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Short filmTranscript
00:00:00Hey, how much should take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:28I'm not a hooker.
00:00:29Show some respect.
00:00:32You fucking bitch.
00:00:33I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here.
00:00:38I've got to train her better.
00:00:40Just have a seat.
00:00:41We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass when you were knee deep in debt?
00:00:54Me!
00:00:58And how are we doing with the search?
00:01:00Not good, boss.
00:01:01I'm still going.
00:01:03Find her.
00:01:04I don't care what it takes.
00:01:09I found the perfect woman for you.
00:01:11It's about time you settle down and get married.
00:01:13Her name is Carla.
00:01:14She's a daughter of a friend of mine.
00:01:16Dad, we've been over this.
00:01:18I don't need you to find me the perfect woman.
00:01:20Of course I do.
00:01:22You're an Arduin.
00:01:23I have to make sure my son marries the perfect woman.
00:01:25So now all of a sudden you give a shit about me?
00:01:27You never care when you drove mom away?
00:01:29Or when you sent me to that orphanage all by myself?
00:01:31Silence!
00:01:32How dare you?
00:01:33It's for the Arduin family business.
00:01:36You're marrying Carla Jennings.
00:01:38End of discussion.
00:01:39Dad.
00:01:41Dad.
00:01:41I paid your 500 grand debt.
00:01:47And I gave you a job.
00:01:49Now if you want to quit so bad, pay me back and get the fuck out of my clump.
00:01:54Please, you know, I don't have $500,000.
00:01:56Just give me another chance.
00:01:58Then get the fuck back in there.
00:02:00Apologize to that nice gentleman.
00:02:01And do whatever the fuck he tells you to do.
00:02:04Now if I get any more complaints from our clients, you will be sorry.
00:02:09Got it?
00:02:10Is there a problem here?
00:02:13No, sir.
00:02:14Everything's fine.
00:02:17She looks just like her.
00:02:25Will you marry me?
00:02:31Will you marry me?
00:02:35Now let's tell my father I've chosen a wife for myself.
00:02:38Are you sure, boss?
00:02:40She's a stripper.
00:02:41How about we make a deal?
00:02:43Name any price you want, and we get married.
00:02:46I owe my boss $500,000.
00:02:49He's not going to let me go until I pay it.
00:02:54Anything else?
00:02:55This is your house?
00:03:06It's our house now.
00:03:08Welcome.
00:03:08Welcome.
00:03:08All right.
00:03:09All right.
00:03:17Sign this agreement, and we'll be contractually married for a year.
00:03:20After that, you can file for divorce.
00:03:22Until then, you're part of the richest family in the country.
00:03:26My heart belongs to somebody else, though.
00:03:38I want you to know that I'm not attracted to you.
00:03:41We're just going to be married on paper.
00:03:45Is that so?
00:03:46Well, don't worry.
00:03:48I'm not attracted to you either.
00:03:50I just wanted the money.
00:03:51Hey, where am I staying, by the way?
00:04:06In the guest room.
00:04:12Well, total jerk.
00:04:14This isn't bad.
00:04:23It's been over 10 years.
00:04:26I miss you so much.
00:04:44Nas, I need you to find out everything you can about the woman I just married.
00:05:01See if she grew up in the same orphanage.
00:05:03Sorry, I didn't mean to.
00:05:20This is my bathroom.
00:05:22What do you think you're doing?
00:05:24Nice try trying to use your little tricks to get my attention.
00:05:27It's not going to work, though.
00:05:28Sorry.
00:05:30I wasn't trying to get your attention.
00:05:32You mind turning that off?
00:05:42I just thought the carpet needed some cleaning.
00:05:44You're here to be my wife, not a maid.
00:05:49Who are you?
00:05:53Wait, you're that stripper.
00:05:56What are you doing in Edward's house?
00:05:59I am.
00:06:00Who are you?
00:06:00I am Edward's fiancé.
00:06:05Edward, you're marrying a stripper?
00:06:07I thought I was your fiancé.
00:06:10My father arranged for us to get married only for the sake of our families.
00:06:14We wouldn't be happy even if we did get married.
00:06:16But I would be happy, Edward.
00:06:18Carla, you know I have someone that I love.
00:06:21She's the one I'm waiting for.
00:06:25I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:30dumber than I thought.
00:06:32Miss, get it straight.
00:06:34I'm not competing with you.
00:06:37Stop it.
00:06:39Edward!
00:06:40Are you defending her now?
00:06:42You're not dumb, bitch.
00:06:45You just wait.
00:06:47Wow.
00:06:48You got a lot of admirers, huh?
00:06:50Any more that I need to watch out for?
00:06:52Look, if you see me in the living room, don't show your face.
00:06:57Same will go for me.
00:06:57Your house, your rules, big deal!
00:07:05Hi, I'm Velma.
00:07:09I've worked a lot of odd jobs in the city.
00:07:15Waitressing and working in nightclubs.
00:07:20All for a chance to act.
00:07:27I'm also looking for someone.
00:07:33And I hope that one day he sees me on screen.
00:07:42That way he knows that I'm still here.
00:07:46Elker, I hope you see me.
00:08:03I hope you see me.
00:08:16That's okay, Sarah.
00:08:18Thumbna doesn't need to dine with me.
00:08:21Bring my food to my room and I'll eat there.
00:08:23Yes.
00:08:25It's fine.
00:08:26I usually don't eat with people anyway.
00:08:29By the way, I'm going out for a bit today.
00:08:32Where you go is none of my concern.
00:08:36Fine!
00:08:40Is he always this big of a jerk?
00:08:42Excuse him, ma'am.
00:08:43He's just used to living alone.
00:08:45I'm sorry, Sarah.
00:08:47It must be difficult dealing with him every day.
00:08:50It's okay.
00:08:57Yeah, I'll be right there.
00:09:07Hey!
00:09:09Okay, sit.
00:09:11So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:18Is it true?
00:09:19I didn't know that he was a billionaire until after we were married.
00:09:22You're joking!
00:09:23How did you manage that?
00:09:25Shh!
00:09:25I just signed a contract that's fake.
00:09:29What?
00:09:29Well, who cares?
00:09:30What are you waiting for?
00:09:31Seal the deal!
00:09:32Well, you know that I can't think about anyone but Algar.
00:09:35Oh.
00:09:36T, it's been ten years since you two escaped the orphanage.
00:09:40I mean, Algar could be anywhere.
00:09:42He could be dead.
00:09:42He's not dead!
00:09:44Okay, um, it's okay.
00:09:46Okay, I'm sorry.
00:09:48So, what's your plan?
00:09:50Keep things the way they are, I guess.
00:09:53Except now I can focus more on acting and not dancing in strip clubs.
00:09:58Hey, that's exciting, right?
00:10:01That's something you've always wanted to do since you were a kid.
00:10:03Is that audition today?
00:10:05Yeah.
00:10:12Hi, I'm here for the audition.
00:10:16You think you could just show up like that, you slut?
00:10:22You slut!
00:10:24Are you stalking me?
00:10:25Oh, don't flatter yourself.
00:10:26I'm the lead of this production.
00:10:29She's not auditioning.
00:10:31I'm sorry.
00:10:32You can't do this!
00:10:34I worked so hard for this opportunity!
00:10:36Oh, like stripping for men and fucking them in strip clubs?
00:10:40Got it!
00:10:41I was dancing, that's it!
00:10:43What's the fucking difference?
00:10:45I eat girls like you for breakfast.
00:10:49Let's go, Derek.
00:10:52No!
00:10:54Please!
00:10:55Wait!
00:10:56Be quiet!
00:11:06Be quiet!
00:11:21Be quiet!
00:11:22Be quiet!
00:11:23Be quiet!
00:11:23Boss, get the details.
00:11:42Thelma, she went to a high school not far from here.
00:11:45Dropped out, the husband auditioned for films.
00:11:48She worked at nightclubs to make a living.
00:11:51Bad relationship with her parents.
00:11:53But not an orphan.
00:12:02No name changes.
00:12:04And definitely never been to an orphanage.
00:12:15I wanted it to be her so bad.
00:12:18Of course it can't be Helen.
00:12:19You've been looking for this girl for 10 years.
00:12:23Who is she?
00:12:25Someone more important to me than life itself.
00:12:31Oh my god.
00:12:39It is her.
00:12:44Find me the location where this photo was sent.
00:12:46Got it.
00:12:47Photo's been sent.
00:12:49Good.
00:12:49Where is she?
00:12:51Oh.
00:12:52Out like a light.
00:12:55I guess marrying Edward won't solve everything.
00:12:58I'll upset it.
00:12:59Do whatever you want her.
00:13:01You can clean them back and you're done.
00:13:02I've been searching for you for so long and you were right here.
00:13:23Okay.
00:13:44Boss.
00:13:44He's gone.
00:13:45Find him.
00:13:46And keep this between us.
00:13:47I got it.
00:13:48I'll go save me.
00:13:51Come on.
00:13:52I got you.
00:14:04I'll go.
00:14:05I'm sorry.
00:14:09I can't tell you who I am.
00:14:12Not yet.
00:14:13We'll need your names once we're out of here.
00:14:30Right?
00:14:31Yeah.
00:14:32We're starting a new life.
00:14:34I'll be...
00:14:35Thelma.
00:14:36What about you?
00:14:37Algar.
00:14:39Helen.
00:14:41Where are you?
00:14:43We have to run quick.
00:14:44Trying to escape again?
00:14:46I warned you it's not gonna work.
00:14:48Looks like I gotta give you some real punishment.
00:14:52You go first.
00:14:53At least one of us needs to escape.
00:14:55No.
00:14:55You go.
00:14:56She's gonna kill you.
00:14:58I won't let her catch me.
00:14:59Just go.
00:15:00I'll find you.
00:15:01Let's meet the amusement park.
00:15:07I'll wait for you, Algar.
00:15:08I'll bring her back.
00:15:16Rest assured.
00:15:18After I'm done with you.
00:15:25I'll wait for you, Algar.
00:15:35What happened?
00:15:37Nothing to worry about.
00:15:38Just some issues with the film crewman.
00:15:41Why are you being so nice to me?
00:15:43No reason.
00:15:45Here.
00:15:46Take this card.
00:15:48It's unlimited.
00:15:49Spend it however you want.
00:15:50Why are you doing this?
00:15:51I don't want your money.
00:15:55Well, if you need money, just let me know.
00:15:57And you can stop looking for...
00:15:59odd jobs.
00:16:00Odd jobs.
00:16:06Acting is my dream.
00:16:08I danced in strip clubs for a living, but...
00:16:12people like you, born from a silver spoon, wouldn't understand that.
00:16:16Then stop doing it.
00:16:18We're in a contract marriage.
00:16:20Right?
00:16:20I won't interfere with your life, and you can't meddle in mine.
00:16:26Acting is something that I've always wanted.
00:16:29And besides, I'm not going to take your money besides the number that we agreed on.
00:16:34You need to rest now.
00:16:41Do you mind?
00:16:42Look at this mess.
00:17:02Clean it up if you even think about going to bed.
00:17:05Eat up.
00:17:20You must be starving.
00:17:23Nah.
00:17:24You probably worked hard for this.
00:17:26Come on, take it.
00:17:32I can't believe she locked you out for three days
00:17:34and made you do all of this.
00:17:36Did she even feed you at all?
00:17:39You made it easier for me.
00:17:40No, get back before she sees you here.
00:18:01Excuse me.
00:18:02I'm calling to ask about my audition.
00:18:05I'm sorry.
00:18:06Your name has been blacklisted from reproduction.
00:18:09What?
00:18:14This is the dude who took drama.
00:18:16I'll send you those pictures.
00:18:25How about a drink?
00:18:27There are two glasses of scotch there.
00:18:29Pick one.
00:18:30I'm sorry, Mr. Edward.
00:18:32Please.
00:18:34Just a friendly gesture from the boss.
00:18:38One more thing.
00:18:39Only one of those glasses is poison.
00:18:43You should have known better that would happen when you kidnapped Emma.
00:18:47Here.
00:18:48I'll do it for you.
00:18:50Hold it.
00:18:50Go.
00:18:51Go.
00:18:52Go.
00:18:53Go.
00:18:57Go.
00:19:04Take him away.
00:19:05This is what I've become, Thelma.
00:19:15I hope you never see me like this.
00:19:19Ruthless.
00:19:20Merciless.
00:19:22Both glasses would have silenced the man.
00:19:27I simply can't forgive him for what he did.
00:19:32Thelma, will you forgive me?
00:19:35What the fuck happened to you?
00:19:42How did he find you?
00:19:44What happened?
00:19:46Oh, you can't even talk now?
00:19:48God, you fucking useless.
00:19:53Inform every production you can reach.
00:19:55Thelma will never be an actress.
00:19:59Make sure of it.
00:20:02Go!
00:20:05Are you okay?
00:20:17I've been blacklisted by every production company.
00:20:21Even the Actors Guild.
00:20:22What am I going to do?
00:20:23Hey, don't lose heart, okay?
00:20:25I happen to know of an audition going on today, if you're interested.
00:20:28Since when did a good friend of mine tip me off?
00:20:31Now, come on.
00:20:32Let's go.
00:20:33All right?
00:20:33It's better than moping around here.
00:20:35Come on.
00:20:38Here it is.
00:20:40So I can just go in there?
00:20:42Just like this?
00:20:43Yes, I got everything set up.
00:20:44Okay, just go ahead, go in, and do your thing.
00:20:48You got this?
00:20:49Break a leg!
00:20:50What is she doing to you?
00:21:08Who is she?
00:21:10Nobody.
00:21:11She's not here for the audition, too, is she?
00:21:13Well, in that case, we're in for a treat.
00:21:20Carla Jennings, you're up next.
00:21:23Watch out.
00:21:33I can't believe it.
00:21:42It was you all along.
00:21:46That's right.
00:21:47I never thought you'd find me.
00:21:49But it must come to an end.
00:21:53Oh, no!
00:21:56Oh!
00:22:06Cut!
00:22:06Cut!
00:22:09I'm sorry.
00:22:10Were you shot, or did someone just step on your toe?
00:22:14Can I just try again?
00:22:16I was just a bit nervous.
00:22:18Miss Jennings, we are making a thriller with a tragic ending.
00:22:22What you just did was borderline comedy.
00:22:26Excuse me?
00:22:26Yeah.
00:22:27Do you know how close I am with your investor?
00:22:31Sir, she was indeed recommended for the role.
00:22:36May we give her another chance?
00:22:37Miss Jennings, we are creating art that appeals to our audience, and she is clearly not right
00:22:50for the role.
00:22:51Next!
00:22:52I'm sorry, Miss Jennings.
00:22:53That was great.
00:22:55Maybe another project, or another...
00:22:57What are you still doing here?
00:23:01I thought you were blacklisted.
00:23:03So it was you.
00:23:04You know, if that's the best you got, then I'm not that worried.
00:23:08Do you think you can do better than me?
00:23:11You're nothing.
00:23:14Yeah!
00:23:15Show us what you got!
00:23:17Selma?
00:23:18So it was you.
00:23:35All this time!
00:23:37That's right.
00:23:39I never thought you would find me.
00:23:43But now it must come to an end.
00:23:47No!
00:23:47This can't be it for us!
00:23:57Cut!
00:23:59Well, that was amazing!
00:24:03Oh, you fully captured that role!
00:24:06Congratulations!
00:24:07You get the part!
00:24:09What?
00:24:14What about me?
00:24:15You promised me!
00:24:16Oh, come on.
00:24:17You have to admit.
00:24:17She was exceptional!
00:24:19She is perfect for the part!
00:24:21Girl!
00:24:22You killed it!
00:24:23Ugh!
00:24:24You were great.
00:24:25I'm Alex.
00:24:26Looks like we're going to be scene partners.
00:24:28Selma!
00:24:29Hey, do you want to go somewhere more private?
00:24:31We can talk about the script.
00:24:32Yeah, sure!
00:24:33What the fuck?
00:24:48I'm hitting on the wrong girl, buddy.
00:24:50Edward, what are you doing?
00:24:51I need to go talk to Selma.
00:24:55How about you shoot another day?
00:24:56What are you doing?
00:25:02You going to explain yourself?
00:25:03I don't owe you any explanations.
00:25:07So you're seeing new guys?
00:25:09What?
00:25:09No!
00:25:10We were just acting out a scene.
00:25:12A scene where you two get real close?
00:25:14Like a couple?
00:25:15I was just doing my job.
00:25:16There's nothing wrong with it.
00:25:18And besides, even if I was seeing someone,
00:25:20it would be none of your business!
00:25:21I heard you got the lead role.
00:25:32That's amazing.
00:25:33I knew you'd kill it.
00:25:35Janet, what is Edward doing here?
00:25:37Who?
00:25:37Come on, you know who I'm talking about.
00:25:40Oh.
00:25:41Um, gosh, you still don't know, do you?
00:25:44Know what?
00:25:47Well, he's actually the investor of this movie.
00:25:50This is his project.
00:25:56Why did you bring me here then?
00:25:58Well, it was actually his idea.
00:26:04Hello?
00:26:06Hi, is this Jean?
00:26:08Who is this?
00:26:09This is Edward Arduin.
00:26:11I recently invested in a film project,
00:26:13and I want you to take your friend, Selma.
00:26:15I think she'll be great for a lead role.
00:26:18Wait, wait, you're Edward Arduin?
00:26:20I wired the payment to your account.
00:26:23Wait, wait, wait!
00:26:26What the fuck?
00:26:28I still can't believe I spoke to the legendary Edward Arduin.
00:26:32I can't believe you knew all this time,
00:26:34and you didn't tell me.
00:26:35Oh, well, don't look at me.
00:26:37I'm just the middle man doing somebody else a favor, okay?
00:26:40And you still got the lead.
00:26:42I mean, that's...
00:26:43But, you know, a lot of people say that Edward's not very nice.
00:26:48He's like a stone-cold man.
00:26:50So why is he being so good to you?
00:26:53Yeah, I don't get it either.
00:26:55I mean, women must be throwing themselves at him.
00:26:57Why would he help?
00:27:06Maybe he's fallen for you.
00:27:09Come on, that's impossible.
00:27:11Why?
00:27:11He said some pretty harsh stuff earlier, so...
00:27:14Oh.
00:27:15Was that why you look all gloomy?
00:27:17What happened?
00:27:17Did you guys fight?
00:27:18He saw me doing a scene with another actor, and...
00:27:23Why do you care what he thinks, though?
00:27:33Come on, girl.
00:27:34This does not sound like you.
00:27:36Are you sure you haven't fallen for him, too?
00:27:38No, it's just...
00:27:40There's something about him that's...
00:27:43Familiar, like...
00:27:45Like...
00:27:47I've seen him before.
00:27:50Hmm.
00:27:53Thank goodness you're here, Helen.
00:28:09This place is depressing.
00:28:11I don't know if I can make it without you.
00:28:15You're the one protecting me.
00:28:17I can't stand watching you getting hurt.
00:28:19You're as sweet as a sugar pea.
00:28:21Can I call you sugar pea?
00:28:22Sure.
00:28:23As long as I can call you my little rock.
00:28:26Why little rock?
00:28:28Because you make me feel safe.
00:28:29Like a rock that I'll never break.
00:28:32Deal.
00:28:41Belker.
00:28:43What have you done to me?
00:28:49I see your face everywhere.
00:28:51Oh, good.
00:29:02Just in time.
00:29:10Damn.
00:29:13Why are you being so nice to me?
00:29:15Look, I'm...
00:29:20Sorry about today.
00:29:22It was...
00:29:24Stupid of me...
00:29:25To react that way.
00:29:26No, I mean...
00:29:28Why did you help me get the role for your film?
00:29:35Well, you...
00:29:36Won't take my money.
00:29:37I can't allow the wife of Edward Ardoin to just work a regular job.
00:29:44Oh.
00:29:45Okay, so that's why.
00:29:46They're all rich people this one with themselves.
00:29:49What was that?
00:29:51Nothing.
00:29:52This is great.
00:29:53You know, you can be real sweet sometimes.
00:30:00This is delicious.
00:30:03I'm glad you like it.
00:30:06Sweet pea.
00:30:07Good morning, ma'am.
00:30:12Edward has left already.
00:30:16Oh, I saw you were cooking last night.
00:30:18I watched through utensils.
00:30:21Uh, yeah.
00:30:22It was Edward.
00:30:24He was the cook.
00:30:26Edward.
00:30:27Gotta go.
00:30:28We're cooking.
00:30:30Okay.
00:30:31What is going on?
00:30:37What are we waiting for?
00:30:38Let's get started.
00:30:40One of our lead roles is not here yet.
00:30:42Ugh.
00:30:44The one thing I ask everyone here is to be professional.
00:30:50Woo!
00:30:50Sorry, guys.
00:30:52Traffic was a nightmare.
00:30:54All right.
00:30:54I'm ready to start.
00:30:56Wait, I thought that she didn't get the part.
00:30:59Well, how about that?
00:31:00Looks like I'm going to be playing your SD.
00:31:04After this, nobody's even going to remember you.
00:31:08We'll see about that.
00:31:1242 Delta, take two.
00:31:15Ready.
00:31:16And act.
00:31:18You have to leave now.
00:31:19Not without the love of my life.
00:31:21I'll wait for him no matter what.
00:31:28Okay, cut.
00:31:29Cut.
00:31:29What do you think you're doing?
00:31:31She's playing my role.
00:31:33I don't want to say the lady.
00:31:34She'll say it.
00:31:36Carla.
00:31:37What the hell was that?
00:31:39That wasn't even in the script.
00:31:41I was just adding some extra touch to it.
00:31:43You know?
00:31:43For the sake of art.
00:31:45Art?
00:31:46The slap doesn't make any sense.
00:31:48And who gave you the authority to change my script?
00:31:52It's fine.
00:31:54She can hit me.
00:31:54Oh.
00:31:57Thelma, are you sure about that?
00:31:59It's all good if it's all for the sake of the effect.
00:32:02Wow.
00:32:04I knew I was right in choosing you as my leader.
00:32:07Okay.
00:32:08Okay.
00:32:08Back to ones, please.
00:32:10Yes, thank you.
00:32:11Can you pick up my script?
00:32:12And action.
00:32:15You have to leave now.
00:32:17Not without the love of my life.
00:32:19I'll wait for him no matter what.
00:32:23Edward.
00:32:24Edward.
00:32:28Good to see you here.
00:32:31Were you watching me?
00:32:32Me and Thelma make a perfect team, don't we?
00:32:35Jay, have these two switch roles.
00:32:38I want Thelma to do the slapping.
00:32:41Since it's all for the sake of art.
00:32:49But Thelma's the lead.
00:32:51Yeah, that wouldn't make any sense.
00:32:53We can't make more changes to the script, Ed.
00:32:55We're already behind.
00:32:57Better get right to it, then.
00:32:59You don't have to do this for me.
00:33:01I'm not doing it for you.
00:33:03I'm doing it for my own investment.
00:33:09All right.
00:33:11We have added a line to the script.
00:33:14So now, Thelma, Carla's new line will be your cue for the slap.
00:33:21Got it?
00:33:21All right, and action.
00:33:27You have to leave now.
00:33:28Not without the love of my life.
00:33:31I'll wait for him no matter what.
00:33:32But what if he's dead?
00:33:34What if he finds somebody else?
00:33:36You're just going to spend the rest of your life waiting for someone who will never come?
00:33:39Then I'll be sure to leave no room for regret.
00:33:50Cut.
00:33:52Oh, bravo.
00:33:54That was perfect, Thelma.
00:33:57You handled that perfectly.
00:33:59Thelma, were you next?
00:34:01Was just left Carla after that line.
00:34:03Uh, no need for that.
00:34:05I think that my character is above that kind of pettiness.
00:34:07I'm going to expose you, Thelma.
00:34:19Sooner or later.
00:34:20Bye.
00:34:21Where are you, my little rock?
00:34:32I'm doing fine.
00:34:34Don't you worry.
00:34:35You know it's bad to waste food.
00:34:41Do you think you deserve to be punished?
00:34:43Yes, headmistress, I do.
00:34:46Ma'am, Helen's sick.
00:34:47That's why she couldn't finish.
00:34:49Isn't that sweet?
00:34:51Too bad.
00:34:52She's getting more punishment because of you.
00:34:55Isn't that sweet?
00:34:56Well, if you so insist, you can take it for her.
00:35:00Oh, get off.
00:35:02You're all right.
00:35:15Found the worker who leaked info to our computer.
00:35:18A manager who's worked with us for 20 years.
00:35:22What do we do with him?
00:35:25Uh, fire him.
00:35:27Zoom, if we need to.
00:35:29Can't have disloyalty in the company.
00:35:31It might ruin him and his family.
00:35:34So be it.
00:35:36All right.
00:35:37All right.
00:35:44All right.
00:35:44All right.
00:35:45All right.
00:35:46All right.
00:35:46vm.
00:36:18Elk her.
00:36:24Elk her.
00:36:48Where's my...
00:37:00Oh, no, no, no.
00:37:19Morning.
00:37:20What are you doing?
00:37:21Nothing.
00:37:29Nothing.
00:37:34I carried you to your bed last night, and that was it.
00:37:40No, seriously, what are you doing?
00:37:43Nothing, sweet pea.
00:37:44What did you just call me?
00:37:48Sweet pea.
00:37:50You said it in your sleep last night.
00:37:55I see.
00:37:56Well, don't ever do that again.
00:37:59Sure.
00:37:59Hi.
00:38:13Could you maybe explain this scene a little bit?
00:38:16I'm not sure if I get it.
00:38:17I mean, it is pretty straightforward to just do what it says without improvising.
00:38:21Thelma, you were so great yesterday.
00:38:28I want to go over this one part.
00:38:30Now, when you say this line about...
00:38:34We'll see who wins.
00:38:37Nos, what am I doing this afternoon?
00:38:40Well, it's kind of a very important meeting.
00:38:43Did you forget?
00:38:44Canceled.
00:38:46Send them my apologies.
00:38:48What?
00:38:50So, what do you normally do when you're not working?
00:38:53Uh, I do striptease.
00:38:55Oh.
00:38:57I was thinking more along the lines of going to the movies.
00:39:02There's actually a good one out right now.
00:39:04I mean, maybe if you're interested, we could try to catch it together.
00:39:07Sorry, but I really need to focus on this job right now.
00:39:10Oh, yeah, sure, sure.
00:39:11You're a really interesting person to talk to, you know that?
00:39:18Edward!
00:39:19Are you here to see me?
00:39:22Oh, you brutal dad.
00:39:24Oh.
00:39:26Edward?
00:39:28It's not for you.
00:39:29I'm sorry.
00:39:30Why is she still talking to me?
00:39:33Don't put the snacks in the lounge.
00:39:34You got it, boss.
00:39:35Edward?
00:39:43What's your name again?
00:39:44Actually, it doesn't matter.
00:39:47What were you talking to my wife about?
00:39:55Oh.
00:39:57Thelma, I had no idea that you were married.
00:40:00Oh, don't worry about it, man.
00:40:03We were just talking about stuff in the script.
00:40:05Is that right?
00:40:06Hey, so you must be Edward Ardoin.
00:40:10I've heard a lot about you.
00:40:11I'm Alex.
00:40:12Cool.
00:40:13Bye, Alex.
00:40:14Great.
00:40:15Yeah.
00:40:16I'll see you later, Thelma.
00:40:18No, you won't.
00:40:19Good.
00:40:20You guys are all here.
00:40:21Edward brought snacks.
00:40:23They're in the lounge if anyone wants them.
00:40:24Yes, I'll come.
00:40:25What?
00:40:25Snacks.
00:40:32Edward doesn't usually come to set this often.
00:40:35He's quite the busy man.
00:40:36I think he's here to see you.
00:40:38He's here to see Carla, not me.
00:40:40Oh, please.
00:40:41Can you not see the way he looks at you?
00:40:44Whatever.
00:40:45Oh.
00:40:46Speak of the devil.
00:40:48I will give you two some privacy.
00:40:50Wait.
00:40:50No, don't.
00:40:51Excuse me.
00:40:55You're getting out of hand.
00:41:00Don't forget, I'm the one who hired you.
00:41:02Excuse me?
00:41:04Stay away from Alex.
00:41:05Got it?
00:41:06What are you talking about?
00:41:07There's nothing going on between us.
00:41:09Besides, you came here to see Carla.
00:41:14So you're jealous.
00:41:16What are you talking about?
00:41:17Carla and I aren't together.
00:41:30I'm here for you.
00:41:31You really expect me to believe that?
00:41:34Don't.
00:41:34Hmm.
00:41:40Yeah, girl?
00:41:44What?
00:41:44Jean, are you absolutely sure?
00:41:53Yes.
00:41:54Positive.
00:41:55I used to know this guy from the streets, and he and Algar drifted around for months.
00:41:59So where is he?
00:42:01Well, they later got separated, so he has no idea after that.
00:42:05But that's got to mean that Algar's still alive, right?
00:42:08Oh my goodness.
00:42:10Thank you so much.
00:42:11You have no idea how much this means to me.
00:42:13It's been ten years.
00:42:16Don't forget, you are married too.
00:42:19What are you going to do?
00:42:21I'll divorce him once our contract is up.
00:42:24I needed the money.
00:42:26Algar will understand.
00:42:28I don't know.
00:42:29Edward seemed really into you.
00:42:32Actually, Jean, I think I should keep my distance from him.
00:42:36You okay?
00:42:48Yeah.
00:42:52Want to tell me what happened?
00:42:55I just want to be alone for a bit, okay?
00:42:59Is this about Carla?
00:43:00I told you, I went to see you, not her.
00:43:04Edward, I don't care who you're seeing.
00:43:07We're only married on paper, right?
00:43:11Is this because we're moving too fast?
00:43:14Is this about Carla?
00:43:21I told you, I went to see you, not her.
00:43:25Edward, I don't care who you're seeing.
00:43:27We're only married on paper, right?
00:43:32Is this because we're moving too fast?
00:43:34I just think that we should keep our distance.
00:43:40Please.
00:43:47Thought she was playing hard to get, huh?
00:43:50Maybe she doesn't want to seem too eager.
00:43:52I mean, why would anyone reject you?
00:43:55It's impossible.
00:43:58Come on.
00:43:59Let's get to the set.
00:44:00Hey, Thelma, you'll be wearing this dress for the next scene.
00:44:06Is that okay?
00:44:07That's fine.
00:44:11So you think you could just take whatever you want?
00:44:17I thought this was my personal changing room, like it's always been.
00:44:22Carla, this room is for the lead role.
00:44:24Yours is outside.
00:44:26Well, actually, I'm all done here.
00:44:28Carla loves taking things that aren't hers.
00:44:31Be my guest.
00:44:32Use it.
00:44:36Aren't you quite generous then, hmm?
00:44:38Edward's not here, so you can drop the act.
00:44:41We actually need to get back to work, if there's nothing else.
00:44:45Actually, I can finish my makeup myself.
00:44:51Go on.
00:44:52What do you want to talk about?
00:44:53Let's make a deal.
00:44:55A deal?
00:44:56A deal?
00:44:58What the fuck do you think you are?
00:45:02Well, as far as I know, I'm Edward's wife.
00:45:09What kind of deal?
00:45:10Stop picking fights with me.
00:45:12Stop giving me a hard time on set, and I won't take anything away from you.
00:45:15I'll actually help you with whatever you and Edward have going on.
00:45:19All right, deal.
00:45:24I'm done with this room, by the way.
00:45:26It's yours if you still want it.
00:45:28I don't need your pity!
00:45:29Don't you have, like, business to run?
00:45:45What are you doing here all day?
00:45:46Hey, um, actually, about what happened, I think that we should talk.
00:45:57Why don't you meet me in the lounge after we wrap up?
00:46:01Why can't we talk now?
00:46:03Wanted to be a surprise.
00:46:05See you later.
00:46:05What does she want to talk about?
00:46:18Does she not want to see me again?
00:46:20Hi, Edward.
00:46:23Carla?
00:46:25Why are you here?
00:46:27Where's Thelma?
00:46:28Who should I meet?
00:46:30Maybe...
00:46:31Come on, let's...
00:46:32What are you doing?
00:46:34Are you trying to set those two up?
00:46:36Yeah, and if they're together, then they'll have nothing to do with me.
00:46:41Sounds like a terrible idea.
00:46:43Well, if you have a better idea, then let's hear it.
00:46:49Edward!
00:46:52If they're together, then they'll have nothing to do with me.
00:46:57Well, as long as you're okay with this.
00:47:00Of course I am.
00:47:02Why wouldn't I be?
00:47:04I mean, now I can just focus on what really matters, and...
00:47:09I can try to find Algar.
00:47:11Edward!
00:47:13What the fuck are you doing?
00:47:21Whatever games you're playing, you need to stop.
00:47:23What are you talking about?
00:47:25You came here to see Karlof, right?
00:47:27Thelma, come on.
00:47:28Edward, we're going to be divorced really soon.
00:47:32So?
00:47:33So if you're attracted to somebody, then go for it.
00:47:36I want you to be happy.
00:47:37The only person I love is you.
00:47:43Edward, how could you?
00:47:47Everything I do for you, Karlof, I do for your father.
00:47:50Edward, he looked out for me, so this is me hanging back.
00:48:02I'm already in love with somebody else.
00:48:05It's never going to be you.
00:48:07But if that man didn't exist, would you consider me?
00:48:09Stop it, Edward.
00:48:11Edward, it's never going to happen.
00:48:18What do I do, Algar?
00:48:20I know you're out there.
00:48:23What do I do?
00:48:23What do I do?
00:48:24Boss, you've been here for a while.
00:48:37Is everything okay?
00:48:41Why don't you tell her you're the one she's looking for?
00:48:46Do you remember what I did to return to the Ardoin family?
00:48:49About Algar.
00:49:02Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:49:08Yes.
00:49:09And now the old man wants him back.
00:49:13Another brat to share their inheritance.
00:49:15If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:49:23Madam, it's our fault.
00:49:25Please don't withdraw your donation to the orphanage.
00:49:29If we work together on this, I could even help you.
00:49:34Get rid of Algar for good.
00:49:40Hmm.
00:49:42Take care of it.
00:49:43But make sure no nuisance.
00:49:49Shall we go to the Rose Garden?
00:49:51Yes, please, sir.
00:49:52I have to see it.
00:49:54I've heard you.
00:49:55Good news, Algar.
00:49:56Yes.
00:49:59I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:03I eliminated everyone associated with her over the years.
00:50:14I did whatever it took to gain my father's approval, to secure my inheritance.
00:50:22My methods were ruthless.
00:50:25My conscience, callous.
00:50:28You did what you had to do.
00:50:32But now I'm a different man.
00:50:34A monster she doesn't even recognize.
00:50:38If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:50:44I can't lose her again.
00:50:46So it was true?
00:50:56Argon and I, we roamed the city for a winter and a lot of people say he made some enemies.
00:51:06One night, under the bridge where we slept, he got stabbed.
00:51:12Then he died.
00:51:14No.
00:51:16You're mistaken.
00:51:18He always had a ring with him.
00:51:20It was a nice ring.
00:51:22I think it had the letters A and H on it.
00:51:27I told him he could pawn it for a few bucks, but he just kept it with him.
00:51:31No, he can't just be gone.
00:51:36He can't just be gone.
00:51:37It's okay.
00:51:39It's okay.
00:51:45Oh, Thelma.
00:51:48Sweetie, what's wrong?
00:51:50Oh my God, baby, you haven't eaten in three days.
00:51:54Can I get you something?
00:51:56Anything?
00:51:57It's not good for you.
00:52:00Oh gosh.
00:52:02It's okay.
00:52:04It's okay.
00:52:06This is my fault.
00:52:09She's burning up.
00:52:11The doctor said it was from emotional distress and not eating.
00:52:17Go make her something light.
00:52:19I'll stay with her.
00:52:20Yes.
00:52:28You need to get some rest and let me handle this.
00:52:30No, it's okay.
00:52:32Leave it to me.
00:52:34Look, I know you care, but I've never seen you do this for anyone.
00:52:39And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:52:44Don't worry about me, Sarah.
00:52:45Don't worry about me, Sarah.
00:52:45You can go now.
00:52:55Here.
00:52:57Take a bite.
00:52:58I'm not hungry.
00:52:59Please eat and get better.
00:53:04Please eat and get better.
00:53:04See you next time.
00:53:19Thelma, oh my god, are you okay?
00:53:34I've been trying to call you ten times.
00:53:36You haven't done something stupid, have you?
00:53:38I can't find a reason to go.
00:53:41Stop saying that, okay?
00:53:44Don't listen to what that guy said.
00:53:46He doesn't know what he's talking about.
00:53:47They never found Alger's body.
00:53:50Maybe he's still alive.
00:53:53You've waited ten years, okay?
00:53:56Are you sure you're going to give up now?
00:53:58Don't you want to find out the truth for yourself?
00:54:01Yeah, you're right.
00:54:04I should keep going.
00:54:06Good.
00:54:07Now go get some sleep and get back to set, girl, okay?
00:54:10That is something that you've always wanted,
00:54:12and you're not going to screw it up, all right?
00:54:15Yeah.
00:54:16I understand.
00:54:20I'll keep going for Algar.
00:54:24I want that bitch dead.
00:54:27You got that thing ready?
00:54:30Sure, I would do the job.
00:54:35All right.
00:54:36Don't mess this up.
00:54:38Ready?
00:54:38Perfect.
00:54:40Coming!
00:54:40You wanted to see me?
00:54:53Yes.
00:54:54It is about the scene where you're stabbed.
00:54:57We will be using this as a prop.
00:54:59So once the safety is clicked off,
00:55:02the blade will go back inside itself upon impact,
00:55:04so don't worry.
00:55:05It's not going to hurt you.
00:55:07See?
00:55:07Nice.
00:55:08Nice.
00:55:08Nice.
00:55:08Nice.
00:55:08Nice.
00:55:08Nice.
00:55:08Nice.
00:55:10Nice.
00:55:16Uh, Thelma, Karla, all set.
00:55:20All departments ready?
00:55:24And action!
00:55:30Wait!
00:55:31Cut! Cut!
00:55:32Cut! Cut!
00:55:33Edward?
00:55:33Are you okay?
00:55:34Oh, God, how did this happen?
00:55:36I'll lay one one one.
00:55:38Edward, don't die on me.
00:55:40Please.
00:55:42I know that my past is complicated,
00:55:44and I'm not worthy of your time or your love.
00:55:48What makes me so special?
00:55:50Well...
00:55:50Okay, I admit.
00:55:54I think somewhere along the way I became attracted to you.
00:55:59And I know that you keep this stone-cold face,
00:56:02but I know that that's not the real you.
00:56:08Please, show me the real you.
00:56:11Let me in.
00:56:16Edward!
00:56:16Edward!
00:56:17Edward!
00:56:17Edward!
00:56:17Edward!
00:56:17Edward!
00:56:17Edward!
00:56:17Edward!
00:56:21What are you doing?
00:56:22That's not funny.
00:56:23I was worried sick.
00:56:24What's the matter with you?
00:56:26How else could I get such a lovely monologue?
00:56:29Okay.
00:56:29You know what?
00:56:29I'm...
00:56:30Gonna go get a doctor.
00:56:31No.
00:56:31No.
00:56:32I'm fine.
00:56:33No.
00:56:35Look, not even a scratch.
00:56:37Just need a minute.
00:56:38Are you sure?
00:56:38It seemed pretty serious.
00:56:40Yeah, the knife didn't even get to me.
00:56:43Something blocked it.
00:56:45Really? Where is it?
00:56:48Nothing.
00:56:50I'll find out what happened today.
00:56:52Meanwhile, be more careful on set.
00:56:55Yeah?
00:56:56No, don't worry about it.
00:56:57You're the patient. Just rest up now.
00:57:01I heard everything you were saying, by the way.
00:57:04Okay, you know what?
00:57:05I'm really getting you a doctor now.
00:57:06Just shut up.
00:57:08You saved my life.
00:57:24How are you doing, boss?
00:57:26Not too shabby.
00:57:29So, what do you plan to do with Carla?
00:57:33Carla?
00:57:34I almost forgot.
00:57:37Let's get payback.
00:57:37I'm not sure what we're going to do after your little incident.
00:57:45I'm sorry. I wasn't thinking. It won't happen again. I promise.
00:57:49Jay, get a replacement for her role. She's done.
00:57:57Edward, what are you saying?
00:57:58I told you to stop pulling these tricks behind my back.
00:58:01I didn't do anything.
00:58:02Don't listen to her.
00:58:04Don't listen to her. She's making it all up.
00:58:05Carla had someone on the prop team switch the fake knife with a real one.
00:58:09She almost killed Thelma.
00:58:11And myself.
00:58:12Edward, I'm sorry. I messed up.
00:58:15Please, please give me another chance.
00:58:17I've given you plenty of chances.
00:58:21Really, Edward?
00:58:21Edward, after all these years, please stop embarrassing yourself.
00:58:29Hey, hey.
00:58:31Doing all of this for a man, I hope it's worth it.
00:58:35Edward, you know everything I did is because I love you.
00:58:39If you try hurting her again, you will be sorry.
00:58:50Hand her over to the police.
00:58:55Well, now that that's over, we should talk about what you said to me earlier.
00:59:00Which is what?
00:59:02That you were attracted to me.
00:59:04No, we're not going to talk about that.
00:59:09That's not fair. You tricked me.
00:59:12God.
00:59:27What if the person you're looking for is me?
00:59:29Don't be ridiculous.
00:59:36Besides, you come from a rich and powerful family.
00:59:40And he's an orphan.
00:59:41Like me.
00:59:44And he's incredibly kind.
00:59:47He wouldn't even step on an ant.
00:59:50I can't say the same thing about you.
00:59:55People can change.
00:59:56I'll never stop searching for him.
01:00:00I'm afraid that you can't stop me.
01:00:08Am I even worthy of love?
01:00:14Am I even worthy of love?
01:00:17You're a billionaire.
01:00:19I'm sure that there's plenty of women fighting over you.
01:00:23Plus,
01:00:23I stand by what I said.
01:00:29I don't think that this Edward is the real you.
01:00:34Do you remember when we first met?
01:00:37You saved me.
01:00:39You're a good person.
01:00:41You're kind to Nos.
01:00:43To Sarah.
01:00:47You'll find the love that you deserve.
01:00:49He's gone.
01:01:00I waited ten years and he's just gone.
01:01:07Do you like the man I am now?
01:01:09It doesn't matter.
01:01:10We're getting divorced in a year.
01:01:11If I give you all my properties and assets,
01:01:20can we not get a divorce?
01:01:25No.
01:01:26My head.
01:01:50Do you remember what happened?
01:01:51Do you remember what happened?
01:01:51Do you remember what happened?
01:01:53You said something about money and assets and then after that, not a thing.
01:02:12Alright, okay, back to work. Come on.
01:02:14I've been watching people get arrested all day.
01:02:20Hey, can we talk?
01:02:23I heard you've been looking for someone.
01:02:26Yes.
01:02:30I believe this could be helpful.
01:02:34This place is reopening soon.
01:02:37I'd like for you to come.
01:02:40What does this have to do with the man that I'm looking for?
01:02:42You'll see.
01:02:47Okay, I'll go.
01:02:48Good.
01:02:50Edward will be pleased.
01:02:52What does this have to do with Edward?
01:02:54You'll see.
01:02:59Look at that. See?
01:03:00Oh my God.
01:03:01Yes, I trusted you.
01:03:02Guys, we're blowing up.
01:03:04What do you mean?
01:03:05After we posted the behind the scenes, we went viral.
01:03:09Thelma became a sensation.
01:03:10She's now trending number one.
01:03:13Big star.
01:03:14Trending?
01:03:15Does this mean more money?
01:03:16Of course it does.
01:03:18And that is just the easy part.
01:03:20I was thinking about my next movie.
01:03:23And I want you to be in it.
01:03:25Wow.
01:03:26This is a dream come true.
01:03:28And we're having a wrap party at the hottest bar tonight.
01:03:32Alright.
01:03:33I wonder who's so generous.
01:03:34Boss, about this new country.
01:03:44Do you think Thelma will be surprised by the party I'm throwing for it?
01:03:47Oh, definitely.
01:03:49So should I pick her up?
01:03:51Or do I just show up at the party?
01:03:53You don't do this often, do you?
01:03:55That's a great party, Edward.
01:04:15It'll only be fitting, right?
01:04:17You're not entirely bad.
01:04:20So, thank you.
01:04:21How would you like to thank me?
01:04:25Sorry, everybody.
01:04:26Attention, attention.
01:04:27Thank you, thank you.
01:04:29First off, this has been an amazing three months.
01:04:34I'd like to thank everybody in here.
01:04:37And, well, here is to its huge success.
01:04:42Cheers.
01:04:43Cheers.
01:04:43Cheers.
01:04:43And now, a few words from Edward, the man, the big boss.
01:04:50Without him, none of this would be possible.
01:04:54Thank you all so much.
01:04:55I just want to say how grateful I am for the opportunity.
01:05:00Jay is an exceptional director.
01:05:03He's casting remarkable.
01:05:06Thelma's performance in particular, out of this world.
01:05:08And I'd like to take this moment to tell her that I'll always be there to support her.
01:05:16Cheers.
01:05:20Thelma, the superstar!
01:05:23Stop it.
01:05:24By the way, do you think Algar will watch my new show?
01:05:28Do you think he'll recognize me?
01:05:30Oh, Thelma.
01:05:32I know this is really hard to hear, but you gotta let him go.
01:05:37Algar's gone.
01:05:38I'm not giving up until I know for sure.
01:05:51Hey!
01:05:52Let me out!
01:05:59Thelma!
01:06:01Are you quitting?
01:06:02What are you talking about?
01:06:03Production told me you turned down Jay's new project.
01:06:05And you didn't show up for any of the promo events.
01:06:09What new project is this about?
01:06:11Who told you this?
01:06:12Oh.
01:06:13Oh no.
01:06:15It couldn't be Edward.
01:06:18Could it?
01:06:20Edward?
01:06:22So, he turned it down and he told everybody that I quit?
01:06:26Maybe he thought it was for your own good?
01:06:28Interfering with my career without telling me?
01:06:32How is that for my own good?
01:06:39Mr. Ardoin is in a meeting right now.
01:06:41You can't help my way.
01:06:43Apologies, gentlemen.
01:06:44Let's take a break.
01:06:45We'll continue this afternoon.
01:06:50Did you turn down the offer for my new film?
01:06:52Can I explain?
01:06:58This will terminate our contract marriage.
01:07:00The deal is over.
01:07:03What do you mean?
01:07:04I'll pay the penalty for breaching our contract.
01:07:07Once it's settled, I don't want you meddling in my life anymore.
01:07:10You almost got hurt on set.
01:07:12I was trying to protect you.
01:07:14God, I don't need your protection, okay?
01:07:16I can look out for myself.
01:07:18This is my life.
01:07:19You're making a big mistake here.
01:07:22Just stay out of my work and my personal life, Edward.
01:07:26We're done.
01:07:33Hey, it's Thelma.
01:07:35Can I see you real quick?
01:07:39Thelma, you're very talented.
01:07:43It was such a shame just seeing you give up.
01:07:45But I knew you had it in you from this start.
01:07:49I saw it in you all the way.
01:07:55Now I strictly get to make decisions for myself.
01:07:59Now let's see this next project.
01:08:01Next project, next project.
01:08:04Here it is.
01:08:07What do you think?
01:08:12Let's just say that it's a pleasure doing business with you, Jay.
01:08:20Congratulations.
01:08:33Come on.
01:08:34Please move.
01:08:34I'm leaving it.
01:08:35You need to calm down.
01:08:36What are you doing?
01:08:36Excuse me.
01:08:37I'm perfectly calm.
01:08:38How about we both compromise?
01:08:40You continue with your acting as long as it's through Ardoin investments.
01:08:44You still don't get it, do you?
01:08:46I'm not your accessory.
01:08:48And I'm not a part of the Ardoin family.
01:08:51Plus, the only person that can make decisions for me is myself.
01:08:54Can't we talk about it for the sake of our relationship?
01:08:59Look, I'm thankful for everything you've done for me.
01:09:04We've crossed the line.
01:09:05Goodbye, Edward.
01:09:11Oh, Thelma.
01:09:13Look, I have rarely seen Edward smile since his father passed away.
01:09:18And he's like a new man now that you're here.
01:09:20I'm sorry, but I can't stay here.
01:09:24It's okay, Sarah.
01:09:28Let her go.
01:09:45Since when did we become stalkers?
01:09:47Where is she?
01:09:50I know she has a bunch of crazy fans trying to get her attention, but if those assholes think they have a shot with my woman...
01:09:54You've not seen the news?
01:09:57Thelma has announced she's single again.
01:10:00What?
01:10:00Yeah, even a bunch of haters have turned into fans now.
01:10:05Especially after watching her show.
01:10:07I knew that guy was up to do good.
01:10:23Thelma, Thelma, Thelma, Thelma, Thelma.
01:10:26Are you still working with Ardawan Investment Family?
01:10:29The Ardawan Family's never officially announced your divorce.
01:10:32Is there something that they're hiding?
01:10:34Was your marriage to Edward Edward strictly business, like the tabloids say?
01:10:38Uh, why don't you ask the man himself?
01:10:52Hey, Mr. Ardawan, you got a seven?
01:10:54I don't.
01:10:56Sorry.
01:11:00So, Mr. Ardawan, what brings you here?
01:11:03Thinking of joining the entertainment industry?
01:11:05You know why I'm here.
01:11:06Sorry, I can't help you with that.
01:11:10Uh, so this new film is a romantic drama with some comedy.
01:11:15So you're enjoying the movie, too, yeah?
01:11:17I was like...
01:11:18You ever want any...
01:11:19Like, let's go!
01:11:20No.
01:11:21Not yet.
01:11:22I would love to thank our amazing director, Jay, for all of his amazing visions,
01:11:28and everyone else who's helped me on this incredible journey.
01:11:32Like, Ella, specifically?
01:11:33And I'm so excited to get started, because I know that this is going to be another hit.
01:11:39All right, ready to check out the set for the new movie?
01:11:42I'll walk in.
01:11:43Uh, actually, do you want to check it out together?
01:11:46Sure.
01:11:46Come on, come on, come on.
01:11:53How do you win back a little bit?
01:11:55Uh, flowers?
01:11:58Rumans?
01:11:59Gifts are always a good move.
01:12:01How original?
01:12:02Let's get back to the office.
01:12:03All right.
01:12:03I, uh...
01:12:12Got these for you.
01:12:15You can just leave them there.
01:12:22Thelma, I'm sorry.
01:12:24I was wrong.
01:12:30Please, give me another chance.
01:12:32I promise I won't be overbearing.
01:12:37I'll respect all your opinions,
01:12:39and I'll never interfere with your career again.
01:12:46Flowers look good.
01:12:54I'll take these, and we can talk about the rest later.
01:12:58Okay.
01:13:02Go!
01:13:06I don't want to see you again!
01:13:10Cuts!
01:13:11Well done, everybody.
01:13:12That is a wrap.
01:13:14You were great.
01:13:15Here.
01:13:16I got you a cup of coffee.
01:13:18Thanks, Alex.
01:13:19Oh, shoot!
01:13:19I need to know where she is.
01:13:44Now!
01:13:47Hey, man.
01:13:47Uh, I think I might know where she is.
01:13:49Why the hell would you know?
01:13:50Do you have something to do with it?
01:13:51No, man.
01:13:52Look, all right.
01:13:52Carla was talking to some sketchy dude
01:13:54about Carla's basement.
01:13:56I think Thelma might be there.
01:13:57Trust me, man.
01:13:58I don't want anything bad to happen to her either.
01:14:00Believe me.
01:14:07Thelma?
01:14:07Where are you?
01:14:20Let's not do anything stupid.
01:14:23Whatever you want, just name it.
01:14:28Edward, Edward, Edward.
01:14:32How did you find this place?
01:14:34You again?
01:14:40You didn't seriously believe
01:14:42I would just walk away, did you?
01:14:43You're a coward.
01:14:47Kill her.
01:14:49And, Edward, I want you to watch.
01:14:51If you touch her, I will skin you alive.
01:14:55I got it!
01:15:03Thelma, run!
01:15:04It's okay.
01:15:31It's over.
01:15:31It's over.
01:15:31It's all over.
01:15:35It's all over.
01:15:36It's over.
01:15:57It's today.
01:15:59I promised Nas I would go.
01:16:09Wait, this is the amusement park I agreed to meet Little Rock at.
01:16:14I thought it closed down years ago.
01:16:17Wilma?
01:16:19Edward?
01:16:20What are you doing here?
01:16:22Nas told me to come. What are you doing here?
01:16:25Well, now that you're here, I need to tell you a little secret. Be right back.
01:16:32Edward?
01:16:45Don't be scared, sweet pin.
01:16:47What did you just call me?
01:16:55I told you I'd meet you here, Alan.
01:17:02I told you I'd meet you here, Alan.
01:17:06Alcar, but how?
01:17:09Why didn't you tell me after all this time?
01:17:13After I escaped the orphanage, the headmistress sent people after me.
01:17:18So I had to fake my own death.
01:17:21I survived.
01:17:23But the price was becoming a different man.
01:17:26Cold.
01:17:28Ruthless.
01:17:29Even cruel.
01:17:33And I was so scared that if you found out this was the man I'd become, you wouldn't love me anymore.
01:17:40And besides, the Arduin family erased every trace of my past.
01:17:45If they find out you're the one I'm looking for, they'll use you against me.
01:17:50And I can't risk that.
01:17:52Alcar, you know that I love you.
01:17:57You do?
01:17:59Yeah, with you by my side, I'm not afraid of anything.
01:18:07They don't want us to ever be apart again.
01:18:20Yes.
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