- yesterday
Jaanam - Episode 4 - aplus Entertainment
Rizwan Taseer, an established businessman and his wife Falak, a liberal minded drama director have spent the best years of their married life together and share an ideal relation based on mutual support and trust when one day, their lives are invaded by Taseer's childhood friend Arif who has reached the point of his financial and emotional breakdown and has been offered by Taseer to stay at his house when he returns to Pakistan after his bankruptcy. While Falak feels threatened by Arif's negative presence, Taseer is unaware that the friend he is trying to save is an enemy who has set his mind on destroying him.
Executive Producer : Sadia Jabbar & Shah Hussian Syed
Head of Drama / Content : Zanjabeel Asim Shah
Director & Producer : Owais Khan
Writer : Fatima Shahid
Cast:
Saba Qamar,
Adnan Siddiqui,
Noman Masood,
Meera Sethi,
Ali Safina
Rizwan Taseer, an established businessman and his wife Falak, a liberal minded drama director have spent the best years of their married life together and share an ideal relation based on mutual support and trust when one day, their lives are invaded by Taseer's childhood friend Arif who has reached the point of his financial and emotional breakdown and has been offered by Taseer to stay at his house when he returns to Pakistan after his bankruptcy. While Falak feels threatened by Arif's negative presence, Taseer is unaware that the friend he is trying to save is an enemy who has set his mind on destroying him.
Executive Producer : Sadia Jabbar & Shah Hussian Syed
Head of Drama / Content : Zanjabeel Asim Shah
Director & Producer : Owais Khan
Writer : Fatima Shahid
Cast:
Saba Qamar,
Adnan Siddiqui,
Noman Masood,
Meera Sethi,
Ali Safina
Category
📺
TVTranscript
00:00Come on, come on, it was a small thing.
00:04There are small issues in the house.
00:07I don't need to make a big issue.
00:30I don't need to make a big deal.
00:36I don't need to make a big deal.
00:42I don't need to make a big deal.
00:46There are people who only have to buy a big deal.
00:51Where are you going?
01:15Uh, gee dad.
01:17Where?
01:18Let's get a friend.
01:20Friend?
01:21You're a culture friend.
01:23My friends are all over.
01:25Don't wait for me dad.
01:27I'll be late.
01:38Yes, Saakib.
01:39There's no shoot.
01:40Cancel it.
01:41We'll tell everyone else.
01:43Okay.
01:45I'll be late.
01:48I'll be late.
01:49I'll be late.
01:50You go.
02:01Janam?
02:03You haven't left yet?
02:05You were here today.
02:07I'll be late.
02:08I'll be late.
02:09I'll be late.
02:10I'll be late.
02:11I'll be late.
02:12Cancel it.
02:13Cancel it?
02:14Why?
02:15Cancel it? Why?
02:28Rizwan, I don't know what you said last night.
02:34But without your support, I can't do any work.
02:38This is a creative work.
02:40I can't do that.
02:41I can't do that.
02:42Look, I've been working for so many years.
02:44You'll understand all the process.
02:46If you're not happy,
02:48if you don't get me free,
02:50then I'll never do it.
02:52Yes, it's my shock,
02:53but if I don't give you free,
02:55then I won't do it.
02:57I don't know.
02:59It doesn't mean everything.
03:04Why do I think you're a shock?
03:07I don't know.
03:08I feel good.
03:09I feel good.
03:10I think you're doing a lot.
03:11I don't know.
03:12I'm sorry.
03:13I've been fighting for you today.
03:14I'm sorry.
03:15I don't know.
03:16I was waiting for that,
03:17I was finally saying this morning,
03:18in order to reveal things
03:21that you're saying.
03:22I don't want to reconcile it.
03:23I'm sorry.
03:24I'll protect the person at home.
03:25I'm just causing it.
03:27I'm sorry.
03:29I'm not sorry.
03:30I've already doing it.
03:31But I think the person who was saying,
03:33I'm sorry.
03:34You're not saying that.
03:35I don't know, I wanted to say what I wanted to say, that's what I wanted to say.
03:58You are here. Please, go inside.
04:06I have brought some stories for you.
04:10I remember that I told you that I will give you your stories.
04:13Yes, but I was actually going to meet with you now.
04:17Would you drop it there? You were so far away.
04:21Actually, it was my pleasure to see your house.
04:24Please, go inside.
04:31How did you get my address?
04:35Yes.
04:37Who has my address given you?
04:39It has given you, right?
04:40No.
04:41I just sat in the car and told the driver to go to your car.
04:45I probably knew it before.
04:47Oh.
04:48Oh.
04:53Your house is the same as I imagined.
04:57Seriously?
04:58Very artistic.
05:00Your house is very good. I really like it.
05:03Well.
05:06If you are a fan, it doesn't mean that you will give me everything.
05:10Everyone knows my house is a mess.
05:12Look at it.
05:13It's everywhere.
05:16Anyway, sit down.
05:17I will come now.
05:18Okay.
05:19Please, take a seat.
05:20Ahhh.
05:21Let's go.
05:22Let's go.
05:23Right.
05:24Easy.
05:25Good boy.
05:27Let's go.
05:28Alright.
05:29Let's go.
05:30Now.
05:31Okay now.
05:32Let me get a seat.
05:33Janam your phone is ringing Janam
05:47How long do I call you? Where are you? I'm going to be depressed. Your husband has come to my home.
06:05Who is it?
06:06The Thereseer. Where is the Falak?
06:09The Thereseer. Where is the Thereseer?
06:18He's a friend of Thereseer. He's telling me about him.
06:24What do you want to give him to me? Please call me.
06:27Goodbye.
06:39The Thereseer. Where is the Thereseer?
06:45The Thereseer. Where is the Thereseer?
06:48It's warm, warm, warm, warm, warm, warm, warm, warm tea.
06:51Oh, let me keep here.
06:53Okay, for you.
06:56Where are you writing?
06:58I, I'll go to my office and write this house.
07:02Okay. I can see it?
07:06You...
07:07You...
07:09You can't see...
07:11No, no.
07:12Okay.
07:15What was it?
07:18Oh, Nassar's phone came.
07:22Yes, he had to come.
07:25What was he saying? He will come back to me.
07:29No, I don't know.
07:30We'll tell you to my friend.
07:32Please tell me.
07:36I have a book collection so big.
07:46It's a weird thing.
07:56You don't rent them?
08:06Do you have any friend with him?
08:13Maybe he'll be busy with him.
08:17My friend?
08:19Who is my friend?
08:21I don't want anything to say.
08:29I'm so sorry.
08:31No, I'm sorry that there's nothing to say.
08:34You keep falling apart.
08:37I don't like living on the shelf.
08:41So it's okay.
08:42You've read all these books?
08:45No.
08:47I've kept this for a decoration.
08:50So that people know that I'm a writer.
08:53I don't think you can write a serious book with your sense of humor.
08:57And from my face?
09:01Can I borrow your books?
09:05Please, they're all yours.
09:14This one is actually more.
09:17I've read this.
09:19I've read this.
09:21The only book I've said about this.
09:25Do you have your first editions?
09:29I've read this.
09:30I've read this.
09:31I've read this.
09:32I've read this.
09:33I've read this.
09:34Oh, okay.
09:35Here?
09:36Here?
09:37Here?
09:38Here?
09:39Here?
09:40What a life of it is that it's a whole day
10:05with other people's wives.
10:12I don't have to be in trouble with the women.
10:35Ma'am, Nessar sir and Mancha ma'am have come here.
10:55What?
10:56Yes, they both have come here in one car.
11:00Ah, is it okay that you stop giving this news?
11:04Nessar sir?
11:05No.
11:06Do you want to come here?
11:07Yes.
11:12Okay, let's go and see.
11:16I'll see Nessar sir.
11:18Yes.
11:30Hi, Dad.
11:37You're watching a lot.
11:39Where are you coming from?
11:41I'm coming to meet a friend.
11:44I told you.
11:46Yes.
11:47So, Nessar is your friend.
11:49I thought you're a fan of his.
11:51Yes.
11:52Okay, Dad.
11:53Now, you're looking for me too, Jasufi.
11:54I'm not too.
11:55I'm warning you.
11:56I'm not too much for you.
11:57I'm warning you.
11:58The writers don't need to come to the news.
12:00They don't need to come to the news.
12:01They are sad and they don't need to come to the news.
12:02They don't need to come to the news.
12:03They don't need to come to the news.
12:04They are sad but they don't have anything to give them for their time.
12:05Don't worry, Dad.
12:06Don't worry, Dad.
12:35Dad, I had to give him some papers.
12:38And he had to come here, so I went with him.
12:41That's all.
13:05I had to give him good feelings from him.
13:07How did Mr. Tasheer come to his house?
13:11He didn't understand you.
13:19How did you join his office with Rizwan?
13:22Dad, I don't have any plans for him to join his office.
13:27And so, you asked me, how did you commit to him to join his office?
13:33I don't have any plans for you.
13:36Every time you stay at home.
13:38Every time you say that you're bored, bored.
13:40What can you get from this opportunity?
13:45To work with Rizwan is a pleasure.
13:49I told you that you're going.
13:51So you have to go.
13:52Dad, you can't force me.
13:53I'm not forcing you.
13:55But I will give you this opportunity.
13:56You're going.
13:57And that's all.
13:58That's all.
13:59That's all.
14:00That's all.
14:01Nassar, why do you come before time?
14:03You don't want to attend me.
14:04You're going.
14:05And that's all.
14:06That's all.
14:07That's all.
14:08Nassar, why do you come before time?
14:11Dude, you don't have to attend me.
14:13You don't have to attend me.
14:14You can't do any problems at all.
14:15You can't solve any problems at all.
14:17Nassar, why do you come before the time?
14:28You don't have to attend my call.
14:31You can't solve any problems.
14:34You don't need to find solutions to my life.
14:40Now what's going on?
14:42You don't leave me alone.
14:46They want to know me better.
14:49They want to know me more.
14:53Are you talking about Mancha?
14:57No, I'm talking about Arif.
14:59Of course, I'm talking about Mancha.
15:01You don't have to solve my problem.
15:05I don't like this unwanted attention.
15:09I don't care about myself.
15:11What's the bad thing about this?
15:13I don't have any issues.
15:15She's a nice girl.
15:16If she's so good, why don't you adopt her?
15:20My whole support is with you.
15:23You know how much irritation I have from fans.
15:27So you tell me that she's far away from me.
15:30If you have so much irritation, why don't you write so much?
15:33Why do you write so much?
15:34It's a great thing.
15:35I write it for myself.
15:36Why do I write it for them?
15:37You say to Mancha that she's far away from me.
15:39I feel bad.
15:40What do I do?
15:41I don't want to say anything.
15:43Why don't I explain it?
15:45Why don't you overeat it?
15:48Okay.
15:49Whatever happens, it will happen.
15:52I'm only wanting you.
15:55I can't do my small work here.
15:58I don't know who I am seeing a lot from.
16:01Well, you have started your emotional acting.
16:04I'll tell you, you'll feel acting as well, Director.
16:07Director, Sahiba.
16:08If you've finished your drama, then talk about your work.
16:11Who has come to work here?
16:16I think I've come here for you.
16:18That's why I'm serious.
16:20Falak, I'm also very serious about you.
16:24Shut up.
16:28What are you doing?
16:30What are you doing?
16:37It's so late.
16:38It's not too late.
16:39You don't know your childhood is bad when you sleep so late.
16:40Come on.
16:41We're going inside.
16:42The world has shown us here.
16:44The world has shown us here.
16:49What is happening, who is doing?
16:53We're going inside.
16:54We're going inside.
16:55We're going inside.
16:58You're sitting here,
17:00the entire world has shown us.
17:02What is happening, who is doing?
17:06I'll show you everything.
17:08You want to see the world from the open eyes.
17:29Who is this?
17:32I'm not looking for a good look from here.
17:34Oh man, let's go and see.
17:36Let's go and see who it is.
17:55Who is this dad?
18:01Maybe Nassar has come to leave him.
18:04Ha ha ha ha ha ha.
18:14What life is this, dear Rizwan?
18:16What is this, dear Rizwan?
18:17Hi.
18:18I'm not looking for a good look.
18:19I'm not looking for a good look.
18:20I'm not looking for the most long time.
18:21I'm not looking for a good look.
18:22I'm looking for a good look.
18:23You don't know what to do, you don't know what to do.
18:28And it's a regret that...
18:33you stay alone at night at home.
18:38What a divorce!
18:42His sister is going to be like you.
18:46Dad!
18:48Maybe you don't realize yourself, what are you doing?
18:53Let's go to the room, take it.
18:56Like you are managing me,
18:59you are also managing her.
19:06I feel like you are seeing her,
19:11you are not managing her.
19:23Hi.
19:27Ready?
19:29I feel like you are not managing her.
19:32See how you are getting married.
19:34We've got married.
19:36God let it be!
19:38No, no, no, no.
19:40Tremont.
19:42I'm the first one.
19:44I'm not going like...
22:17Dressing maybe.
22:22Dressing.
22:26Come on, mancha.
22:27Kholke baat karo.
22:28Kya achha laga, Rizwan?
22:31Height.
22:34Height.
22:34Yeah, Rizwan, seriously.
22:56She's very much impressed by you.
22:59Tummei kam karo.
23:01Tum, mancha ko, abnei office me rakhlo, kuchh din ho ke liya.
23:05Seriously.
23:06Mancha ko, mancha ko, kareer ke liya bhot acha ho ga and she'll be very happy.
23:11Won't you be happy?
23:13Huh?
23:15See?
23:15Yeah, sure, why not?
23:17Oh, lovely, lovely.
23:20See, it was such a thing and you were happy to talk about this.
23:24Excuse me, sir.
23:26Hello?
23:28Yeah.
23:29Uh, eh, eh, eh, eh, eh, eh, eh.
23:33Ah, uh, eh, eh, eh, eh, eh.
23:36Yes.
23:38Yes.
23:40Yes.
23:46Jai, what kind of things do you want?
23:48Listen to my story.
23:50Manjha, I always think that you are a friend of Rizwan.
23:58Seriously, listen to my story.
24:00What you want to say before you are your own experience.
24:04Now, we are like a man here.
24:08I don't want to see a man here.
24:10I want to say that you are becoming the king of this house.
24:14Think about it.
24:16Every day, Rizwan will be full of love.
24:20Think about it.
24:22Think about it.
24:24Think about it.
24:26Think about it.
24:28Come on, think about it.
24:34Think about it.
24:53Good morning.
25:16Good morning.
25:20How are you doing?
25:23I think you will have to go to the office like a child and take your hands to the office.
25:36What? Is everything all right?
25:38No.
25:43What? What happened?
25:45Dad, last night.
25:47What?
25:51Yes.
25:52Last night, I have...
25:54Last night, you had a very strange story.
25:59What?
26:00What?
26:02Now, tell me, what is it?
26:04Last night, you had a marriage with me and Mr. Tasi.
26:09You had a marriage with me and Mr. Tasi.
26:12Yes.
26:14What is it?
26:16What is it?
26:18He is your cousin.
26:20What is your relationship with me?
26:23How can you do such a bad thing?
26:26Bad thing?
26:27Bad thing.
26:29What is it?
26:30What is wrong with you?
26:32What is wrong with you?
26:33What is wrong with you?
26:35People will do it.
26:36I can't even think about it.
26:37No.
26:38No.
26:39I just want to think about it.
26:41And the same way, Rizwan has a privilege of another marriage.
26:45In which direction is going to the place of this house,
26:48a woman is going to come to this house.
26:50So why not you?
26:55Why can't you be that other woman?
26:58I am your father.
27:00I think I am your best.
27:02If you become another woman of Rizwan,
27:04they will come back to you.
27:08I don't need a life of that.
27:13They ate us with us.
27:15They kept us in our house.
27:17And you talk about breaking that house.
27:20RAHM?
27:25Yes, brother.
27:26We are in front of RAHM.
27:33But I don't want you to be able to change your life.
27:43And that you...
27:45that you...
27:46that you...
27:48that you are living with a writer.
27:55What do you want me to change your life like my manager?
27:58What do you want me to change your life?
28:01If I am your father,
28:04I want you to take a life like my manager.
28:08Just like an owner.
28:09Dad, please stop.
28:11If you are not looking for me,
28:12I will leave here.
28:28You are not looking for me to return from RAHM.
28:33I want you to...
28:35You aree...
28:41You aree...
28:43I want you to go...
28:45You see you made the videos of RAHM.
28:47I want you to watch two of Dios please.
28:49Come to PIAN.
28:52I want you to enjoy it.
28:53I want you to watch one more kiss.
28:55You...
28:56Oh no, Naragi.
29:07Hi.
29:09Hey.
29:10You've come to our house so many days later.
29:15Is everything okay?
29:17Yes, everything is okay.
29:20Actually, whatever you want to discuss in the shoot,
29:23I used to do the work with Falak.
29:26That's why I don't have to come here.
29:28Okay.
29:30In this house, there are other people who want to meet you.
29:34Okay.
29:36I didn't think that was enough.
29:39But I didn't get people from here.
29:42Okay.
29:44Did you read my stories?
29:48Stories?
29:50Oh.
29:52Oh.
29:53Actually, you're going to lose me.
29:56Sorry.
29:57It's okay.
29:59I'll give you a new print out, okay?
30:01No.
30:02I'm sure you need to read this thing.
30:04And no, you need to read my story.
30:07I'm sure you're a very good writer.
30:10Oh.
30:11But I have to read your story.
30:15You'll read it again.
30:17Look, Mancha.
30:18I want to clear you one thing.
30:20I'm very tired from all these things.
30:23I really get irritated by this.
30:26By what?
30:28You'll read all these stories.
30:29After reading them.
30:30You'll read them.
30:31And after reading them.
30:32You'll read them.
30:33You'll meet with fans.
30:34I'm very far from all these things.
30:38Look, you always bring me your stories back to me.
30:41And I'll give you the time to me.
30:42That's not bad.
30:43So please, next time you look at me like this, and I don't feel good.
30:47I'm sorry.
30:48I'm sorry.
30:49My life is different.
30:51And I don't want to do it for people's attention.
30:56And if people do it, I'm upset.
31:00I've talked about this thing.
31:02And he told me that he would talk about you.
31:04But he has been ignored.
31:05Therefore, I'm talking about you.
31:08So please, next time you look at me like this,
31:11I don't need to talk about you.
31:14Okay.
31:17It wasn't my intention to interfere in your life.
31:22I was a fan of you.
31:25But it's good that you've cleared everything.
31:41Bad shit if you want.
31:43I can't believe it, you know.
31:44It's not what I got back of you.
31:47You'll have to reach out.
31:49I'm not sure.
31:51Alright, thanks, Goal.
31:52I need this place to honor you.
31:55So thank you for coming, Jaba-Rvern.
31:59I have no idea why.
32:02Why are you going to die today?
32:06How are you going to die?
32:09Are you going to die tomorrow?
32:12No.
32:13I'm not going to die today.
32:15I've been here.
32:18You've got to get the responsibility.
32:21What happened?
32:22You've said something.
32:24I told you first of all,
32:26that you talk about, but you don't agree.
32:29So I'm sorry.
32:30I can't change any other than you.
32:34And...
32:35I told the best that I was good,
32:37but it wasn't too long.
32:39I knew you were doing stupid.
32:42What was the problem?
32:44You would talk to yourself and what was it?
32:46The job was you.
32:48What is that?
32:50You didn't have sighted me.
32:53When I told you to talk to her,
32:56you didn't feel good.
32:57I told her what was in my heart,
32:59it was simple.
33:01Do you know, sir?
33:03You never did anything.
33:23So please, next time,
33:25if you look at me like this,
33:27you don't have to talk to me.
33:28No one should.
33:29No one should.
33:41Good morning.
33:42Good morning.
33:43Good morning.
33:44Good morning.
33:45Hey, Manisha, you sit here, right?
33:48Come here.
33:49Come here.
33:50Yeah, sure.
33:51Sit here.
33:52Okay.
34:01Good morning.
34:02Good morning.
34:03Good morning, Mishan.
34:04Morning.
34:05Good morning.
34:06Manisha,
34:07this is my seat.
34:08Why are you sitting here?
34:09I'm so sorry, Nisa.
34:10Come here.
34:11I'm so sorry, Nisa.
34:12Yeah, Manisha, why are you sitting here?
34:13Manisha, why are you sitting here?
34:14You don't want to say that.
34:15I don't want to say that, right?
34:16Nisa, come here.
34:17What are you doing, son?
34:19Oh, okay, son.
34:21Shabar, what are you doing?
34:23Let's go.
34:26Let's go.
34:27No, please, Vijay.
34:29Toast part.
34:31Yeah, sure.
34:33Manusha, Rilvan, please.
Recommended
37:43
|
Up next
39:28
47:09
45:07
16:16