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Cine Hub
  • 6 days ago
Transcript
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00:00:28Hello?
00:00:30Southern Secreteaux, can I help you?
00:00:32Yes, you were advertising a temporary typist for an author.
00:00:35Yes, the author. You do know where this is, don't you?
00:00:38As a matter of fact, I do.
00:00:40It's right out in the sticks.
00:00:41I know.
00:00:42Ah. Have you any experience?
00:00:44Yes. I've worked with a novelist before.
00:00:47You'd better come and see it.
00:00:48Okay, bye.
00:00:49Bye.
00:00:58Bye.
00:01:28Bye.
00:01:58Bye.
00:02:28Bye.
00:02:38The center of the plot, i.e., when the main characters come together.
00:02:42Basically, it's about human chemistry.
00:02:45Well, Martin, Deadly Silence was the most successful novel that was written or published last year.
00:02:49And I was wondering how long it would take me to write.
00:02:52Well, I started the book in Paris.
00:02:55Then I moved it to New York, and it took me about six months.
00:03:00Six months? I thought it took you three, is what my notes say.
00:03:04Well, it must be wrong information.
00:03:06When I get inspired, the writing tempo inevitably accelerates.
00:03:11In fact, I know normally writers take about nine months, some two, three years.
00:03:17Tell me, why particularly a story about diplomats?
00:03:20Because when I was, oh, about 19, I used to travel a lot to southern France and to Rome, you know, and Paris also.
00:03:27And I actually got to know a lot of people, and it always interested me very much.
00:03:33So that's why I wrote my first book all about it.
00:03:36The Champagne Life?
00:03:38Well, not the Champagne Life.
00:03:41Shall we say the Rolls-Royce Life, then?
00:03:43No.
00:03:44Other people drinking Champagne and driving Rolls-Royces.
00:03:47You seem to have an obsession with lifestyle.
00:03:49No, no, no, I don't have an obsession.
00:03:51I simply feel that it's part of my job to write about people that I meet, and people who qualify for the pages of my book.
00:03:58Now, this talk of the catharsis of human endeavor that you concentrate on so basically in your writing.
00:04:03Yeah.
00:04:04It's obviously a favorite theme of yours, isn't it?
00:04:05Yeah, yeah, yeah, it is.
00:04:06I'm very strong on this subject, and it's always crept into what I write about.
00:04:10Always will.
00:04:28Perfect evening.
00:04:48Oh!
00:04:49It's only...
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00:05:14Come on.
00:05:44Oh, we don't usually have tenants, you know.
00:05:48Oh, no, no, no, I tell a lie.
00:05:50We had them last year, now.
00:05:52I come to think of it.
00:05:54Gentis, two of them.
00:05:56Oh, very strange they were.
00:05:58Oh, Commander and Mrs. Percival always go to the south of France for five weeks, you know,
00:06:04Commander and Mrs. Percival, where no one can get at them out of harm's way.
00:06:10Oh, it's so chesty, the Commander.
00:06:16So chesty.
00:06:18Now, what shall I do about lunch?
00:06:23I could do a nice steak in kidney.
00:06:26No, I haven't decided yet.
00:06:28I don't know anything.
00:06:30Well, when will you know?
00:06:32Later.
00:06:40I'll be right back.
00:06:42Let's go.
00:07:12Let's go.
00:07:42More coffee, please.
00:07:48Let's go.
00:08:18Let's go.
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00:10:30Good morning, Lips International.
00:10:32Can I help you?
00:10:33Leo Schumann, please.
00:10:35Yes, I know yeah, all right
00:10:58Leo, where is the typist? I feel if I can dictate pace up and down
00:11:05Oh, you'll be there for God's sake. Look, I'll check it. I'll call you right there. I'll put a rocket up that bloody agency.
00:11:11Thanks, Leo.
00:11:25To harass, to worry, to importune, to pursue, to persecute, decay, crumble,
00:11:35rot, die.
00:12:05I'll do it.
00:12:21Oh, my God.
00:12:24Oh, my God.
00:12:54Oh, me, you're here.
00:13:19Look, the agency got the thing.
00:13:21She's on her way down here now.
00:13:22Who?
00:13:23The girl, Linda.
00:13:24The type is.
00:13:25Thanks, Leo.
00:13:27The train is still at 11.30.
00:13:29Had to be a femoral.
00:13:30Fine.
00:13:30The company is still as efficient.
00:13:32Should look after you, OK?
00:13:33Everything else, all right?
00:13:34Thanks, Leo.
00:13:35Don't thank me, Jess.
00:13:36Complete the book.
00:13:37Remember, if it's a good one, we're in line for a critic's pride.
00:13:39And don't you forget it.
00:13:53Does it?
00:13:54Down here.
00:13:55Don't sing.
00:13:57It's sound.
00:13:58It's not just an animal.
00:13:59I see.
00:13:59It's a good one, I see.
00:14:02It's a good one, I see.
00:14:03It's a good one, I see.
00:14:04It's a good one, I see.
00:14:08It's a good one, I see.
00:14:10THE END
00:14:40THE END
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00:15:14THE END
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00:16:50THE END
00:17:00THERE SHE IS
00:17:01YOUR BIRD
00:17:02YEAH
00:17:03LET'S GO AND SEE
00:17:04HOW HER BODY IS
00:17:05PRICE ME ONE DAY
00:17:06YEAH
00:17:07WELL SHE LOVES ME
00:17:08DON'T SHE
00:17:20THE END
00:17:22OH
00:17:23GO ON
00:17:24IT'S HIM
00:17:25I'VE GOT HIM
00:17:26OH
00:17:27OH
00:17:28OH
00:17:29OH
00:17:30OH
00:17:31OH
00:17:32OH
00:17:33OH
00:17:34OH
00:17:35OH
00:17:36OH
00:17:37OH
00:17:38OH
00:17:39OH
00:17:40OH
00:17:41OH
00:17:42OH
00:17:43OH
00:17:44OH
00:17:45OH
00:17:46OH
00:17:47OH
00:17:48OH
00:17:49OH
00:17:50I
00:17:52suppose
00:17:53you live on your own, do you?
00:17:54at the house?
00:17:55whenever I can help it, yes
00:17:57don't you have a housekeeper
00:17:59or someone who does?
00:18:00does what?
00:18:02does
00:18:03tidies up for you, cooks
00:18:05oh yes yes
00:18:07there's one of those
00:18:08why all these questions?
00:18:11sorry
00:18:14but I will give you my routine
00:18:16so you know
00:18:17it never alters while I'm writing
00:18:19I get up at eight
00:18:21my first cup with coffee I always have in the dining room
00:18:26the blue china
00:18:28the second cup I take in the study
00:18:30I would like you to bring me that
00:18:32then dictation starts for the rest of the morning
00:18:36lunch I like to keep simple
00:18:38then we work through until six
00:18:40it is then when I have my first drink
00:18:42always
00:18:44a glass of well chilled
00:18:46teo pepper
00:18:47dinner
00:18:48always light
00:18:49some fish
00:18:50or a quiche
00:18:51I drink burgundy
00:18:53not parrot
00:18:55after dinner
00:18:57I relax
00:18:59it's quite a simple routine
00:19:00which works
00:19:01quite a simple routine
00:19:02which works
00:19:03quite a simple routine
00:19:04which works
00:19:08you've got to get
00:19:10a nice
00:19:13the
00:19:15hello
00:19:18for the
00:19:20evening
00:19:22the
00:19:23the
00:19:24the
00:19:25the
00:19:25the
00:19:26the
00:19:27the
00:19:29Oh, my God.
00:19:59Oh, my God.
00:20:29Your bedroom is upstairs at the end of the corridor.
00:20:45Oh, my God.
00:21:15How far is this place from anywhere?
00:21:17Far enough.
00:21:21They turned in at the end of the drive, comma, and Angus stopped the car quietly.
00:21:26Stopped.
00:21:27New paragraph.
00:21:27Their kiss was neither tender nor affectionate.
00:21:33Point.
00:21:34It was carnal point.
00:21:36It was lustful point.
00:21:39Wet and greedy point.
00:21:43Lingering.
00:21:45Passionate, but with warmth.
00:21:48Semi-colon.
00:21:49Possessive, but with calm.
00:21:53Quotes.
00:21:54I love you.
00:21:56End quotes.
00:21:58Angus's voice soft in the interior.
00:22:00Sorry, Angus's voice soft in the what?
00:22:02Angus's voice soft in the interior.
00:22:05Yes.
00:22:06Full stop.
00:22:08Ice crystals forming on the windscreen and the russet sky.
00:22:12Point.
00:22:13An ironical setting, after all there had been.
00:22:17Point.
00:22:19End paragraph.
00:22:20Good.
00:22:23Do you mind if I unpack?
00:22:25What?
00:22:26I said I'll make some coffee.
00:22:28부터.
00:22:39Bill.
00:22:50Oh, hi, 53.
00:22:51Oh, hi.
00:22:51Good.
00:22:52Sorry, güzel.
00:22:53Bye bye.
00:22:54Bye bye.
00:22:56Bye bye.
00:22:57Bye bye.
00:22:57Bye bye.
00:53:57Suzanne.