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Designed For Desire
Transcript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Barber!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46I don't have time to ask twice.
01:48I don't have time to ask twice.
02:02I don't have time to ask twice.
02:27Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:38Hello? Miss Brooks?
02:40Shit.
02:45Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
03:00I thought you weren't interested.
03:02Take off your clothes. Right now.
03:04So, Miss Brooks, what do you see in this room?
03:09So, Miss Brooks, what do you see in this room?
03:26Well, it's deliberate, controlled, powerful.
03:34It's impressive, but...
03:36But?
03:38It's not... satisfying.
03:42Bold again.
03:46Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
03:57All yours.
04:09Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:19Don't make me regret this risk.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:31The position's been filled.
04:32Go home.
04:36Get out!
04:37Damn.
04:38He doesn't have to be so rude.
04:49Pappy, your phone's upside down.
04:57Hi. How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:03Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14We have to go.
05:15Love you.
05:16Bye-bye.
05:19Oh.
05:21What the hell is he doing here?
05:24What are you doing here?
05:26Oh.
05:27What the hell?
05:29Hey!
05:30Whoa, whoa, whoa. Guys, whoa.
05:31Hey, don't take that!
05:36I did not agree to this!
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:45Must reside with Mr. Mercer for the duration of the project?
05:50Mm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:04What the fuck?
06:05A gift?
06:06In exchange for being kidnapped?
06:09No thanks.
06:14I need to know where you're at.
06:15At all times.
06:18It's a tracker.
06:19What?
06:20Like a dog collar?
06:22Do you think you own me now?
06:24I wouldn't do that.
06:25Come on, let's go.
06:26This is insane.
06:27Just...
06:28Give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little...
06:36Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God!
06:48Goodbyes are always so hard.
06:49Put me down!
06:50What are you doing?
06:51Welcome back, Miss Brooks.
06:57So...
06:58I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what, you're just gonna leave me all alone in here?
07:05Would you like me to join you?
07:17No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit, I'm trapped with this monster.
07:26Oh my God, is this really happening?
07:28I'm stuck.
07:39This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:46Mr. Mercer.
07:49Oh, and uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:56I'm waiting.
08:06Feel the heat, caught in the fire.
08:09Your body moves, feel my desire.
08:11Touch the edge, hold me tight.
08:16Lost in this moment.
08:18Enjoying the view?
08:21No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, sir.
08:28I was just interested in your build.
08:32The building, the build of the mansion that we're building to work on today.
08:38Today.
08:40What time are we leaving for?
08:41The car leaves in ten minutes.
08:43Great.
08:45I'll be ready.
08:56How much further?
08:59Patience, Miss Brooks.
09:00Miss Brooks.
09:10Oh, my pink puffer.
09:17Hey, Foxy!
09:18I got something that'll keep that jaw clenched.
09:21Wow.
09:22Original.
09:23Mr. Mercer!
09:24We didn't know you was coming in today.
09:25Get off my property.
09:27What?
09:28Fired.
09:29Leave.
09:30Oh, what the hell?
09:31I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:37If I collapse your loan...
09:38Wait.
09:39Did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:49Come on.
09:51Everything's nearly finished.
09:53I'm gonna have a team come in and make some final measurements over here.
09:56And I'll ensure they know where to keep their mouths shut.
09:59Uh...
10:00Is this...
10:01all marble?
10:07Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:15What is it about her?
10:16I don't know anything about the client.
10:17Who is...
10:18We don't ask about the client.
10:19We only worry about what they do.
10:20I don't know anything about the client.
10:21Who is...
10:22We don't ask about the client.
10:23We only worry about what they desire.
10:24Okay.
10:25Am I allowed to know what the purpose of this room is?
10:27Yes.
10:28Great.
10:29The client...
10:30Would like this room transformed...
10:31Mm-hmm.
10:32your first task for the client
10:36i don't know anything about the client who is we don't ask about the client we only worry about
10:44what they desire okay am i allowed to know what the purpose of this room is yes great the client
10:53would like this room transformed into their bdsm chambers
10:59i hope she doesn't see right through me
11:03so how would you do it uh um make me a picture right uh over here i would put a chaise
11:20lounge velvet obviously obviously and over here would be a great place to mount a swing
11:27one with adjustable heights and handles and next to it we could put a cabinet for whips
11:33and toys and things you're very well versed i read a lot certain genres of certain books
11:42have certain details that's right right of course yeah it's perfectly normal a lot of women read
11:49fantasy and romance and fantasy romance anyway uh this would be a great place to mount wall cuffs
12:01i'm drowning in the heat
12:06afraid of what i need
12:12your touch is like a flame
12:18but i can't turn your way
12:21hello
12:28miss brooks i'm sorry we need the payment
12:31uh i i understand is there anything i could do now to hold him there anything i could be done right
12:37now we need your payment miss brooks by tomorrow morning all two hundred thousand dollars
12:42okay i'll get it to you i promise
12:45sorry your contract explicitly states that i receive one hundred percent of your attention
12:52at work
12:53who was that
12:56it's personal there are no personal calls
13:00at work
13:01i'm sorry
13:03mr mercer it won't happen again
13:11i'll get to work right away i'll have designs to you by tomorrow morning
13:14take it off
13:19what
13:21your jacket
13:25mr mercer
13:28i won't ask twice
13:31uh
13:39what's this for
13:41it's perfect
13:46now go get dressed
13:48no need to pout miss brooks
14:11you'll be reading some of the top designers
14:13i don't understand how does this take priority over work
14:16am i your date or your designer
14:19you are
14:20when i say you are
14:23ladies and gentlemen
14:35ladies and gentlemen
14:38it is my pleasure to welcome you all to the annual architectural ball proudly hosted by the mercer group
14:45i'd also like to welcome and introduce our newest interior designer
14:52mr cecilia brooks
14:56i thought you said you had the job
15:02i did everything that i could
15:03bitch must have slept with him in the interview
15:06fine
15:07i'll fix it myself
15:09so without further ado please enjoy your drinks and have a wonderful night
15:17let me have this dance
15:26oh
15:27sterling
15:31i was hoping that maybe we could walk and talk
15:36or maybe
15:37dance and discuss
15:39you must be working so hard
15:42i was thinking
15:44maybe you would benefit from a designer who
15:47really knows you
15:49your past
15:50i'm not interested in rehashing own relationships
15:54no
15:55it was just a flight
15:57doesn't mean we can't be close
15:59sterling could be a
16:02difficult person to work for
16:04you know you can come to me
16:10if you need
16:11anything
16:12get your hands off
16:18what the hell are you doing here vincent
16:24folks looks like the jester came to play
16:27get him out of here
16:34it's all right folks enjoy the party it's okay
16:39are you okay
16:40why don't you go grab a drink i'm gonna take care of this
16:44crazy night huh
16:53too crazy
16:55i'm nora
16:56a close friend of sterling's so
16:58tell me
17:00how's the new position treating you
17:01it's demanding
17:04the client
17:06what's your feel on them
17:08oh i'm not at liberty to discuss that
17:10come on it must be crazy right
17:12i really can't
17:16oh how embarrassing
17:21what are you doing in here
17:26cecilia i'm sorry
17:27i'm so done with their whole world
17:30the head of the board was barking my ear off
17:36stop it
17:37what i'm just trying to help
17:39help really
17:40that's rich
17:42i mean i mean i am rich
17:44you
17:45you are a lot of things
17:48from the moment i met you you've controlled every aspect of my life
17:50every movement i make
17:52you're obsessive
17:53cryptic
17:54a perfectionist
17:55but you're not rich
17:57not where it counts
17:59feel excuse me
18:19i have work to do
18:20this hand
18:36what if
18:37maybe cuffs
18:40what if we hang something around here
18:43is that me
19:00did i say you could come in here
19:04uh
19:04you'll be happy to know that i worked on these
19:07all night
19:07maybe if you stayed at the gala you would have learned something
19:19learned what
19:21you follow through with your obligations so you wouldn't waste your time working on garbage
19:25garbage
19:26i'll need five more by tomorrow morning
19:29that will take me all night
19:30even making those two took me all night and i barely got them done in time
19:34you've done it once before
19:35you can do it again
19:37don't you think
19:38maybe just
19:39maybe that's an unreasonable amount of time
19:42maybe
19:42i don't care
19:44wait
19:44i should have remembered
19:47it's not in the contract
19:49oh my god
19:58excuse me miss
20:05where's my grandfather
20:06i'm sorry
20:07usually if they're not in the room it's because the insurance ran out or
20:10miss brooks
20:23yes
20:25i just wanted to inform you that your grandfather just received his first round of stem cell treatment
20:30he's being very well taken care of
20:32i don't understand how is that possible
20:34i can't afford that
20:36i told you
20:38i'll take care of everything
20:40what
20:40i can't believe this
20:43oh but
20:51but why
20:52why would you do that
20:54well when i said i needed your undivided attention
20:56i meant it
20:58now the only thing you have to worry about
21:02is me
21:04i'm not your slave
21:06five designs
21:12by tomorrow morning
21:13you're welcome
21:20i've been expecting you
21:27i have a feeling i'll be impressed
21:29brushed work is not work to be proud of
21:33is this you
21:38and my parents
21:39they must be so proud of you
21:41they never got to see it
21:42i inherited this company before i was old enough to run it
21:45i'm so sorry
21:47it was a long time ago
21:48what happened
21:49they vanished
21:50on a work trip into europe
21:51guess i don't control everything after all
21:53i'm gonna deliver these designs to everyone
21:56i have a surprise for you
21:59to your first approval
22:05it's beautiful
22:11i
22:13do have a request though
22:16i was wondering if i could
22:17i could have a little freedom
22:19from what
22:20me
22:21no
22:22no not you
22:23from this
22:26well
22:26i need to keep track of you
22:29i mean
22:30what if
22:31sterling
22:32i'm not your parents
22:35i'll be fine
22:36i just don't know if i'm ready for that yet
22:39but you continue to impress me
22:41i mean
22:41you'll be free as a bird
22:56i do have more surprises to show you
22:59but um
23:00we're gonna have to wait till tomorrow
23:03hmm
23:03full of surprises
23:05aren't you
23:06and that's why i can't let you go
23:12thank you
23:24thank you
23:24what are you two doing here
23:28there's not supposed to be anyone working today
23:30we were just swinging by to assess a minor electrical concern
23:33it seems that the search
23:34it's nothing urgent
23:34we're gonna come back tomorrow with the rest of the crew and get it resolved
23:37okay
23:39thank you for the update
23:42thank you mr mercer
23:43i've ordered these beautiful pieces white marble
23:50what the hell
23:54it's kind of beautiful
24:00no no it's a mistake
24:02it's not too perfect
24:06it's bold
24:07it's not trying hard
24:08it just
24:09is
24:10well i like my work to be
24:12intentional
24:13well i would argue that this
24:18elevates the intention of the space
24:20the juxtaposition between
24:22control and chaos
24:24you have good eyes miss bros
24:25follow me
24:32your second task for the client
24:36master bedroom
24:38and nursery
24:39oh
24:40the client's a family man
24:42we don't discuss the client
24:44only satisfy their needs
24:46would you like to see your designs
25:02is it not what you thought
25:10no it's
25:11it's not that
25:12the power went up
25:18there's no signal
25:19yeah the
25:20soundproofing they put up
25:22cuts signal
25:23what
25:24no
25:25it's not funny
25:39i'm not laughing
25:40how long until someone notices that we're gone
25:43i don't know
25:44an hour
25:45maybe two
25:46is it nora
25:48the client
25:49what
25:50no
25:51you're not supposed to ask about the client
25:53just tell me
25:54no
25:56it's not
25:57is she
25:57more
25:58i built this room because i believed in your vision
26:03i cleared your schedule
26:06i cleared your stressors
26:07all because
26:08i wanted you
26:24sir your seven o'clock is waiting upstairs
26:40sir your seven o'clock is waiting upstairs
26:50tuck your shirt in sir
27:02i know
27:10i know
27:11i know
27:12who the hell are you
27:15calm down sweetie
27:16put crumpet down
27:18listen sweetie
27:21i work for mr mercer
27:22he hired me to take care of your grandpa and crumpet until you return
27:26sweetie
27:27what are you doing home
27:29what am i doing
27:30this is agnes my nurse
27:33she's taking care of me
27:35oh
27:35i'm sorry
27:37i'm
27:38so embarrassed
27:39um
27:42hello
27:43why are you in your apartment
27:45if you're there
27:46there's no need for agnes to stay employed
27:48cc
27:49you're ruining my chances
27:51go back cc
27:52oh okay
27:53okay
27:53everything's all right
27:55agnes has taken very good care of me
27:57okay
27:58okay pappy
27:58i'll go
27:59um
28:00it was nice meeting you agnes
28:01nice to meet you dear
28:03what the hell
28:14he has
28:16a girlfriend
28:16what was i thinking
28:24what was i thinking
28:54Gotcha now, bitch.
29:08I found her address.
29:24Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Ms. Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:33I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it...
30:41more of a...
30:43bribe.
30:45Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:53Miss Brooks,
31:06in my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep,
31:27but when I woke up, they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
31:54Take her and her belongings to the project mansion.
32:04Anything I should know, sir.
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:22Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me.
32:33That too.
32:35You not trusting me?
32:37You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into her.
32:55You promise?
32:58I promise.
32:59Okay.
33:00Oh!
33:00I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to understand.
33:30Let's go inside.
34:00You're the secret I can't keep.
34:04Breath on glass, you trace my name.
34:07No one else can play this game.
34:10You don't ask, you just take.
34:14And I give, and I pray.
34:18Well, hello.
34:20I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse.
34:24I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:30Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks.
34:39Bring the cat.
34:40Hello, Cecilia.
34:48I'll need your full cooperation.
35:03I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor.
35:10Bring me Mercer's Legacy One design.
35:12You can't do this.
35:13But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up, or I'll give your work to her.
35:35She's three days ahead.
35:38Is that a personal email?
35:39Sweetie, you don't have to do this.
36:00Too late, old man.
36:01Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:07I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:16No, no, you won't.
36:31Show me the video.
36:56Yes, sir.
37:00She knew how to evade the cameras.
37:01I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples, and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:42So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:55I've just been working a lot.
37:56I've just been working a lot.
37:58The drafting table is super dusty, and I don't want it to get messed up.
38:03It's a woman thing.
38:04I'm trusting you right now.
38:12I know.
38:14What the hell is going on?
38:30Good girl.
38:34Right on time.
38:51Well, don't hesitate now, sweetheart, or they're dead.
38:58Come on, Cecilia, do it.
39:06Sterling works his legacy designs, just like I asked.
39:11Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours. A deal is a deal, pretty lady.
39:21Oh, my head.
39:24Cece, don't! Get out of here!
39:27Look, look!
39:40I've had a change of heart.
39:46Please. No.
39:49This way.
39:51You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh, but I think I do.
40:09You see, when that timer goes off, you and that little tracker and this entire place will go bye-bye, and then that will pave way for the construction site of all hail designs.
40:23He'll find me, and when he does—
40:25He'll find me. And when he does—
40:27That's very unlikely, Cecilia. Now that Sterling has this video, no one's coming to save you.
40:35Screw you. Screw both of you!
40:38Oh, oh, oh, oh, but I almost have everything I need. Hmm? His financials, his accounts. You see, the only thing that is missing, my dear, is the contact for Sterling's project mansion.
40:55What? Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his. Therefore, Mercer will no longer have any names attached to any property.
41:10That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:23I don't know.
41:26Will you remember?
41:29Trust me.
41:31Even if I did, I wouldn't tell you.
41:40So, tell me, who is the client?
41:49He took care of my family. I'm never going to sell him out.
41:56Unless you forget, sweetheart. You already gave me the plans. So therefore, you are already a betrayer.
42:05Promise, I don't know anything.
42:11Well, I can see that you're a lady of your word, which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me, and then you, Pappy, and little kitty can go free.
42:28While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:36Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no! No, I'll tell you! I'll tell you anything you want to know! Please, don't touch him!
42:50I'll tell you!
43:01Tell me everything.
43:04I don't, I don't know a lot. I just, I know she's very private, very secretive.
43:15She only talks to Sterling.
43:16She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion and that newly built BDSM room.
43:33Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes! I drugged him!
43:51And then I ransacked his mail.
43:53It's where I found you, your address,
43:56and your little cat too.
44:03Well then, looks like you chose...
44:08Oh, I'm sorry, my sweetness, but our short little affair is over.
44:15Excuse me.
44:17Well, obviously I don't need your services any longer.
44:22Besides, I don't do.
44:26Witnesses.
44:33Sterling, help me, please!
44:34Sterling, wait, it's a trap!
44:35No! Sterling, please, you have to help me!
44:37What? Watch out!
44:46Tell me how to disarm it!
44:48Now!
44:51Backwire!
44:56You little bitch!
45:00Nora, stop!
45:01Put down the knife!
45:02She kidnapped me! I've been waiting here for hours for you!
45:07Put down the knife!
45:08Come on, let me add her one last time!
45:10She betrayed you!
45:11She's the one who gave up the Legacy One in the third floor!
45:16Wait, how do you know about the Legacy One project? That was confidential.
45:18That little bitch, she told Vincent everything!
45:22No, she's lying!
45:23Yeah!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:32Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:40He said he threatened my family!
45:41I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:47No!
45:51Drop the knife!
45:52No!
45:53Get right here! Get right here!
45:53No!
45:54No!
45:54No!
45:55Vincent, just leave me!
45:57You have to wait for me to be silent!
45:59No!
46:00Anything you say can't move against your daughter-
46:02Get this monster!
46:03Wait, no, no, I'm Heinzler!
46:05I'm so sorry!
46:07It's okay, it's okay!
46:09But I gave him your designs, I didn't know what else to do!
46:11I was trying to save them, I didn't mean to!
46:13You're safe, you're safe, okay?
46:16Vincent will be able to touch the project.
46:25I'm so happy you found me, I thought...
46:28What ways I'll find you?
46:29How?
46:32How?
46:36Because I know you.
46:39That moment in the parking lot, I knew from your eyes that you needed me.
46:44I will always keep you safe.
46:53Hey, hey, would you two take it someplace else?
46:59Sorry, Babi, I'll take you and Crump at home.
47:01Oh, thank goodness you're okay.
47:10I want to tell you something, sweetheart.
47:13I love Agnes, I really mean it.
47:15Okay, Babi, just get some rest.
47:18I mean it, Cece, when a man knows, he knows.
47:25Agnes, it's been a long time since I've met someone as caring as you,
47:30and I'd like you to be my wife.
47:31Oh, yes!
47:35I love you, Agnes.
47:45Marley, what are you doing here?
47:46Miss Brooks.
47:48Mind coming with me?
47:49Will you give me a second?
47:51I want to change first.
48:11Woke up when the sky was plain.
48:14Coffee tastes like sugar dreams.
48:17Traffic sounds like melody.
48:20I want to change first.
48:27Come here.
48:38This is really beautiful.
48:43We work well together.
48:45I'm glad you think so, Cecilia.
48:46Um...
48:48Yes, Sterling?
48:53I have something I need to tell you.
48:57About?
48:57There isn't a legacy, Kalai.
49:01Well, there is, but...
49:04it's not who you think.
49:07I don't follow.
49:08It's me.
49:12What?
49:13This...
49:14This is my legacy.
49:19Come here.
49:19I need to show you something.
49:21I made this for you.
49:32Wait, one second.
49:33I thought if we put them next to each other,
49:46it would create balance.
49:48Bounce?
49:48But then you came in.
50:07You're kind.
50:09Bold.
50:09Intuitive.
50:12Sterling.
50:15Beautiful.
50:17You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:28Yes.
50:31Yes.
50:33Yes, Sterling.
50:41I said yes to you
50:45To forever, too
50:48To every dream we're walking through