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  • 2 days ago
Shelter In The Mafia's Realms
Transcript
00:00:00Hey, what are you doing with my stuff? How'd you get in here?
00:00:10I gave him the keys.
00:00:12Carl? I mean, what are you doing here so late? And what's that guy doing with my stuff?
00:00:17Tasha, Tasha, Tasha. You're always asking the wrong questions.
00:00:24What the hell is going on?
00:00:26Do you really think you're death thick, Tasha?
00:00:28Tasha, your husband and I decided that you're no longer needed here anymore.
00:00:33Raina's going to take over your role at the company.
00:00:35She's already proven she can do everything you can, but better.
00:00:39I'll have a letter of termination and divorce paper sent over to your new address, wherever that ends up being.
00:00:45What should I do with this, boss?
00:00:47Give me that new plea, but I know exactly what to do with it.
00:00:53Is that clear enough for you, Tasha?
00:00:55Tasha, your company and your husband both belong to me now.
00:01:03No, you can't just fire me. I'm a shareholder at this company.
00:01:07Are you still a shareholder at this company, are you?
00:01:10You know, actually, your debt is mortgaged with your shares, so you actually owe this company about $200 million.
00:01:17I never took out any loans that large.
00:01:19Oh, Tasha, you were always so gallible.
00:01:23A word of advice for the future?
00:01:25Don't give the keys to the kingdom to your assistant, no matter how trustworthy your feeble brain thinks they might be.
00:01:32Security! Security! We have a vagrant in the lobby, and she might become hostile.
00:01:38Stop acting. I'll just leave on my own.
00:01:47Look, there's no glamour. There's no glory. It's just blood, guts, fear, and misery.
00:01:55Come on, man. You think I'm some kind of moron that doesn't know anything?
00:01:59I know that the type of money you make in just a few days, I can't make that in 10 years working as a stick.
00:02:05But at least you're guaranteed to be alive in 10 years.
00:02:07In my world, you're not guaranteed to be alive in 10 days, let alone 10 minutes sometimes.
00:02:12Yo, yo, man. Stop lecturing me.
00:02:15Are you gonna give me the gun or not?
00:02:16I'm sorry, but no.
00:02:20I'm not gonna let you get killed.
00:02:23Man, what the fuck you got me here for then?
00:02:26Shit.
00:02:41Oh, I guess you didn't hear.
00:02:43The repo guy. He came and towed your car away.
00:02:49Said it was, like, collateral for a loan.
00:02:53Of course, I made the call and arranged everything.
00:02:57My pleasure.
00:02:59You despicable trash.
00:03:02You know, I was gonna give you a ride, you know,
00:03:05seeming that we were married for so long,
00:03:07but walking the streets at night kind of suits you.
00:03:10So, enjoy.
00:03:14Go to hell.
00:03:15Go to hell.
00:03:15I don't know.
00:03:45Miss?
00:03:48Just go away, all right?
00:03:50I don't need your cheap sympathy right now.
00:03:53Miss, your friend's gone.
00:03:55I just want to offer my cab services.
00:03:59Yeah, I'm sorry.
00:04:03A cab is just what I need right now.
00:04:05All right, great. Come on board.
00:04:15Sorry, I don't have any cash right now.
00:04:32Give me a minute. I'll go grab some from inside.
00:04:35Here.
00:04:36Just proof I'm not trying to skip out on the fare.
00:04:39You have some nerve coming back here.
00:04:52I never wanted my son to marry you in the first place.
00:04:54And now that he's finally come to his senses and kicked you to the curb,
00:04:59you think that you can just waltz right back into his house?
00:05:02His house?
00:05:03My father left me this house.
00:05:08And I know you're senile, but I'm sure you remember when you practically begged me to let you and Carl live here.
00:05:15I always knew you were a nasty little hussy.
00:05:18Who the hell are you?
00:05:25This is a personal matter, so you should really mind your own business and stay outside.
00:05:30Actually, this is my boyfriend.
00:05:34So if it's a personal matter for me, it's a personal matter for him.
00:05:38Okay.
00:05:40What?
00:05:41You think your son's the only one capable of having secrets?
00:05:43Hey, thanks again for today.
00:06:01I know that's a weird position to put you in.
00:06:05Sorry?
00:06:06It is really nice to know that there is still good people out there that would help a total stranger.
00:06:12Have a good night.
00:06:15All right, you too.
00:06:16I know that there is still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that are still good people out there that
00:06:46Where's my necklace?
00:07:01Here.
00:07:03Just proof I'm not trying to skip out on the fair.
00:07:16How does a fancy broad like you find yourself in a place like this?
00:07:37Who the hell are you?
00:07:38Get out now!
00:07:39All I'm trying to do is introduce myself and you're treating me like some dog shit you found stuck to your shoes.
00:07:46I'm calling the police!
00:07:51How about I give you a better idea?
00:08:01You and I are going to have some good old-fashioned fun tonight.
00:08:13If I ever see you around here again, you're dead!
00:08:16Get out of here!
00:08:19Hey.
00:08:22Oh, I'm so glad you're here.
00:08:27Where did you get this necklace?
00:08:30My father gave that to me.
00:08:37You better not be lying to me.
00:08:38I'm not lying to me.
00:08:39He made that with his own hands.
00:08:39It has my name on the back.
00:08:40It's really you?
00:08:41Hey.
00:08:42How are you feeling?
00:08:43How did...
00:08:43How did you...
00:08:49It's really you?
00:09:01Hey.
00:09:04How you feeling?
00:09:08How did... how did you...
00:09:10You left your bag in my car.
00:09:13How did you know where to find me?
00:09:16I have my ways.
00:09:20Hey, listen.
00:09:21I know it's none of my business,
00:09:23but it's not safe for you here.
00:09:25With everything that's happened in the last 24 hours,
00:09:27this is...
00:09:29all I can afford.
00:09:33Listen, I have an extra room at my place.
00:09:35Maybe...
00:09:36you can just come stay with me.
00:09:45Welcome home.
00:09:46I really feel like my luck's starting to change.
00:09:50I mean, you've literally rescued me over and over today.
00:09:54I know what it's like.
00:09:55I've been rescued before.
00:09:56Um...
00:09:57I'm sorry, I...
00:09:58I don't think I can make rent,
00:09:59but...
00:10:00I know what it's like.
00:10:01I've been rescued before.
00:10:02Um...
00:10:03Um...
00:10:04I'm sorry, I...
00:10:05I don't think I can make rent right away,
00:10:06but, um...
00:10:07you could sell this ring and then...
00:10:09it should cover me for a few months.
00:10:10At least until I'm back on my feet.
00:10:11I thought he was a really rich guy.
00:10:12What?
00:10:13What?
00:10:14What?
00:10:15What?
00:10:16What?
00:10:17What?
00:10:18What?
00:10:19What?
00:10:20What?
00:10:21I don't think I could SCHEEZ I can do it right away,
00:10:22but, um...
00:10:23we could sell this ring and then...
00:10:26it should cover me for a few months,
00:10:27at least until I'm back on my feet.
00:10:29I thought he was a really rich guy.
00:10:32Why did he actually examine such a small diamond?
00:10:35That's not a very good cut, either.
00:10:38Okay, never mind.
00:10:40I...
00:10:41can just...
00:10:42No, it's fine.
00:10:43I'm just saying.
00:10:45I mean, you deserve a better reign than this.
00:10:48I don't know what to do.
00:11:18You're still thinking about her?
00:11:20Who? Tasha?
00:11:22Are you kidding me?
00:11:24Then why are you wearing the wedding ring?
00:11:26Did you forget what she and her father did to you?
00:11:28I will never forget what she and her father did to me.
00:11:32But that has nothing to do with it.
00:11:34So why don't you stop mouthing off about shits?
00:11:36You don't have nothing about it.
00:11:38That's probably a sign and a sign.
00:11:48Mary?
00:12:14What?
00:12:16What?
00:12:20Hey, what's going on?
00:12:22My daughter's missing.
00:12:23What?
00:12:36Tasha, you shouldn't have barged in like this.
00:12:39If Carl finds out...
00:12:40No, I don't care about Carl right now, okay?
00:12:42Where's my daughter? Where's Anna?
00:12:44I sent her away.
00:12:50You have no right.
00:12:51Actually, as Carl's new wife and Anna's legal guardian, I have all the rights to do whatever I want with my stepdaughter.
00:13:01What?
00:13:05We never settled custody, so just skip the theatrics and tell me where my daughter is.
00:13:11You think you're getting custody?
00:13:13I'm so sorry.
00:13:15On one hand, we have a mother drowning in debt with no plans to live.
00:13:21On the other hand, we have a mother drowning in debt with no plans to live.
00:13:23On the other hand, we have a wealthy and well-respected father who happens to be the CEO of the world-renowned Crow Group.
00:13:33Who do you think the court was siding?
00:13:35What's going on?
00:13:36What's going on?
00:13:37It's Carl!
00:13:38Carl, it's okay.
00:13:39Tasha was understandably upset about the situation.
00:13:40You know, I don't blame her for what happened.
00:13:41You trespass on my property, assault my wife in her own home?
00:13:44Tasha, I have put up with your outrageous behavior for years, but don't you dare subject Reyna to that kind of abuse.
00:14:03You don't understand. Reyna sent Anna away.
00:14:06She did what any good mother would.
00:14:08I want to know where my daughter is right now!
00:14:10New Zealand.
00:14:12Getting medical care from one of the best-
00:14:14What?
00:14:15What?
00:14:16What are you doing?
00:14:18What have you done for your daughter lately?
00:14:20Hmm?
00:14:21Abandon her?
00:14:22To go shack up with some cab driver boyfriend?
00:14:25You idiot!
00:14:26I found those cardiologists in New Zealand.
00:14:28Scheduling those appointments was the last thing I had Reyna do when she was still my assistant!
00:14:33Tasha, Tasha, you disgust me.
00:14:35Trying to take credit for this wonderful woman's kind gesture to your own sickness.
00:14:39I'm going to make sure Anna is far, far away from you so there's no possibility of her ever becoming anything like you.
00:14:46Becoming anything like you.
00:14:53You.
00:14:54Bitch.
00:14:55Bitch.
00:14:56I advise you stay.
00:14:57I advise you stay.
00:15:03By the way, the deeds still list me as a rightful owner to this house.
00:15:12So the two of you have no right to keep me from coming back here.
00:15:16Do you understand?
00:15:18You can forge my signature.
00:15:20You can take my money, take my house.
00:15:22But you will never have a shred of the intelligence that I have.
00:15:26Now you have made your point.
00:15:28I think it would be...
00:15:28You deserve that too.
00:15:32You should have told me about Anna a long time ago.
00:15:37Oh, don't stop at my account.
00:15:40Please, continue.
00:15:42Miss Big Shot, don't you forget that you still owe $200 million.
00:15:48And 20 millions of that is owned to me personally.
00:15:51In fact, I'm going to call my lawyer and see to it that if you don't pay right away,
00:15:55you're never going to see your daughter ever again.
00:15:58And you'll end up in doctor's prison.
00:16:02Ciao.
00:16:07Go ahead and check it out.
00:16:08But after your accountant, make sure this is all legit.
00:16:10I don't want you two jackasses hunting my girl for money ever again.
00:16:13Got it?
00:16:13Oh, and by the way, we're going to go ahead and take Anna in the future too.
00:16:24Don't worry, Carl.
00:16:25I'll be a better father to her than you ever can be.
00:16:28Tasha, you'll regret this.
00:16:31Thanks again, Kerr, today, for pretending to be my boyfriend.
00:16:44Mm-hmm.
00:16:47Was all that money real?
00:16:49As real as it comes.
00:16:51Where'd you get all that money?
00:16:53I robbed a couple of jewelry stores before I came to find you.
00:16:57Are you serious?
00:16:59No, I'm just joking.
00:17:01It was my dad's.
00:17:02Don't worry, it wasn't stolen or robbed or anything.
00:17:05But hey, listen.
00:17:07From now on, I want you to think of me as your creditor.
00:17:09Okay?
00:17:10I don't want you to worry about owing money to those scumbags.
00:17:13From now on, you'll just throw money to me.
00:17:16As long as you're okay with that?
00:17:18I could be okay with it.
00:17:20As long as you can satisfy one small request.
00:17:22What kind of request?
00:17:34My only request is that you just relax.
00:17:39Okay?
00:17:39I want you to take a load off.
00:17:42I want you to start by telling me a story, you know, about the last time it was when you were happy.
00:17:46Okay.
00:17:52You know, I just, I never in a million years could imagine that Carl would betray me like this.
00:18:09I have nothing.
00:18:10Well, I mean, you always have me and, you know, other things.
00:18:23I can't hear you.
00:18:24You're whispering.
00:18:25You're whispering.
00:18:47You're whispering.
00:18:47You're whispering.
00:18:48Carl, you know, Tasha's probably screwing around with that new boyfriend of hers.
00:19:10That bitch.
00:19:13Honey, you know, you promised to put me in touch with the curator at the Fitzgallery.
00:19:18I'm telling you, forget about the Fitzgallery, okay?
00:19:20The people who are running it are crooks.
00:19:22But I want my paintings to be showcased in the most prestigious venue possible.
00:19:27I know, I know.
00:19:29And I said I would help you find other galleries.
00:19:32Remember?
00:19:33Just stop nagging me about it.
00:19:35Okay?
00:19:36Okay.
00:19:39You're a little angel.
00:19:48It's okay.
00:19:49Just sleep in.
00:19:49It's okay.
00:19:50Just sleep in.
00:19:51It's okay.
00:19:52Just sleep in.
00:19:53It's okay.
00:19:54Just sleep in.
00:19:55It's okay.
00:19:56It's okay.
00:19:57Just sleep in.
00:19:58It's okay.
00:19:59It's okay.
00:20:00It's okay.
00:20:01It's okay.
00:20:02It's okay.
00:20:03It's okay.
00:20:04It's okay.
00:20:05It's okay.
00:20:06It's okay.
00:20:07Well, it's certainly going to make things more complicated.
00:20:12So you want to pretend last night never happened?
00:20:17I thought we had a good thing going on between us.
00:20:23I mean, you've been going around the last couple of days telling everybody I was your
00:20:27boyfriend.
00:20:28Yeah, but that was just something I said to make my husband jealous.
00:20:33You mean your ex-husband?
00:20:36Yeah.
00:20:37Ex.
00:20:38Yeah.
00:20:39But I mean, you and I, you know I can't start a new relationship right now.
00:20:48So everything you said last night?
00:20:51We were just caught up in the heat of the moment.
00:20:55Heat of the moment.
00:20:57So it was all just bullshit?
00:20:59Why?
00:21:00To get me into bed with you?
00:21:02Just to have a one night stand?
00:21:05Because you miss being with your damn husband?
00:21:08So everything you said last night?
00:21:24Get a hold of yourself.
00:21:27Get a hold of yourself.
00:21:29You just got divorced.
00:21:32You're not going to play mind games with men anymore.
00:21:37Hey.
00:21:38I wasn't sure what you liked, so I just made a little bit of everything.
00:21:45You made all this?
00:21:48Yeah.
00:21:49So what do you think?
00:21:57It's delicious.
00:22:01I mean, you deserve to have some of your awesome breakfast too.
00:22:07But hey.
00:22:08You're not going to make me sit here and eat this alone, are you?
00:22:14You've got some sauce right here.
00:22:19All that for some sauce, huh?
00:22:20Are you kidding me?
00:22:21Hello?
00:22:22Mommy, I miss you so much.
00:22:24Anna?
00:22:25Mommy, I miss you so much.
00:22:26Anna?
00:22:27Mommy, I miss you so much.
00:22:28Anna, honey?
00:22:29What?
00:22:30What's going on?
00:22:31Anna?
00:22:32Okay.
00:22:33Both of your resumes look excellent.
00:22:49I have a question.
00:22:58If you spilled a glass of milk on the ocean, how would you get it back?
00:23:02What does that question have to do with our work?
00:23:05Well, uh...
00:23:07I suppose you could contain
00:23:10the section of the ocean with the spilled milk,
00:23:13and then collect that sample,
00:23:15add a centrifugal force,
00:23:17and there's probably a good chance of separation.
00:23:21So at our company,
00:23:23we are always trying to make the impossible possible.
00:23:26And for that, we need people who can think on their feet.
00:23:29Derive solutions.
00:23:31No matter how...
00:23:34outlandish the task at hand may seem.
00:23:40Hello?
00:23:46Uh-huh.
00:23:48Okay.
00:23:56Congratulations, Miss Michaels.
00:23:58Welcome to the Eastwood Corporation.
00:24:01If you don't mind me asking,
00:24:14why didn't I get the job?
00:24:16Mrs. Roberts,
00:24:19maybe you should focus on fixing your own family problems first,
00:24:25before you start to look for work again.
00:24:29We don't want to make enemies with the Crow Group.
00:24:33So I guess you didn't get it?
00:24:46I just don't understand why Carl hates me so much.
00:24:50I mean, he doesn't want me to work for his company,
00:24:52but he doesn't want me to work for any other company either.
00:24:54Look, you don't need that corporate job anyways.
00:24:55Yeah?
00:24:56What else can I do?
00:24:57I mean, I thought you were an artist, now a painter.
00:24:58How'd you know about that?
00:24:59You brought an easel.
00:25:04It's just a hobby.
00:25:05I gave it up.
00:25:06I don't paint anymore.
00:25:08Okay, well, if you don't love to paint anymore, then why bring an easel with you?
00:25:25I haven't painted in years.
00:25:30I'm sure it'll be just like riding a bike.
00:25:34Once you start, it'll all come back to you.
00:25:41That's my account.
00:25:43Why are they assigning it to someone else?
00:25:45Fine, fine.
00:25:46Just get me some damn answers and give me a call back soon, okay?
00:25:49Carl, this took me three months.
00:25:54I'm sorry, I just got some bad news at work.
00:25:58It's ruined now.
00:26:00Why?
00:26:01Start over.
00:26:02You know, it kills me to see you squander your intelligence and talent on these useless paintings.
00:26:09You're a remarkable woman, Tasha.
00:26:13Okay, and if the charlatan snobs in the art world can't see that, then screw them, okay?
00:26:19If you put your focus elsewhere, we could be rich enough to buy ten art galleries.
00:26:25And then you could put whatever paintings you want in them, right?
00:26:28Painting's my passion.
00:26:30What if we put painting on the side, just for a little while, and you could come join me at the company?
00:26:40Because together, we'd be unstoppable.
00:26:45And right now, I am drowning.
00:26:48Your dad and his partners have no faith in me.
00:26:52I need you.
00:26:55Look.
00:26:56You love me.
00:27:00Don't you?
00:27:01Don't you?
00:27:04Of course I do.
00:27:06Okay, then just do this one thing for me.
00:27:10This one little thing.
00:27:11Please.
00:27:12What do you think of state klein?
00:27:22Cry away, with me.
00:27:26Take you high, sorry.
00:27:30See you smile, smiley dream.
00:27:37Snaring out into the sea.
00:27:40Finished!
00:27:41The waves come rushing up to me
00:27:45My tongue is slipping
00:27:47That is amazing.
00:27:49Thank you. I honestly never thought I'd paint again.
00:27:53Well that would have been a shame.
00:27:55You're easily one of the most talented artists I've ever met.
00:28:11We're honored that you chose our gallery to showcase your work.
00:28:19I am curious about one thing, if you don't mind me asking.
00:28:23The subject in your paintings, your muse, is he your lover?
00:28:27Oh. No.
00:28:31He's just a friend of mine.
00:28:35But his gaze, the way he looks out to you in these paintings,
00:28:39there's so much tenderness and affection in his eyes.
00:28:47Is Ken really in love with me?
00:28:49He's so young, though.
00:28:51At his age, he probably doesn't even know what love is.
00:28:55Oh, uh, sorry, you're in the way.
00:28:59Actually, you're in my way.
00:29:03Actually, you're in my way.
00:29:05I'm trying to get into my home.
00:29:07Is this your new girlfriend?
00:29:11I've never seen you with anyone like this before.
00:29:13Ken's my roommate.
00:29:15Now, if you'll please step aside so I can get in.
00:29:21Call me again if you need anything, okay?
00:29:25Bye.
00:29:27Hey, what are you doing home so early?
00:29:29Are they gonna showcase your work?
00:29:31Sorry if I interrupted something, but as your roommate,
00:29:33I don't really think I need to tell you if I'm coming or going.
00:29:35So, if you have something private to do, just do it in your room.
00:29:37I never said you need to tell me when you're coming or going.
00:29:39I'm just saying.
00:29:40No, it's fine.
00:29:41You don't need to explain.
00:29:42Just...
00:29:43I just want to be alone.
00:29:44What?
00:29:45I'm so sorry, sir.
00:29:46She just barged in without permission.
00:29:47It's okay.
00:29:48Ms. Roberts, please.
00:29:49Grab a seat.
00:29:50We signed a contract.
00:29:52Why can't you show my paintings now?
00:29:54I'm afraid I don't have the answers you're looking for.
00:29:56You wanna know what happened?
00:29:57Ask Carl Crowe.
00:29:58You wanna know what happened?
00:29:59Ask Carl Crowe.
00:30:00You don't need to explain.
00:30:01You don't need to explain.
00:30:02Just...
00:30:03I just wanna be alone.
00:30:04What?
00:30:05I'm so sorry, sir.
00:30:06She just barged in without permission.
00:30:08Why can't you show my paintings now?
00:30:10I'm afraid I don't have the answers you're looking for.
00:30:13You wanna know what happened?
00:30:14Ask Carl Crowe.
00:30:18I want my paintings back.
00:30:20Right now.
00:30:23Well...
00:30:24They're probably somewhere in the warehouse.
00:30:26They haven't been thrown away yet.
00:30:38You've already searched the entire warehouse ten times.
00:30:54If you haven't found what you're looking for, it's not here.
00:30:56You better hope I find what I'm looking for.
00:30:58Or I'm gonna make this entire gallery compensate me.
00:31:01And then I'm gonna sue you.
00:31:03And you'll be the first to lose your job.
00:31:05Yeah, that's great, lady.
00:31:06Go ahead and sue.
00:31:07I'm sure things will go exactly the way you described it.
00:31:37You really care about her?
00:31:38Shh, shh. Keep your voice down.
00:31:39She's had a long day.
00:31:40Also, you can't just come over here so casually in the future.
00:31:41Casually?
00:31:42Are you kicking me out?
00:31:43Are you kicking me out?
00:31:44You didn't mind my coming over so casually when you had me digging through the house?
00:31:45your body for bullets.
00:31:46You didn't mind my coming over so casually when you had me digging through your body for bullets.
00:31:48Look.
00:31:49You men are cold as hell.
00:31:50I think my lucky star is on the last day.
00:31:51I think my lucky star is on the last day.
00:31:52I think my lucky star is on the last day.
00:31:53Look, I just can't help her finding out what's going on.
00:31:56You don't mind your coming over so casually when you had me digging through your body for bullets.
00:31:58You really care about her.
00:31:59Shh, keep your voice down.
00:32:01She's had a long day.
00:32:03Also, you can't just come over here so casually in the future.
00:32:07Casually?
00:32:08Are you kicking me out?
00:32:11You didn't mind my coming over so casually
00:32:12when you had me digging through your body for bullets.
00:32:15You men are cold as hell.
00:32:17I think my lucky star is on the lesbian.
00:32:19Look, I just can't help her finding a way to do it.
00:32:23Are you serious about her?
00:32:26Yeah.
00:32:26Have you thought about the consequences if your dad finds out?
00:32:32Look, no.
00:32:33You and I have been best friends for over 20 years.
00:32:35Okay?
00:32:36And my dad has taught me everything that I know.
00:32:39I think maybe it's time I just figure things out on my own.
00:32:42And you know exactly what I went through last time.
00:32:47I'm not gonna lose her again.
00:32:52Don't worry, Anna.
00:32:54Mommy's gonna find a way to bring you home soon.
00:32:56All the evidence is here.
00:33:05It's exactly what you thought.
00:33:08Let me know if you want me to find out more.
00:33:09Carl.
00:33:25Let's meet.
00:33:26Oh, wow.
00:33:36It's not every day a famous painter comes to visit.
00:33:41To what do I owe the pleasure?
00:33:42The company I supposedly borrowed money from.
00:33:45It's a shell company owned by you.
00:33:52So what?
00:33:53All our operations are legal.
00:33:55You signed the documents.
00:33:56You borrowed the money.
00:33:58All you can do now is pay it back.
00:34:02You know, I don't think you actually want me to pay back the loans.
00:34:10You were just looking for an excuse to have me back in your life.
00:34:14You're obsessed with me.
00:34:18This is just your sick way to dominate me and make me surrender to you.
00:34:22I'm just getting even.
00:34:23For the years I spent in your father's shadow.
00:34:27The years of belittlement and him treating me like a clown.
00:34:31My father hired you when no one else would.
00:34:37Not my fault that your insecure petty took his support as belittling.
00:34:45I wouldn't upset me if I were you.
00:34:48Remember, I'm your creditor now.
00:34:51Two months.
00:34:53That's all I can give you to pay me back the remainder of $180 million.
00:35:01What are you doing here?
00:35:08I was just in the neighborhood.
00:35:10Thought I'd give you a ride home.
00:35:14Hi.
00:35:15Um, hey, who is this?
00:35:21Uh, this is Ken's roommate.
00:35:23We're going to be dropping them off before we head home.
00:35:28Yeah, hey listen, I didn't introduce you last time,
00:35:29but this is my best friend Nell and her girlfriend Maria.
00:35:37Nell and I have been nothing more than friends since we were kids.
00:35:41She's not into men, and she never has been,
00:35:44and her and I are nothing more than just platonic friends.
00:35:47All right?
00:35:49I'm sorry I jumped to conclusions the other day.
00:35:52It's okay.
00:35:53I just didn't want you to get the wrong idea.
00:35:55Look, I, I appreciate it.
00:36:02I really do.
00:36:03I just, I, I still think you and I are better off just as friends.
00:36:10Just friends.
00:36:12Why?
00:36:13Maybe because I'm just getting over a failed marriage.
00:36:25Because I owe an unthinkable amount of money and I have no idea how I'm going to pay it back.
00:36:32I also have no idea how I'm going to get my daughter back.
00:36:35And, and getting into a relationship with you, that's just something I can't do right now.
00:36:43Love has brought me nothing but pain, okay?
00:36:45So just, please, just leave it.
00:36:55Do you have any other paintings?
00:37:17Yeah, I have several.
00:37:20What are you looking for?
00:37:21I would like to buy them all.
00:37:25I love your painting style.
00:37:26It is so unique.
00:37:28I own a large gallery and I would like to establish a long-term collaboration with you.
00:37:34Thank you for your kind words about my paintings, but
00:37:38I've been in some trouble lately and it's probably best if I don't involve your gallery.
00:37:47None of this matters to me.
00:37:48If someone wishes to cause me trouble, well, just let me try.
00:38:00I mean, it has to be a mistake.
00:38:05Or a prank or a cruel practical joke.
00:38:09I mean, it seems pretty authentic to me.
00:38:11It has their seal and your name and address are like clearly written on it, so.
00:38:16It looks authentic.
00:38:22But how would they have seen my paintings?
00:38:26I don't know, maybe one of those auction sites that you've been posting your work on.
00:38:29I mean, you're incredibly talented, so anybody who's seen your work would automatically recognize it.
00:38:40I own a large gallery and I would love to establish a long-term collaboration.
00:38:44It's him.
00:38:47It's him.
00:38:48It's him.
00:38:48The guy who's been on my paintings.
00:38:50He must be the owner of the Fitz Gallery.
00:38:53Well, in that case, we better get going.
00:38:55Where?
00:38:56Gotta go get you a dress.
00:38:58I can't have you showing up to the Fitz Gala in rags.
00:39:00Babe, which one do you like more?
00:39:08This one or this one?
00:39:10I need to be the hottest girl at the Fitz Gala.
00:39:15Everything just looks so good on you, honey.
00:39:18So just pick whichever one you want.
00:39:21I gotta take a call, okay?
00:39:24Wrap this up, you twitch.
00:39:25I'll take them both.
00:39:33Wow.
00:39:35I used to buy dresses like this all the time without even thinking about the money, but
00:39:40I can't afford something like this now.
00:39:43You know what?
00:39:45Consider it a congratulatory gift for me, all right?
00:39:49And when you make it big in the art world, you can just pay me back.
00:39:51Oh, hi, excuse me.
00:39:55Yeah, my friend would like to try on this dress.
00:39:57Oh, your friend has amazing taste.
00:39:59This dress is actually a limited edition, each one handcrafted by hand and therefore entirely unique.
00:40:05Truly a work of art.
00:40:06Well, how fitting that's going to be worn by a very talented artist.
00:40:10I'll have someone on the team bring it out to you.
00:40:13Veronica, please bring the limited edition.
00:40:16What limited edition?
00:40:22Tasha?
00:40:24Do you really think you can afford this dress?
00:40:30You can afford this dress?
00:40:34Please.
00:40:35Reyna, I don't think you need to worry about Tasha's finances, okay?
00:40:39We established that last time.
00:40:42Hey you, get over here.
00:40:44I'm going to pay twice what it's worth.
00:40:47But I want this dress.
00:40:49Ma'am, this dress is $4,000.
00:40:51Did I ask you how much it cost, you pluritarian scum?
00:40:54Just shut your mouth and add it to my bill.
00:40:57She's willing to pay double.
00:40:58I'll double her offer and I'll pay $16,000.
00:41:01Okay sir, sold.
00:41:03$32,000.
00:41:05You know what?
00:41:07She wants the dress so bad, let her have it.
00:41:09You can put all the jewels you want on a pigeon, but it'll never be a peacock.
00:41:14I'll show you who's a pigeon, you little bitch.
00:41:17How dare you assault me?
00:41:18Tasha, are you okay?
00:41:23What is going on here?
00:41:24What's going on is that your crazy bitch wife pushed Tasha to the ground.
00:41:28I swear to god, they're all lying.
00:41:31I never touched her.
00:41:32I saw everything.
00:41:33This gentleman and his girlfriend were very nice and politely inquired about a dress
00:41:36and suddenly your wife appears and attacks her for no reason.
00:41:40Shut your mouth, you little lying asshole.
00:41:42You know what?
00:41:42Why don't you just call security before this crazy maniac hits somebody else?
00:41:45Wait a second right now.
00:41:46What actually happened here?
00:41:48What's going on?
00:41:49Why don't you believe me?
00:41:50Don't you?
00:41:51Don't just call 911.
00:41:52Are you blind?
00:41:55Oh, Tasha, can you stop this bullshit?
00:41:56Well, you know what, Reyna, can you just stay away?
00:41:59Can I get someone down here?
00:42:00Room A122?
00:42:01No, no, that's not necessary.
00:42:02We are leaving right now.
00:42:03Let's go.
00:42:04Okay, you've embarrassed us both enough for one day, okay?
00:42:08Let's go!
00:42:17Wherever Reyna goes, trouble's sure to follow.
00:42:19It is nice to see her get a taste of her own medicine, though.
00:42:25Yeah, it's a shame, though.
00:42:26You would have looked really great on that dress.
00:42:31Don't worry about that.
00:42:33I have a solution.
00:42:42What are you going to do with all this stuff?
00:42:45I'm going to design my own dress and wear it to the gala.
00:42:48Are you sure there's enough time?
00:42:49Have some faith in me.
00:42:51I graduated with honors in design and fine art.
00:42:54I got this.
00:42:57All right.
00:42:57How do I look?
00:43:17How do I look?
00:43:27What, is something wrong?
00:43:30Is it too much?
00:43:31Is it too much?
00:43:31Should I change something?
00:43:33No, no.
00:43:35You look.
00:43:37The dress, like, that is one of the most beautiful dresses I've ever seen.
00:43:42But there's something missing.
00:43:49Should I resell the beads?
00:43:51No.
00:43:52I have a gift for you.
00:43:54Something to complete the whole look.
00:44:05Destroy harder, you idiot!
00:44:06It's Mrs. Crowe.
00:44:07I am doing everything I can.
00:44:09I don't know what more I can do.
00:44:12You're calling me fat?
00:44:13Of course not.
00:44:15You're not fat at all.
00:44:17It's the dress.
00:44:18It's not made for a woman's body.
00:44:21Just shut up and do it!
00:44:23Babe, just put on another dress.
00:44:26You're gonna be late.
00:44:28I spent so much money on this dress.
00:44:31I am wearing this dress!
00:44:50I can't.
00:44:52It's...
00:44:54It's too much.
00:44:56No.
00:44:57It was made for you.
00:45:08I can't wait to see what you've brought to the auction.
00:45:10Can we have a little hint?
00:45:12Well, actually, I brought some of my very own paintings to auction tonight.
00:45:20What's wrong?
00:45:22Tasha Roberts.
00:45:24My husband's dreadful ex-wife.
00:45:29I'm tired of seeing her sorry face everywhere.
00:45:32You know, she's also a horrible person.
00:45:37If it isn't everyone's favorite white-collar criminal turned homeless vagrant, Tasha Roberts.
00:45:44So, the other day when you were trying to buy this dress
00:45:48with that, um, working-class thug boyfriend of yours.
00:45:51You were trying to come here?
00:45:53Are you sure you were even invited?
00:45:59I'm sorry, are you working the security detail?
00:46:02Do I need to show you my invitation?
00:46:04Honey, I'm just trying to look out for you, okay?
00:46:07I want to spare you the embarrassment of being kicked out when everybody finds out
00:46:12that you were not invited.
00:46:13You mean like how you were kicked out of the mall?
00:46:16I see.
00:46:17You still quite don't understand your place in the world.
00:46:21You think you're fucking Cinderella or something, and life is a fairy tale.
00:46:26But don't worry.
00:46:28I'll help you figure it all out.
00:46:32What's wrong with you?
00:46:33Can't you see? People are walking through.
00:46:36Reena, this time you've gone too far!
00:46:38Stop shouting, you dreadful O.
00:46:40These were supposed to be auctioned tonight.
00:46:42Well, if it is of any consolation, I don't think the wine has reduced their value of very much at all.
00:46:49Now you can go and cry to your fairy gut mother.
00:46:52Let's go, loser.
00:46:54Oh, I think the auction's starting.
00:46:58Well, I'll see you there.
00:47:00Toodles!
00:47:08For our first auction item, I'd like to welcome Ms. Reena Crow to the stage
00:47:12with her collection of original paintings.
00:47:27As you can see, Ms. Reena Crow's style is very unconventional.
00:47:37Certainly, these works defy easy categorization, and yet there are touches of whimsy and an almost
00:47:44playful quality about them, as depicted here through the bold use of a duck as a central figure.
00:47:49It's a dog.
00:47:51What?
00:47:51It's a dog, not a duck, you buffoon.
00:47:54Oh, yes, of course. A dog. Seen through a very unique prism.
00:48:01Portrayed as only an artist of Reena's caliber could possibly portray it.
00:48:07Now that we have familiarized ourselves with the art and the artist, let's start the bidding.
00:48:12The starting price will be $50,000. Do I hear $50,000?
00:48:17Anyone?
00:48:20$50,000. Do I hear $60,000?
00:48:24Anyone?
00:48:26$50,000 going once, $50,000 going twice.
00:48:30Sold! Sold for $50,000.
00:48:32And now we'll invite our second artist for the evening, Ms. Tasha Roberts,
00:48:43who will also be presenting a series of paintings.
00:48:54Ms. Tasha Roberts, where are your paintings?
00:48:56I don't have my paintings tonight,
00:48:59but I will be auctioning off this dress.
00:49:16Wow! It's beautiful!
00:49:19Stupendous! I've never seen a dress! So beautiful!
00:49:22Oh, stupendous! I've never seen a dress! So beautiful!
00:49:31A stunning work of art, indeed!
00:49:33There's no need for me to say another word about this masterpiece.
00:49:36Everyone in the audience can clearly see the extraordinary talent and extraordinary artistry.
00:49:41Let's start the bidding at $50,000.
00:49:43$55,000!
00:49:45$75,000!
00:49:46$90,000!
00:49:47$100,000!
00:49:49$150,000!
00:49:51$250,000!
00:49:56$250,000 going once, $250,000 going twice.
00:50:00Sold! This beautiful dress is sold for $250,000!
00:50:13Is that the heart of Sun Memphis that sold for $200 million a few months ago in a big deal?
00:50:17Impossible. How can that lowly peasant possibly afford it? It must be a fake.
00:50:23Thank you so much for your bid, Ms. Wenslow.
00:50:30I'm going to design a few custom pieces in your size and design them to your elegance and style.
00:50:36Have you ever considered creating your own clothing brand?
00:50:40Your creations are so extraordinary. You should really share your talent with the rest of the world.
00:50:47Thank you. I never considered it, but I certainly will now.
00:50:52Hi. I'd be careful if I were you. I personally wouldn't put any faith into someone that wears cheap replicas
00:50:59of famous pieces of jewelry. What are you talking about right now?
00:51:04This woman is a phony and a con artist. For as long as I worked with her, she's done nothing but
00:51:10defraud and cheat the people she's done business with. And let me make it clear. For everybody that
00:51:16wants to do business with this woman, they won't be allowed to do business with the Crow Group.
00:51:22Is that so? Well, let it be known that if anybody refuses to work with Ms. Tasha Roberts because of
00:51:31the baseless rumors and lies being spread by Ms. Raina Crow, you will no longer be welcomed back to the
00:51:37Fitz Gallery. That's the curator of the Fitz Gallery. Not just the curator, he's also the director of the
00:51:45the Fitz Foundation. The curator? Is he the man who bought my paintings? Why does he seem so familiar?
00:51:58Ms. Tasha Roberts is my guest of honor tonight, all right? I invited her personally. So if anybody treats
00:52:03her with the slightest bit of disrespect, they'll be asked to leave and never again invited back to the
00:52:08Fitz Gallery. As the director of this esteemed organization, am I interested to know that your
00:52:14guest of honor is wearing a cheap replica of a priceless work of art? She is not to be trusted.
00:52:23I'm assuming you mean her diamonds. What evidence do you have to prove that it's not real?
00:52:27Well, the real Heart of the Sun has the initials of the Craft Man engraved in the joint between
00:52:33the gemstone and the pendant. So Tasha, would you indulge us all and show us if what you're wearing is
00:52:39a genuine article or a cheap knockoff? This was just given to me by a friend. I never
00:52:48claimed it was the real Heart of the Sun. I don't want to embarrass him by having people
00:52:53pour over it for imperfections. So it's a forgery. You were so happy to have everyone believe it was
00:53:00the real thing until I challenged you and called your bluff. Ms. Roberts, you have nothing to fear
00:53:17from this woman. Just show her the necklace. And I'll personally see to it that there are no
00:53:21despairing comments about its craftsmanship or quality. And the question has to be asked whether
00:53:27it is the true Heart of the Sun.
00:53:36See, just like... What? How is this possible?
00:53:42I do say, this engraving looks entirely authentic to me. This is indeed the one and only Heart of the Sun.
00:53:54Well, that settles it then. This necklace is authentic. From now on, no one will be permitted
00:54:00to question or harass my guest of honor. Now, if everyone is satisfied, can we please get back to
00:54:05tonight's festivities? Ken, you have a lot of explaining to do. Okay, what's wrong? I can't
00:54:23accept this necklace. And I can't give you what you want. Do you even know what I want? I don't want
00:54:31to know. We can just be friends, nothing more. Tasha, you're just afraid. You're just afraid of
00:54:39going after what your heart truly desires. And I just think you're afraid of just being true to yourself.
00:54:46You're the last person that should be lecturing anybody on the truth.
00:54:51Who are you? What do you do? Is this even your house? I mean, how do you own a necklace that's 200
00:55:00million dollars? See, you don't even respect me enough to tell me the truth.
00:55:10What, you expect me to jump into a relationship with you? You could be a total stranger.
00:55:18I have no idea who you are. Tasha, I want to tell you, I do, but I just can't right now.
00:55:27Right? Like, maybe in the future when we can take care of- No, Ken, there is no future for us.
00:55:32Not if you can't tell me one thing about yourself that isn't a lie.
00:55:37When you find someone that you really love and trust, you let them in.
00:55:42But that person won't be me.
00:56:05Are you okay?
00:56:06Director Fitz, I had a wonderful time at the Gala. Thank you for supporting me and standing up for me.
00:56:17I wasn't bothered by the way the other guests treated me. I've endured far worse.
00:56:23Lovely. I'm glad to hear it. I would like to exclusively showcase your work at the Fitz Gallery for the
00:56:33foreseeable future. Think of it as a sort of artist residency. Would you be interested in such an
00:56:38opportunity? This dress is every bit as exquisite as I expected it to be. Thank you, my dear.
00:56:53You're very welcome. Have you given any more thought to my proposal? If you wish to start a
00:57:01clothing brand, I would be more than happy to invest whatever you require to get started.
00:57:07It's a very gracious offer, but I just- I have to ask. I mean, there are so many other talented
00:57:13designers. Why do you have such faith in my abilities? It's not just me, you know. The curator
00:57:19of the Fitz Gallery has never been seen in public before the gala last night. And everyone in
00:57:26attendance was certain that the only reason he chose to make an appearance was because of you,
00:57:32his guest of honor. That was his first appearance ever? Indeed. His very first and only time to appear
00:57:41in the flesh. Before this, he was a figure of myth and mystery. Many people doubted he existed at all.
00:57:50But all because of you. He chose to grace us with his presence last night. Seems like a marvelous young
00:57:58man, don't you think? He certainly had a charm about him. Oh, undoubtedly. You know, many people flock to
00:58:05the Fitz Gallery for more than just the art. They want to learn all about the enigmatic young curator.
00:58:12Really? I mean, what's so interesting about him? Have you ever wondered how the Fitz Gallery has
00:58:20managed to surpass all of the established art collections to become the top venue for fine art
00:58:27in just two years? I mean, I- I heard rumors, something about foul play, but I always just assumed they were
00:58:35baseless. Those rumors have quite a bit of truth to them. Seems like the Miller crime family is actually
00:58:43behind the Fitz Foundation. The one and the same Miller crime family that monopolizes all the
00:58:51underground trade in all of North America. He seems like such a gentleman. I just, I find it hard to
00:58:58believe that he ever was involved in something so sordid. You must never judge a Brooklyn's cover,
00:59:03my dear girl. Even people close to us may be harboring many secrets. We never really know what's going
00:59:11on inside. You got that right. I learned that lesson the hard way. Let me be frank. I have tremendous
00:59:20faith in you. Thank you, Mr. Wendlow, but I think it's dear. All my friends call me Laura.
00:59:26This is in a check for five million dollars. It should help you get your clothing brand started.
00:59:38Shall we become business partners in addition to being friends?
00:59:41Director Fitz, I'd like to work with you. It would be my honor, Miss Tasha Roberts.
01:00:01One!
01:00:19Starting out into the sea. Waves come crashing up to me. My toes slip into the sand.
01:00:28My toes slip into the sand, dream that I'm with you.
01:00:35Staring up into the sea, waves come crashing up to me.
01:00:44My toes slip into the sand, dream that I'm with you.
01:00:58Congratulations, Ms. Roberts. We expect a huge success from your art exhibition.
01:01:08Thank you. Thank you.
01:01:22You're looking at her. You're obsessed with her.
01:01:25Didn't she humiliate me enough the other night at the gala?
01:01:30But now I have to watch my husband stare at her picture.
01:01:34Well, maybe if you didn't give her the opportunity to humiliate you.
01:01:38So it's my fault now?
01:01:39Oh, wait, let me guess. Maybe it's my fault too when the two of you broke up.
01:01:43Okay.
01:01:45Raina, I've been thinking. I don't think this is working. I want a divorce.
01:01:51You used me to push Tasha out of your company, take her property, and now you cast me aside like what? A used piece of garbage?
01:02:03I won't allow this.
01:02:06Mark my words, Karl Kroh.
01:02:08You will regret this.
01:02:10I'm spending too much time around Ken.
01:02:26He's dominating all my thoughts.
01:02:28I have to distance myself from him.
01:02:30For my own sanity.
01:02:32Is there nothing I can do to get you to stay?
01:02:49I'm sorry.
01:02:51But no.
01:02:54You and I, our relationship, we'll just keep going in circles.
01:02:59But thank you for everything you've done for me.
01:03:05I have a little bit of money now, so you should be able to pay off your loan soon.
01:03:10And long talks, an awkward silence, wait nights, walking through the garden, running with your hand in mine.
01:03:26This is what happens when you steal from the Millers.
01:03:44Please, let me go.
01:03:49I promise you'll never see me again.
01:03:51What do you got here?
01:03:59Right this for you.
01:04:01Boss!
01:04:03I found this one peeking around the corner.
01:04:06Not sure how long this little bitch has been watching, but I'm pretty sure she tried to call the cops.
01:04:09Don't worry, boss.
01:04:15I got a knife with her name on it.
01:04:17We can dump her body with the other guy.
01:04:24No, let her go.
01:04:26What?
01:04:26Didn't you hear what I said?
01:04:27She's seen everything.
01:04:29Let her go before I rip off your fucking arms and throw them in the river.
01:04:32Let her go.
01:04:32Let her go.
01:04:32Let her go.
01:04:39Walk away.
01:04:41This doesn't mean anything to you.
01:04:43Is this what you couldn't tell me about?
01:04:47Boss, you know this woman?
01:04:50You're gonna kill him.
01:04:52Call the police then.
01:04:53See if they can save his life.
01:04:55No!
01:04:55Don't call the police, you stupid bitch!
01:05:00My world is more cruel than you can possibly imagine.
01:05:03So since you didn't want to get involved, just walk away.
01:05:09Hey babe, what do you want for breakfast?
01:05:30My world is more cruel than you can possibly imagine.
01:05:56So since you didn't want to get involved, just walk away.
01:05:59I never imagined that Ken could be such a dangerous and violent man.
01:06:04There must be something or someone forcing him to do all of this.
01:06:09Even people close to us may be harboring many secrets.
01:06:14We never really know what's going on inside.
01:06:18Forget it.
01:06:19This has nothing to do with me.
01:06:20I decided to leave Ken, so I have to do my best not to look back.
01:06:24Tasha, let's talk.
01:06:40Your, uh, pro-magnet boyfriend.
01:06:49Is he not joining us?
01:06:51It's all over.
01:06:52I'm not with him anymore.
01:06:54Where's Reyna?
01:06:56Reyna was a mistake.
01:06:59That's all over too.
01:07:00Tasha, um, I want you back.
01:07:08I can't stop thinking about us.
01:07:10You were right.
01:07:11You belong in my life.
01:07:13So, if you just sign those documents, then you can come back to me.
01:07:21Come back to the house.
01:07:22We can carry on like none of this ever happened.
01:07:25I can give you your old job back.
01:07:27That'll be fun, working together again.
01:07:29And then all that debt you owe me will be wiped clean.
01:07:32You, uh, need a pen?
01:07:34You think I'd get back with you after everything you put me through?
01:07:47Here is a hundred million dollars.
01:07:51I'll pay the rest on time and for your agreement.
01:07:55Take these documents and shove them right up your ass.
01:08:07You disgust me, Carl.
01:08:09You should think about Anna.
01:08:11Do you really want her growing up without a mother?
01:08:14With all her health problems, she could really use your support.
01:08:17Don't dare talk about Anna.
01:08:19She'll be with me soon.
01:08:20Then I'll never let her out of my sight again.
01:08:23She needs her mother and her father.
01:08:24Not a father like you, she doesn't.
01:08:27She'd be better off with no father at all.
01:08:39I'm sorry, am I interrupting?
01:08:42Are you texting a new boyfriend already?
01:08:45Can it wait?
01:08:47I'm not done talking here.
01:08:49You're pathetic, Carl.
01:08:52Natasha.
01:08:53Tough.
01:08:54Tasha.
01:08:58Hey, Tasha.
01:09:00Tasha, come back.
01:09:01Where are you going?
01:09:02This place is disgusting.
01:09:04Come on, Tasha.
01:09:06Don't you remember the happy times?
01:09:07Come on, we can have that again.
01:09:09Think of Anna.
01:09:10Think of me, please.
01:09:12I love...
01:09:12Hey.
01:09:13Hey.
01:09:13Hey.
01:09:14Hey.
01:09:14Hey.
01:09:14Hey.
01:09:14Hey.
01:09:14Hey.
01:09:14Hey.
01:09:15Hey.
01:09:15Hey.
01:09:15Hey.
01:09:15Hey.
01:09:15Hey.
01:09:16Hey.
01:09:16Hey.
01:09:17Hey.
01:09:17Hey.
01:09:17Hey.
01:09:18Hey.
01:09:18Hey.
01:09:19Hey.
01:09:20Hey.
01:09:21Hey.
01:09:21Hey.
01:09:22Hey.
01:09:22Hey.
01:09:23Hey.
01:09:23Hey.
01:09:24Hey.
01:09:25Hey.
01:09:25Hey.
01:09:26Hey.
01:09:31Hey.
01:09:31Sorry folks, it's the end of the line for you.
01:09:38No hard feelings, but we gotta do what the people who pay us tell us to do.
01:09:45Who's paying you?
01:09:47I'll give you a hint.
01:09:49A very beautiful woman paid us a small fortune to make sure you two would...
01:09:54to make sure you two don't make it.
01:09:57Reina.
01:09:58That fucking bitch.
01:10:00Do you know who I am?
01:10:03I'm Karl Kroh, the CEO of the Kroh Group.
01:10:07What if she's paying you?
01:10:08I'll pay double, okay?
01:10:09Yeah, yeah.
01:10:10You pay me double.
01:10:11I guess you haven't heard the news, buddy.
01:10:14See, I don't think you have the means to outbid your pretty little friend.
01:10:20Oh, that back-standing slut!
01:10:24Please, pick up the phone.
01:10:26You trying to phone a friend?
01:10:28That's a big no-no, sweetheart.
01:10:30That's breaking the rules.
01:10:35Sweetie.
01:10:36Don't waste the little time you have left trying to call for help.
01:10:39It won't do you any good.
01:10:41No one.
01:10:43They can help you now.
01:10:50Three hours, where's Tasha?
01:10:53Hey, Nell.
01:10:54Hey, listen, I need you to do me a favor.
01:10:56Yeah, I need you to pull out the city's surveillance system in the area
01:11:00and find all the footage.
01:11:03Yeah, no.
01:11:04Something's wrong.
01:11:15What are you doing?
01:11:17We have to get out of here.
01:11:19You should just go.
01:11:32Save yourself.
01:11:33Leave me.
01:11:34It's what I deserve.
01:11:36I'm not gonna leave you.
01:11:39I'm not that type of person.
01:11:48Come on.
01:11:49Let's go.
01:11:52Come down here.
01:11:53Wait until they come in.
01:11:54Hey, Tasha.
01:12:04I'm so sorry.
01:12:07Now's not the time for that.
01:12:24All in.
01:12:36Looks like we got ourselves a suicidal prick here, fellas.
01:12:39I can't think of any other reason why somebody would kick in the door
01:12:42that's got Vincent Santorelli on the other side of it.
01:12:48Oh, shit.
01:12:50Boss.
01:12:52I didn't realize it was you.
01:12:56These your guys?
01:12:58Where the fuck are they?
01:13:00You better find them.
01:13:01Quick!
01:13:18Now it's your turn.
01:13:21A pretty little thing like you, I was gonna make you painless, but I guess you didn't want that.
01:13:28All the same.
01:13:33Hey, who's this fucking monkey?
01:13:34Slow your fucking gun.
01:13:35Now it's your turn.
01:13:40Pretty little thing like you, I was going to make it painless.
01:13:43But I guess you didn't want that.
01:13:45All the same.
01:13:48Hey, who's this fucking monkey?
01:13:49Lower your fucking gun.
01:13:50Vinny, what the fuck is going on?
01:13:52You fucking downfield? Lower your fucking gun!
01:13:55Are you...
01:13:56Are you Ken Miller?
01:13:58How can that be? What the fuck is going on?
01:14:01Ken Miller.
01:14:03The one and the same.
01:14:05Miller crime family that monopolizes all the underground trade in all of North America.
01:14:13It's you.
01:14:21You know what you have to do.
01:14:25Boss, please.
01:14:28He's my brother.
01:14:30Rules are rules.
01:14:31I was pushing you away as Ken and growing closer to you as Fitz.
01:14:51I'm sorry, Tasha, but there's just nothing I can do that will make you happy.
01:15:00And I just can't win over your heart.
01:15:03Is Ken Miller always this loving with the hostages he rescues?
01:15:13Or is this just special treatment reserved for his lovers?
01:15:18Tasha, I love you.
01:15:20My heart has belonged to you and only you for the past 15 years.
01:15:24No, we just met a few months ago.
01:15:34We met 15 years ago.
01:15:40You went to Marr Middle School.
01:15:43Yeah.
01:15:44And you saved my life, eh?
01:15:45Stand up, chicken, and hit us back.
01:15:57Isn't that what your dad does for a living?
01:15:59Beat people up?
01:16:01I'm not my dad.
01:16:03You and your father are both scum.
01:16:05Let's teach this little and thug a lesson.
01:16:07Yeah, idiot.
01:16:08Get up and show us what you got.
01:16:10Hey!
01:16:14Hey!
01:16:15Hey!
01:16:15Hey, hey, hey, stop!
01:16:16That's enough, that's enough!
01:16:17It's none of your business, Robert!
01:16:19Get out of here, Robert!
01:16:20Hey!
01:16:21Stop!
01:16:21Go home!
01:16:21I'll call your parents, go!
01:16:22Oh, crap!
01:16:23Crap!
01:16:23Crap!
01:16:23Crap!
01:16:23Crap!
01:16:36Ever since I saw you that night in the cab
01:16:38with that necklace on,
01:16:39I just, I knew I found you.
01:16:44Look, this isn't just some feeling for me, okay?
01:16:48This is, this is everything to me.
01:16:51Like, you are everything to me.
01:16:53No matter what happens between us,
01:16:56I will always care about you.
01:16:59And maybe one day we can
01:17:02make it work in a different way.
01:17:05I just need some time to process this.
01:17:22Okay.
01:17:26And after that,
01:17:27maybe we can pick up where we left off
01:17:30that first night you spent here?
01:17:34Maybe.
01:17:36You play your cards, right?
01:17:38Okay.
01:17:52Does everything look good to you, my artist?
01:17:55Yeah.
01:17:57Thanks for everything.
01:17:59That doesn't sound very convincing.
01:18:01Is there anything you want to change?
01:18:03No.
01:18:05I just, I never got around to asking
01:18:06why you wanted to start an art gallery
01:18:09in the first place.
01:18:10Honestly?
01:18:11It was to get to you.
01:18:13See, I thought if I owned
01:18:14the world's greatest art museum
01:18:15that one day you might find your way in here,
01:18:17and I don't know,
01:18:19that I might find you.
01:18:20I don't know.
01:18:50I want to see what kind of woman this is
01:18:56that has ensnared my son.
01:19:00I doubt she's worthy of joining
01:19:02the Miller family.
01:19:04As you wish, sir.
01:19:06I will make the arrangements.
01:19:11Honestly?
01:19:12It was to get to you.
01:19:14See, I thought if I owned
01:19:15the world's greatest art museum
01:19:16that one day you might find your way in here,
01:19:18and I don't know,
01:19:20that I might find you.
01:19:22Okay, okay.
01:19:24Just concentrate on painting.
01:19:25Don't think about him.
01:19:44Who are you?
01:19:45Miss Tasha Roberts,
01:19:49Mortimer Miller would like to speak
01:19:51with you privately at his home.
01:19:54Come here.
01:19:56Take a look.
01:19:57She's an heiress to the largest chain
01:20:04of luxury hotels in the Western Hemisphere.
01:20:07She's young, beautiful,
01:20:10well-educated.
01:20:12I think she'll make a fine wife
01:20:14for my son, Ken.
01:20:15With all due respect,
01:20:18sir,
01:20:18I believe that it's up
01:20:21to Ken to decide
01:20:22who he wants to spend
01:20:23the rest of his life with.
01:20:28Choose you?
01:20:29Not a chance.
01:20:31You're no match
01:20:32for my son.
01:20:38Now, you owe money
01:20:40to the Crow Group.
01:20:42I'm going to pay
01:20:46your debt.
01:20:50And in return,
01:20:51you will agree
01:20:52to
01:20:53never see my son again.
01:20:59It's our decision
01:21:00whether we want
01:21:00to be together or not.
01:21:02Your son and I
01:21:03love each other.
01:21:05There's nothing in this world
01:21:06that can keep us apart.
01:21:08Tasha,
01:21:09you want us to be together?
01:21:10It's impossible.
01:21:14Father.
01:21:15I forbid it.
01:21:16Father,
01:21:16this is the love
01:21:17of my life.
01:21:18I can't lose her again.
01:21:21I'd rather leave
01:21:21the family business.
01:21:23Then leave if you wish.
01:21:25But she will never
01:21:26have my approval,
01:21:27ever.
01:21:28And she'll never be a part
01:21:29of the Miller family
01:21:30as long as I live.
01:21:32You'll come running back
01:21:33without the Miller family
01:21:35power
01:21:36and money.
01:21:38You'll accomplish nothing.
01:21:42You're making
01:21:43a big mistake.
01:21:45Choosing this
01:21:46old hag
01:21:48instead of family.
01:21:51Ken,
01:22:00where are you?
01:22:01Why aren't you back yet?
01:22:06Oh,
01:22:07you're still awake?
01:22:08Who did this to you?
01:22:26Don't worry about me.
01:22:27I'm fine.
01:22:29It's nothing out of the ordinary.
01:22:30Hey, babe.
01:22:43Yeah, no,
01:22:44I'm just right outside.
01:22:49You son of a bitch.
01:22:51You make me cut
01:22:52my own brother's hand.
01:22:53Now you think
01:22:54you can betray
01:22:55the Miller family,
01:22:57walk away scot-free?
01:22:58Not a fucking chance.
01:23:02This guy needs nothing
01:23:02to the Miller family now.
01:23:04He's worthless.
01:23:06Helpless.
01:23:08He'll be absolutely
01:23:08nothing now.
01:23:10Let's make him feel
01:23:11the pain
01:23:12that my brother felt.
01:23:15Come on, boys.
01:23:15Stop.
01:23:39Stop hitting him!
01:23:42Stupid bitch.
01:23:44Stop!
01:23:46Stop!
01:23:46Stop!
01:23:46Stop!
01:24:08Stop at once,
01:24:09you insolent fools!
01:24:11Son,
01:24:15you know how hard
01:24:24it is for me
01:24:24to admit
01:24:25that I made a mistake?
01:24:29But today,
01:24:30the two of you
01:24:30have proved me wrong
01:24:32beyond a shadow
01:24:32of a doubt.
01:24:35Tasha,
01:24:36you are the perfect woman
01:24:39for my son.
01:24:40Go.
01:24:45Be together.
01:24:47You approve?
01:24:49You have my blessing.
01:24:53From this day onward,
01:24:55you've got nothing more
01:24:57to do with the legal
01:24:57activities of the family.
01:25:00But,
01:25:02you'll always be a Miller,
01:25:05turn.
01:25:05You're as well she.
01:25:08You're as well she.
01:25:15You're as well she.
01:25:15Get off me!
01:25:34You useless, impotent man-child!
01:25:38The Krog Ripper is bankrupt!
01:25:40Getting involved with you is the worst decision I could have made in my life!
01:25:45Get off! This is all your fault!
01:25:47You spent every single thing that we had!
01:25:49Now we have nothing left!
01:25:51No company, no house, no money, not even a dime!
01:25:55And it's all because of you, you greedy cow!
01:25:57Don't you? Don't!
01:26:06The late Mrs. Miller was a beautiful woman, sir.
01:26:11Yes.
01:26:15Back then, my wife protected me from every danger that befell our family.
01:26:22And today, my son found the perfect woman that I said I'd do the same for him.
01:26:29He's a lucky man.
01:26:31Wow, you look so beautiful.
01:26:45No, you can't be here right now!
01:26:48Babe, I don't want to rush you, but everybody's waiting to see you.
01:26:52Kim, can you promise me one thing?
01:26:56I can promise you two if you'd like.
01:26:59I'm serious.
01:27:03I want you to walk away from the family business.
01:27:08There's a city called Ostia.
01:27:10It's on the southwest side of Rome by the ocean.
01:27:12What?
01:27:15You know what I found over there?
01:27:18I found doing our teaching job at a public school.
01:27:21I would do tickets.
01:27:23I leave in the morning.
01:27:25You're sending me away?
01:27:26No.
01:27:28I opened my own restaurant.
01:27:30It's just down the street.
01:27:33Oh, one more thing.
01:27:35I enrolled Anna at the school they're going to be teaching at.
01:27:38I think she's going to really love it over there.
01:27:43So you really are walking away?
01:27:44Yeah.
01:27:51You got some socks.
01:28:14Oh, wow.
01:28:22You got some socks.
01:28:24Oh, wow.
01:28:29Oh, wow.
01:28:33Oh, wow.
01:28:35Look how Bispois Montgomery
01:28:37in my listingZ humor.
01:28:39Wow.
01:28:42.

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