- 7/13/2025
HE FOUGHT WITH BULLETS AND WAS FILMED WITH GLORY Pancho Villas Legend WESTERN MOVIE 2025
Category
🎥
Short filmTranscript
00:00:00We devoted to this cause!
00:00:02We're a grand a month, cause nothing Sam Drappin can't get devoted to.
00:00:06Plus all the gold teeth I can pull.
00:00:08Watch your ass, sonny boy!
00:00:15Another day, another dollar.
00:00:17Hearst Publications, you don't have any qualms about manipulating public opinion in favor of a man many people consider to be nothing more than a socialist rabble rouser.
00:00:36Unlike your employer, Mr. Hearst, this company has no interest whatever in meddling in politics, foreign or domestic.
00:00:43To the millions he's trying to free of a cruel dictatorship, Pancho Villa hardly needs Mutual's help to enhance his reputation as the George Washington of Mexico.
00:01:13motivates them to 5-6-6-6-7-7-7-7-7-8-1-2-8-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0.
00:01:19Help!
00:01:23Francisco! You are not dead yet, eh?
00:01:25Still alive sir.
00:01:26Felicitaciones!
00:01:27Amenas!
00:01:28Aha!
00:01:29Come on!
00:01:30Come on!
00:01:31Come on!
00:01:32Come on!
00:01:33Come on!
00:01:34Come on!
00:01:35Come on!
00:01:36Come on!
00:01:37Come on!
00:01:38Come on!
00:01:39Come on!
00:01:40Come on!
00:01:41Come on!
00:01:42The End
00:02:12These are just civilians, aren't they?
00:02:27Yeah.
00:02:28You make the mistake of supporting Pancho Villa,
00:02:30you wind up being a tree ornament.
00:02:37Take it.
00:02:42Insegurese que les den sepultura.
00:02:45Escriban en sus tumbas, murieron como hombres libres.
00:02:49Así será, mi general.
00:02:51A ver.
00:02:54A ver, cabrones, díganle adiós a la luz del día.
00:03:00¿Qué, mi general?
00:03:02Saves ammunition.
00:03:03Quédense!
00:03:05Cap'n's mine.
00:03:06Thanks, Patience.
00:03:19Andale a jugar.
00:03:31Andale, vámonos, vámonos.
00:03:42Padre, padre, padrecito.
00:03:44General Villa.
00:03:51Qué honor para nuestro pueblo que esté usted aquí.
00:03:53Pues muchas gracias.
00:03:55Viene a confesión, ¿verdad?
00:03:56Sí.
00:03:57¿Qué le parece si le confieso ya usted primero?
00:04:00Eh, venga.
00:04:02¿Qué confesión me van ahora?
00:04:04¿Conocen la muchacha?
00:04:07¿Conocen la muchacha?
00:04:08¿Qué edad tiene?
00:04:11Tiene catorce años.
00:04:12Kid's going to have a playmate soon.
00:04:14Somebody knocked her up.
00:04:16¿Por qué no es una virgen ahora?
00:04:17Venga, se te rodillas.
00:04:18Venga, se te rodillas, hombre.
00:04:20Ahora vamos a confesar.
00:04:22Ave María Purísima.
00:04:24No, sin pecado concibida, no, padrecito.
00:04:26That figures.
00:04:27What?
00:04:28The father's the father.
00:04:31No, no le escuche, no le escuche nadie.
00:04:32Pídale perdón públicamente, hombre.
00:04:34Yo me voy a ocupar de la familia, señor.
00:04:35He's swearing to take care of the kid and the baby
00:04:38however long they need it for.
00:04:39Abra la boca.
00:04:41Abra la boca.
00:04:45Puede que la familia le perdone.
00:04:47Puede que yo le perdone.
00:04:49Pero creo que Dios no le va a perdonar.
00:04:52Desgraciado.
00:04:54¿Satisfecho, padre?
00:04:56Ándale.
00:05:05Hiya, Charlie.
00:05:13Good work, Frank.
00:05:15You didn't get in my way once.
00:05:17Thank you, Henny.
00:05:19How'd it feel today, Mr. Thayer?
00:05:21Being smack in the middle of the killing ground.
00:05:24It's shameful to admit how exciting I found it.
00:05:27Well, strictly a survivor sensation.
00:05:31Someone else's death serving as your own reprieve.
00:05:34You're in good company, Mr. Thayer.
00:05:37Shamelessness is a big following down here.
00:05:40Bank robbers, painters, poets, soldiers of fortune.
00:05:45Enough anarchists to blow up Wall Street ten times over.
00:05:48Healing Jews and fighting Jews.
00:05:50Morris Roushbaum, a surgeon from Indiana.
00:05:53Sam Drebin, machine gunner from the Bronx.
00:05:57General Ángeles came over from the Federales.
00:06:00Studied von Klauswitz, well read.
00:06:03An idealist.
00:06:04He's the other side of the peso to General Fierro.
00:06:07Who gets really ugly unless he kills at least one prisoner before breakfast?
00:06:12From the merely curious to the merely morbid.
00:06:15All of us in via's orbit.
00:06:17All of us in via's thrall.
00:06:22You take home a nice recuerdo, ¿verdad, amigo?
00:06:48A souvenir.
00:06:50But be careful.
00:06:52Or should I give you some crawly souvenir in your underwear?
00:07:07Her husband got killed in the fighting's day.
00:07:13Her youngest son, too.
00:07:18Charlie.
00:07:20Get this.
00:07:29He just gave her more money than her old man saw in his entire life.
00:07:34Juan.
00:07:35What will they think, Juanito, my American friends,
00:07:39when they see the movie of Pancho Villa?
00:07:41Well, I think Mr. Doheny is going to be very impressed indeed.
00:07:45Para Pancho Villa, el suelo mexicano es sagrado.
00:07:48Para Doheny, lo que hay debajo.
00:07:50He worships the ground that is Mexico.
00:07:53Doheny worships what's underneath it.
00:07:55Your señor Herz is also muy, muy, muy nervioso.
00:07:59Síntense.
00:08:00Very nervous.
00:08:02You know how much he owns Mexico, Francisco?
00:08:05Señor Herz.
00:08:06How many acres?
00:08:07Siete millones.
00:08:08More like eight.
00:08:10Eight million acres.
00:08:12How many head of cattle have you stolen from him?
00:08:15Sixty thousand, he says.
00:08:16Oh, you are loco, Juanito.
00:08:18Sixty thousand.
00:08:20Fifty thousand, maybe.
00:08:22Maybe fifty thousand the most.
00:08:25So, Francisco, today was not too, um...
00:08:30¿Cómo se dice, aburrido?
00:08:31Boring.
00:08:32Boring.
00:08:33It was not too boring.
00:08:34Uh, you became more a man a little, I think, today.
00:08:38Maybe you and your amigos.
00:08:40Yeah, I'd say we had a good start.
00:08:42Today, I think, they found a little bit their huevos.
00:08:47Even though a few of them got a little wet.
00:08:49Yeah, sí, sí, sí, sí, sí, sí.
00:08:52Bueno, bueno.
00:08:54Una medallita.
00:08:55Una medallita para su confirmación.
00:08:58Por sus servicios a la revolución.
00:09:05You will help.
00:09:07Por ustedes habrán los americanos que también al sur de la frontera hay esperanzas.
00:09:12You will help Americans know that hope does not stop at the border.
00:09:16It's my virgin of Guadalupe.
00:09:19I'm deeply honored, sir.
00:09:21Debería estarlo.
00:09:22He says you should be.
00:09:24Porque tiene la única virgen que queda por aquí.
00:09:26You've got the only virgin left around here.
00:09:30Andale.
00:09:31Andale.
00:09:44Please bear in mind that our camera operators had to constantly deal with movement of men and horses,
00:09:49exploding bombs, clouds of gunpowder.
00:09:53But what you're looking at is, without a doubt, never-before-seen footage of live action shot on an actual field of battle.
00:10:00Never-before-seen footage?
00:10:02You still can't see it.
00:10:09They'd have bit the dust a lot better if D.W. Griffith had directed it.
00:10:13Let me assure you that every one of these men and women and every child died in the very best way that they could.
00:10:24There he is, boys, on motion picture film for all the world to see, General Pancho Villa.
00:10:29It's just, boys, on motion picture film for a couple unlucky Wednesday.
00:10:30All right, girls, let's do it, guys.
00:10:36All right, boys, let's do it, guys.
00:10:49Despite its technical flaws, clearly more people will discover Pancho Villa from a few feet of this crude historic film
00:11:05than from the reams that have been written about he struggled to rid Mexico of its greedy robber barons,
00:11:11the only ones to profit from their cozy marriage with rapacious American interests.
00:11:15Unfortunately, not everyone happens to be the socialist lover that John Reed is.
00:11:21Hurst, no surprise, is putting on nuts through a ringer.
00:11:25Pardon me.
00:11:26With all he's got invested in Mexico, Hurst tends to lose one or two of his fortunes down there.
00:11:31Speak up, Harry. We're a whole country apart, for God's sake.
00:11:35Listen to this. Pandering to Villa's overblown vanity, the perpetrators of this clumsy excuse of a film
00:11:41clearly demonstrate that they have a far greater interest in selling tickets to a gullible public
00:11:45than in telling the real truth about the self-styled General Villa and his ragtag army
00:11:53would marry a piece of modern artillery to its name.
00:11:56Mightn't it be more productive for you to be reading the one end?
00:11:58You know what's so galling about all this? It's all true.
00:12:01We had so little control over what was happening, Villa comes off as some kind of simple star-struck cowbook.
00:12:06Give me the strudel?
00:12:07We didn't offer a clue to his complexity, to his greatness. What a movie that would make.
00:12:13This would all be better said to someone with a checkbook, wouldn't it?
00:12:18He's been beaten and tortured all his life.
00:12:21They say that he still has whip scars across his back.
00:12:24He was a convict before he turned 20.
00:12:26Frank, it's midnight.
00:12:27Before he was 12, he was already being hunted by the law.
00:12:30Now, now there are places in Mexico where he is the law.
00:12:33Don't make me fire twice in one week, Frank.
00:12:36He's the James Boys. He's Billy the Kid. He's Napoleon. All rolled into one.
00:12:41But he asks nothing for himself. He takes nothing.
00:12:45He builds schools where there were none.
00:12:47He seizes the homes of the wealthy. He redistributes the land.
00:12:50He gives it to the poor. He feeds them.
00:12:52He even prints his own money.
00:12:54He prints his own money? Well, the man's not all bad, is he?
00:12:56Tell me that this material would not make a fantastic moving picture.
00:13:00Forget it.
00:13:01The Times said the one we made looked like a high school play that couldn't afford the costume.
00:13:07For my money, and that's sure as hell what every penny of it was,
00:13:10we gave Pancho Villa more than his shot.
00:13:13But we didn't.
00:13:14That's the whole point.
00:13:16Be realistic.
00:13:16You'd never crowd all that stuff into a two-reeler, not in a million years.
00:13:20I'd make it more like seven.
00:13:23Seven reels?
00:13:24Seven reels.
00:13:25Do you smoke some of that funny stuff down in Mexico, Frank?
00:13:28Who in their ripe minds is going to want to sit through a movie that runs for over an hour?
00:13:33There's never a first until someone tries it.
00:13:37Don't give me fortune cookers in the middle of the night, Frank.
00:13:40And seven reels is a whale of a show you're ready to give away for a nickel a ticket.
00:13:46Then double it.
00:13:49Double it?
00:13:49A dime?
00:13:53A dime, a ticket?
00:13:53A dime, a ticket.
00:13:54One good first deserves another.
00:13:58These are exciting thoughts, Frank.
00:14:00They are.
00:14:02I'm definitely getting excited.
00:14:04Don't let me stop you.
00:14:05If only they didn't all look so crummy down there.
00:14:12For ten cents, people are going to want to see a hell of a lot more than a bunch of barefoot buggers jumping around in the cactus.
00:14:17We can help them look better.
00:14:18I know we can.
00:14:20I'll have to run this past E.W., of course.
00:14:23He'll see the possibilities in a minute.
00:14:25I promise you.
00:14:26The life of General Villa.
00:14:51Okay, okay, okay.
00:14:53Yo soy Ana Estacio, yo me llamo Abraham.
00:14:55¿Dónde está Serra Belvía?
00:14:57Por allá.
00:14:57Por allá.
00:15:06Encuentras.
00:15:07Espérame, mi hermano.
00:15:09Ya casi.
00:15:15Las escrituras de la hacienda
00:15:20400.000 hectáreas
00:15:23Debió de haber trabajado mucho de chamaco
00:15:29Para tener tanta tierra
00:15:31Un hombre
00:15:34Solo necesita la tierra suficiente
00:15:37Para saciar su hambre
00:15:40Y un poquito
00:15:43Para que lo entierren
00:15:45Venga, es suyo
00:15:48Como quiere
00:15:52Bueno
00:15:57Su firma
00:16:04Don Luis
00:16:05Mi firma
00:16:07En un papel blanco
00:16:09No por mucho tiempo
00:16:11Su infinita generosidad
00:16:14Le hará un préstamo a los pobres
00:16:16¿De cuánto?
00:16:19Pues lo suficiente
00:16:20Para que se empareje usted con ellos
00:16:22Para que sepa lo que es no tener
00:16:25Medio centavo
00:16:26Ni media mula
00:16:28Ni un pedazo de pan
00:16:30Por romperse el lomo
00:16:31Hasta que el único sabor que conozca
00:16:35Sea la sal
00:16:36Sea la sal
00:16:36De sus lágrimas
00:16:37Fírmele ya
00:16:42Fírmele ya
00:16:47Hombre
00:16:47Antes de que le sirva
00:16:49Sus huevos
00:16:50A los puercos
00:16:51He oído mucho de este libro
00:17:15¿Usted ya lo leyó?
00:17:20Ningún hombre puede presumir de culto
00:17:22Si no ha leído al Quijote
00:17:25Llévenselo
00:17:32Voy a cultivarme un poquito
00:17:36Vamos
00:17:37Volvete
00:17:39Desgraciado
00:17:42Pancho
00:17:56Si
00:17:56Aquí
00:17:58Francisco
00:18:05Hello, sir
00:18:06Francisco
00:18:07¿Tú?
00:18:09¿Do I know you were coming?
00:18:10Oh, I sent a telegram
00:18:12Well, when I see a thing
00:18:14I would know you were here
00:18:15I miss you many times
00:18:18Mi amigo, many times
00:18:19I've missed you
00:18:19Yeah, good
00:18:20Bueno, bueno
00:18:21The virgin
00:18:22Does she answer your prayers?
00:18:25Not with my Spanish
00:18:26She doesn't
00:18:27No, Spanish
00:18:28Never Spanish
00:18:30Mexicano
00:18:31Two things Spain
00:18:33Give to my people
00:18:35The church
00:18:36And the weapon
00:18:38You should write a book
00:18:41Oh, maybe I have to read one or two first
00:18:44Mira
00:18:44Esto es para ti
00:18:48Una copia de tu película
00:18:50Este es la batalla de Ojenaga
00:18:53This is the bottle
00:18:56Yeah
00:18:57So much death
00:19:01Two little circles
00:19:04Magic
00:19:07Tomorrow we must liberate a proyecto somewhere
00:19:12Tell me, are you hungry, thirsty?
00:19:14No, no problemo
00:19:15Estoy muy bien
00:19:16House of great wealth, huh?
00:19:18No one drop of ice cream
00:19:20Chingados
00:19:23Si, si
00:19:28If my father saw us here
00:19:31Me and my brother
00:19:32He would say
00:19:33Vamos muchachos
00:19:34Before your hair grows a boot
00:19:36A room like this
00:19:40Such a room
00:19:41Could be only for a dawn
00:19:43Or for a foreigner
00:19:45Aquí no hay mestizos
00:19:49Aquí no hay mestizos
00:19:49Ch-ch-ch-ch-ch
00:19:50Into a room like this
00:19:52My father could only crawl
00:19:54To beg for some food
00:19:55For himself
00:19:56For his family
00:19:57There are books here
00:20:02That weighed more than he did
00:20:04When he died
00:20:05Welcome back
00:20:09To Mexico
00:20:11Are you all right, Francisco?
00:20:30Yes, thanks
00:20:31Is the horse riding you well?
00:20:33Uh-huh
00:20:33Digame
00:20:34You did not come all this way
00:20:37Only to bring me my film
00:20:40Right?
00:20:41Eh?
00:20:41Sería un honor
00:20:42Para el señor Echen
00:20:44El que hiciera otra película
00:20:46Para la compañía mutual
00:20:47Another movie
00:20:48You want to make another movie
00:20:50With Pancho Villa?
00:20:51Yes, sir
00:20:51Same deal as last time
00:20:52Same money
00:20:53Well
00:20:55If President Wilson
00:20:57Has lifted the arms embargo
00:20:58Money is not a problem
00:21:00For Pancho Villa anymore
00:21:02Tell me
00:21:04Has there ever been a movie
00:21:06Of Don Quixote
00:21:06Do you know?
00:21:08No
00:21:08Not that I know of
00:21:09No, sir
00:21:10I know one movie
00:21:12Of Don Quixote
00:21:12And señor Echen
00:21:14Wants to make two
00:21:15Of Pancho Villa
00:21:15We believe that this story
00:21:17This photo play
00:21:19Will greatly enhance
00:21:21Your popularity
00:21:21And it's going to go
00:21:22A long way
00:21:23To helping the revolution
00:21:24You still have a lot
00:21:25Of enemies
00:21:26In high places
00:21:26Yeah
00:21:27That's the best place
00:21:29For enemies
00:21:29High up
00:21:30Where you can see them
00:21:31Well, look
00:21:33You'd be doing me
00:21:34A very, very big thing
00:21:35Remember Don Quixote
00:21:36Mi amigo
00:21:37Un hombre
00:21:38No debe luchar molinos de viento
00:21:40A man
00:21:41Must not fight windmills
00:21:43Via positively not interested
00:21:53Returning New York
00:21:55Immediately
00:21:56Awfully sorry
00:21:57Did my level best
00:21:59Frank and Thayer
00:22:01And the nephew
00:22:02And the nephew
00:22:02And the nephew
00:22:03And the nephew
00:22:31Don't give me that happy
00:22:36Pay on luck
00:22:36You're on my land
00:22:38You and your
00:22:39Bloody bandit
00:22:40Don't think you can just
00:22:41Ride off here
00:22:42With my horses
00:22:43And my guns
00:22:43Eh, amigo?
00:22:44Soldiers of Pancho Villa
00:22:48No
00:22:50Panthidos
00:22:50You've been robbing me blind
00:22:55And you bloody well know it
00:22:56Come on
00:22:57Come on
00:22:58Come on
00:23:00Come here
00:23:02Come here
00:23:02Vanguese, señor Benton
00:23:03Vinguese conmigo
00:23:05in mexico of english ranch owner william benton but the latest example of the socialist fears
00:23:17rabid hatred of foreigners reinforces the hearst corporation's demand that the civilized nations
00:23:23of the world acted all haste to introduce the self-styled general to the business end of the
00:23:29rope a este disque general
00:23:59Mr. Aitken?
00:24:29Does the general have any questions?
00:24:47The general has no questions.
00:24:51Whenever engaging the enemy, you guarantee...
00:24:54That's you, sir.
00:24:55I know I am.
00:24:56You.
00:24:57You guarantee that any fighting by the forces under your command...
00:25:00...will occur only between the daylight hours of 9 a.m. and 5 p.m.
00:25:05De acuerdo. Agreed.
00:25:07There is to be no night combat whatsoever...
00:25:10...and the mutual company, that's us, is to be informed and consulted...
00:25:14...as to the nature of any and all military engagements.
00:25:17Si, si, si.
00:25:18Cat, spring, irising, iris alpa.
00:25:20It's muy simple.
00:25:22Si, si.
00:25:24Very good, sir.
00:25:25In the event that a major exchange cannot be filmed...
00:25:28...you will agree to restage such battles or stage new ones...
00:25:31...as may be necessary for the benefit of the mutual company's cameras.
00:25:34For its part, the mutual company agrees to furnish wardrobe.
00:25:37Si.
00:25:38Eh.
00:25:39Usted se queda aquí.
00:25:40Eh.
00:25:41Porque sin usted esto no camina.
00:25:43Eh.
00:25:44Estare con usted cada segundo del día.
00:25:47Cada segundo del día.
00:25:48Problem?
00:25:49He wants to make sure Frank's gonna be working on this one, too.
00:25:52All right.
00:25:53No Francisco.
00:25:54No Francisco.
00:25:55No Francisco.
00:25:56Eh.
00:25:57I promise you, General, this fine young man...
00:26:00...is gonna be with you every damn momentum of the day.
00:26:03Momentum.
00:26:04Whatever you need, whatever you want, this is gonna be your man.
00:26:06Every bit of it is gonna be mine.
00:26:08Muy bien.
00:26:09Psst.
00:26:10Hang on.
00:26:11Mm.
00:26:12It's right here, sir.
00:26:1325,000.
00:26:1725,000, as before.
00:26:19I take it we have a deal, sir.
00:26:21Eh.
00:26:22Un momentum.
00:26:23Un momentum.
00:26:24The soldiers of Pancho Villa have left behind...
00:26:28...many...
00:26:29...wereforos...
00:26:30...y...yudas.
00:26:31Uh, lots of widows and orphans.
00:26:33He's up to his ass and, um...
00:26:35They're very sad.
00:26:37They're very poor.
00:26:38The general is most sensitive.
00:26:40Si, si.
00:26:41Sensitive.
00:26:42A leader must be...
00:26:44...muy, eh...
00:26:45...muy sensitive.
00:26:47Yeah.
00:26:48Muy sensitive.
00:26:49You must give to Pancho Villa...
00:26:52...when into Mexico City...
00:26:54...uh...
00:26:55...after the Revolución.
00:26:56Cómo se dice una copia de la película?
00:26:58A print?
00:26:59A print.
00:27:00A print.
00:27:01Tarde importante.
00:27:03Yeah.
00:27:04He wants his own print.
00:27:05I think he wants to have his own premiere down here.
00:27:08Yeah.
00:27:09Exactamente.
00:27:10Pancho Villa, too, needs nickels.
00:27:13Many nickels for those who lost so much...
00:27:16...and for those who lost...
00:27:18...so many.
00:27:19Yeah.
00:27:20I will be very happy to write that into the agreement...
00:27:23...this very minute, sir.
00:27:24No es necesario, my good sir.
00:27:27Pancho Villa, your hand is your word.
00:27:35Certainly.
00:27:36Of course.
00:27:37It's my pleasure, sir.
00:27:39It's my pleasure, sir.
00:27:40No.
00:27:42Yes.
00:27:43No.
00:27:44No.
00:27:45No.
00:27:46No.
00:27:47No.
00:27:48No.
00:27:49No.
00:27:50No!
00:27:51No.
00:27:52No.
00:27:53No!
00:27:54No.
00:27:55No.
00:27:56Do you want to be here?
00:27:57No.
00:27:58No.
00:28:00No.
00:28:01No.
00:28:02No.
00:28:03No.
00:28:04No.
00:28:05No.
00:28:06No.
00:28:07No.
00:28:38Hiya, Duffy.
00:28:40Hey, Frank.
00:28:42Nice to see you, Carl.
00:28:44Hiya, Charlie. How are ya?
00:28:50Where's the scotch, Frank?
00:28:52Didn't you bring it?
00:28:54I see you've got gloves this time.
00:28:56Welcome to Mexico.
00:29:00General Villa, please allow me to introduce our director.
00:29:10This is Mr. William Christie Cabanet.
00:29:12I am so looking forward, sir.
00:29:16And this is Miss Teddy Sampson, who will play the role of your sister.
00:29:20And this is Miss Irene Hunt, who will be your mother.
00:29:30And Charlie Rocher, of course, you know from Owenaga.
00:29:38Are your huevos all dry now, Charlie?
00:29:40For the moment.
00:29:44And this, sir, is Mr. Raoul Walsh.
00:29:48General.
00:29:49He'll be playing the young Pancho Villa.
00:29:51Tell me, Raoul Walsh.
00:29:53You know even which end of the horseshit.
00:29:55Come on, Rosa!
00:29:57Andale!
00:29:59Andale!
00:30:01Andale!
00:30:03Andale!
00:30:07Andale!
00:30:09Andale!
00:30:11Andale!
00:30:13Andale!
00:30:15Andale!
00:30:17Andale!
00:30:19Andale!
00:30:21Andale!
00:30:23Andale!
00:30:25Andale!
00:30:27Andale!
00:30:29Andale!
00:30:31Andale!
00:30:33Andale!
00:30:35Andale!
00:30:37Andale!
00:30:39Andale!
00:30:41Andale!
00:30:43Andale!
00:30:45Andale!
00:30:47Andale!
00:30:49You can't be me, I'm a man.
00:31:05Okay Carl, camera and action.
00:31:10And say goodbye mom, very nice, yes, sis, go get you a little of that.
00:31:18And lovely, okay, yeah, and it's farewell poncho, let's go, and he goes, and cut, okay, very nice.
00:31:35Um, get more of a routine goodbye Raul.
00:31:39Oh, listen, your character has no way of knowing what tragic events the day is going to bring,
00:31:44so keep it big, make it small.
00:31:47Okay, Adrian, give me a wee bit less, just hearts, no flowers, okay.
00:31:52Unimas, people.
00:31:53Oh, as pronto as possible, por favor, make up, okay.
00:31:57Let's go, people.
00:31:58Just, I was just thinking that maybe.
00:32:00No, don't think, darling, just act.
00:32:02Okay, let's just make a movie here.
00:32:04That's enough, that's enough, okay.
00:32:05Look, he's a Mexican, Mexican sweat.
00:32:07He's fine, leave him alone.
00:32:09Carl, crank him.
00:32:10Okay.
00:32:11Uh-huh.
00:32:12And from the kiss, por favor.
00:32:15And action.
00:32:17Much better, much better.
00:32:19And sis, lovely.
00:32:22Okay, and farewell poncho.
00:32:24Off he goes.
00:32:26Goodbye poncho.
00:32:27That's good.
00:32:28Okay, one last look at mom and sis.
00:32:30A fond look.
00:32:31Fond.
00:32:32Fond.
00:32:33Fond.
00:32:34You love him.
00:32:35You love him.
00:32:36You love him.
00:32:37Good.
00:32:38Wham-bam out the door.
00:32:39And perfect.
00:32:40Cut.
00:32:41Print.
00:32:42Beautiful.
00:32:43Unquestionably the most expensive and longest motion picture ever contemplated.
00:32:47So reads the mutual film company publicity.
00:32:50An unprecedented seven 15-minute reels.
00:32:53Two of which will be filmed during the upcoming battle of Torreon.
00:32:56For which Villa's forces are now preparing.
00:33:03The mutual company promises an additional five reels devoted to a specially written photo play.
00:33:08The factual story of the heroic life of Pancho Villa.
00:33:12Falso.
00:33:13Todo is falso.
00:33:14Every page is a page of lies.
00:33:17Cervantes no se limpiaria el culo con esta mierda.
00:33:21I don't understand.
00:33:22Mierda means shit.
00:33:25I-I know that.
00:33:26I just don't know why you say that.
00:33:27Pancho Villa becomes an outlaw when the federalists take away his father's land.
00:33:32The land of Pancho Villa's father was his grave!
00:33:35You see, Mr. Akin just feels that that's more colorful.
00:33:37That's only dramatic license.
00:33:38It is a license to lie.
00:33:40You don't understand.
00:33:41Oh, yes.
00:33:42I understand.
00:33:43I understand that never, never does Pancho Villa want the world to see his sister Mariana
00:33:48raped by federalists.
00:33:49But that's what turned you into a rebel.
00:33:51I know why I became what I became.
00:33:54Pancho Villa does not have to see a movie to find out who is Pancho Villa.
00:33:58All right.
00:33:59Presidente Villa.
00:34:00Presidente Villa.
00:34:01From where does this fantasia come?
00:34:06You have learned nothing from Juan Grit.
00:34:09There will never be a Presidente Villa.
00:34:11Never!
00:34:12There could be.
00:34:13A revolution is to feed the hungry bellies of the people.
00:34:15Not the ambition of Pancho Villa.
00:34:16All right, but it's a wonderful scene.
00:34:17Somebody beat us!
00:34:19Okay.
00:34:20Okay.
00:34:21We can make it a dream sequence.
00:34:22Pancho Villa's dream is for a man of education to be Presidente of Mexico.
00:34:34Okay.
00:34:35Your Presidente Wilson.
00:34:37He was a professor, see?
00:34:38Pancho Villa is a professor of horses and soldiers.
00:34:42I see.
00:34:43That's exactly what General Grant was.
00:34:45And he became President.
00:34:46Grant?
00:34:47Yeah.
00:34:48That drunk dog face.
00:34:49He killed Mexicanos like he killed his whiskey bottles.
00:34:52I had no idea.
00:34:54No.
00:34:55In your history books, there are no bad Americanos.
00:34:58Grant, he came before there was oil to steal.
00:35:01He came for the gold.
00:35:02He came for the silver.
00:35:03He came for the azúcar.
00:35:04It's an insult.
00:35:05You want to shoot the barrel of Torreón, you bring your cameras to Torreón.
00:35:08You don't shoot the life of Pancho Villa that Pancho Villa has never lived.
00:35:12Mutual fortune sunk into this.
00:35:14Lies are expensive, Francisco.
00:35:17Senor Aiken, he tells to the world he will tell the truth about Pancho Villa.
00:35:23But this, esta basura, this is fake garbage.
00:35:34May I ask you, sir?
00:35:35Did you murder William Benton?
00:35:37I don't believe you did.
00:35:38A hell of a lot of your enemies are trying to convince a hell of a lot of other folks that you did.
00:35:55If you can believe Jack Reed, there are plans in the works in Washington right now.
00:36:01Plans to invade Mexico and make Chihuahua our 49th state.
00:36:04Plans to finish you off.
00:36:05Knock you off.
00:36:06Any way they can.
00:36:08You have to understand that this is the kind of story the public expects.
00:36:16That they demand.
00:36:17When they go to the movies, you give them what they want.
00:36:20They give you what you want.
00:36:21And what you want is something you have never needed more in your life.
00:36:25Their approval.
00:36:27I think.
00:36:33Every time you see me, you grow one more huevo, Francisco.
00:36:48And just not rules.
00:36:50Everyone just mouth.
00:36:52Just months and totals.
00:36:54And run to greet them.
00:36:56Welcome your hubbies home.
00:36:58Ladies.
00:36:59Ladies, come on.
00:37:01Ladies.
00:37:02Ladies.
00:37:03Let's go, ladies.
00:37:04Saludenlos, senoras.
00:37:05Come on, come on.
00:37:07Arriba.
00:37:08Vamos.
00:37:09Vamos venga.
00:37:10Arriba.
00:37:11Mr. Cabernet.
00:37:12Can I get some hugs and kisses here?
00:37:15Abrazos.
00:37:16Besos.
00:37:17Abrazos.
00:37:18Vamos.
00:37:19Vamos venga.
00:37:20Ladies, come on.
00:37:21Come on.
00:37:22Oh, sweet Jesus.
00:37:23Cut.
00:37:24Cut.
00:37:25Cut, everybody.
00:37:26David, Charlie.
00:37:27That's just not in their nature.
00:37:28Christy, these women are shy.
00:37:29Shy?
00:37:30They're as wooden as fucking Indians.
00:37:31Most of them are fucking Indians.
00:37:33Give me five minutes.
00:37:34Okay.
00:37:35Okay.
00:37:36Okay, muchachos.
00:37:37Come on.
00:37:38Let's go.
00:37:39And come out, Raul.
00:37:40And cue the ladies.
00:37:41Ladies.
00:37:42Somebody.
00:37:43Wait.
00:37:44Hello.
00:37:45You're welcome.
00:37:46With this.
00:37:47I'm sorry, I'm sorry, I'm sorry.
00:37:48Now, let's go.
00:37:49Hey.
00:37:50Come on.
00:37:51Come on.
00:37:52Let's go.
00:37:54And come out, Raul.
00:37:59And cue the ladies.
00:38:01Ladies.
00:38:02He has his own train.
00:38:22It's just one more thing.
00:38:24He's liberated from the government.
00:38:26Fitted out a few hospital cars,
00:38:27take care of the wounded,
00:38:29made one for the press.
00:38:32It's like a city on wheels.
00:38:34I walked it the other day.
00:38:35It's almost two miles long.
00:38:42Hi, fellas.
00:38:43Hey, Frank.
00:38:44Hello, Dad.
00:38:44Hi, Charlie.
00:38:46These are the Sanchez brothers.
00:38:48Abraham, Anastasio.
00:38:50What is that?
00:38:53Ever paralyze anybody in Spanish before?
00:38:57So this will be the lab.
00:38:59We'll be able to develop our own film.
00:39:00This is the editing room.
00:39:03We're going to be able to watch our own dailies,
00:39:05which I think will make a real difference in our work.
00:39:09It's going on and on, aren't I?
00:39:12You've changed down here.
00:39:14Have I?
00:39:15When I first met you,
00:39:16it was hard to know you were even around.
00:39:19I never once had that problem with you.
00:39:23I gathered.
00:39:27Well, I guess I was fairly obvious.
00:39:30Girls don't mind that one bit.
00:39:31What do we got here, boss?
00:39:49Ah, new wardrobe.
00:39:52Civil War surplus?
00:39:54Yeah, I think it's got a good deal on it.
00:39:57You don't think these guys are going to mind?
00:39:59Dressing up like the losing side?
00:40:01Ah, I think we'll keep that our little secret.
00:40:03The impressive French 75 millimeters.
00:40:27Perfect for the job.
00:40:28I mean, really, Mary Pickford doesn't take this long in makeup.
00:40:47Mary Pickford isn't running a revolution on the side.
00:40:49And don't think she could.
00:40:51Here we go.
00:40:52How do I look?
00:40:57Una suggerencia, si me permita.
00:41:00No cambiae absolutamente nada.
00:41:04Hmm.
00:41:13You're weary, General.
00:41:17Trappings of power mean nothing to you.
00:41:20Your every goal has been achieved.
00:41:23You've avenged your family.
00:41:25You've righted the wrongs against your people.
00:41:27Many lives have been sacrificed.
00:41:30But in the end, you have saved the life of your beloved Mexico.
00:41:37But the work of a president is never done.
00:41:40Lawrence.
00:41:44And return to your desk, General.
00:41:45And pick up the pen and sign the document.
00:41:52Good.
00:41:54Lawrence, take the paper and leave.
00:41:56Bow and go.
00:42:00And now the weariness returns.
00:42:05Can you give me a sigh, General?
00:42:10Un suspiro.
00:42:11Un suspiro.
00:42:17Bueno.
00:42:17Beautiful.
00:42:19And now your speech.
00:42:21Into the camera.
00:42:23Into the lens that is the eye that sees for all the world.
00:42:26You're forced to sacrifice a lot of lives in my search for justice.
00:42:39But in the end, I've saved the life of my beloved Mexico.
00:42:45Is there anything the man cannot do?
00:43:14It is easy to be president in a movie.
00:43:21In a movie, Pancho Villa could be the Pope.
00:43:24In the end, there would be another better man who would sit in Mexico City.
00:43:29And you'll do what?
00:43:31Surely not retire.
00:43:32I think the government would open a factory to make good saddles and bridles.
00:43:38Pancho Villa, his hands are good with leather.
00:43:42Pancho Villa's hands are leather.
00:43:44And you would set off for just doing that?
00:43:46Gee, that.
00:43:48Watch.
00:43:49Mexico does not become another star on the flag of the country.
00:43:53And what about you?
00:43:54What Pancho Villa wants?
00:44:01On himself?
00:44:03Yeah.
00:44:06A parade when he dies.
00:44:08A parade with many tears and many flowers.
00:44:15For the children to miss his candy.
00:44:19A funeral.
00:44:22Many poets and singing.
00:44:25And at the end, a tomb.
00:44:28A big tomb.
00:44:31They can come.
00:44:34The people can come and see Pancho Villa.
00:44:39We'll be always there for them.
00:44:45Always.
00:44:46Cubre me the trasero.
00:45:06весnapping
00:45:09breath
00:45:10breath
00:45:14breath
00:45:15breath
00:45:16You know, I wrote this scene in my head
00:45:36the very first time I laid eyes on you.
00:45:39Was I okay?
00:45:41You want to try one more take?
00:45:43Is it too soon?
00:45:47I don't know.
00:45:48Maybe not.
00:45:52No, I'm sure not.
00:45:57Onward and upward's a ticket.
00:45:59That's what Mom always taught me.
00:46:07Amigos, tomorrow we leave
00:46:10to begin the last chapter of the Revolución.
00:46:15Mañana atacaremos Torreón.
00:46:20Después de Torreón, justo después de Torreón,
00:46:25ganaremos la Revolución.
00:46:26¡Sí!
00:46:26Bravo, gentlemen.
00:46:43Bravo.
00:46:44Bravo.
00:46:47Andale, andale.
00:46:50We have much to film in the battle, my friend.
00:46:53The battle, sir?
00:46:55The battle of Torreón.
00:46:57Oh, I won't be going with you.
00:46:59No, I finished my part in this film.
00:47:02I'm going to New Jersey.
00:47:03New Jersey?
00:47:04Start a new one.
00:47:06Really.
00:47:07You can call my agent.
00:47:08Uh, excuse me.
00:47:10J.L. Villa.
00:47:11Ya ne poedo.
00:47:12Me?
00:47:13I don't go, sir.
00:47:14Ya vayu se.
00:47:15Musi kanzović.
00:47:16I don't know.
00:47:17I don't know.
00:47:18I don't know.
00:47:19I don't know.
00:47:20Daffy.
00:47:21You two?
00:47:22You're no going?
00:47:23No, sir.
00:47:24My work's through here, sir.
00:47:25Only the camera operators are going.
00:47:27What's happening?
00:47:28I'm not sure.
00:47:29A-
00:47:30Un pelotón de fusilamiento.
00:47:31Yeah, yeah, yeah.
00:47:32Oh, my God.
00:47:34Oh, my God.
00:47:35Oh, my God.
00:47:37I don't know.
00:47:38I don't know.
00:47:39I don't know.
00:47:40I don't know.
00:47:41I don't know.
00:47:42I don't know.
00:47:43I don't know.
00:47:44I don't know.
00:47:45I don't know.
00:47:46I don't know.
00:47:47I don't know.
00:47:48Oh, my God.
00:47:49They're calling for a firing squad.
00:48:03Here, Pancho Villa is the director.
00:48:06Here, Pancho Villa says who is finished and who is not finished.
00:48:11Come on, sir.
00:48:12Come on, sir.
00:48:13Attention, pelotón!
00:48:14Come on, sir.
00:48:15Come on.
00:48:16Come on, sir.
00:48:17Come on, sir.
00:48:18Come on, sir.
00:48:19Come on!
00:48:20Come on.
00:48:21Come on!
00:48:22General, fire!
00:48:23Come on!
00:48:24Follow me.
00:48:42Ay, ay, ay, ay, ay.
00:48:45Ahora...
00:48:46Now you know what you will miss at Torreón.
00:48:49Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:48:51Oh, my God.
00:48:53Whoo-hoo!
00:48:57Hey, buddy, you guys, look out, buddy.
00:49:01Come on, buddy.
00:49:03Come on, buddy.
00:49:05Come on.
00:49:07Christy, will you take this?
00:49:11Oh, God.
00:49:14Oh, God.
00:49:16Too bad the Americans don't do no jazz in here.
00:49:46These guys are heroes of the revolution.
00:49:48Oh, the hell they are.
00:49:49What's going on, bitch?
00:49:51Move or you'll kill me.
00:49:53Put the gun away.
00:50:01General, these boys have been such a help to the movie,
00:50:04and now you're going to turn them into soldiers?
00:50:06This bitch doesn't know what the reality is, my general.
00:50:09The only one who wants is his fucking movie.
00:50:11The revolution matters to him.
00:50:13Let's go.
00:50:15No, no, no, you can't.
00:50:17Is this what you want for the children of Mexico?
00:50:19Schools for only some, Harvard just for yours,
00:50:22death for the rest?
00:50:32Very good.
00:50:33Very good.
00:50:34One boy for you, one boy for Villa.
00:50:37How can anyone possibly make that choice?
00:50:40Very simple.
00:50:42What's up, Miss Macos?
00:50:43Vayan hasta ese vagón de tren lo más rápido que puedan y vuelven para acá.
00:50:47¡Vamos!
00:50:48The one for you, I'll take the winner.
00:51:03Refunde este huesudo en el tren.
00:51:04Vámonos.
00:51:05¡Vámonos!
00:51:06¡Vámonos!
00:51:07The one for you, I'll take the winner.
00:51:08Refunde este huesudo en el tren.
00:51:09Vámonos.
00:51:10¡Vámonos!
00:51:11The one for you, I'll take the winner.
00:51:12Refunde este huesudo en el tren.
00:51:13Vámonos.
00:51:14The one for you, I'll take the winner.
00:51:15Refunde este huesudo en el tren.
00:51:16Vámonos.
00:51:17Fámonos.
00:51:18The one for you, I'll take the winner.
00:51:19¡Vámonos!
00:51:20The sol para la la la la la la la la.
00:51:23¡Vámonos!
00:51:24¡Vámonos!
00:51:25The First's The Capacity.
00:51:26Man, el tren yera de la la la la la la la la la la la.
00:51:28¡Vámonos!
00:51:30Toca la la la la la la la la la la.
00:51:32Oh, my God.
00:52:02Oh, my God.
00:52:32Oh, my God.
00:53:02Oh, my God.
00:53:32Acabaré con ese pinche actor, señor.
00:53:36¿Incluso con su nueva artillería?
00:53:41¿Y quién sabrá usar esa artillería?
00:53:43¿Acaso unos pulientos que todavía cajan en el monte?
00:53:47Sí.
00:53:47Ah, sí.
00:53:47Ah, sí.
00:53:48Uh-huh.
00:54:18¡Cúbrete!
00:54:20¡Cúbrete!
00:54:22¡Cúbrete!
00:54:24¡Cúbrete!
00:54:26¡Cúbrete!
00:54:28¡Cúbrete!
00:54:30¡Federales! ¡Es un cuerpo de avanzada!
00:54:32¡Vamos, vamos, vamos! ¡Acompáñenme!
00:54:34¡No!
00:54:36You remember our agreement.
00:54:38¡Cubrilla forgets nothing!
00:54:40¡Vaya por tus hombres!
00:54:42¡En México!
00:54:44¡Byá engineers!
00:54:46¡Vamos, bakın los acciones!
00:54:48¡Vamos, mis muchachos!
00:54:50¡Acompáñenme de LIMO!
00:54:52¡Vamos, por favor!
00:54:54¡Cúbrete!
00:54:56¡Vamos!
00:55:02¡VamosQuite!
00:55:04¡Vamos, vamos!
00:55:06¡Gamos, presрон, irnos!
00:55:08¡Cúbrete!
00:55:10¡Vamos, venus!
00:55:12Everyone ready?
00:55:24Start twinking!
00:55:28And...
00:55:29Action!
00:55:30Action!
00:55:40Rebel!
00:56:00Keep firing!
00:56:30Rebel!
00:56:40What did you get there?
00:56:51Yeah!
00:56:58Whoa!
00:57:00Yeah!
00:57:17Oh, Francisco!
00:57:19Ven.
00:57:20Mira.
00:57:21Ven, ven aqui.
00:57:22Come here.
00:57:23Mira, mira, mira.
00:57:24Aqui, en el centro, in the belly of Torreón,
00:57:28is the armory of Huerta.
00:57:31Enough guns for Pancho Villa to make a hundred revolutions.
00:57:35A Torreón, Pancho Villa will give to his General Ángeles
00:57:39and to your Senor Ayken,
00:57:41del mucho, mucho boom boom fucking boom boom.
00:57:44Excuse me, sir.
00:57:45Excuse me, sir.
00:57:47You're attacking from here.
00:57:49This is the east?
00:57:50Si.
00:57:51You're firing at the Federales from the east.
00:57:52Si.
00:57:53Is there any special reason for that plan, sir?
00:57:55Si.
00:57:56Because it's mine.
00:57:57What?
00:57:59What?
00:58:03Your camera's gonna shoot into the sun, eh?
00:58:05Your lenses are not strong enough.
00:58:07Nowhere near enough now, sir.
00:58:09Maybe you can move the cameras to the sides.
00:58:11Besides, this is why the sun can come across, eh?
00:58:13Or...
00:58:16Or what?
00:58:17Vamos, hombre!
00:58:18Habla!
00:58:19Could you...
00:58:20possibly change your attacks so that you fire from the west
00:58:22instead of the east?
00:58:25That would give us so much better a picture.
00:58:27No, no.
00:58:28No, no.
00:58:29No, no, no, no, no, no.
00:58:30No.
00:58:31No hay duda.
00:58:32No.
00:58:33Está difícil, mi Senor Ayken.
00:58:36Incident.
00:58:37Está difícil, pero...
00:58:38¿Cuánto tiempo?
00:58:42Dos horas, mi Senor Ayken.
00:58:44Para tumbarles el arsenal.
00:58:46Bueno.
00:58:48Pues, atacaremos pero no este.
00:58:51Porque de modo...
00:58:52Your way.
00:58:54Tenemos un plan, vamos a mover el culo. Tengo hambre.
00:59:15Ven, Pancho, ven.
00:59:19Don Juan te está esperando.
00:59:20El torreón que será tu tumba.
00:59:25Aquí tenemos todo preparado.
00:59:55¡Action, señor Griffith!
01:00:11¡Action!
01:00:13¡Action!
01:00:15¡Action!
01:00:17¡Atención, soldados villistas!
01:00:26¡Atención, revolucionario!
01:00:28¡Atención, revolucionario!
01:00:34¡La hora del ataque ha llegado!
01:00:36¡Aquí ha llegado!
01:00:37¡Ahora de un México libre ha llegado!
01:00:46Lo que ven al frente no es torreón.
01:00:49¡Es el futuro!
01:00:51¡Es el paz!
01:00:52¡Es la libertad!
01:00:54¡Viva!
01:01:00¡Aquí ha llegado!
01:01:13¡Aquí ha llegado!
01:01:17¡Aquí ha llegado!
01:01:24Let's go!
01:01:54Let's go!
01:02:24Let's go!
01:02:54Let's go!
01:03:24Let's go!
01:03:54Let's go!
01:04:24Let's go!
01:04:26Let's go!
01:04:28Let's go!
01:04:30I suppose you're right.
01:04:31It took the Turks 500 years to capture Constantinople.
01:04:34Let's go!
01:04:36Let's go!
01:04:40Let's go!
01:04:42Let's go!
01:04:46Let's go!
01:04:54Let's go!
01:04:55Let's go!
01:04:56Let's go!
01:04:57Let's go!
01:04:58Let's go!
01:04:59Let's go!
01:05:00Let's go!
01:05:01Let's go!
01:05:02Let's go!
01:05:03Let's go!
01:05:04Let's go!
01:05:05Let's go!
01:05:06Let's go!
01:05:07Let's go!
01:05:08Let's go!
01:05:09Let's go!
01:05:10Let's go!
01:05:11Let's go!
01:05:12Let's go!
01:05:13Let's go!
01:05:14Let's go!
01:05:15Let's go!
01:05:16Let's go!
01:05:17Let's go!
01:05:18Let's go!
01:05:19Let's go!
01:05:20Let's go!
01:05:21Let's go!
01:05:22Let's go!
01:05:23Let's go!
01:05:24There's no choice!
01:05:25It's better for Pancho Villa to lose the movie than to lose the revolution!
01:05:28Do we respect the church?
01:05:29Yeah!
01:05:30So much as she respected us!
01:05:31Let's go!
01:05:32Let's go!
01:05:33Let's go!
01:05:41Let's go!
01:05:42You're done!
01:05:43One take!
01:05:44Let's go!
01:05:45What the hell was in there?
01:05:47The Pederales hide ammunition in the church.
01:06:06This way they go to heaven faster!
01:06:09Any flight now?
01:06:10Francisco.
01:06:11¡Vamos, Donardo!
01:06:12¡Vamos!
01:06:13¡Vamos!
01:06:14¡Vamos!
01:06:15¡Vamos!
01:06:40¡Vamos!
01:07:10¡Vamos!
01:07:40¡Vamos!
01:08:10¡Vamos!
01:08:11¡Vamos!
01:08:32Hello, sonny boy.
01:08:34Hi.
01:08:35Take some of this.
01:08:37Thanks.
01:08:39Got it.
01:08:49Friggin' rainwater.
01:08:51That's all there is.
01:08:53If you ask me, God's been pissing in it.
01:08:59Hell of a show the boss put on last night, huh?
01:09:02I didn't get one foot of it.
01:09:04Well, there are those days, kid.
01:09:06There are those days.
01:09:10Sorry, Sam.
01:09:11Ah, don't worry about it.
01:09:12You can take a Jew apart.
01:09:13You can never kill them altogether.
01:09:15Used to aggravate the hell out of my mother.
01:09:19There's a law you know.
01:09:21Anybody with a tattoo, no Jewish cemetery will let you get buried there.
01:09:25As if it's gonna bother somebody in the next grave, right?
01:09:29Well, I can't tell you how happy this is gonna make my mother.
01:09:35Many incidents that we'veied with them.
01:09:36I got up there now, I got up there.
01:09:37No, I got up there.
01:09:38I got up there.
01:09:41My general, my general, me suplico, me suplico.
01:09:53Deja, deja, deja, dígame, dígame.
01:09:56Le suplico que me ayude.
01:09:58Sus hombres cometieron un error.
01:09:59Trajeron a mi marido del Palacio Municipal
01:10:01y él no es un soldado, él no es un soldado, lo juro.
01:10:04Cálmese, cálmese. ¿Cómo se llama su marido?
01:10:05Luis, Luis Madrigal.
01:10:11No, no, no, no.
01:10:15No, no, no, está bien, está bien.
01:10:19Charlie, set up fast.
01:10:21This is the scene we missed at all longer.
01:10:22Lo siento, señora.
01:10:42Lo siento, la guerra es así, no la he inventado.
01:10:44Asesino, asesino, asesino, asesino, criminal, criminal, asesino, asesino.
01:10:59Cerdo, cerdo.
01:11:01Oh, my God.
01:11:25How could you?
01:11:28Don't speak to me of God.
01:11:34God has never been to Mexico.
01:11:37If he has been, he has a heart of stone.
01:11:39Go home, Frank.
01:12:02All of you!
01:12:03Go where to be born.
01:12:09It's to be equal.
01:12:11The children of Mexico are not yet so lucky.
01:12:18Evinceline!
01:12:39Mr. Walsh?
01:12:42One more.
01:12:45Very still now, very still.
01:12:52As far as I can say, two real thumbs are a thing of the past.
01:12:55I can imagine a time when five real, six real things...
01:12:58It's not gonna be an easy thing to see for us because we, uh...
01:13:01It's like titty sand.
01:13:02Mr. Griffiths.
01:13:04Mr. Griffiths.
01:13:05Mr. Griffiths.
01:13:06Mr. Griffiths.
01:13:07Mr. Griffiths.
01:13:08Mr. Griffiths.
01:13:09Mr. Griffiths.
01:13:10Good evening.
01:13:11Good evening.
01:13:12Good evening.
01:13:12Nice to see you again.
01:13:13Good evening.
01:13:14Good evening.
01:13:15Good evening.
01:13:16Onward and upward.
01:13:18That's the ticket.
01:13:19All right.
01:13:20Good evening.
01:13:21Good evening.
01:13:35Please praise God.
01:13:40Good evening.
01:13:46Nice.
01:13:48Good evening.
01:13:50Hi.
01:18:53It's the movie's turn to make truth the first casualty of war.
01:18:56Is there a second?
01:18:58Well, if that's the first, who cares?
01:18:59Why'd he kill her, Jack, so coldly, so brutally, it's as though he killed the whole revolution.
01:19:10You know what it is?
01:19:11You know what it is to say to a whole country, let me make everything that's wrong, let me
01:19:20let me carry you all on my shoulders.
01:19:22Well, you'll find a way to live with you.
01:19:32Well, you'll find a way to live with yourself.
01:19:33You'll find a way to live with Pancho, too.
01:19:35You used each other.
01:19:36You used each other.
01:19:37You used each other, Frank.
01:19:38You used each other, Frank, mutual and via.
01:19:42Together, you proved that the lens is a hell of a lot mightier than this sort.
01:19:46Thank you very much.
01:19:47Congratulations.
01:19:48Congratulations.
01:20:19Hey, sonny boy.
01:20:27Sam Trevin.
01:20:30My God.
01:20:32Sit in here, park it.
01:20:34Mama, this is my good friend.
01:20:36I need to write.
01:20:40Yeah, yeah.
01:20:40Careful, sweetheart.
01:20:42She's got a bladder like a faucet.
01:20:44Watch what you say.
01:20:45She thinks I'm a paint salesman.
01:20:46Eat your meat.
01:20:48Yeah, yeah, right, ma'am.
01:20:50Ask me ice cream.
01:20:53Okay, ma'am.
01:20:55Shades of Poncho, yeah.
01:20:56Oh, she's tougher, believe me.
01:21:00Got too good a look at a federally bayonet.
01:21:04You don't still work for him, do you?
01:21:05No, no, no, no.
01:21:06Not since after the revolution.
01:21:08Funny guy, Poncho.
01:21:10Gave me a letter of reference.
01:21:11He said Moses should have used me for a machine gun.
01:21:14Wrote it with your pen, too.
01:21:18Yeah.
01:21:19He was pretty browned off with you guys, you know.
01:21:21He never did get to see that movie.
01:21:23Jack Reed said that we made him look so good
01:21:26that Washington held off the idea of invading Mexico.
01:21:29Be that as it may, you welshed on him, kid.
01:21:31I was there when you promised him a print for the widows.
01:21:33Remember?
01:21:34Yeah, Akin was mad at him for breaking the contract.
01:21:38Yeah, like Akin needed an excuse to be full of shit.
01:21:41Oh, some revolution.
01:21:44The new fuckers are the same as the old fuckers.
01:21:48Big guys up here still control everything that's going on down there.
01:21:52Both sides of the border still scared shitless Poncho's gonna come out
01:21:55and start shooting again because the revolution turned sour.
01:22:00Want my two cents for what they're worth?
01:22:02Mexico would be a hell of a lot better off
01:22:05if God had taken his goddamn oil and shoved it under Brooklyn.
01:22:23I wish very much that you had been in Parral
01:22:25for the christening of my firstborn, Anastasio Francisco,
01:22:29named for my brother and for you.
01:22:32I hope he will be proud to say one day
01:22:35that he's a godson of Pancho Villa.
01:22:37PIANO PLAYS
01:22:40PIANO PLAYS
01:22:42PIANO PLAYS
01:22:43PIANO PLAYS
01:22:44PIANO PLAYS
01:22:45PIANO PLAYS
01:22:45PIANO PLAYS
01:22:46PIANO PLAYS
01:22:47PIANO PLAYS
01:22:48PIANO PLAYS
01:22:49PIANO PLAYS
01:22:50PIANO PLAYS
01:22:51PIANO PLAYS
01:22:52PIANO PLAYS
01:22:53PIANO PLAYS
01:22:54PIANO PLAYS
01:22:55PIANO PLAYS
01:22:56PIANO PLAYS
01:22:57PIANO PLAYS
01:22:58PIANO PLAYS
01:22:59PIANO PLAYS
01:23:00PIANO PLAYS
01:23:01PIANO PLAYS
01:23:02PIANO PLAYS
01:23:03PIANO PLAYS
01:23:04PIANO PLAYS
01:23:05PIANO PLAYS
01:23:06PIANO PLAYS
01:23:07PIANO PLAYS
01:23:08At the christian party the general was very much as the general always was
01:23:13Though some said later he was more quiet more thoughtful
01:23:19They said he had a premonition
01:23:27After giving my son his medal of the Virgin of Guadalupe which many times over he will say really belong to you
01:23:33He started to drive back to his Hacienda Grande with a secretary and two guards and then in the center of Parral
01:24:03Some said the government killed Pancho Villa. Some say it was the gringos. Some say it was both
01:24:21The general was dragged away like an animal even in death. They're afraid of him
01:24:27He's without a grave. He has no tomb. How will they remember him, Senor Frank?
01:24:35How will the sons of Mexico remember our Pancho Villa?
01:24:38THE END
01:24:58Ya mira la
01:25:18Lila, Viva!
01:25:22No!
01:25:23No!
01:25:47Following his assassination, the name of Pancho Villa was stricken from all official records.
01:25:52Statues, monuments, even children's books.
01:25:56When the government decided it was safe to disinter his body, it was discovered that someone had stolen his head.
01:26:03In 1976, after half a century, the remains of his remains were laid to rest in Mexico City, alongside other heroes of the revolution.
01:26:13Finally, he'd been given the funeral he'd always dreamed of.
01:26:17As in the case of his head, the film, The Life of General Villa, has been lost to posterity.
01:26:24If anything at all, Frank Thayer remains just a footnote in history.
01:26:28No complaints.
01:26:29It's not too bad.
01:26:30No complaints.
01:26:31It's not too bad.
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2:50:27
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