd have to shoot.
15:46They were good with that.
15:48Actually they were good with that.
15:50They were good with that they are.
15:51They were theer in films.
15:53I'll call myself that.
15:54With a child, in terms of sending you to theísimo and senior,
15:58I'll call you to the first half year,
15:59I'll call you to the first half year.
16:00Then just that's fine then.
16:02I'll call whoever is busy and I'll call myself.
16:05But if I want to put advance to the delivery,
16:07I'll call him to be be confirm that I can see him with advance.
16:09I'll call him to advance.
16:12I'll call him to advance.
16:15I'll call him to a moment.
16:18They'll call him to become a new adventure.
16:21You don't have to go on the time.
16:24You don't have to go on the time.
16:26I don't have to go on the way.
16:28I asked to ask for the music,
16:31when I was a ghost pair.
16:33I don't have to go on the phone.
16:36I didn't hear you.
16:38I had an adverse event that I didn't hear.
16:42But I didn't hear you.
16:43I don't hear you.
16:45I didn't hear you.
16:47I didn't hear you.
16:49I didn't ask myself to send them to my phone.
16:51That's why I told them to tell my father about my son.
16:54They told me to say something about you, and I told you.
16:57Just to tell them what he said, they would be playing, they didn't play.
17:01I'd never come to play with my son.
17:03He didn't pay for it!
17:05He would pay for it, but I'll pay for it.
17:09He'd pay for it for other people.
17:11He'd pay for it so much.
17:13He'd pay for it for those people.
17:17they are living with us.
17:18They are getting grilled and mourners with us.
17:22They were talking to us,
17:24that Ryan, he is ones of course.
17:27At the moment, we will have to say we are speaking.
17:32If that is, we are speaking.
17:34Don't speak to them but we will go to Tamil level.
17:39They will have to go to the front and back then.
17:42We will talk to them in the production.
17:45I had to tell them that I would have to work.
17:49So first, I was gonna play a cinema with a character.
17:52Next, I was gonna play a character with a character with a character.
17:55Or a character with a character with a character?
17:57No. In my opinion, I got a budget ready for a movie.
18:02If I had to play a character with a character with a character,
18:05I would have to play something else.
18:07I would play like this, then I would play a song,
18:10I would play like this.
18:12I should not speak well.
18:13Everyone is the same in the mood.
18:14I can't tell you, since I can't.
18:16That's why I don't speak well, because I wanted to speak well.
18:19Even from now on, I did a lot of work.
18:22In other words, I could get the same thought,
18:25only one thing that I could be,
18:26but in my best way,
18:28you only learn my talent.
18:30You learn about this, I guess.
18:33I've made it work well.
18:35I like it when I offer it,
18:36you learn how to make money.
18:39They were very harmful.
18:40So if you were to make a video, you could use the film.
18:44Go to the TV.
18:47Go to the TV and go to the TV.
18:47If you have a selection, you have 7 of them.
18:50Just like 7 of the audience, there's other filmmakers I am trying to talk about.
18:55I want to talk into each other while working on the film and working on the film.
18:57If any of you know, 90% of those people are okay with the film.
19:02I am a final decision.
19:05You have to take it at all. At first, I am B invasive.
19:14Everyone is ready to begin almost every Shaun.
19:20During the video, everyone can turn so much and be prequietful.
19:27Wasn't any more information about a prime minister.
19:32I have to do that.
19:33There is a lot of demand.
19:34I've seen it all.
19:35I've seen it all.
19:36I've seen it all.
19:37I've seen it all.
19:38I've seen it all before.
19:39I have to be afraid of it.
19:41Sir, it's August.
19:43I didn't see the screen.
19:45So, you have been talking about the magic.
19:47It's time for you.
19:48So finally, our audience is getting into the audience.
19:51It's August 1.
19:52Can you have an invitation?
19:53Actually, I'm sure it's good.
19:55The movie, the visualizer, the content, the performance.
19:58The date to date, I'm sure it's 100% good.
20:01Thank you for your conversation and thank you so much for watching.