- 2 days ago
HE FOUGHT WITH BULLETS AND WAS FILMED WITH GLORY Pancho Villas Legend WESTERN MOVIE 2025
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Short filmTranscript
00:00:00To guarantee the safety of each and every one of our camera operators.
00:00:03Set up in the doorway!
00:00:04Hurry!
00:00:07Turn around and get on the gutter!
00:00:09I'm here! I'm here!
00:00:18Sir!
00:00:19You must be really devoted to this cause!
00:00:21For a crazy month, there's nothing Sam Drappin can't get devoted to.
00:00:25Plus all the gold teeth I can pull.
00:00:28Watch your ass, sonny boy!
00:00:35Another day, another dollar.
00:00:45Hearst Publications.
00:00:47You don't have any qualms about manipulating public opinion in favor of a man
00:00:51many people consider to be nothing more than a socialist rabble-rouser.
00:00:56Unlike your employer, Mr. Hurst, this company has no interest whatever
00:01:00in meddling in politics, foreign or domestic.
00:01:03To the millions, he's trying to free of a cruel dictatorship.
00:01:07Pancho Villa hardly needs Mutual's help to enhance his reputation
00:01:11as the George Washington of Mexico.
00:01:12What's your fault?
00:01:13To the else?
00:01:14To the other?
00:01:14Kill the octopus!
00:01:14All right, $50 www.
00:01:20He's got pressure.
00:01:21To the amount of añor to his death.
00:01:24He's got pressure.
00:01:25The man to the God of blame.
00:01:26Cleム-Author, the guy will come full of it.
00:01:27Go!
00:01:27Come, come, come, come, come!
00:01:29Let's go!
00:01:30Let's go!
00:01:31Let's go!
00:01:31Let's go!
00:01:33Let's go!
00:01:34Let's go!
00:01:34Let's go!
00:01:35Let's go!
00:01:36Let's go!
00:01:36Let's go!
00:01:37Let's go!
00:01:37Let's go!
00:01:37Let's go!
00:01:38Let's go!
00:01:38Let's go!
00:01:38Let's go!
00:01:40I'm right here!
00:01:42Francisco, you are not dead yet, eh?
00:01:44Still alive, sir.
00:01:45Felicitaciones!
00:01:47Vamanos!
00:02:10Right now.
00:02:28Okay.
00:02:30Careful!
00:02:31على المقبلة ي widespread
00:02:36these are just civilians aren't they yeah you make the mistake of supporting
00:02:50Pancho Villa you wind up being a tree ornament
00:03:20saves ammunition captain's mine
00:03:26next patient
00:03:50andale a jugar andale vámonos vámonos
00:04:02padre padre padrecito
00:04:09general Villa
00:04:11qué honor para nuestro pueblo que esté usted aquí pues muchas gracias viene a
00:04:15confesión verdad sí que parece si le confieso ya usted primero
00:04:20eh venga
00:04:21no sé la muchacha conozco la muchacha conozco la muchacha
00:04:28sabe qué edad tiene tiene catorce años
00:04:32he's gonna have a playmate soon somebody knocked her up
00:04:35ahora vamos a confesar ave maría purísima
00:04:43no sin pecado concebida no padrecito
00:04:46ed figures
00:04:47what
00:04:47the father's the father
00:04:49no escuche no le escuche nadie pídele perdón públicamente hombre
00:04:54yo me voy a ocupar de la familia
00:04:55he's swearing to take care of the kid and the baby however long they need it for
00:04:59abre la boca
00:05:00abre la boca
00:05:02puede que la familia le perdone
00:05:06puede que yo le perdone
00:05:09pero creo que dios no le va a perdonar
00:05:12desgraciado
00:05:14satisfecho padre
00:05:15andale
00:05:17good work frank you didn't get in my way once thank you henny not a feel today mr thayer being
00:05:22smack in the middle of the killing ground
00:05:29it's shameful to admit how exciting i found it strictly a survivor sensation someone else's death serving as your own reprieve
00:05:36you're in good company mr thayer shamelessness is a big following down here
00:05:43bank robbers painters
00:05:45poet
00:05:47soldiers of fortune
00:05:49enough anarchist to blow up wall street ten times over
00:05:50healing jews and fighting jews morris roushbaum a surgeon from indiana
00:05:54sam drebin
00:05:56machine gunner from the bronx
00:05:58general angeles came over from the federales
00:05:59general angeles came over from the federales
00:06:03studied von clauswitz well read
00:06:05idealist
00:06:06idealist
00:06:07he's the other side of the pace out of the general fiera
00:06:08he gets really ugly unless he kills at least one prisoner before breakfast
00:06:12from the merely curious to the merely morbid
00:06:16all of us in via's orbit
00:06:17all of us in via's thrall
00:06:46you take home a nice record of the damn evil a souvenir but be careful
00:06:59you should take give you some crawly souvenir in your underwear
00:07:04her husband got killed in the fighting today
00:07:34she's her youngest son too
00:07:37charlie
00:07:39get this
00:07:49he just gave her more money than her old man saw in his entire life
00:07:54juan
00:07:55what will they think
00:07:57juanito my american friends when they see the movie of pancho villa
00:08:01i think mr doheny is going to be very impressed indeed
00:08:04he worships the ground that is mexico
00:08:12doheny worships what's underneath it
00:08:14your senor hers is uh...
00:08:16he's also
00:08:17very nervous
00:08:21you know how much he owns
00:08:23mexico francisco
00:08:25senor hers
00:08:26how many acres
00:08:27siete millones
00:08:29more like eight
00:08:30eight million acres
00:08:32how many head of cattle have you stolen from him
00:08:34sixty thousand he says
00:08:36oh
00:08:37you are loco
00:08:38juanito
00:08:39fifty thousand
00:08:40fifty thousand maybe
00:08:42maybe fifty thousand the most
00:08:45so francisco today was not too um
00:08:49boring
00:08:52boring
00:08:53it was not too boring
00:08:55you became more a man a little i think today
00:08:58maybe you and your amigos
00:09:00yeah i'd say we had a good start
00:09:02today i think they found a little bit their huevos
00:09:06even though a few of them got a little wet
00:09:09yes
00:09:12una medallita
00:09:14una medallita
00:09:16para su confirmaciun
00:09:19por sus servicios de revolucion
00:09:25you will help
00:09:27por ustedes habran los americanos
00:09:29que también al sur de la frontera hay esperanzas
00:09:32you will help americans know that
00:09:34hope does not stop at the border
00:09:35it's my burging of guadalupe
00:09:38I'm deeply honored, sir.
00:09:40It's as you should be.
00:09:47You've got the only virgin left around here.
00:10:04Please bear in mind that our camera operators
00:10:06had to constantly deal with movement of men and horses,
00:10:09exploding bombs, clouds of gunpowder.
00:10:13But what you're looking at is, without a doubt,
00:10:15never-before-seen footage of live action
00:10:18shot on an actual field of battle.
00:10:20Never-before-seen footage?
00:10:22You still can't see it.
00:10:29They'd have bit the dust a lot better
00:10:31if D.W. Griffith had directed it.
00:10:33Let me assure you that every one of these men and women
00:10:38and every child died in the very best way that they could.
00:10:44There he is, boys, on motion picture film
00:10:46for all the world to see,
00:10:48General Pancho Villa.
00:10:49Hello?
00:11:10Let's go.
00:11:12Despite its technical flaws,
00:11:21clearly more people will discover Pancho Villa
00:11:23from a few feet of this crude historic film
00:11:25than from the reams that have been written about
00:11:28his struggle to rid Mexico of its greedy robber barons,
00:11:31the only ones to profit from their cozy marriage
00:11:34with rapacious American interests.
00:11:36Unfortunately, not everyone happens to be
00:11:38the socialist lover that John Reed is.
00:11:40Hearst, no surprise, is putting our nuts through a ringer.
00:11:45Pardon me.
00:11:46With all he's got invested in Mexico,
00:11:48Hearst tends to lose one or two of his fortunes down there.
00:11:51Speak up, Harry. We're a whole country apart, for God's sake.
00:11:55Listen to this.
00:11:56Pandering to Villa's overblown vanity,
00:11:59the perpetrators of this clumsy excuse of a film
00:12:01clearly demonstrate that they have a far greater interest
00:12:04in selling tickets to a gullible public
00:12:05than in telling the real truth about the social...
00:12:08I'll take the pastrami on rye.
00:12:09Than in telling the real truth about the self-styled General Villa
00:12:12and his ragtag army
00:12:13would marry a piece of modern artillery to its name.
00:12:16Mightn't it be more productive for you to be reading the one end?
00:12:18You know what's so galling about all this?
00:12:20It's all true.
00:12:21We had so little control over what was happening,
00:12:23Villa comes off as some kind of simple star-struck cowboy.
00:12:26Give me the strudel.
00:12:27We didn't offer a clue to his complexity,
00:12:30to his greatness.
00:12:31What a movie that would make.
00:12:32This would all be better said to someone with a checkbook, wouldn't it?
00:12:38He's been beaten and tortured all his life.
00:12:41They say that he still has whip scars across his back.
00:12:44He was a convict before he turned 20.
00:12:46Frank, it's midnight.
00:12:47Before he was 12, he was already being hunted by the law.
00:12:50Now, now there are places in Mexico where he is the law.
00:12:53Don't make me fire twice in one week, Frank.
00:12:56He's the James Boys.
00:12:57He's Billy the Kid.
00:12:58He's Napoleon, all rolled into one.
00:13:01But he asks nothing for himself.
00:13:03He takes nothing.
00:13:05He builds schools where there were none.
00:13:07He seizes the homes of the wealthy.
00:13:08He redistributes the land.
00:13:10He gives it to the poor.
00:13:10He feeds them.
00:13:12He even prints his own money.
00:13:14He prints his own money?
00:13:15Well, the man's not all bad, is he?
00:13:16Tell me that this material would not make a fantastic moving picture.
00:13:20Forget it.
00:13:20The Times said the one we made looked like a high school player that couldn't afford the costumes.
00:13:27For my money, and that's sure as hell what every penny of it was, we gave Pancho Villa more than his shot.
00:13:33But we didn't.
00:13:34That's the whole point.
00:13:36Be realistic.
00:13:36You'd never crowd all that stuff into a two-reeler, not in a million years.
00:13:40I'd make it more like seven.
00:13:43Seven reels?
00:13:44Seven reels.
00:13:45Did you smoke some of that funny stuff down in Mexico, Frank?
00:13:48Who in their ripe minds is going to want to sit through a movie that runs for over an hour?
00:13:53There's never a first until someone tries it.
00:13:57Don't give me fortune cookers in the middle of the night, Frank.
00:14:00And seven reels is a whale of a show you're ready to give away for a nickel a ticket.
00:14:06Then double it.
00:14:09Double it?
00:14:12A dime?
00:14:13A dime a ticket?
00:14:13A dime a ticket.
00:14:14One good first deserves another.
00:14:18These are exciting thoughts, Frank.
00:14:20They are.
00:14:22I'm definitely getting excited.
00:14:24Don't let me stop you.
00:14:28If only they didn't all look so crummy down there.
00:14:32For ten cents, people are going to want to see a hell of a lot more than a bunch of barefoot buggers jumping around in the cactus.
00:14:37We can help them look better.
00:14:38I know we can.
00:14:39I'll have to run this past EW, of course.
00:14:43He'll see the possibilities in a minute.
00:14:45I promise you.
00:14:47The life of General Villa.
00:14:49Okay, okay, okay, okay.
00:15:13I'll see you next time.
00:15:13I'm CT.
00:15:14I'll call you Abraham.
00:15:15Where is General Villa?
00:15:17Highly.
00:15:17Highly.
00:15:17Highly.
00:15:18What do you find?
00:15:27Espérame, my brother.
00:15:34Ya casi.
00:15:39Las escrituras de la hacienda.
00:15:41400.000 hectáreas.
00:15:43Debió de haber trabajado mucho de chamaco para tener tanta tierra.
00:15:53Un hombre solo necesita la tierra suficiente para saciar su hambre.
00:16:02Y un poquito para que lo entierren.
00:16:06Venga, es suyo.
00:16:08No lo quiere.
00:16:17Bueno.
00:16:23¿Su firma? Don Luis.
00:16:26¿Mi firma?
00:16:28En un papel blanco.
00:16:29No por mucho tiempo.
00:16:32Su infinita generosidad le hará un préstamo a los pobres.
00:16:38¿De cuánto?
00:16:40Pues lo suficiente para que se empareje usted con ellos.
00:16:43Para que sepa lo que es no tener medio centavo.
00:16:47Ni media mula.
00:16:49Ni un pedazo de pan por romperse el lomo.
00:16:51Hasta que el único sabor que conozca sea la sal de sus lágrimas.
00:17:00Bien.
00:17:02Fírmele ya.
00:17:06¡Fírmele ya, hombre!
00:17:08Antes de que le sirva sus huevos a los puercos.
00:17:11He oído mucho de este libro.
00:17:23¿Usted ya lo leyó?
00:17:24Ningún hombre puede presumir de culto...
00:17:27...si no ha leído al Quijote.
00:17:30Llévenselo.
00:17:32Llévenselo.
00:17:34Llévenselo.
00:17:36Llévenselo.
00:17:37Voy a cultivarme un poquito.
00:17:38Vamos.
00:17:40Llévenselo.
00:17:42¡Vamos!
00:17:44¡Volvete!
00:17:46¡Desgraciado!
00:17:49Llévenselo.
00:17:51Llévenselo.
00:17:53Llévenselo.
00:17:55Llévenselo.
00:17:57Llévenselo.
00:17:58Llévenselo.
00:18:00Llévenselo.
00:18:02Llévenselo.
00:18:04Llévenselo.
00:18:05Llévenselo.
00:18:06Llévenselo.
00:18:07Llévenselo.
00:18:08Llévenselo.
00:18:09Llévenselo.
00:18:10Llévenselo.
00:18:11Llévenselo.
00:18:12Llévenselo.
00:18:13Llévenselo.
00:18:14Llévenselo.
00:18:15Llévenselo.
00:18:16Llévenselo.
00:18:17Llévenselo.
00:18:18Llévenselo.
00:18:19Llévenselo.
00:18:20Llévenselo.
00:18:21Llévenselo.
00:18:22Llévenselo.
00:18:23Llévenselo.
00:18:24Llévenselo.
00:18:25Llévenselo.
00:18:26Llévenselo.
00:18:27Llévenselo.
00:18:28Llévenselo.
00:18:29Llévenselo.
00:18:30Llévenselo.
00:18:31Llévenselo.
00:18:32Well, when I see a thing, I would know you're here.
00:18:36I miss you many times, mi amigo, many times.
00:18:38I've missed you.
00:18:39Yeah, good. Bueno, bueno, bueno.
00:18:41The Virgin, does she answer your prayers?
00:18:45Not with my Spanish. She doesn't.
00:18:47It's not Spanish. Never Spanish. Mexicano.
00:18:52Two things Spain give to my people.
00:18:55The church and the weapon.
00:19:00You should write a book.
00:19:01Oh, maybe I have to read one or two first.
00:19:04Mira.
00:19:15This is the bottle.
00:19:16Yeah.
00:19:20So much death.
00:19:23Two little circles.
00:19:27Magic.
00:19:29Tomorrow we must liberate a proyecto somewhere.
00:19:33Tell me, are you hungry, thirsty?
00:19:34No, no problemo. Estoy muy bien.
00:19:37House of great wealth, huh?
00:19:39No one drop of ice cream.
00:19:40Chingados.
00:19:49If my father saw us here, me and my brother, he would say, vamos muchachos, before your hair grows a boot.
00:19:55A room like this. Such a room. Could be only for dawn. Or for a foreigner.
00:20:05Aquí no hay mestizos.
00:20:08To a room like this, my father could only crawl to beg for some food for himself, for his family.
00:20:17There are books here that weighed more than he did when he died.
00:20:28Welcome back to Mexico.
00:20:30Are you all right, Francisco?
00:20:31Yes, thanks.
00:20:32Is the horse riding you well?
00:20:33Uh-huh.
00:20:34Dígame, you did not come all this way only to bring me my film, right?
00:20:36Eh?
00:20:37Sería un honor para el señor Echen el que hiciera otra película para la compañía mutual de la compañía
00:20:39de la compañía.
00:20:40No.
00:20:41No.
00:20:42No.
00:20:43No.
00:20:44No.
00:20:45No.
00:20:46No.
00:20:47No.
00:20:48No.
00:20:49No.
00:20:50No.
00:20:51No.
00:20:52No.
00:20:53No.
00:20:54No.
00:20:55No.
00:20:56No.
00:20:57No.
00:20:58No.
00:20:59No.
00:21:00No.
00:21:01No.
00:21:02No.
00:21:03No.
00:21:04No.
00:21:05No.
00:21:06Another movie.
00:21:09You want to make another movie with Pancho Villa?
00:21:11Yes, sir. Same deal as last time. Same money.
00:21:14Well, President Wilson has lifted the arms embargo.
00:21:19Money is not a problem for Pancho Villa anymore.
00:21:23Tell me, has there ever been a movie of Don Quixote? Do you know?
00:21:28No. Not that I know of. No, sir.
00:21:31No one movie of Don Quixote.
00:21:33And Senor Edkin wants to make two of Pancho Villa.
00:21:36We believe that this story, this photo play, will greatly enhance your popularity
00:21:41and it's going to go a long way to helping the revolution.
00:21:44You still have a lot of enemies in high places.
00:21:47Yeah, that's the best place for enemies. High up where you can see them.
00:21:52Well, look, you'd be doing me a very, very good thing.
00:21:55Remember, Don Quixote, my friend.
00:21:58A man must not fight windmills.
00:22:03Via positively not interested.
00:22:14Returning New York immediately.
00:22:17Awfully sorry. Did my level best.
00:22:19Frank and Thayer.
00:22:21And the nephew.
00:22:22Oliver, who's your favorite?
00:22:23And the nephew.
00:22:24That's the whole thing.
00:22:24That's the whole thing.
00:22:25He's a hero.
00:22:25He's a hero.
00:22:26It's a hero.
00:22:27He's a hero.
00:22:27He's a hero.
00:22:28You own a hero.
00:22:29He said that he's a hero.
00:22:31Beautiful.
00:22:32He said that he's a hero.
00:22:33I'm a hero.
00:22:35He said that he's a hero.
00:22:44He said that he has his body.
00:22:46Don't give me that happy pay on luck.
00:22:57You're on my land.
00:22:58You and your bloody bandit don't think you can just ride off here with my horses and my guns, eh, amigo?
00:23:07Soldiers of Pancho Villa.
00:23:09Not bandidos.
00:23:13You've been robbing me blind and you bloody well know it.
00:23:16Come here, Mr. Benton.
00:23:24Come here with me.
00:23:25Here in Mexico of English ranch owner William Benton, but the latest example of the socialist
00:23:37sphere's rabid hatred of foreigners reinforces the Hearst Corporation's demand that the civilized
00:23:43nations of the world acted all haste to introduce the self-styled general to the business end
00:23:48of a rope.
00:23:49A este disque general.
00:23:51A este disque general.
00:23:51A este disque general.
00:23:51He's been so proud of me.
00:23:57This is an royal man who runs away from the dollars of men openings.
00:24:33Mr. Aitken?
00:25:03Mr. General have any questions?
00:25:09General has no questions.
00:25:11Whenever engaging the enemy, you guarantee...
00:25:14That's you, sir.
00:25:15I know I am. You.
00:25:17You guarantee that any fighting by the forces under your command will occur only between the daylight hours of 9 a.m. and 5 p.m.
00:25:25De acuerdo. Agreed.
00:25:27There is to be no night combat whatsoever, and the mutual company, that's us, is to be informed and consulted as to the nature of any and all military engagements.
00:25:37Si, si, si.
00:25:38In the event that a major exchange cannot be filmed, you will agree to restage such battles or stage new ones as may be necessary for the benefit of the mutual company's cameras.
00:25:54For its part, the mutual company agrees to furnish wardrobe.
00:25:59Usted se queda aquí, eh?
00:26:01Porque sin usted esto no camina.
00:26:04Estaré con usted cada segundo del día.
00:26:08Cada segundo del día.
00:26:09Problem?
00:26:10He wants to make sure Frank's gonna be working on this one, too.
00:26:12No, Francisco.
00:26:15No, Francisco.
00:26:16I promise you, General, this fine young man is gonna be with you every damn momentum of the day.
00:26:24Momentum.
00:26:24Whatever you need, whatever you want, this is gonna be your man.
00:26:27Every bit of it is gonna be mine.
00:26:29Muy bien.
00:26:30Hang on.
00:26:31It's right here, sir.
00:26:3425,000.
00:26:3725,000, as before.
00:26:40I take it we have a deal, sir.
00:26:43Un momentum.
00:26:45Un momentum.
00:26:45Um, the soldiers of Pancho Villa have left behind many warforos, y-yudas.
00:26:52Uh, lots of widows and orphans.
00:26:54He's up to his ass in them.
00:26:56They're very sad.
00:26:58They're very poor.
00:26:59The general is most sensitive.
00:27:00Sí, sí.
00:27:01Sensitive.
00:27:03A leader must be muy, uh, muy sensitive.
00:27:08Muy sensitive.
00:27:10You must give to Pancho Villa when into Mexico City, uh,
00:27:14after the Revolución.
00:27:17¿Cómo se dice una copia de la película?
00:27:19A print?
00:27:20A print, a print.
00:27:21A tarde importante.
00:27:23He wants his own print.
00:27:25Uh, I think he wants to have his own premier down here.
00:27:28Uh, exactamente.
00:27:29Pancho Villa, too, needs, uh, nickels.
00:27:32Many nickels for the those who lost so much, and for the those who lost, uh, so many.
00:27:39I, uh, I will be very happy to write that into the agreement this very minute, sir.
00:27:44Uh, no es necesario, my good sir, for Pancho Villa, your hand is your word.
00:27:56Certainly.
00:27:57Of course.
00:27:59It's my pleasure, sir.
00:28:00It's my pleasure, sir.
00:28:30Hiya, Duffy.
00:29:00Hey, Frank, nice to see you, Carl.
00:29:03Nice to meet you.
00:29:05Hiya, Charlie, how are you?
00:29:10Where's the scotch, Frank?
00:29:11Didn't you bring it?
00:29:13I see you've got gloves this time.
00:29:16Welcome to Mexico.
00:29:24General Veer, please allow me to introduce our director.
00:29:30This is Mr. William Christie Cabanet.
00:29:33I am so looking forward, sir.
00:29:35Welcome to Mexico.
00:29:36And this is Miss Teddy Sampson, who will play the role of your sister.
00:29:41Very beautiful.
00:29:43My dear, very beautiful.
00:29:44And this is Miss Irene Hunt, who will be your mother.
00:29:50Hello, mother.
00:29:51Now my mother is good.
00:29:52And Charlie Rocha, of course, you know from Oanaga.
00:29:58Are your huevos all dry now, Charlie?
00:30:00For the moment.
00:30:04And this, sir, is Mr. Raul Walsh.
00:30:08General.
00:30:09He'll be playing the young Pancho Villa.
00:30:11Tell me, Raul Walsh.
00:30:12You know even which end of the horse shits.
00:30:15Come on, Raul Walsh.
00:30:18I'm the king!
00:30:28Help me!
00:30:30Go!
00:30:30Come on, Raul Walsh.
00:31:00You can't be me.
00:31:25I'm the king!
00:31:26Okay, Carl, camera.
00:31:28And action.
00:31:30And say goodbye, Mom.
00:31:34Very nice.
00:31:36Yes, sis.
00:31:37Go get you a little of that.
00:31:38Mm-hmm.
00:31:40And lovely.
00:31:41Okay.
00:31:42Yeah.
00:31:43And it's farewell, Pancho.
00:31:45Let's go.
00:31:46And he goes.
00:31:48And cut!
00:31:52Okay.
00:31:52Very nice.
00:31:55Um, get more of a routine goodbye, Raul.
00:31:59Oh.
00:32:00Listen, your character has no way of knowing what tragic events the day is going to bring.
00:32:04So keep it big.
00:32:05Make it small.
00:32:07Christy, I want to suggest...
00:32:07Okay?
00:32:07Adrian, give me a wee bit less.
00:32:09Just hearts.
00:32:10No flowers.
00:32:11Uh-huh.
00:32:11Okay?
00:32:12Yes, sir.
00:32:12Unamas, people.
00:32:13Oh, as pronto as possible.
00:32:15Por favor.
00:32:16Make up.
00:32:17Okay?
00:32:17Let's go, people.
00:32:18Hmm?
00:32:18Just...
00:32:19I was just thinking that maybe...
00:32:20No!
00:32:20Don't think, darling.
00:32:21Just act.
00:32:22Okay.
00:32:22Let's just make a movie here.
00:32:24That's enough.
00:32:24That's enough.
00:32:25Okay?
00:32:25Look, he's a Mexican.
00:32:26Mexican sweat.
00:32:27He's fine.
00:32:28Leave him alone.
00:32:29Carl, crank him.
00:32:31Okay.
00:32:31Uh-huh.
00:32:33And from the kiss, por favor.
00:32:35And action.
00:32:38Much better.
00:32:39Much better.
00:32:39And sis.
00:32:41Lovely.
00:32:42Okay.
00:32:43And farewell, Pancho.
00:32:45Off he goes.
00:32:46Goodbye, Pancho.
00:32:48That's good.
00:32:48Okay, one last look at mom and sis.
00:32:50A fond look.
00:32:51Fond.
00:32:52Fond.
00:32:53Fond.
00:32:54You love him.
00:32:54You love him.
00:32:55You love him.
00:32:55Good.
00:32:56Wham-bam out the door.
00:32:57And perfect.
00:32:59Cut.
00:33:00Print.
00:33:00Beautiful.
00:33:01Next set up.
00:33:02McDuff?
00:33:03Unquestionably, the most expensive and longest motion picture ever contemplated.
00:33:07So reads the mutual film company publicity.
00:33:10An unprecedented seven 15-minute reels, two of which will be filmed during the upcoming battle of Torione,
00:33:17for which Villa's forces are now preparing.
00:33:18The mutual company promises an additional five reels devoted to a specially written photo play.
00:33:29The factual story of the heroic life of Pancho Villa.
00:33:32I don't understand.
00:33:42I don't understand.
00:33:43Mierda means shit.
00:33:45I know that.
00:33:46I just don't know why you say that.
00:33:48Pancho Villa becomes an outlaw when the federalists take away his father's land.
00:33:53The land of Pancho Villa's father was his grave!
00:33:55Mr. Akin just feels that that's more colorful.
00:33:58That's only dramatic license.
00:33:59It is a license to lie!
00:34:00You don't understand.
00:34:02Oh, yes.
00:34:02I understand.
00:34:04I understand that never, never does Pancho Villa want the world to see his sister Mariana
00:34:08raped by federalists.
00:34:10But that's what turned you into a rebel.
00:34:11I know why I became what I became.
00:34:15Pancho Villa does not have to see a movie to find out who is Pancho Villa.
00:34:23Presidente Villa.
00:34:24From where does this fantasia come?
00:34:27You have learned nothing from Juan Grit.
00:34:29There will never be a Presidente Villa.
00:34:31Never!
00:34:32There could be.
00:34:33A revolución is to feed the hungry bellies of the people, not the ambition of Pancho Villa.
00:34:36But it's a wonderful scene.
00:34:38Somebody beat us!
00:34:41Okay.
00:34:47Okay.
00:34:49We can make it a dream sequence.
00:34:51Pancho Villa's dream is for a man of education to be Presidente of Mexico.
00:34:55Okay.
00:34:55Your Presidente Wilson.
00:34:57He was a professor, see?
00:34:59Pancho Villa is a professor of horses and soldiers.
00:35:02I see.
00:35:03That's exactly what General Grant was.
00:35:05And he became President.
00:35:06Grant?
00:35:07Yeah.
00:35:07That drunk dog face.
00:35:09He killed Mexicanos like he killed his whiskey bottles.
00:35:12I had no idea.
00:35:14No.
00:35:15In your history books, there are no bad Americanos.
00:35:18Grant.
00:35:19He came before there was oil to steal.
00:35:21He came for the gold.
00:35:22He came for the silver.
00:35:23He came for the azúcar.
00:35:24It's an insult.
00:35:25You want to shoot the battle of Torreón, you bring your cameras to Torreón.
00:35:28You'll shoot the life of Pancho Villa that Pancho Villa has never lived.
00:35:32Mutual fortune sunk into this.
00:35:35Lies are expensive, Francisco.
00:35:38Senor Ica, he tells to the world he will tell the truth about Pancho Villa.
00:35:42But this, this is fake garbage.
00:35:54May I ask you, sir?
00:35:58Did you murder William Benton?
00:36:00I don't believe you did.
00:36:10But a hell of a lot of your enemies are trying to convince a hell of a lot of other folks
00:36:15that you did.
00:36:16If you can believe Jack Reed, there are plans in the works in Washington right now.
00:36:21Plans to invade Mexico and make Chihuahua our 49th state.
00:36:24Plans to finish you off, knock you off any way they can.
00:36:28Man, you have to understand that this is the kind of story the public expects, that they
00:36:36demand.
00:36:37When they go to the movies, you give them what they want.
00:36:40They give you what you want.
00:36:41And what you want is something you have never needed more in your life.
00:36:47Their approval.
00:36:48I think every time you see me, you grow one more huevo, Francisco.
00:36:58And just now.
00:36:59Just now.
00:37:00Just now.
00:37:01Just now.
00:37:02Just now.
00:37:03Just now.
00:37:04And run to greet them.
00:37:05Welcome your hubbies home.
00:37:06Ladies.
00:37:07Ladies, come on.
00:37:08Ladies.
00:37:09Ladies.
00:37:10Let's go, ladies.
00:37:11Saludelos senoros.
00:37:12Come on, come on.
00:37:13Arriba.
00:37:14Vamos.
00:37:15Vamos venga.
00:37:16Arriba.
00:37:17Mr. Cabernet.
00:37:18Can I get some hugs and kisses here?
00:37:20Uh, uh, abrazos.
00:37:21Besos.
00:37:22Brasos.
00:37:23Come on, come on.
00:37:24Arriba.
00:37:25Come on, vamos.
00:37:26Vamos venga.
00:37:27Arriba.
00:37:28Come on, vamos.
00:37:29Vamos venga.
00:37:30Arriba.
00:37:31Mr. Cabernet.
00:37:32Can I get some hugs and kisses here?
00:37:34Uh, abrazos.
00:37:35Besos.
00:37:36Brazos.
00:37:37Come on, vamos.
00:37:38Vamos venga.
00:37:39Ladies, come on.
00:37:40Come on.
00:37:41Oh, sweet Jesus.
00:37:42Cut.
00:37:43Cut.
00:37:44Cut.
00:37:45Let the cut everybody.
00:37:46David, Charlie.
00:37:47It's just not in their nature.
00:37:48Christy, these women are shy.
00:37:49They're as wooden as fucking Indians.
00:37:51Most of them are fucking Indians.
00:37:53Give me five minutes.
00:38:03Okay.
00:38:04Okay, muchachos.
00:38:06Arriba.
00:38:07Arriba.
00:38:08Parada.
00:38:09Come on.
00:38:10Let's go.
00:38:15And come out, bravo.
00:38:19And cue the ladies.
00:38:20Ladies.
00:38:21Ladies.
00:38:38Bueno.
00:38:40He has his own train.
00:38:42It's just one more thing.
00:38:43He's liberated from the government.
00:38:45Fitted out a few hospital cars.
00:38:47Take care of the wounded.
00:38:48Made one for the press.
00:38:49And...
00:38:52Like a city on wheels.
00:38:54I walked it the other day.
00:38:55It's almost two miles long.
00:39:02Oh, hi, fellas.
00:39:03Oh, hey, Frank.
00:39:04Hello, Dad.
00:39:05Hi, Charlie.
00:39:06These are the Sanchez brothers.
00:39:07Abraham, Anastasio.
00:39:08What is that, Sanchez?
00:39:09Ever paralyzed anybody in Spanish before?
00:39:13So, this will be the lab.
00:39:14We'll be able to develop our own film.
00:39:15This is the editing room.
00:39:16We're going to be able to watch our own dailies.
00:39:17Which I think will make a real difference in our work.
00:39:18It's going on and on, aren't I?
00:39:19You've changed down here.
00:39:20Have I?
00:39:21When I first met you, it was hard to know you were even around.
00:39:22Hmm.
00:39:23I never once had that problem with you.
00:39:30I gathered.
00:39:31Oh, I guess I was fairly obvious.
00:39:32Girls don't mind that one bit.
00:39:33They're not going to be able to see it.
00:39:34I'm going to be able to watch our own dailies.
00:39:35They're going to be able to watch our own dailies.
00:39:36Well, I think we'll make a real difference in our work.
00:39:38It's going on and on, aren't I?
00:39:41You've changed down here.
00:39:42Have I?
00:39:43When I first met you, it was hard to know you were even around.
00:39:45Hmm.
00:39:46I never once had that problem with you.
00:39:48I gathered.
00:39:50Oh, I guess I was fairly obvious.
00:39:52What do we got here, boss?
00:40:09Ah, new wardrobe.
00:40:12Civil war surplus?
00:40:14Yeah, I think it's got a good deal on it.
00:40:17You don't think these guys are going to mind?
00:40:19Dressing up like the losing side?
00:40:21Ah, I think we'll keep that our little secret.
00:40:43Pretty impressive.
00:40:45French, 75 millimeters.
00:40:47Perfect for the job.
00:40:48I mean, really, Mary Pickford doesn't take this long in makeup.
00:41:07Mary Pickford isn't running a revolution on the side.
00:41:09Don't think she couldn't.
00:41:11Here we go.
00:41:12How do I look?
00:41:17Una suggerencia, si me permites.
00:41:20No cambiae absolutamente nada.
00:41:23Mmm.
00:41:24You're weary, General.
00:41:37Trappings of power mean nothing to you.
00:41:40Your every goal has been achieved.
00:41:43You've avenged your family.
00:41:45You've righted the wrongs against your people.
00:41:47Many lives have been sacrificed.
00:41:49But in the end, you have saved the life of your beloved Mexico.
00:41:57But the work of a president is never done.
00:42:00Lawrence.
00:42:04And return to your desk, General.
00:42:07And pick up the pen and sign the document.
00:42:11Good.
00:42:14Lawrence, take the paper and leave.
00:42:16Bow and go.
00:42:20And now the weariness returns.
00:42:25Can you give me a sigh, General?
00:42:31Un suspiro.
00:42:32Un suspiro.
00:42:37Bueno.
00:42:37Beautiful.
00:42:38And now your speech.
00:42:41Into the camera.
00:42:43Into the lens that is the eye that sees for all the world.
00:42:51Fui forzado a sacrificar muchas vidas
00:42:56en mi búsqueda por la justicia.
00:43:00Pero al final,
00:43:02he salvado la vida de mi amado México.
00:43:08Is there anything the man cannot do?
00:43:34It is easy to be president in a movie.
00:43:41In a movie, Pancho Villa could be the pope.
00:43:44In the end,
00:43:45there will be
00:43:46another better man
00:43:47who will see it in Mexico City.
00:43:49And you'll do what?
00:43:51Surely not retire.
00:43:52I think the government would open a factory
00:43:55to make good saddles and bridles.
00:43:58Pancho Villa, his hands are good with leather.
00:44:02Pancho Villa's hands are leather.
00:44:04And you would set off for just doing that?
00:44:06The tea, that, and watch.
00:44:09Mexico does not become another star on the flag of the country.
00:44:13And what about you?
00:44:17What Pancho Villa wants?
00:44:21For himself?
00:44:23Yeah.
00:44:23A parade when he dies.
00:44:30A parade.
00:44:32Many tears and many flowers.
00:44:35For the children to miss his candy.
00:44:39A funeral.
00:44:42Many poets and singing.
00:44:44And at the end,
00:44:47a tomb.
00:44:49A big tomb.
00:44:51They can come.
00:44:54The people can come and see
00:44:56Pancho Villa
00:44:58will be always there
00:45:00for them.
00:45:05Always.
00:45:10Cúbreme el trasero.
00:45:14Cúbreme el trasero.
00:45:15Cúbreme el trasero.
00:45:16Cúbreme el trasero.
00:45:17Cúbreme el trasero.
00:45:18Cúbreme el trasero.
00:45:19Cúbreme el trasero.
00:45:20Cúbreme el trasero.
00:45:21Cúbreme el trasero.
00:45:22Cúbreme el trasero.
00:45:23Cúbreme el trasero.
00:45:24Cúbreme el trasero.
00:45:25Cúbreme el trasero.
00:45:26Cúbreme el trasero.
00:45:27Cúbreme el trasero.
00:45:28Cúbreme el trasero.
00:45:29Cúbreme el trasero.
00:45:30Cúbreme el trasero.
00:45:31Cúbreme el trasero.
00:45:32Cúbreme el trasero.
00:45:33Cúbreme el trasero.
00:45:34Cúbreme el trasero.
00:45:35Cúbreme el trasero.
00:45:36You know, I wrote this scene in my head
00:45:56the very first time I laid eyes on you.
00:45:59Was I okay?
00:46:01You want to try one more take?
00:46:04Is it too soon?
00:46:06Ah, maybe not.
00:46:12No, I'm sure not.
00:46:17Onward and upward's a ticket.
00:46:19That's what Mom always taught me.
00:46:27Amigos, tomorrow we leave
00:46:30to begin the last chapter of the revolution.
00:46:34Tomorrow we will attack Torreón.
00:46:40After Torreón, just after Torreón,
00:46:45we will win the revolution.
00:46:46Let's go!
00:47:02Bravo, gentlemen.
00:47:03Bravo.
00:47:04You have much to film in the battle, my friend.
00:47:14The battle, sir?
00:47:15The battle of Torreón.
00:47:17Oh, I won't be going with you.
00:47:19No, I finished my part in this film.
00:47:22I'm going to New Jersey.
00:47:23New Jersey?
00:47:24To start a new one.
00:47:26Really?
00:47:27You can call my agent.
00:47:28Uh, excuse me.
00:47:30What are you doing?
00:47:31I'm not going.
00:47:32Me?
00:47:33I don't go, sir.
00:47:34I'm going to go.
00:47:35I'm going to go.
00:47:36I'm going to go.
00:47:36I'm going to go.
00:47:37Well.
00:47:41Duffy, you too?
00:47:44You're not going?
00:47:45No, sir.
00:47:46My work's through here, sir.
00:47:48Only the camera operators are going.
00:47:55What's happening?
00:47:57I'm not sure.
00:48:02Oh, my God.
00:48:08They're calling for a firing squad.
00:48:09Here, Pancho Villa is the director.
00:48:26Here, Pancho Villa says who is finished and who is not finished.
00:48:31Go, señor.
00:48:33Atención, peloteo.
00:48:38Preparen.
00:48:39Atención, peloteo.
00:48:43General!
00:48:44Fuego!
00:48:45Fuego!
00:49:03Ay, ay, ay, ay, ay.
00:49:05Ahora.
00:49:06Now you know what you will miss at Torreon.
00:49:09Come on!
00:49:09Ha, ha, ha, ha, ha, ha, ha.
00:49:11Oh, man.
00:49:15Whoa, ho, ho, ho, ho, ho, ho.
00:49:28Jesse, will you take this?
00:49:29You obviously want to take this?
00:49:40Too bad them actresses don't do no jazzing, huh?
00:49:59Ciaro! Ciaro!
00:50:03¿A dónde lleva usted estos muchachos?
00:50:06Estos no son muchachos. Son héroes de la revolución.
00:50:08Oh, the hell they are.
00:50:09¿Qué pasa, cabrón? Eh?
00:50:11Mueve-te o te mato. Órale.
00:50:13Take on away.
00:50:14Órale!
00:50:16Hey!
00:50:21General, these boys have been such a help to the movie,
00:50:24and now you're gonna turn them into soldiers?
00:50:26Este cabrón no sabe lo que es la realidad, mi general.
00:50:29El único que quiere es su pinche peliculita.
00:50:31La revolución le importa un carajo.
00:50:35No, no, no. You can't.
00:50:37Is this what you want for the children of Mexico?
00:50:40Schools for only some, Harvard just for yours,
00:50:42death for the rest?
00:50:52Muy bien.
00:50:53Muy bien.
00:50:54One boy for you, one boy for Villa.
00:50:57How can anyone possibly make that choice?
00:51:00Muy simple.
00:51:02Chomacos!
00:51:03Vayan hasta ese vagón de tren.
00:51:05Lo más rápido que puedan.
00:51:06Y vuelven para acá.
00:51:07¡Vamos!
00:51:08¡Vale!
00:51:09I want for you. I'll take the winner.
00:51:10Refunde este huesudo en el tren. Vámonos.
00:51:11¡Vámonos!
00:51:12¡Vámonos!
00:51:13¡Vámonos!
00:51:14I want for you. I'll take the winner.
00:51:15Refunde este huesudo en el tren. Vámonos.
00:51:16¡Vámonos!
00:51:17I want for you. I'll take the winner.
00:51:18Refunde este huesudo en el tren. Vámonos.
00:51:19¡Vámonos!
00:51:20I want for you. I'll take the winner.
00:51:21Refunde este huesudo en el tren. Vámonos.
00:51:26I want for you. I'll take the winner.
00:51:33Refunde este huesudo en el tren. Vámonos.
00:51:35Refunde este huesudo en el tren. Vámonos.
00:51:56Refunde este huesudo en la segunda hacha.
00:52:15Now we find the end of the shots.
00:52:45We'll see you next time.
00:53:13Let's go.
00:53:43Close your stinky mouth, pinche huerta, hijo de la chingada.
00:53:49Ah, Villa, Villa, Villa.
00:53:52Acabaré con ese pinche torsillo.
00:53:56¿Incluso con su nueva artillería?
00:54:01¿Y quién sabrá usar esa artillería?
00:54:04¿Acaso unos pulientos que todavía cajan en el monte?
00:54:13¿Incluso con su nueva artillería?
00:54:43¡Federales, es un cuerpo de avanzada!
00:54:52Vamos, vamos, acompáñenme.
00:54:57Do you remember our agreement?
00:54:58Villa forgets nothing.
00:55:00¡Vaya por tus hombres!
00:55:01All right, fellas, we can't find them, muchachos.
00:55:09¡Ajá, jájá, jájá!
00:55:10All right, got your cameras.
00:55:11¡Vamos!
00:55:17¡Vamos!
00:55:22¡Vamos!
00:55:23¡Vamos!
00:55:28¡Ready, avance!
00:55:29¡Vamos!
00:55:35¡Vamos!
00:55:36¡Apúrenle, muchachos!
00:55:38¡Vamos!
00:55:38¡Vamos!
00:55:38¡Vamos!
00:55:39¡Vamos!
00:55:39Everyone ready?
00:55:45Start quenching!
00:55:48And...
00:55:50Action!
00:55:58Whipple!
00:56:09Keep firing!
00:56:23Keep firing!
00:56:39Oh, my God.
00:57:09Oh, Francisco.
00:57:38Ven.
00:57:40Mira.
00:57:41Ven.
00:57:42Ven aquí.
00:57:43Come here.
00:57:44Mira, mira, mira.
00:57:45Aquí, en el centro, in the belly of Torreón is the armory of Huerta.
00:57:51Enough guns for Pancho Villa to make a hundred revolutions.
00:57:55At Torreón, Pancho Villa will give to his General Ángeles and to your Senor Aiken the
00:58:01En el mucho, mucho, boom, boom, fucking boom boom.
00:58:05Excuse me, sir.
00:58:07You're attacking from here.
00:58:09This is the east?
00:58:10You're firing at the federales from the east.
00:58:12Is there any special reason for that plan, sir?
00:58:15Si, because it's mine.
00:58:19What?
00:58:21Your camera's gonna shoot into the sun, eh?
00:58:25Your lenses are not strong enough.
00:58:27Nowhere near enough now, sir.
00:58:29Maybe you can move the cameras to the sides.
00:58:31This is the way the sun can come across, eh?
00:58:33Or...
00:58:36Or what?
00:58:37Come here, man, talk.
00:58:38Could you...
00:58:39possibly change your attacks so that you fire from the west instead of the east?
00:58:45That would give us so much better a picture.
00:58:54No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:58:59How long is it?
00:59:04Two hours, my general, to kill the arsenal.
00:59:06Well...
00:59:09We will attack, but not this.
00:59:11We will kill them all. Your way.
00:59:14We have a plan. Let's move the shit.
00:59:17I'm hungry.
00:59:29Come on, Pancho. Come on.
00:59:39He's waiting for you.
00:59:42The torreón will be your grave.
00:59:47Come on!
00:59:50Come on!
00:59:54Come on!
00:59:57Come on!
01:00:09We have a plan.
01:00:11We're ready.
01:00:16Come on!
01:00:19Come on!
01:00:21Come on!
01:00:22Come on!
01:00:23Come on!
01:00:25Come on!
01:00:26Come on!
01:00:27Action, Mr. Griffiths.
01:00:33Action.
01:00:36Action.
01:00:45Attention, soldiers!
01:00:48Attention, revolutionary!
01:00:50The time of the attack has arrived!
01:00:58The time of a free Mexico has arrived!
01:01:06What you see in front is not Torreón,
01:01:10it's the future!
01:01:12It's the peace!
01:01:14It's freedom!
01:01:20Lockup line, he's over했다يct !
01:01:26I'll save all the war!
01:01:33With my erased land!
01:01:37Wait, hold on!
01:01:41Let's mend it!
01:01:46Argh!
01:01:48Let's go.
01:02:18Let's go.
01:02:48Let's go.
01:03:18Let's go.
01:03:47Let's go.
01:04:17Let's go.
01:04:19Let's go.
01:04:21Let's go.
01:04:23Let's go.
01:04:27Let's go.
01:04:29Let's go.
01:04:31Let's go.
01:04:33Let's go.
01:04:35Let's go.
01:04:37Let's go.
01:04:43Let's go.
01:04:49Let's go.
01:04:51Let's go.
01:04:53Let's go.
01:04:55Let's go.
01:05:01Let's go.
01:05:03Let's go.
01:05:05Let's go.
01:05:07Let's go.
01:05:15Let's go.
01:05:17Let's go.
01:05:19Let's go.
01:05:21Let's go.
01:05:22Let's go.
01:05:23Let's go.
01:05:25Let's go.
01:05:27Let's go.
01:05:29Let's go.
01:05:31Let's go.
01:05:33Let's go.
01:05:35Let's go.
01:05:37Let's go.
01:05:38Let's go.
01:05:39Let's go.
01:05:41Let's go.
01:05:43Let's go.
01:05:45Let's go.
01:05:47Let's go.
01:05:49Let's go.
01:05:51Let's go.
01:06:01Let's go.
01:06:11You done.
01:06:11One take.
01:06:13What the hell was in there?
01:06:22The Peronis hid the ammunition in the church.
01:06:26This way they go to heaven faster.
01:06:29Any flight now?
01:06:30Francisco?
01:06:43The Peronis hid the ammunition in the church.
01:07:13The Peronis hid the ammunition in the church.
01:07:43The Peronis hid the ammunition in the church.
01:08:13The Peronis hid the ammunition in the church.
01:08:43Hello, sonny boy.
01:08:54Hi.
01:08:55Take some of this.
01:08:58Thanks.
01:08:59Got it?
01:09:02Mmm.
01:09:10Friggin' rainwater.
01:09:12That's all there is.
01:09:13If you ask me, God's been pissin' in it.
01:09:19Hell of a show the boss put on last night, huh?
01:09:23I didn't get one foot of it.
01:09:25Well, there are those days, kid.
01:09:26There are those days.
01:09:30Sorry, Sam.
01:09:31Ah, don't worry about it.
01:09:32You can take a Jew apart, you can never kill them altogether.
01:09:37Used to aggravate the hell out of my mother.
01:09:40There's a lawyer on.
01:09:41Anybody with a tattoo, no Jewish cemetery will let you get buried there.
01:09:46As if it's gonna bother somebody in the next grave, right?
01:09:51Well, I can't tell you how happy this is gonna make my mother.
01:09:54It's gonna be a mess.
01:10:07No, no, no.
01:10:07Oh, my God.
01:10:08Oh, my general.
01:10:10Oh, my general.
01:10:11Oh, my Genial.
01:10:11Let me suplicó.
01:10:12Deja, deja, deja.
01:10:14Dígame, dígame.
01:10:15Charlie, set up fast.
01:10:41This is the scene we missed at all longer.
01:10:45We're going to take care of you, please.
01:10:51They've been there for 10 minutes.
01:11:00I'm sorry, ma'am.
01:11:02I'm sorry, ma'am.
01:11:03I'm sorry, ma'am.
01:11:08I'm sorry, ma'am.
01:11:10I'm sorry, ma'am.
01:11:12Ascino, criminal! Criminal!
01:11:15Ascino!
01:11:16Ascino!
01:11:19Cerdo! Cerdo!
01:11:42My God, how could you?
01:11:51Well, speak to me of God.
01:11:54God has never been to Mexico.
01:11:57If he has been, he has a heart of stone.
01:12:12Go home, Frank.
01:12:22All of you!
01:12:27God, where to be born is to be equal.
01:12:31The children of Mexico are not yet so lucky.
01:12:34Mr. Walsh?
01:13:02One more.
01:13:04Very still now, very still.
01:13:12As far as I'm concerned, two real thumbs are a thing of the past.
01:13:15I can imagine a time when five real, six real things are going to be.
01:13:18It's not going to be an easy thing to see for us because we, uh...
01:13:21Mr. Griffith.
01:13:25Mr. Gunkett.
01:13:26Griffith.
01:13:27Oh, it's D.W.
01:13:28Look at me.
01:13:30Good evening.
01:13:31Good evening.
01:13:32Nice to see you again.
01:13:33Good evening.
01:13:34Good evening.
01:13:35Good evening.
01:13:35Good evening.
01:13:36Onward and upward.
01:13:38That's the ticket.
01:13:39Good evening.
01:13:40Good evening.
01:13:41Good evening.
01:13:42Good evening.
01:13:43Good evening.
01:13:44Good evening.
01:13:45Good evening.
01:13:46Good evening.
01:13:47Good evening.
01:13:48Good evening.
01:13:49Good evening.
01:13:50Good evening.
01:13:51Good evening.
01:13:52Good evening.
01:13:53Good evening.
01:13:54Good evening.
01:13:55Good evening.
01:13:56Good evening.
01:13:57Good evening.
01:13:58Good evening.
01:13:59Good evening.
01:14:00Good evening.
01:14:01Good evening.
01:14:02Good evening.
01:14:03Good evening.
01:18:34Jack.
01:18:35I want you to know I fought against editing that shot that way.
01:18:40It means a lot to me for you to understand that.
01:18:45Well, I understand the difficulty in selling tickets to see a hero who mows down widows in cold blood.
01:18:52I even understand the commercial need to transform an outlaw.
01:18:59We're passing off with a lot of people.
01:19:00It's a lot of people.
01:19:06after they've been properly dressed for the occasion.
01:19:10It's a process of evolution.
01:19:13It's the movie's turn to make Truth the first casualty of war.
01:19:16Is there a second?
01:19:18Well, if that's the first, who cares?
01:19:21Why'd he kill her, Jack?
01:19:24So coldly, so brutally.
01:19:28It's as though he killed the whole revolution.
01:19:33You know what it is to say to a whole country?
01:19:36Let me make everything that's wrong right for you.
01:19:39Let me carry you all on my shoulders.
01:19:43Eventually, you begin to resent the wait.
01:19:47You'd never know that from the movie I let it become.
01:19:50Well, you'll find a way to live with yourself.
01:19:53You'll find a way to live with Pancho, too.
01:19:57You used each other, Frank.
01:19:59Mutual and Villa.
01:20:02Together, you proved that the lens
01:20:03is a hell of a lot mightier than this sword.
01:20:06Thank you very much.
01:20:07Congratulations.
01:20:08Congratulations.
01:20:08What a promotion.
01:20:39Hey, sonny boy.
01:20:47Sam Trevin.
01:20:50My God.
01:20:52Sit him in. Park it.
01:20:54Mama, it's my good friend.
01:20:56I need to get a drink.
01:21:00Yeah, yeah. Careful, sweetheart.
01:21:02She's got a bladder like a faucet.
01:21:04Watch what you say. She thinks I'm a paint salesman.
01:21:06Eat your meat.
01:21:08Yeah, yeah, right, Mama.
01:21:10Ask me ice cream.
01:21:13Okay, Ma.
01:21:15Shades of Poncho, Veer.
01:21:16Oh, she's tougher, believe me.
01:21:20Got too good a look at a federally bayonet.
01:21:24You don't still work for him, do you?
01:21:25No, no, no, no. Not since after the revolution.
01:21:28Funny guy, Poncho.
01:21:30Gave me a letter of reference.
01:21:31He said Moses should have used me for a machine gun.
01:21:35Wrote it with your pen, too.
01:21:38Yeah.
01:21:39He was pretty browned off with you guys, you know.
01:21:41He never did get to see that movie.
01:21:43Jack Reed said that we made him look so good that Washington held off the idea of invading Mexico.
01:21:49Be that as it may, you welched on him, kid.
01:21:51I was there when you promised him a print for the widows, remember?
01:21:54Yeah, Akin was mad at him for breaking the contract.
01:21:57Yeah, like Akin needed an excuse to be full of shit.
01:22:01Oh, some revolution.
01:22:04The new fuckers are the same as the old fuckers.
01:22:08Big guys up here still control everything that's going on down there.
01:22:12Both sides of the border still scared shitless Poncho's gonna come out and start shooting again because the revolutions turned sour.
01:22:18You want my two cents for what they're worth?
01:22:23Mexico would be a hell of a lot better off if God had taken his goddamn oil and shoved it under Brooklyn.
01:22:28I wish very much that you had been in Parral for the christening of my firstborn, Anastasio Francisco, named for my brother and for you.
01:22:52I hope he will be proud to say one day that he's a godson of Pancho Villa.
01:22:58I hope he will be proud to say one day.
01:23:28At the Christian party, the general was very much as the general always was,
01:23:33though some said later he was more quiet, more thoughtful.
01:23:38They said he had a premonition.
01:23:46After giving my son his medal of the Virgin of Guadalupe,
01:23:50which many times over he would say really belonged to you,
01:23:54he started to drive back to his Hacienda Grande
01:23:57with a secretary and two guards,
01:24:00and then in the center of Parral.
01:24:27Some say the government killed Pancho Villa.
01:24:36Some say it was the gringos.
01:24:38Some say it was both.
01:24:40The general was dragged away, like an animal.
01:24:45Even in death they're afraid of him.
01:24:47He's without a grave.
01:24:49He has no tomb.
01:24:51How will they remember him, Señor Frank?
01:24:54How will the sons of Mexico remember our Pancho Villa?
01:24:58They have no grab.
01:24:59They are very, very close.
01:25:00They have no tomb.
01:25:01It's like a couple of songs from Mexico.
01:25:02They are most сохранing.
01:25:03They are so popular of America.
01:25:04A black man who had been on the other side of his class.
01:25:05They all had to be on the other side of his car.
01:25:06They have to be on the other side of his car.
01:25:07Come here!
01:25:37Come here!
01:25:40Viva!
01:26:07Following his assassination, the name of Pancho Villa was stricken from all official records, statues, monuments, even children's books.
01:26:15When the government decided it was safe to disinter his body, it was discovered that someone had stolen his head.
01:26:22In 1976, after half a century, the remains of his remains were laid to rest in Mexico City alongside other heroes of the revolution.
01:26:32Finally, he'd been given the funeral he'd always dreamed of.
01:26:37As in the case of his head, the film, The Life of General Villa, has been lost to posterity.
01:26:44If anything at all, Frank Thayer remains just a footnote in history.
01:26:49No complaints. It's not too bad.
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