- 5 days ago
When Mary, Eva, and Sarah are betrayed by the very institution they trusted, they step outside the boundaries of tradition to seek justice. This dramatic thriller explores power, belief, and retribution in a world where silence is no longer an option.
🎭 Cast: Chrissie Wunna, Clara Legallais-Moha, Anna Rakhvalova, Christopher Kouros, Dimitrios Pantos, Nick Field, Brynmor Leyshon
🎬 Directed by: Sushank Kini
⏱️ Runtime: Approx. 98 minutes
⚠️ For mature audiences. Contains scenes of violence and thematic material.
#BikiniNuns #IndieFilm #ThrillerMovie #FullMovie #revenged
🎭 Cast: Chrissie Wunna, Clara Legallais-Moha, Anna Rakhvalova, Christopher Kouros, Dimitrios Pantos, Nick Field, Brynmor Leyshon
🎬 Directed by: Sushank Kini
⏱️ Runtime: Approx. 98 minutes
⚠️ For mature audiences. Contains scenes of violence and thematic material.
#BikiniNuns #IndieFilm #ThrillerMovie #FullMovie #revenged
Category
🎥
Short filmTranscript
00:01:00This is the last time.
00:01:17Tell me what you know about the Orphanage Massacre.
00:01:25I don't know anything.
00:01:30I know you were involved.
00:01:35Tell me everything.
00:01:37What?
00:01:38I don't know anything.
00:01:42I promise that everyone involved would pay.
00:01:57And you are no exception.
00:02:02Please, please, please.
00:02:04Please.
00:02:05Please.
00:02:06Please.
00:02:07Please.
00:02:11Please.
00:02:12Please.
00:02:13Please.
00:02:14Please.
00:02:16Please.
00:02:17Please.
00:02:18Please.
00:02:19Please.
00:02:20Please.
00:02:21Please.
00:02:22Please.
00:02:23Please.
00:02:24Please.
00:02:25Please.
00:02:26Please.
00:02:27Please.
00:02:28Please.
00:02:29Please.
00:02:30Please.
00:02:31Please.
00:02:32Please.
00:02:33Please.
00:02:34Please.
00:02:35Please.
00:02:36Please.
00:02:37Please.
00:02:38Please.
00:02:39Please.
00:02:40Please.
00:02:41Please.
00:02:42Please.
00:02:43Please.
00:02:44Please.
00:02:45Please.
00:02:46Please.
00:02:47Please.
00:02:48Please.
00:02:49Please.
00:02:50Please.
00:02:51Please.
00:02:52Please.
00:02:53I trust your mission has been successful?
00:02:56I'm sorry to disappoint, but you didn't spill any names.
00:03:03to believe it.
00:03:06Mary.
00:03:07How many times do I have to tell you to leave your gun in your pocket and listen?
00:03:16Apologies.
00:03:18I got angry, but I found this in his pocket.
00:03:27Le Grand Noir.
00:03:29The Hotel.
00:03:30do you think the hotel is connected to something bigger it could be a place like that might have
00:03:38ties to high-level organizations and important contacts we must follow the lead through it
00:03:48might be the key piece that will help us unravel everything i agree i feel like we're getting so
00:03:59much closer but there's just so much we don't know patience is crucial we must proceed methodically
00:04:10your input has been vital but we must remain strategic
00:04:16okay i'm ready to move forward the faster we act the more we can uncover
00:04:29sounds like you had an interesting evening mary let your back what's our next move
00:04:43well i didn't get as much as i hoped but we have a new lead
00:04:51our mission is clear we are still on the hunt for justice
00:05:09every step forward brings us closer to revealing the truth
00:05:14so what's the plan after donna just more training and recon
00:05:35i was thinking a bit of balls and also maybe practicing my charming smile in front of the mirror
00:05:42you mean the one that usually gets us into more trouble than it's worth
00:05:46oh come on my smile got us out of trouble just as often
00:05:52you two are something else but listen we need to stay focused the closer we get the more dangerous
00:06:03it becomes you're right we need to stay sharp speaking of which i've been working on a new
00:06:09stealth setup i think it will give us a significant edge what do you have in mind a new software
00:06:16it will allow us to replace surveillance camera without being physically present
00:06:21yeah nice that could really work girls do you ever think about what we've been doing if
00:06:31things were different if you know all the time
00:06:36but we can't dwell on it we have a purpose now
00:06:41a mission
00:06:43i also think about how far we've come
00:06:46we've turned our opinion to something more powerful we are making a difference
00:06:51yes we are but sometimes i wonder how could it be to have a normal life
00:06:59the one where we could think about simpler things rather than stealth setups
00:07:05i love my stealth setups i know
00:07:08i promise you girls after all this is done we'll have a normal life
00:07:14we're closer than we've ever been
00:07:17i think this will do the job it's got a nice kick if you can handle the recoil aim for the center mass
00:07:43i've got this i mean don't expect me to go all sharp shooter on the first target
00:07:49there is no room for mistake tonight we stick to the plan in and out clean
00:07:57i get it just trying to keep it light
00:08:02say your prayer
00:08:04see you in heaven
00:08:06bitch
00:08:08not long until this rehearsal turn into a real show
00:08:18i can't wait to see the sparks fly
00:08:22the test mark are definitely warming up to us
00:08:26i mean who can resist
00:08:29this
00:08:30i know right
00:08:33we're basically irresistible
00:08:35time to slay in the garden of eden darling
00:08:39but first we dive into the pool
00:08:46i just need answers
00:08:50i know it's hard
00:08:53no it's just the not knowing anything it's driving me insane
00:08:57sorry
00:08:58how's training coming along
00:09:01how's training coming along
00:09:04well we're moving further away from who we used to be
00:09:09but honestly
00:09:10it's a breath of fresh air
00:09:12soon
00:09:14we will have ventures
00:09:16that's great
00:09:19so where is your next destination
00:09:23there's a convict
00:09:25in a small village in glasgow
00:09:27we have intelligence that our marks are just arriving
00:09:32you know
00:09:34your imminent departures
00:09:36will bring us so much sadness
00:09:37however we just know that the strong fight and remaining in both
00:09:42will bring us peace and justice
00:09:44we believe in you
00:09:47and so does eva
00:09:49thanks
00:09:51that means everything
00:09:52tonight we make our move
00:10:02this
00:10:04is derrick thompson
00:10:05the owner of the grand noir
00:10:08he is the key
00:10:10to uncover everything
00:10:11how do we get to him
00:10:14he's hosting a party tonight
00:10:16private
00:10:18exclusive
00:10:20we get inside
00:10:22we get close
00:10:24i can handle the party
00:10:25he looks like someone who could easily fall for a pretty face
00:10:29and i know how to play that part
00:10:32agreed
00:10:33what's my role
00:10:35i'm tired of waiting in the wings
00:10:38you are the eyes eva
00:10:40you see what other people don't
00:10:42without you
00:10:43we are blind
00:10:44you can manage the surveillance
00:10:47test out the setups
00:10:49and if things go wrong
00:10:53if things go wrong
00:10:55we do what we must
00:10:57no hesitation
00:11:00no mercy
00:11:02i'll get to him
00:11:06make him talk
00:11:08but once i do
00:11:10we need to move fast
00:11:11you all know what's at stake
00:11:15this isn't about revenge
00:11:18it's about redemption
00:11:20for us
00:11:22for those we lost
00:11:24i didn't know nuns made visits at this hour
00:11:41i didn't know nuns made visits at this hour
00:11:53we have many ways to redeem lost souls mr thompson
00:12:05and uh what would a nun like you do to redeem a sinner like me
00:12:11i'd rather show you mr thompson
00:12:13well you're quite bold for a nun but i'm intrigued what makes you think i even need redemption
00:12:32everyone needs redemption derrick
00:12:35especially those who have secrets to hide
00:12:40secrets
00:12:43and uh
00:12:45what are these secrets you speak of that you think i have
00:12:50the kind that weigh heavily on your soul
00:12:55the kind that only someone like me
00:12:59can help you unburden
00:13:01quite the enigma aren't you
00:13:05but let's start beating about the bush
00:13:08what's your game
00:13:10no games mr thompson
00:13:13just a genuine desire to help
00:13:15but of course
00:13:18i have my own methods
00:13:21methods
00:13:22well i must admit you have piqued my interest
00:13:28but uh
00:13:29trust
00:13:31is a two-way street
00:13:33why should i believe you
00:13:36because
00:13:38deep down
00:13:40you know that i'm right
00:13:42and because
00:13:44you really want to see
00:13:46where it's going to lead
00:13:47all right sister
00:13:49show me what you've got
00:14:06you know that i love most of the people
00:14:09but given that i really need to get
00:14:11my heart
00:14:12you know that the ñ
00:14:13and let's definitely see
00:14:14that being in legal
00:14:15or
00:14:16in time
00:14:17you know the
00:14:19who
00:14:21the
00:14:21I
00:14:22know
00:14:23la
00:14:23the
00:14:25the
00:14:26the
00:14:27lot
00:14:28you know
00:14:29and
00:14:31and
00:17:14I don't know what you're talking about.
00:17:15I didn't do anything wrong.
00:17:16No sense.
00:17:18No orphanage massacre.
00:17:20I don't know what you're talking about.
00:17:21I don't know what you're talking about.
00:17:24I haven't done anything wrong.
00:17:26I...
00:17:27I...
00:17:28I...
00:17:29I...
00:17:30I don't know what you're talking about.
00:17:31I don't know what you're talking about.
00:17:32I...
00:17:33I...
00:17:34I don't know what you're talking about.
00:17:35I...
00:17:36I...
00:17:37I don't know what you're talking about.
00:17:38I...
00:17:39I...
00:17:40I...
00:17:41I wasn't...
00:17:42It wasn't me.
00:17:43I...
00:17:44I...
00:17:45I...
00:17:46I...
00:17:47I...
00:17:48I don't know what you're talking about.
00:17:49I wasn't...
00:17:50It wasn't me.
00:17:51I...
00:17:52Lies.
00:17:53You're the wrong guy.
00:17:54I won't get you anywhere.
00:17:55This is your last chance to tell us the truth.
00:17:58I...
00:17:59I don't know anything.
00:18:01Just tell us what we need to know and this can end.
00:18:06This is the last time I'm asking.
00:18:09What happened at the massacre of 1992?
00:18:14I...
00:18:15I...
00:18:16I...
00:18:17I...
00:18:18I...
00:18:19I...
00:18:20I...
00:18:21I...
00:18:22Start to...
00:18:23Ah!
00:18:24Okay.
00:18:25Okay.
00:18:26Okay.
00:18:27I...
00:18:28I...
00:18:29I don't know much.
00:18:30Someone.
00:18:31Someone put a hit on the orphanage, okay?
00:18:32I don't know who.
00:18:33I don't know who his name was.
00:18:34But he...
00:18:35He...
00:18:36He wanted to send a message out.
00:18:37And I don't know his name, but there was another guy.
00:18:38His...
00:18:39His name was...
00:18:40Uh...
00:18:41His name was Frank.
00:18:43Frank...
00:18:44Frank Delaney.
00:18:45He's the one you want.
00:18:46He...
00:18:47If you find him, he's the one you want.
00:18:48He...
00:18:49He...
00:18:50He...
00:18:51He did the dirty work and I...
00:18:52I...
00:18:53I...
00:18:54I was just a puppet.
00:18:55That's all I know, I swear.
00:18:57I...
00:18:58He's the...
00:18:59I mean, that's all I know.
00:19:01I can't...
00:19:02Is he telling the truth?
00:19:03I am.
00:19:04I am.
00:19:05I am.
00:19:06I am.
00:19:07Thank you, Derek.
00:19:08But sins aren't that easily forgiven.
00:19:09Goodbye, Derek.
00:19:10Yes, Derek.
00:19:11I am.
00:19:12I am.
00:19:13I am.
00:19:14I am.
00:19:15I am.
00:19:16Thank you, Derek.
00:19:17But sins aren't that easily forgiven.
00:19:18Goodbye, Derek.
00:19:19Yes, Derek.
00:19:20But sins aren't that easily forgiven.
00:19:23The first one is done.
00:19:30Now, let's get the others.
00:19:53Breathe deeply, Mary.
00:19:58Let your mind go back to the past.
00:20:03That night.
00:20:06Focus on the details.
00:20:09What do you see?
00:20:11What do you remember?
00:20:23I see.
00:20:27The orphanage.
00:20:35It's dark.
00:20:41I'm hiding.
00:20:45I have my doll with you.
00:20:51Where is everyone?
00:20:53Stay focused, Mary.
00:20:58What happens next?
00:20:59Who is there?
00:21:09There are children.
00:21:12They're crying.
00:21:16And a woman, she's pleading.
00:21:18Please, do her.
00:21:19The ring, Mary.
00:21:20What does it mean?
00:21:21I don't know.
00:21:22I don't know.
00:21:23I don't know.
00:21:24I don't know.
00:21:25Wait.
00:21:26Where's Sareniva?
00:21:27Where's Sareniva?
00:21:31Where are Sareniva?
00:21:33I don't...
00:21:34I don't...
00:21:35I don't...
00:21:36What...
00:21:37Where's Sareniva?
00:21:42I...
00:21:43Where's Sareniva?
00:21:44Sarah, Eve!
00:21:54Calm down, Mary.
00:21:55Calm yourself.
00:21:57Where are you?
00:21:58Mary, wake up.
00:21:59Wake up.
00:21:59Open your eyes.
00:22:01Okay, Mary, wake up.
00:22:02Wake up.
00:22:10What's happened?
00:22:12It was a memory, Mary.
00:22:14Just a memory.
00:22:16You're safe.
00:22:23Where's Sarah and Eve?
00:22:25They're fine, Mary.
00:22:26They're safe.
00:22:27You were just stuck in the past.
00:22:31But we're back now.
00:22:32You're here.
00:22:35Rest now.
00:22:38There is much to do.
00:22:44Thompson has given us a name.
00:22:54Frank Delaney.
00:22:55I've done some digging.
00:23:05So, what's the plan?
00:23:06Delaney is a mobster.
00:23:08But he's got his fingers in a lot of pies.
00:23:11His office is here.
00:23:14On the second floor.
00:23:15He thinks I'm a new recruit.
00:23:21Looking to make a deal.
00:23:23I'll get him a loan.
00:23:26We move tonight.
00:23:28Stay sharp.
00:23:30No mistakes.
00:23:31What the?
00:23:49Who are you?
00:23:51Who are you?
00:23:52Who are you?
00:23:52Who are you?
00:23:52Who likes Frank?
00:24:15I'm here for...
00:24:24A confession.
00:24:30OK.
00:24:31Look.
00:24:32What kind of game is this?
00:24:35Who sent you?
00:24:36No games, Frank.
00:24:39I just want to talk.
00:24:43Maybe.
00:24:45Get a few things off my chest.
00:24:52But first...
00:24:55How about you tell me about...
00:24:59The Orphanage Massacre 92?
00:25:02What?
00:25:05I don't know what you're talking about.
00:25:15I don't know what you're talking about.
00:25:17Come on, Frank.
00:25:19Don't play them with me.
00:25:22I can be...
00:25:23Very persuasive...
00:25:29Or...
00:25:31Dangerous.
00:25:34Your choice.
00:25:39Mary you look like absolute goddess well in a world full of sinners got to keep the divine
00:26:04vibe alone speaking of sinners looks like trouble is brewing we got intel on our target uh who is it
00:26:18it's a corrupt music producer he's been exploiting vulnerable women so he's the person behind all this
00:26:27suffering he thinks he's untouchable but very soon he will learn otherwise we're here to deliver justice
00:26:39condemn the sin we kill the sinner he's about to learn that every action has its consequence
00:26:49justice will be swift and deliciously merciless we must rid this world of such filth
00:26:59and let's not forget to have fun while we're at it
00:27:07justice and joy now that's a combo
00:27:10okay but please what is all this about isn't it obvious frank
00:27:28i just want the truth and i want it now
00:27:33who ordered the massacre why were these kids kids
00:27:50okay okay it was a government op it was ordered by national security
00:28:00i didn't know it was gonna turn out that way
00:28:09who gave the orders
00:28:15i don't know his name
00:28:18it was just some just some guy in a suit he said it was he said it was above my pay grade
00:28:30i don't know his name
00:28:35you make me feel sick frank
00:28:40but
00:28:42you're going to help me
00:28:47who else knew about this
00:28:48there was a contact someone higher up
00:29:00i don't think i was ever told his name
00:29:05but i promise you i i just did what i was told
00:29:09that's a start
00:29:17but
00:29:20if i ever find out that you're lying
00:29:34okay
00:29:40i
00:29:44i
00:29:45i
00:29:46i
00:29:46i
00:29:47i
00:29:48i
00:29:48i
00:29:51i
00:29:51i
00:29:52i
00:29:53i
00:29:55i
00:29:57i
00:29:59How did it go?
00:30:07Frank Delaney talked, but not like we expected.
00:30:12What did he say?
00:30:14He was at the orphanage that night.
00:30:17He was proud of it.
00:30:19But he didn't kill anyone, not even the children.
00:30:23He didn't?
00:30:24He said he couldn't bring himself to do it.
00:30:27The orders were to wipe out everyone, but he hesitated.
00:30:31Who gave the orders?
00:30:32He didn't know who ordered the massacre.
00:30:35But he mentioned seeing a man in a suit, a government man.
00:30:41But Frank didn't know who that man was and what he was doing there.
00:30:45Just knew it was above his pay grade.
00:30:48So he's just a grant?
00:30:50He follows the orders? He doesn't know why?
00:30:54Typical.
00:30:55Did he say anything about the government involvement?
00:31:00He's sure there is government involvement.
00:31:03This wasn't some random act of violence.
00:31:06It was a planned operation.
00:31:08Frank was just there to do a job and get out.
00:31:12Whoever was in charge, they were powerful and they didn't care about witnesses.
00:31:17But he gave me two more names.
00:31:19What have you uncovered?
00:31:36Delaney didn't give us much directly on the massacre, but he hinted at government involvement
00:31:44and pointed us to two figures who might know something.
00:31:49Marco Rodriguez and Bobby Miller.
00:31:51We need more information on the government's role.
00:31:57We've got leads to follow up, but we could use your help.
00:32:01You have resources, we don't.
00:32:03Can we be checking into any recent government activities or operations that could be potentially connected to the massacre?
00:32:09You want me to dig into government affairs?
00:32:14That's risky and can warrant unwanted attention.
00:32:18Well, it's risky, but it's crucial.
00:32:21The government involvement might explain why this case has been so tangled.
00:32:25If you can find any documents, reports or connections, it could be a breakthrough for us.
00:32:33We need all the help we can get.
00:32:36And with your knowledge and connections, it can really help us uncover the full story.
00:32:42I'll see what I can find.
00:32:44But be aware that if I dig into this, there will be consequences for all of us.
00:32:51We are prepared for that.
00:32:52We've come too far to get back now.
00:32:55Right.
00:32:57I'll start immediately.
00:32:59I'll see what I can find out about these two and the government's involvement.
00:33:25Who are you?
00:33:35Who are you?
00:33:36Wait.
00:33:37What do you want?
00:33:38Oh, welcome.
00:34:06It's rare to see such a distinguished guest.
00:34:11I'm Bobby Miller.
00:34:12I assume you've come here to see something extraordinary.
00:34:16Absolutely.
00:34:16I hear you have quite an exclusive collection.
00:34:20You seem to make everything irresistible.
00:34:24Irresistible, indeed.
00:34:26I pride myself on creating the finest.
00:34:30How about a private tour?
00:34:32I'd love to show you what makes this collection truly unique.
00:34:35I'd be delighted.
00:34:37Show me what you've got.
00:34:39This way.
00:34:46See, every piece has a story.
00:34:51This one in particular has a special aura that I think you might find quite captivating.
00:34:57Well, your discerning tastes certainly precede you, sir.
00:35:03And you have a talent of accepting it.
00:35:07Your presence adds an allure to this place that's quite intoxicating.
00:35:12Flattery will get you everywhere.
00:35:16Now, show me this special piece.
00:35:20This piece has its own secret.
00:35:28It has been around the elite circles.
00:35:35And what's your role in these secretive exchanges?
00:35:44I, um...
00:35:46I facilitate.
00:35:49I ensure that those with the right motivations...
00:35:54Well...
00:35:57Find what they truly desire.
00:36:00And what are you looking for, exactly?
00:36:03Well, I'm looking for something that speaks volumes, without saying a word.
00:36:13You know...
00:36:15It makes a statement.
00:36:19I think I have exactly what you're looking for.
00:36:33I don't know.
00:36:34What are you looking for?
00:36:50MUSIC CONTINUES
00:37:11When I was young, I was always fascinated with art
00:37:15and the collectors themselves.
00:37:18I started growing my connections and then soon enough I was with the most powerful people.
00:37:23Some who are exactly clean, if you know what I mean.
00:37:29And these powerful people, are they still in business with you?
00:37:35Yes. It's a fascinating world.
00:37:39You see, they say whoever possesses this piece will feel the artist's pain and passion.
00:37:54Are you brave enough to possess it?
00:38:01I think I am.
00:38:04Bobby, there's just something about you.
00:38:09And I don't know whether it's the danger, the allure or the unknown.
00:38:14But I have something I need to ask you.
00:38:18Ask away. I'm an open book for you tonight.
00:38:22What's the real story behind this auction house?
00:38:28Oh, Mary, it's a tale as old as time.
00:38:33Money, influence, power.
00:38:38I cater to those who have it and those who need it.
00:38:43And what would you say if I told you I might have a little secret too?
00:38:51Then I'd say we're more alike than you think.
00:38:57You tell me your secret and I'll tell you mine.
00:38:59Tell me about the orphanage attack in 1992.
00:39:05The orphanage attack in 1992? What are you on about?
00:39:08I know you were involved. Frank Delaney told me your name.
00:39:10Oh, Frank Delaney.
00:39:11You're one of his dogs too, are you?
00:39:14What's he giving you? Money? Power? I can double it.
00:39:18Would you tell me what you need?
00:39:21I don't want anything.
00:39:29Please, take a seat. How many nuns come through here?
00:39:57I know.
00:39:58To be fair, it's a nice excuse for me to get out and remember how beautiful the city is.
00:40:07So, you're on a mission then?
00:40:10I'm Marco.
00:40:11I'm Sister Eva.
00:40:12Thank you so much for being so welcoming.
00:40:14The pleasure's mine.
00:40:16So, you were mentioning charity?
00:40:19Yes.
00:40:21My covent is devoted to helping the most needy and troubled children.
00:40:27It sickles very dear to my heart.
00:40:32Please, just have a coffee and have a discussion.
00:40:36Oh, that would be wonderful. Thank you very much.
00:40:38I've always admired men who devote their lives to charity. You chose a kind heart.
00:40:47Well, I like to do my bit, you know. The neighbourhood needs my help.
00:41:02A man like you must have lots of admirers.
00:41:11Tell me, Marco. Do you always open your doors to strangers?
00:41:17Well, not usually, but for you I'd make an exception. You're different.
00:41:26Different. I like that.
00:41:29You know, sometimes you have to get out of the habit to make things happen.
00:41:57Well, yeah. Full of surprises, aren't you?
00:42:01Marco, you have no idea.
00:42:05But before we get too distracted, I need something from you.
00:42:20And what would that be?
00:42:39Information, Marco.
00:42:41I want you to know what happened at the orphanage massacre in 1992.
00:42:45Orphanage massacre? I don't know what you're talking about.
00:42:50Come on, Marco. Don't play games with me. You know exactly what I'm talking about.
00:42:54What have you...
00:43:03Oh, just a little something to make sure you don't remember our conversation.
00:43:17All right, all right. It was Garcia.
00:43:24Alina Garcia. She was the one calling the shots at night.
00:43:27Who else was involved?
00:43:29There were some higher-ups. Government people.
00:43:33I don't know a name, just that they were influential.
00:43:42Please, I'm telling you every...
00:43:45You made a choice, Marco.
00:43:48Now, I'm afraid you have to live with the consequences.
00:43:59Thanks for coffee.
00:44:00Rodriguez was right about Garcia. She's former Special Forces. Highly dangerous. We need to be strategic.
00:44:29So what's the plan?
00:44:31We're just gonna sit and wait around?
00:44:33We need to stay calm.
00:44:35Rushing in without a plan is highly dangerous.
00:44:38Garcia is not to be underestimated.
00:44:44We need to ensure we're prepared.
00:44:46Garcia's defenses are formidable.
00:44:48We've been waiting for too long.
00:44:51Every time we delay, give you a chance to slip away.
00:44:55I'm done waiting.
00:44:59No, Sarah. You need to stay calm.
00:45:02Otherwise, you will get yourself killed.
00:45:04We need to stick to the plan.
00:45:06Acting impulsively will get you killed.
00:45:09We have to be smart about this.
00:45:11I'm not waiting any longer.
00:45:14I'm going after her. Now!
00:45:16No, Sarah.
00:45:18Stick to the plan.
00:45:20We can't afford to make mistakes.
00:45:29Sarah...
00:45:30Sarah...
00:45:49Elena Garcia.
00:45:51Finally we meet.
00:45:55Sarah.
00:45:56What are you doing here?
00:46:02Why did you order the massacre?
00:46:05Why, Elena?
00:46:07Why?
00:46:10I had no choice.
00:46:14No choice?
00:46:17You killed all those children.
00:46:21You killed me.
00:46:23How could you do that?
00:46:28There was a man.
00:46:31Robert Gray.
00:46:33He worked for the government.
00:46:35He told me.
00:46:36He promised me.
00:46:38He'd save you.
00:46:39He'd keep you safe.
00:46:42Only if I...
00:46:44If I did what he asked.
00:46:47And you trusted him.
00:46:52You let him...
00:46:54You let him...
00:46:56You let him destroy everything.
00:47:00For what?
00:47:04I wanted to protect you.
00:47:06I wanted to keep you safe.
00:47:08But he disappeared.
00:47:10He left no tracks.
00:47:12I never saw him again.
00:47:13I thought I'd lost you.
00:47:16You were supposed to be my mother.
00:47:20You were supposed to protect me.
00:47:22I wanted to protect you.
00:47:24I had no choice.
00:47:26Sarah!
00:47:28Sarah!
00:47:38Sarah!
00:48:27Hello?
00:48:53Mary, Mary, Mary, calm down.
00:48:57Calm down.
00:48:58No.
00:48:59No.
00:49:00No.
00:49:01She's not...
00:49:02She's not dead.
00:49:03She's not dead.
00:49:04Can't be true.
00:49:05No.
00:49:06No.
00:49:07She's not...
00:49:08She's not dead.
00:49:12She's not dead.
00:49:17Can't be true.
00:49:18Can't be true.
00:49:19Can't be true.
00:49:20No.
00:49:21Can't be true.
00:49:22No.
00:49:23No.
00:49:24No.
00:49:25No.
00:49:26No.
00:49:27No.
00:49:28No.
00:49:29No.
00:49:30No.
00:49:31Don't say that.
00:49:32No.
00:49:33No.
00:49:34No.
00:49:35No.
00:49:36Don't say that.
00:49:37No.
00:49:38No.
00:49:39No.
00:49:40No.
00:49:41No.
00:49:42No.
00:49:43No.
00:49:44No.
00:49:45No.
00:49:46No.
00:49:47No.
00:49:48No.
00:49:49No.
00:49:50No.
00:49:51No.
00:49:52No.
00:49:53No.
00:50:16No.
00:50:21Don't, don't.
00:50:51What happened?
00:51:13She's gone.
00:51:17Sarah.
00:51:20She's dead.
00:51:22What?
00:51:30What happened?
00:51:33She went to Elena Garcia.
00:51:37Alone.
00:51:45You sent her there.
00:51:48And prepared.
00:51:49This is on you.
00:51:54I never meant for any harm to come to you.
00:51:57You know this.
00:52:00But it's happened.
00:52:02And now she's dead because of it.
00:52:11You're supposed to protect us.
00:52:12Not to lead us into traps.
00:52:21It was never my intention.
00:52:24I thought I believed she would be able to handle it.
00:52:29No more excuses.
00:52:30No more excuses.
00:52:31Only answers.
00:52:38Who is Robert Gray?
00:52:39Robert Gray.
00:52:40Sarah said something about him before she died.
00:52:44Who is he?
00:52:45Who is he?
00:52:46Do not go after him.
00:52:50Why?
00:52:52Why aren't you telling us?
00:52:59I knew him.
00:53:02He was involved with the orphanage in the past.
00:53:05But he's dead now so there's nothing more to it.
00:53:08How do you know he's dead?
00:53:11Are you hiding something?
00:53:13Because he was my comrade.
00:53:23And he's a very dangerous man.
00:53:28We've lost too much already.
00:53:32We need to know the truth.
00:53:34The truth won't bring Sarah back.
00:53:47It won't change what happened.
00:53:49Sometimes the past is best left buried.
00:53:55No.
00:53:56We owe it to Sarah to finish what she started.
00:54:26Robert Gray.
00:54:44It was the last name Sarah mentioned.
00:54:49Before she...
00:54:53Whoever he is, he's involved.
00:55:04Sarah wouldn't mention him with her last breath.
00:55:09If he wasn't important.
00:55:12We need to find out who he is.
00:55:17If he's involved in the massacre, he could be the key to everything.
00:55:21How do we even start?
00:55:27We don't know anything about him except his name.
00:55:32There's got to be a trail.
00:55:37Government records, old contacts, something.
00:55:42And if he was involved, then we need to dig through everything to see what we can find.
00:55:50The priest.
00:55:51The priest.
00:55:52He might know something.
00:55:57He's been around too long.
00:56:00He was always too close to the orphanage's secrets.
00:56:03I just don't trust him.
00:56:09He's hiding something.
00:56:16And if Robert Gray is involved, then the priest is covering up for him.
00:56:24Or using him.
00:56:30We have to be careful, Marie.
00:56:33This isn't just about revenge for Sarah.
00:56:45We're up against something bigger than we thought.
00:57:00I've been doing some digging.
00:57:02I keep finding one name.
00:57:04Victor Vargas.
00:57:05He's a mastermind behind the orphanage.
00:57:09Victor Vargas.
00:57:14How do you know this?
00:57:16I've had contacts from my past.
00:57:21People who owed me.
00:57:22They've confirmed it.
00:57:24Vargas is the one responsible.
00:57:26And you trust these contacts?
00:57:29After everything?
00:57:30Yes.
00:57:31I do.
00:57:32Vargas is connected.
00:57:34Powerful.
00:57:35If anyone could have been responsible for what happened at the orphanage, it's him.
00:57:40But why didn't you tell us this?
00:57:43What else are you hiding?
00:57:45I've told you everything I know.
00:57:48I'm trying to help you find out the truth.
00:57:51Well, maybe you're just playing us around.
00:57:54Maybe you're protecting something.
00:57:56Or someone.
00:57:58You think I'm lying too?
00:57:59After everything we've been through?
00:58:01I want justice for Sarah just as much as you do.
00:58:06We need to be sure.
00:58:08We can't trust blindly anymore.
00:58:11I understand.
00:58:14But we need to follow up this lead.
00:58:17This lead is solid.
00:58:19We need to find him.
00:58:20Vargas is dangerous.
00:58:22You're right.
00:58:24But we'll check out Vargas ourselves.
00:58:27No more surprises.
00:58:29Of course.
00:58:31Be careful.
00:58:32Vargas is a dangerous man.
00:58:44And we're gonna be so desperate for her.
00:58:47No more to be a girl.
00:58:49There's no more to be a girl.
00:58:50I'm not gonna move.
00:58:52Not very close.
00:58:53I'm not gonna be a girl.
00:58:54She's not gonna be a girl ever.
00:58:55I'm not gonna be a girl.
00:58:56I'm not gonna be a girl.
00:58:57Don't be a girl.
00:58:58I'm not gonna be a girl or her, baby.
00:58:59You've gotta be a girl.
00:59:00I'm not gonna be a girl.
00:59:01What about her?
00:59:05She's gone.
00:59:07She was killed last night.
00:59:10No.
00:59:12No, no, no, no, not 50th February.
00:59:16She died fighting for a cause.
00:59:18She faced danger.
00:59:20Just the way she was trained for.
00:59:26They will pay for this.
00:59:29They cannot just take her away from us like that.
00:59:32Why?
00:59:33Why Sarah?
00:59:35We all love Sister Sarah.
00:59:38She believed in us.
00:59:40Sarah should have stayed back.
00:59:44She should have stayed safe.
00:59:48Rachel, we know it's hard.
00:59:51But don't make this a blame game.
00:59:54She fought for us bravely.
00:59:56You think this is enough?
00:59:58You think that there is a meaning in fighting bravely now that she's gone?
01:00:05And what did it get her?
01:00:06Grace?
01:00:09We do what matters now.
01:00:11To make sure her death wasn't in vain.
01:00:17What should we do now?
01:00:19We can't let her death be for nothing.
01:00:22We move forward.
01:00:24We're not just wearing these non-outfits as disguises.
01:00:28We're wearing them as a testimony to her bravery.
01:00:34Every strike is for her now.
01:00:36She would want us to fight this, right?
01:00:38Exactly.
01:00:40She laid out a pathway of light through the darkness.
01:00:46All right.
01:00:48Let's do this for her.
01:00:51We'll make them regret cursing us.
01:00:55But we need to be sharp.
01:00:59For Sister Sarah.
01:01:00We fight for her.
01:01:01We fight for her.
01:01:04I thought it was Sarah.
01:01:31Hi.
01:01:32What can I get you guys?
01:01:33A glass of wine, please.
01:01:35I like the same.
01:01:51Cheers.
01:02:15There he is.
01:02:18Keep your guard up.
01:02:22Hello, ladies.
01:02:33Hello, Mr Vargas.
01:02:36I was hoping we could find a quiet spot to chat.
01:02:41That's a good idea.
01:02:42Please, ladies.
01:02:43If you'd like, join me at this table.
01:02:52Well, well, well, well, well.
01:02:59So, what brings two beautiful women like yourselves in a place like this?
01:03:04Well, we were looking for a place less conspicuous, away from the pouring eyes.
01:03:14You certainly come to the right place.
01:03:18I can offer you something stronger than just cocktails if you'd like.
01:03:24Oh, we already have our drinks, thanks.
01:03:27We're just looking for a little discreet spot where we can just watch over people.
01:03:32I mean, you never know who you might find in a place like this, right?
01:03:40Guys.
01:03:41Guys.
01:03:52Well.
01:03:54Discretion is indeed key.
01:03:57But, you know, if you ever need something more than just a quiet spot, I'm always happy to accommodate.
01:04:06Thank you, Mr Vargas.
01:04:08That would be wonderful.
01:04:10Mmm.
01:04:11We love a man that respects our privacy.
01:04:15So, what brings both of you to this city?
01:04:18It's not used to get such distinguished guests.
01:04:22Well, we own business.
01:04:25Sometimes, one has to venture into unfamiliar territories to make things happen.
01:04:31Well, I'm always interested in hearing about intriguing ventures.
01:04:38Especially, when it involves a lovely company.
01:04:51You certainly know how to make an evening enjoyable, Mr Vargas.
01:04:56I'm so glad to hear that.
01:04:58It's always a pleasure to entertain.
01:05:02So, tell me more about your business here.
01:05:07What exactly are you looking for?
01:05:11Actually, I thought we could have a little fun.
01:05:19You know, play a game.
01:05:21Do you like strip poker?
01:05:22Oh, my!
01:05:23Mari!
01:05:24Are you sure this is the kind of game you want to play?
01:05:26I didn't expect that.
01:05:28But, I'm quite fond of a good game.
01:05:30Sure, let's play!
01:05:32Perfect!
01:05:33I mean, a little friendly competition never hurts anyone, right?
01:05:35Ha!
01:05:36Ha!
01:05:37I didn't expect that.
01:05:39But, I'm quite fond of a good game.
01:05:43Sure, let's play!
01:05:45Perfect!
01:05:46I mean, a little friendly competition never hurts anyone, right?
01:05:50Ha!
01:06:03Ladies, here we are.
01:06:05This is your chips.
01:06:07That's yours.
01:06:09And this is mine.
01:06:10And this is mine.
01:06:40Your chips are the pink fish everywhere.
01:06:43You play the crunchyoured fish.
01:06:47You make a little belly.
01:06:49You play the bunny.
01:06:51Aaron snake australianиты.
01:06:54You waste your trowell to sit around the toward the sunset.
01:06:55You buy the bunny and go Wilma.
01:06:58He falls over the train.
01:07:00Your wife will be able to bring the blue plains.
01:07:03So, you can also with Sean dunkles to dig your limbs.
01:07:38You thought you could tune your way out of this.
01:08:01Not tonight.
01:08:02So this is the true meaning of...
01:08:04Hold him steady.
01:08:06Don't let him call for help.
01:08:08Let's get to the point.
01:08:10I need you to tell me about the massacre of 1992.
01:08:17I don't know what are you talking about.
01:08:22You ordered the massacre.
01:08:28Who was the mastermind behind it all?
01:08:31You will never know.
01:08:35You think you know the truth.
01:08:41You know nothing.
01:08:44The massacre was part of something much bigger.
01:08:49Bigger than killing children?
01:08:50What can be bigger than that?
01:08:54It wasn't just about killing children.
01:09:00Well, you obviously want this to be your last night tonight.
01:09:05Robert Gray.
01:09:06Robert Gray.
01:09:07Robert Gray.
01:09:08It doesn't make any sense.
01:09:21Robert Gray.
01:09:24He managed the clean-ups.
01:09:29He managed the clean-ups.
01:09:30Handled the loose ends.
01:09:34He was a government operative.
01:09:38But he's gone now.
01:09:41Disappeared without a trace.
01:09:43The priest.
01:09:44No.
01:09:45The priest.
01:09:46The priest.
01:09:50The priest.
01:09:51I think it's the priest.
01:09:52Eva.
01:09:53Eva.
01:09:56Eva.
01:10:06Eva.
01:10:08Eva.
01:10:09Eva.
01:10:10Eva.
01:10:11Eva.
01:10:12Eva.
01:10:13Eva.
01:10:14Eva.
01:10:15Eva.
01:10:16Eva.
01:10:17Eva.
01:10:18Eva.
01:10:19Eva.
01:10:20Eva.
01:10:21Eva.
01:10:22Eva.
01:10:23Eva.
01:10:24Eva.
01:10:25Eva.
01:10:26Oh, my God.
01:10:56Oh, my God.
01:11:27You are quite the troublemakers, aren't you?
01:11:30Explain yourself.
01:11:33What's your connection with all of this?
01:11:35My connection?
01:11:37I've been cleaning up other people's mess all my life.
01:11:41Trying to keep secrets buried.
01:11:45We know the truth.
01:11:46Robert Gray, it's you.
01:11:52You were behind the massacre.
01:11:56You've been hiding in plain sight.
01:11:59You think you know the full picture.
01:12:03The massacre was necessary for what was coming after.
01:12:07Necessary?
01:12:08You killed children for your own agenda.
01:12:10In this world, sacrifice sometimes is necessary for the greater good.
01:12:17Some of us understand this more than others.
01:12:20The orphanage was too soft to create merciless killers.
01:12:23It tends here.
01:12:27You're not walking away from this.
01:12:32Leave me!
01:12:33You killed her.
01:12:51Why?
01:12:54You're a monster!
01:12:56You killed her.
01:12:59Why?
01:13:01You are the perfect creation.
01:13:07You're human beings.
01:13:09And you're used and destroyed us for your own twisted goals.
01:13:14Why?
01:13:18It was always going to come to this.
01:13:26This ends tonight.
01:13:29I will not let you win!
01:13:32In the grand scheme of things,
01:13:35your lives are very insignificant.
01:13:39I will not let you win!
01:13:40You're not going to let you win!
01:13:41I will not let you win!
01:13:42This ends tonight!
01:13:44This ends tonight!
01:14:09Join me!
01:14:16Join me!
01:14:18Mary!
01:14:19Join me!
01:14:19Join me, Mary, join me.
01:14:39This is my assistance.
01:14:41And this is for all the other lives you destroyed.
01:15:11This is for all the neighbors.
01:15:21Mr. Osborne has been so cared about for me.
01:15:28I love you!
01:15:31No problem.
01:15:35No problem.
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