- yesterday
Do Me My Sexy Male Stripper
Category
🎥
Short filmTranscript
00:00:00Hey baby, tell me, who do you love more?
00:00:24Me or Vanessa?
00:00:26There she is. Ever since she got her, it was one of the scars.
00:00:36Are you on the other hand?
00:00:56Please, don't stop on my account. I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:12Alright, give me the camera. Come on now, delete that shit.
00:01:18Why? You always said you wanted fame. This will make you go super viral.
00:01:24Vanessa, fame's the company's top model. If this gets out, we're all finished.
00:01:30Dad's never gonna forgive you. Now give me that damn camera!
00:01:36Fine.
00:01:38Wise. Wise. Because you know what? Shooting sexually explicit content of your boyfriend and your sister, that's probably gonna damage your career a lot more than it will. Ass.
00:01:54Oh!
00:02:00Vanessa!
00:02:01Fuck!
00:02:02Ah, fucking face!
00:02:04Well, Blaine, you got what you wanted. It's over!
00:02:08Look out, you were the one who turned Blaine from nothing to a top model. And now he's messing about with Abby? I don't get how he could do that to you.
00:02:26Doesn't matter. We've already separated. It's because you've not been with enough guys.
00:02:32I've got the perfect stripper lined up for you. He's a real wizard in the bedroom.
00:02:48This. Adam.
00:02:50Just hang tight. He'll be your son.
00:02:56Speaking of, Dad looks like the guy I booked. So just wait for Adam. He'll be wearing a suit and tie.
00:03:04He's gonna blow your mind.
00:03:06Cassidy, I work with the most beautiful people in the world. It takes a true stunner to impress me. You can keep him.
00:03:14Mr. Todd. Still no updates on the woman with the scar on her arm. We're running out of bleeds.
00:03:32Look, just expand the search radius. Okay, I need to find her. Now.
00:03:38You're late. That's not very professional.
00:03:44Yeah, excuse me. I'm in a rush.
00:03:46You shouldn't be so rude to your customers.
00:03:48Look, I'm losing my patience.
00:03:54It's, it's you.
00:03:56Yes, it's me.
00:03:58So, are we fucking here or do you want to go to our hotel?
00:04:04Finally, I found you.
00:04:06Finally, I found you.
00:04:10I found you.
00:04:31What's your name?
00:04:32Doesn't matter.
00:04:33I'm fine.
00:04:34I'm just not.
00:04:36I'm fine.
00:04:37I'm going to have a sun.
00:04:38I'm fine.
00:04:41No.
00:04:44I'm fine.
00:04:46I'm fine.
00:04:49I'm fine.
00:04:51I'm fine.
00:04:52But no, I'm fine.
00:04:55Oh, my God.
00:05:25Oh, my God.
00:05:32Are you okay?
00:05:34Can you get up?
00:05:36Come on, stay with me.
00:05:43Okay, come on.
00:05:51I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:04Morning.
00:06:06Morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:17Well, you certainly know how to charm a woman.
00:06:21I'm pleased with her.
00:06:31Last night was dumb.
00:06:33It was really good.
00:06:37Here's a little something for you.
00:06:39I don't want your money.
00:06:44Why?
00:06:44No.
00:06:45Keep it.
00:06:46You earned it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:58You don't remember me?
00:06:59I'm the one.
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:07What's up?
00:07:07Vanessa, bad news.
00:07:09Blaine's throwing a tantrum about the shoot.
00:07:11What should I do?
00:07:13Um, okay.
00:07:14Calm down.
00:07:15I'm on my way.
00:07:15Shit.
00:07:18This is for the Todd group shoot.
00:07:19If this goes sideways, that nightmare Mr. Todd is going to be on my case again.
00:07:24Me?
00:07:25A nightmare?
00:07:26Right.
00:07:27Um, thank you for last night.
00:07:30I will see you, I guess.
00:07:32Nanny, yeah.
00:07:46All right.
00:07:47Find out which studio Vanessa's at, okay?
00:07:59Vanessa.
00:08:00Thank goodness.
00:08:01Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:05I'm sure you know how to handle that spoiled brat.
00:08:08Yeah, I remember.
00:08:09Blaine, are you seriously going to throw away this deal?
00:08:13It's not like I want to.
00:08:15You broke my arm.
00:08:17And you tell me how I'm meant to shoot if I can't even strike the pose.
00:08:24If you said I broke your brain, I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give it a rest, will you, love?
00:08:31How's this?
00:08:33If you publicly apologize to me?
00:08:36Not happening.
00:08:39It's so new, remember?
00:08:42Today's the last day for shooting.
00:08:43If you can't pull this off, can you really deal with the top group's wrath?
00:08:46Vanessa, if we lose the top group's decline, I can't be in serious trouble.
00:08:59There must be some other models available.
00:09:01I reached out.
00:09:02All the top models are booked today.
00:09:03Christ, fine.
00:09:06I'll apologize.
00:09:08Blaine, I'm so sorry.
00:09:09Can you come back for the shoot?
00:09:11Oh, you know, I would really like to, but there's one little stipulation.
00:09:16I'll be here.
00:09:18It's got to be behind the camera.
00:09:20Abby is an amateur photographer.
00:09:23She's not ready for the top group.
00:09:25Blaine and I went over all the details last night.
00:09:28The top group are going to love it.
00:09:29So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:47Since this shoot is a bust, I might as well take the heat.
00:09:52So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:55No.
00:09:56Oh, looks like it's working perfectly fine.
00:09:59It's you.
00:10:10You know what?
00:10:12I'm not doing the shoot period.
00:10:13Do you know why?
00:10:15Because I want to see how you clean up this little mess.
00:10:22If you won't shoot, Blaine, I'll find someone who will.
00:10:26Or are you going to find a new model in, like, two seconds?
00:10:38Guess what?
00:10:47Here's my new model.
00:10:49Wait.
00:10:50What, me?
00:10:51I'll pay double the standard rate.
00:10:55Just help me out, I'm desperate.
00:11:00Yeah, okay.
00:11:01All right.
00:11:01Awesome.
00:11:02You're going to be great.
00:11:03You two can scram now.
00:11:05You really think you can just snatch somewhere off the street to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:11He might freeze up and make a fool of himself in front of the camera.
00:11:15Vanessa, he might have the looks, but he's got no experience.
00:11:19This flops, we might lose the Todd group as a client.
00:11:23I wouldn't be where I am now if I didn't take a few risks.
00:11:26Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features and contours.
00:11:40Let's make him glow.
00:11:42Got it?
00:11:47Sticky forever.
00:11:48Where's any outlets?
00:11:49He's probably pissing his pants.
00:11:51He's not a star.
00:11:52Hmm.
00:11:52Unlike Blaine.
00:11:53And I'm very, very sexy.
00:11:59And I just don't believe it's some random nobody off the street.
00:12:04Keep them close to my...
00:12:05Eh?
00:12:06Yeah, of course.
00:12:23Good.
00:12:31Good.
00:12:41Damn.
00:12:42He's gorgeous.
00:12:43It's not just his face.
00:12:45His whole vibe screams ë² th model.
00:12:47He could steal anyone's spotlight.
00:12:48Oh, for fuck's sake. Anyone can look good with a bit of makeup and a blazer with no shirt.
00:12:56Come on, I want to see, I want to see how he crashes and burns when the lights start flashing.
00:13:03That's what I want to see.
00:13:08Better than I expected.
00:13:11It's okay to be a little nervous before your first shoot, but I'm here. Just trust me.
00:13:18You're going to be great.
00:13:21Okay, light. Let's shoot.
00:13:25Yeah.
00:13:28Okay.
00:13:30That's so good.
00:13:32Really good.
00:13:35Open up your shirt a little bit.
00:13:37Yeah.
00:13:38Wow.
00:13:39Can you do something about the magazine?
00:13:42Yeah.
00:13:43You're a pop model. You're so good.
00:13:47Okay, that's it.
00:13:48Joyce, let's get his next look ready.
00:13:59This is the L.A. premium brand shoot, Blaine.
00:14:02Sort of taking you to the next level.
00:14:04It's too bad. You're such a whiny little bitch.
00:14:08You both messed up.
00:14:10Big time.
00:14:10I can't believe that this shoot has just landed on this random gobshy slap.
00:14:35Would you do something about it?
00:14:38Chill.
00:14:39I'm working on it.
00:14:40No way, he's new.
00:14:42Look at him go.
00:14:43His outfit is practically perfect.
00:14:45It's, like, made for him.
00:14:47It's going to sell out in no time.
00:14:49I used to put Blaine on pedal still, but he's nowhere near it now.
00:14:51Exactly.
00:14:52He was the company's top guy, but now he's got outshone by a newbie.
00:14:57Wow, babe, you've crushed it.
00:15:00These shots are turning out better than anyone would have expected.
00:15:04Sure you're not thinking of ditching your job, mother?
00:15:08Hey, look, I'm just glad I didn't screw it up.
00:15:11I was actually wondering, are you free tonight?
00:15:14I was thinking we could go on, like, an actual...
00:15:16Ah, is this yours?
00:15:18Your phone's been going off.
00:15:19Oh, thanks.
00:15:27Six-pack strippers.
00:15:31Guess we know how he pays his bills.
00:15:32Dude's a stripper.
00:15:37A cheap one, too.
00:15:41He's got that serious looper.
00:15:43He's in that line of work.
00:15:46Vanessa's pretty cozy with that male stripper.
00:15:49Could she be his regular?
00:15:51Who knew she would be living that kind of life behind the scenes?
00:15:59You have no shame.
00:16:01And I thought you were a professional bringing a stripper to work.
00:16:08Nothing short of a fucking embarrassing, love.
00:16:12Don't.
00:16:13Show me a lot of professionalism, Blaine.
00:16:15Oh, it concerns him now.
00:16:19When the talk group finds out you need to use a stripper for their campaign,
00:16:23think they'll be cool with that?
00:16:26Is the chute still not wrapped?
00:16:28Why are you guys dragging your feet?
00:16:30Mr. Dale, the chute's done.
00:16:32The photographer insisted on using a stripper as their model.
00:16:35This could really hurt the talk group's image.
00:16:40What?
00:16:41A stripper?
00:16:44Who's the photographer?
00:16:46Where's this guy?
00:16:48Bring him here.
00:16:49That's them.
00:16:50Look, it has nothing to do with him.
00:16:54It's all on me.
00:16:56No one messes with the Todd group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:04Mr. Todd.
00:17:05Mr. Todd.
00:17:10You didn't tell me you were coming in tonight.
00:17:13The hell?
00:17:14Why did he just call you Mr. Todd?
00:17:16No, no, no.
00:17:17You've misheard him.
00:17:19She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:23she won't come near me at all.
00:17:25What he meant to say was
00:17:27Mr. Todd doesn't judge people on their occupations, right?
00:17:31Exactly.
00:17:35This guy's got it all.
00:17:37He perfectly embodies the brand's
00:17:39executive vibe.
00:17:43I'm sure Mr. Todd would be
00:17:45delighted with his work.
00:17:51Lawrence, you have an eye for talent.
00:17:54I'll show you the shots.
00:17:54He absolutely nails his outfit.
00:17:56How could he not?
00:17:58The brand is perfectly made for the...
00:18:00Mr. Lawrence.
00:18:05By the way,
00:18:06I was the original model
00:18:08and if this shoot hadn't been done with me,
00:18:10if I was given a chance,
00:18:11I would have been a lot fucking better.
00:18:16Exactly.
00:18:17Blaine's a pro.
00:18:18He's lying just ahead of these amateurs.
00:18:21Aren't you the ones who turned it down?
00:18:24Let me get the backtrack now.
00:18:27But if you guys can't show some respect,
00:18:31what's the point being a pro?
00:18:32You're messing up the shoot.
00:18:35What?
00:18:35Both of you,
00:18:37get out.
00:18:38Lawrence,
00:18:39I'm Abby Park.
00:18:40Get them out.
00:18:41Just get them.
00:18:41Listen.
00:18:42You're a man's high stripper.
00:18:44Take them.
00:18:52Mr. Dale,
00:18:53you should take a look
00:18:54at these photos.
00:18:55No need.
00:18:55I was just stopping by
00:18:56to take a quick look.
00:18:58I'll let you get back to it.
00:19:02Why are the Todd group reps
00:19:04being so nice all of a sudden?
00:19:06Are they usually that bad?
00:19:08You have no idea
00:19:10how picky Mr. Todd is.
00:19:12He is a total perfectionist,
00:19:15moody,
00:19:16just asshole.
00:19:17Okay,
00:19:19there was one time
00:19:19everything was arranged on set,
00:19:21but he nitpicked
00:19:22every single tiny detail.
00:19:25He had me pulling
00:19:25all nighters.
00:19:26And one time,
00:19:27he fired someone.
00:19:29Just randomly,
00:19:30out of the blue
00:19:30because he was in a bad mood.
00:19:32So yeah,
00:19:32I don't like him
00:19:33at all.
00:19:34He's a jerk.
00:19:35I swear to God,
00:19:37if I ever meet him,
00:19:38I'm gonna give him
00:19:39a piece of my mind.
00:19:40Maybe it was a
00:19:41misunderstanding?
00:19:44You've never met this guy
00:19:45and you're seeing these things?
00:19:48Yeah,
00:19:49don't bring him up again.
00:19:51She's got the wrong impression here.
00:19:52I need to fix this.
00:19:54These shots are amazing.
00:19:56Have you
00:19:56ever thought about
00:19:58ditching your job
00:19:59from huddling?
00:20:00Ditching my job?
00:20:01Well, yeah,
00:20:02you can't be a stripper forever,
00:20:03right?
00:20:04What?
00:20:05No, no,
00:20:06Vanessa,
00:20:06I am not a stripper.
00:20:07Look, come on.
00:20:08You've got the look,
00:20:10you've got the charm,
00:20:11you kill it in front of a camera.
00:20:14I'll sign you up.
00:20:15Whatever deal you want.
00:20:17Really?
00:20:17Whatever deal I want.
00:20:29So,
00:20:30this is it.
00:20:32Are you sure
00:20:32you're cool with staying here?
00:20:35Um,
00:20:36yeah,
00:20:37not really feeling it.
00:20:38You got any other options?
00:20:40Nope.
00:20:42Master bedroom's
00:20:43off-limits,
00:20:43obviously.
00:20:45This place isn't a mansion.
00:20:47I don't know
00:20:47why you insist
00:20:48on staying here.
00:20:50Well, I switched jobs
00:20:50for you.
00:20:51I don't have
00:20:51anywhere to go.
00:20:53Come on,
00:20:53hide my back here.
00:20:57All right, look.
00:20:59If I'm being honest,
00:21:00I'd, uh,
00:21:01rather stay with you.
00:21:04Stop.
00:21:06I don't have
00:21:06anywhere to go.
00:21:07Come on,
00:21:08hide my back here.
00:21:09All right, look.
00:21:14If I'm being honest,
00:21:15I'd, uh,
00:21:17rather...
00:21:18Stop.
00:21:21I'm your boss now.
00:21:23You gave me a roof.
00:21:25All right,
00:21:25I'll pay it back.
00:21:27Yeah,
00:21:27well,
00:21:27you're not a stripper anymore.
00:21:29See,
00:21:29you can't stop it that way.
00:21:31All right.
00:21:31Just get some rest,
00:21:34okay?
00:21:34We have somewhere
00:21:34to be tomorrow.
00:21:36Where are we going?
00:21:37We'll find out
00:21:38when we get there.
00:21:48Mr. Todd,
00:21:49Ms. Clark sent over
00:21:50the LA's final promo shots.
00:21:52Want to take a look?
00:21:53I have to admit,
00:21:54you've got a knack
00:21:55for this modeling thing, sir.
00:21:56The photo's turned out amazing.
00:21:58No, no, no,
00:21:59listen,
00:21:59just get someone else
00:22:00to redo the shoot.
00:22:01Okay?
00:22:02What about Ms. Clark?
00:22:03I don't know.
00:22:04Tell her that the brand
00:22:05postponed the campaign
00:22:06or something.
00:22:07But look,
00:22:07these photos cannot leak,
00:22:09okay?
00:22:10If they do,
00:22:11people might figure out
00:22:12who I really am.
00:22:14Figure out what?
00:22:19Um,
00:22:20my secret side job,
00:22:22yeah.
00:22:24Um,
00:22:24I'm worried that it might
00:22:25cause you some problems.
00:22:29Uh,
00:22:29why did Jim come back?
00:22:30do you mind?
00:22:34Want to stay another night
00:22:34with me?
00:22:37Sweet dreams.
00:22:47Alright,
00:22:48what's going on?
00:22:49Why are we here?
00:22:50Clothes.
00:22:50Duh.
00:22:51You're my new model.
00:22:53I need you to look sharp.
00:22:54welcome.
00:22:56Hi.
00:22:57These two,
00:22:58okay,
00:22:58we need these ASAP.
00:23:01I can't.
00:23:01Absolutely,
00:23:02um,
00:23:03just a sec.
00:23:06Wait,
00:23:07wait,
00:23:07wait,
00:23:07hold on.
00:23:08I want to buy those outfits.
00:23:12Mr. White,
00:23:13what brings you here?
00:23:14I'm afraid we'll have to prioritise Mr. White's order.
00:23:20Yours will have to pay.
00:23:21But we ordered first.
00:23:23Isn't it first come,
00:23:24first serve?
00:23:26In this world,
00:23:28please.
00:23:29Lane's at the top.
00:23:30So yeah,
00:23:33he comes first.
00:23:41So,
00:23:42you're waiting or not?
00:23:44Is this how you treat your customers?
00:23:47Yeah,
00:23:47I'd like to talk to your manager.
00:23:48Manager's tied up.
00:23:50If you insist on causing trouble,
00:23:52I'll have security to show you out.
00:23:53What seems to be the problem?
00:24:11It's them.
00:24:12They're trying to mess up Mr. White's order.
00:24:17Mr.
00:24:17Yeah,
00:24:18start talking now.
00:24:21Of course.
00:24:23You're done.
00:24:29Fired.
00:24:30Now get out.
00:24:37I am so sorry about all this.
00:24:40We'll get your order processed right away
00:24:42and throw in
00:24:43an 100% discount for your trouble.
00:24:45How does that sound?
00:24:53What a load of shit!
00:24:58That's mad!
00:24:59These are no name,
00:25:00no fame,
00:25:01and you're treating them like this?
00:25:02How we run this place
00:25:03is not your concern.
00:25:05From now on,
00:25:06the two of you
00:25:07are blacklisted.
00:25:10Don't expect any future collaborations
00:25:13with us.
00:25:18Bye.
00:25:31What a day, huh?
00:25:32Yeah.
00:25:33Abby and Blaine
00:25:33were practically glowing with envy.
00:25:35I mean,
00:25:35you've got my back,
00:25:36but are you not worried
00:25:37about pissing off a brand?
00:25:39No.
00:25:40No?
00:25:40No, not at all.
00:25:41No,
00:25:42there's plenty of other
00:25:42luxury brands out there.
00:25:44What are you looking at?
00:25:58I'm just
00:25:58looking at you.
00:25:59I feel the way
00:26:02behind my eyes
00:26:05Leant towards
00:26:09the color
00:26:10that lies within
00:26:12I've been waiting
00:26:17I've been waiting
00:26:20It's late.
00:26:24We have work for us.
00:26:26We should get some rest.
00:26:38Good morning.
00:26:40Thought you might want
00:26:41to start your day right.
00:26:42Get a grip,
00:26:55Vanessa.
00:26:56He's your model now.
00:26:57Now it's some wild fling.
00:27:02Morning.
00:27:04So,
00:27:05you made all this?
00:27:08Thought you might be hungry.
00:27:11Try it.
00:27:12Hmm.
00:27:21Hmm.
00:27:22Yeah?
00:27:23Yeah,
00:27:24it's better than I expected.
00:27:27Wow.
00:27:28Confident.
00:27:29Yeah,
00:27:29don't get used to it.
00:27:33Try it.
00:27:37Really?
00:27:38Is that what it's going to be like
00:27:41having you in my house?
00:27:43Well, thank you.
00:27:52Morning, everyone.
00:27:54Morning, Vanessa.
00:27:55Wait a sec.
00:27:56Haven't I ever seen Guy
00:27:57you brought in a few days ago?
00:28:00Yeah.
00:28:00He's my new model.
00:28:01Hey, guys.
00:28:02I'm Jason.
00:28:02I look forward to working with you all.
00:28:06I thought you said your name was Aaron.
00:28:10I said you.
00:28:11So,
00:28:12you two arrived together.
00:28:14Well,
00:28:14are you living together now?
00:28:16Oh,
00:28:16Joy,
00:28:16seriously,
00:28:17let's just get this done.
00:28:19Okay,
00:28:19are the cameras ready?
00:28:20She really signed that cool boy
00:28:23into the company.
00:28:24Just wait.
00:28:26This is going to be fun to watch.
00:28:32Vanessa,
00:28:33over here,
00:28:34now.
00:28:36All right,
00:28:37everyone.
00:28:38Take five.
00:28:44It's one thing messing around
00:28:46in your personal life,
00:28:47but bringing a stripper
00:28:48into the company.
00:28:50You ready to deal
00:28:54with the fallout
00:28:54if this backfires?
00:28:55Dad,
00:28:56I didn't pull this
00:28:57out of thin air.
00:28:58Jason is talented.
00:28:59Talented?
00:29:01He's playing you
00:29:02with smooth talk.
00:29:05I've let you run things
00:29:06your way,
00:29:07but hiring him,
00:29:09that's where I draw the line.
00:29:11I'm going to fire him now.
00:29:13I'm not going to fire him.
00:29:18I promise,
00:29:18he's really talented.
00:29:19Just look at him.
00:29:22You're really going to take
00:29:23sides against your father.
00:29:25Sis,
00:29:26Dad's only trying to protect
00:29:27the company's reputation.
00:29:29Just do what's right
00:29:29and let him go.
00:29:33Abby,
00:29:33stay out of this.
00:29:34It's none of your business.
00:29:38Dad,
00:29:38can you please
00:29:39can you please just trust me
00:29:39for once?
00:29:41I've been bullying
00:29:42Project Express for you.
00:29:43Dad,
00:29:44when another client,
00:29:45Vertex Group,
00:29:45finds out you've let her
00:29:47use a stripper for the shoot,
00:29:48they're going to flip.
00:29:49Abby's got a point.
00:29:51Either he goes,
00:29:53or Abby and Blaine
00:29:54take over.
00:29:55Your choice.
00:30:00Either he goes,
00:30:02or Abby and Blaine
00:30:03take over.
00:30:04Your choice.
00:30:05I appreciate it, Dad.
00:30:06I've always led
00:30:07the Vertex Group shoots.
00:30:10And you're just going to
00:30:10let Abby take it
00:30:11just like that?
00:30:13You took it for granted,
00:30:15Vanessa.
00:30:16Don't blame Abby.
00:30:17Abby,
00:30:18if you think you can
00:30:18steal this shoot from me,
00:30:19you better know
00:30:20how to handle it.
00:30:23You know what,
00:30:24actually?
00:30:24Let's make this interesting.
00:30:25Let's split into teams.
00:30:29If the Vertex manager
00:30:30choose the winner,
00:30:31and you want a competition,
00:30:33fine by me.
00:30:34Just don't cry if you lose.
00:30:36What would I be losing?
00:30:38Your model's an amateur.
00:30:41He's going to run
00:30:41circles around him.
00:30:43We'll see.
00:30:45Hey,
00:30:46you good?
00:30:47Yeah,
00:30:48I'm fine.
00:30:50All right,
00:30:50listen,
00:30:51the Vertex shoots
00:30:52in three days.
00:30:53You got a plan yet?
00:30:55No,
00:30:56not yet.
00:30:58All right,
00:30:58well,
00:30:59Vertex is all about
00:31:00the bold jewelry design,
00:31:02right?
00:31:03So,
00:31:04why don't we work with that?
00:31:06Like,
00:31:07like this.
00:31:11Oh,
00:31:11yeah,
00:31:12that's it.
00:31:14What is the idea
00:31:14around the Eternal Night Rose?
00:31:16You know,
00:31:17dark,
00:31:17edgy.
00:31:20Allison can pull off
00:31:21some Billy Killer outfits.
00:31:22Eternal Night Rose?
00:31:24It sounds cool,
00:31:26but will I look right in that?
00:31:28Are you kidding?
00:31:30Black is your vibe.
00:31:32Look,
00:31:32this is going to be great.
00:31:33Can you just please trust me?
00:31:37Dark theme,
00:31:38huh?
00:31:39Nice move,
00:31:39Vanessa.
00:31:40But I'm still going to
00:31:41outshine you.
00:31:42still forcing that ship
00:31:53out to be a model,
00:31:54huh?
00:31:55This is getting embarrassing.
00:31:57Maybe you'll worry about yourself
00:31:59for months.
00:32:01I can't wait
00:32:02to see you crash
00:32:03and burn today.
00:32:13Hi,
00:32:13I'm Abby Clark,
00:32:15the lead photographer
00:32:16for this project.
00:32:18Vanessa Clark.
00:32:19Good to see everyone.
00:32:20At Vertex,
00:32:21we only care about results.
00:32:25I trust both of you
00:32:26will deliver.
00:32:27Okay.
00:32:27Okay.
00:32:27Okay.
00:32:27Okay.
00:32:27Okay.
00:32:28Okay.
00:32:28Okay.
00:32:28Okay.
00:32:28Okay.
00:32:29Okay.
00:32:29Okay.
00:32:29Okay.
00:32:30Okay.
00:32:30Okay.
00:32:30Okay.
00:32:31Okay.
00:32:31Okay.
00:32:31Okay.
00:32:32Okay.
00:32:32Okay.
00:32:33Okay.
00:32:34My shoot is inspired
00:32:36by Vertex's latest feature,
00:32:38Eternal Night of Rose,
00:32:41centered around the themes
00:32:43of darkness
00:32:44and the duality of man.
00:32:51This worked for me.
00:32:53Definitely fits the brand.
00:32:59This is stunning.
00:33:00I'm already seeing the partnership potential.
00:33:04I'm already seeing the partnership potential.
00:33:13All of this is...
00:33:15Did we both go for the same thing?
00:33:18Well, what do you know?
00:33:19We both also went for the Eternal Night of Rose theme.
00:33:32No.
00:33:33Are you serious?
00:33:35You copied me.
00:33:36I knew it was with the name of the theme.
00:33:37But I decided to take it a step further.
00:33:41I've gone for a more gothic theme.
00:33:44Creating a real sensual beauty.
00:33:46Darker, more sensual.
00:33:50I know our customers are going to love this.
00:33:52These are absolutely incredible.
00:33:59The detail, the mood is...
00:34:03It's all perfect.
00:34:06The model nails it.
00:34:09He brings the right kind of balance, the right energy.
00:34:13With him, you can actually see the jewelry, not just the model.
00:34:17This, uh, fits our brand to Italy.
00:34:20It's both.
00:34:23The other, previous one, just doesn't have the same input.
00:34:30This got me up.
00:34:32Looks like you might have to know your kids.
00:34:37Alright.
00:34:38Well, after our discussion, we're all in agreement.
00:34:44We'll go with the second set.
00:34:48Miss Vanessa Clark.
00:34:49Looking forward to collaborating with you.
00:34:51Amazing.
00:34:52Thank you so much.
00:34:53Love you.
00:34:55God, you know, you really can't steal what someone just has, naturally.
00:35:09True creativity comes from within, sis.
00:35:14Better luck with stuff.
00:35:17Right.
00:35:18I'm off.
00:35:19Just have a break.
00:35:20Have a good day.
00:35:21Bye.
00:35:22Look at you.
00:35:23Come on, I knew you had it.
00:35:24You're my lucky charm.
00:35:25So, what are we, uh, celebrating?
00:35:26I was thinking I'd take you out.
00:35:27I know the best sushi restaurant.
00:35:28What, just sushi?
00:35:29What else were you expecting?
00:35:30I don't know, something a little more, uh, silent.
00:35:31Take it early then.
00:35:32All right, fine.
00:35:33Take it early.
00:35:34All right, fine.
00:35:35I'm excited.
00:35:36Hi.
00:35:37Oh, I'm excited.
00:35:38Hi.
00:35:39Oh, that's the best charm.
00:35:41You're my lucky charm.
00:35:43So, what are we, uh, celebrating?
00:35:44I was thinking I'd take you out.
00:35:45I know the best sushi restaurant.
00:35:46What, just sushi?
00:35:47What else were you expecting?
00:35:48Take it early then.
00:35:52Alright fine, take it away.
00:36:02Hi! Oh my god, I missed you so much!
00:36:06Oh, this is Cassie, my bestie.
00:36:08Nice to meet you.
00:36:10Nice to meet you too.
00:36:12It's so nice.
00:36:14I thought you were so mysterious about that.
00:36:16Well, I got you.
00:36:18Looks like you've upgraded.
00:36:20So, come on, Spill. How did you two meet?
00:36:22How long has this been going on?
00:36:26That stripperoo the other night,
00:36:28that wasn't him.
00:36:35That stripperoo the other night,
00:36:38that wasn't him.
00:36:40No way. The guy that I hired
00:36:42just called me and said he couldn't find you.
00:36:44I assumed you'd bailed or something.
00:36:48Look, to be fair, you were the one
00:36:50you know, coming on to me that night.
00:36:52But...
00:36:54Yeah, you mixed me up with someone else.
00:36:58But you were the one who was asking me to do the whole thing.
00:37:02That's enough. That's enough of that.
00:37:04Um, maybe...
00:37:06It's a sign, Vanessa.
00:37:08I mean, it's not bad.
00:37:10Why don't you give him a shot?
00:37:12Yeah, it's...
00:37:14It's not like that.
00:37:16He's just my model.
00:37:18Oh, looks like everyone's gone to lunch, so we can just go.
00:37:26Hey.
00:37:28Jason, what are you doing?
00:37:30Vanessa, what are we?
00:37:32Like...
00:37:34Wait, are you seriously telling me there's nothing between us?
00:37:38What are you talking about?
00:37:40You know exactly what I'm talking about.
00:37:54Vanessa, we've got a problem.
00:37:56The Vertex group announced their collaboration with the Clark group.
00:37:58Yeah, I know.
00:38:00They picked my pitch earlier.
00:38:02I didn't think they'd move this fast, though.
00:38:04They did use your photos.
00:38:06But Abby's the official photographer.
00:38:08What?!
00:38:10Hey!
00:38:18You better knock this Vertex deal out of the park.
00:38:22Don't let your old man down.
00:38:24I won't dance.
00:38:26I've got this.
00:38:28Ever thought of knocking, Vanessa?
00:38:32What's this, hon?
00:38:34You couldn't come up with your own ideas.
00:38:35I had to steal mine.
00:38:36Is that what we're doing now, Abby?
00:38:38That's enough.
00:38:40I don't know what you're talking about.
00:38:42This wasn't her doing.
00:38:44It was mine.
00:38:46What are you saying?
00:38:48Abby's fresh.
00:38:50She needs this high-profile project to boost her career.
00:38:53I made the call, and she's getting it.
00:38:56Are you serious?
00:38:58That was my idea.
00:39:00Why should she take all the credit?
00:39:02It's all staying in the family, Vanessa.
00:39:04Whether it's Abby or you, the company benefits.
00:39:08We're family.
00:39:10Don't be so selfish.
00:39:12Selfish.
00:39:14Selfish?
00:39:16Do you know how many hours my team spent working on this project?
00:39:20As chairman of this company, my word is final.
00:39:24If you have a problem with that, we'll have to leave.
00:39:33Fine.
00:39:34I don't want to work here anymore, anyway.
00:39:36I'll do it.
00:39:38I will leave a moment.
00:39:40I'll leave and I'll leave.
00:39:42I'll leave.
00:39:44Podesta, are you really leaving?
00:39:45It's your company!
00:39:47Yeah, but there's more out there for me.
00:39:50Don't worry, it won't affect you guys.
00:39:52Oh, I'm coming with you.
00:39:53I've literally had it with this place.
00:39:55Way too much drama.
00:39:57Count me in.
00:39:58Count me in. I only sign off because of Bieber, Vanessa. I'm not standing here without you.
00:40:03I've been itching to start out on my own. Let's start a studio.
00:40:07We're with you, Vanessa. I'm with you as well. Yeah.
00:40:10You guys! Hey, what about me?
00:40:13I switched jobs for you, remember? You owe me one.
00:40:18Alright. I will let you down. Let's start a studio together.
00:40:23Yay! Woo!
00:40:29Alright, let's get out of here.
00:40:47Dad, those people who approached were really letting Vanessa take them?
00:40:51They're loyal to Vanessa. If they want to go, there's not much I can do to stop them.
00:40:58So she's just gonna go off and compete against us now?
00:41:01Don't worry. I'll make sure people know. If they work with her, they're crossing us.
00:41:07She'll learn quickly. Without us, she won't get far.
00:41:12Since we've launched the Phoenix Studios, we haven't landed a single deal.
00:41:23Every brand we've reached out to either thinks we're amateurs or flat-out ignores us.
00:41:29How do we fix this?
00:41:31Just, just trust me. I'll figure something out.
00:41:36That's it for today. Meeting dismissed.
00:41:47You alright?
00:41:49My father's told every big brand not to work for me.
00:41:55If we don't learn something soon, Phoenix will die before it's even taken off.
00:42:00Hey, come on. It's gonna get better.
00:42:04But it's late. You should go home and get some rest.
00:42:08No. No, I can't give up that easy. You go ahead, though. I'll make some more calls.
00:42:20Yeah, alright.
00:42:22So, can I see Mr. Scott? No. Just five minutes of his time.
00:42:40He's already made it clear. He's not interested in your studio.
00:42:43Please don't come back.
00:42:45Sis, without the family behind you, you've really hit rock bottom, huh?
00:42:49That's none of your business, Abby.
00:42:54Look at this. An invite to the Todd Group Banquet.
00:42:59They're announcing their collaboration with the Clark Group there.
00:43:02Too bad you're not invited.
00:43:05The Todd Group Banquet? Why didn't I think of that?
00:43:10Don't get too excited. The Todd Group is picky with their photographers.
00:43:14I'm not sure you're up to it.
00:43:19What's going on here?
00:43:21Oh, I'm...
00:43:23I'm making invites to the Todd Group Banquet.
00:43:24Oh, pretty convincing, right?
00:43:26I'm just hoping they don't notice it's... fake.
00:43:28Wait, why?
00:43:30Why?
00:43:31Yeah, why?
00:43:32Because it's the Todd Group Banquet?
00:43:33Because it's the Todd Group?
00:43:34There's gonna be major players from all over the place. I could land some killer collaborations from this.
00:43:40Yeah, but you know that's risky, right?
00:43:42Yeah, of course I know.
00:43:43Yeah, of course I know. But... I'm all out of options. It's this or nothing.
00:43:49So, are you coming with me?
00:43:50With me? To the Todd Group Banquet?
00:43:51Yeah.
00:43:52To the Todd Group Banquet?
00:43:53Yeah?
00:43:54Uh...
00:43:55Yeah, I... I... I... I... I... No, I actually... I have something I need to handle that day.
00:43:58Uh...
00:43:59You know that's risky, right?
00:44:00Yeah.
00:44:01Of course I know.
00:44:02But... I'm all out of options. It's this or nothing.
00:44:07So, are you coming with me?
00:44:11With me? To the Todd Group Banquet?
00:44:15Yeah?
00:44:17Uh... Yeah, I... I... I... No, I actually... I have something I need to handle that day.
00:44:24Um... But to answer your question, yeah, that... that does look... real.
00:44:32I'm just... I gotta... Yeah.
00:44:37This is my shot. If this doesn't work, my studio's done.
00:44:52Invitation, please.
00:44:57Invitation, please.
00:44:58Go ahead.
00:45:11Mr. Todd? She's going inside.
00:45:15That was... way too easy. Did I just pull this off?
00:45:19Guess the Todd Group's security isn't as tight as their reputation.
00:45:22Vanessa!
00:45:30Why the hell are you here?
00:45:31What, you get to Watson and I don't?
00:45:34How did she get an invite?
00:45:35You didn't... sneak in, did you?
00:45:38I'm too busy for this, Abby.
00:45:40Court right-handed, huh?
00:45:42You really think you can crash the Todd Group's banquet without an invitation?
00:45:45It's fake.
00:45:55Last try, though.
00:46:00Vanessa, did you really sneak in with a fake invite?
00:46:04A fake invite?
00:46:07She must really be desperate.
00:46:09Can you believe that?
00:46:10No one will want to work with her after this.
00:46:13What makes you so sure it's fake?
00:46:17Because they're real ones.
00:46:18They've got a code, right here in the corner.
00:46:21Yours?
00:46:23It's missing.
00:46:24Care to explain?
00:46:28Mr. Simpson!
00:46:30Just the man I need.
00:46:32How can I help?
00:46:34Someone crashed the party.
00:46:35Can you help her find the doll?
00:46:37Lipsy?
00:46:45I'm afraid if you don't have a legitimate invitation...
00:46:48You're lucky.
00:46:55Miss Clark!
00:46:57Just wait a second...
00:46:59Um...
00:47:00Danny Rogers?
00:47:02Mr. Todd's personal assistant.
00:47:04I've been sent here to collection.
00:47:07Are you sure you didn't mix things up, Mr. Rogers?
00:47:10She wasn't invited.
00:47:12She snuck in with a fake invite?
00:47:15Look.
00:47:17There's no number.
00:47:19Miss Clark here is one of Mr. Todd's honoured guests.
00:47:23The reason why it doesn't have a code on there is because I personally sent her the invitation.
00:47:28She's...
00:47:32Mr. Todd's honoured guest.
00:47:35How the heck is that even possible?
00:47:38Who is she?
00:47:40Why does she get to be one of Mr. Todd's VIPs?
00:47:43Even Mr. Rogers is giving her respect.
00:47:44That bitch always steals my spotlight.
00:47:59Why?
00:48:09After careful consideration, we've chosen our partner for the upcoming season.
00:48:14Let's get to the moment we've all been waiting for.
00:48:18Mr. Simpson.
00:48:20There better not be any slip-ups.
00:48:23Remember our little deal?
00:48:24Chill out, Miss Clark.
00:48:27Everything's locked in.
00:48:29I do the business deals around here.
00:48:32No one can change my mind.
00:48:34Unless it's Mr. Todd.
00:48:37And he doesn't usually get involved in this.
00:48:40Good to know.
00:48:42Vanessa, no matter how hard you crash this banquet, you'll always be in my shadow.
00:48:46Once I nail this partnership with the Todd Group, let's see how you deal with the fallout.
00:48:50The partner for the Todd Group is...
00:48:54Thank you, Todd Group, for selecting...
00:48:58Phoenix Studios.
00:49:03What?
00:49:05How is this happening?
00:49:13How is this happening?
00:49:14What makes everything shape me part of the Todd Group?
00:49:19I'm cringing just for watching.
00:49:21I've got a project that might catch her eye.
00:49:23Wow!
00:49:24Thank you!
00:49:26Didn't you say everything was set?
00:49:29Are you playing me?
00:49:31No!
00:49:33No!
00:49:35Danny?
00:49:37What the hell happened?
00:49:39There's no mistake.
00:49:41The Todd Group chose Vanessa's studio to be our partner.
00:49:45You're corrupt, Colin.
00:49:47So you're out.
00:49:49Danny, come on.
00:49:51I messed up.
00:49:53But I won't do it again.
00:49:54After all I've done for you, can you not cut me some slack?
00:49:58Mr Todd has cut you some slack by not calling the police.
00:50:01So, are you leaving on your own, or do I need to call security as well?
00:50:05No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:50:08I'm not doing that.
00:50:10I'm not doing that.
00:50:12I'm not doing that.
00:50:14Mr Todd, can you not do that?
00:50:16Mr Todd is cutting you some slack by not calling the police.
00:50:18So, are you leaving on your own, or do I need to call security as well?
00:50:24No, no, no, no.
00:50:28Miss Clark, would you like to follow me?
00:50:30Our contract's already.
00:50:32Let's make this official.
00:50:39Miss Clark.
00:50:41There's the contract. Have a look through.
00:50:43If everything's in order, then feel free to sign.
00:50:47So, um, what made the Todd group sign with the Phoenix Studios?
00:50:51The temple.
00:50:53It's your talent.
00:50:55It speaks for itself.
00:50:57Well, you won't be disappointed.
00:50:58Excuse me, may I ask who that is?
00:51:11Oh, that is, uh, Mrs Todd. Um, Mr Todd's mother. She's the chairwoman.
00:51:18After Mr Todd's father passed, she took over just to keep the business thriving.
00:51:22That's really impressive.
00:51:32How come he looks just like Jason?
00:51:43So, any more questions about the contract?
00:51:46Nope. All set.
00:51:48I look forward to working with the Todd group again.
00:51:50Great!
00:51:52I don't know how you could throw away such a major deal.
00:51:54She's only after your money and the Todd name.
00:51:56Jason, what's he doing here?
00:51:58And who's that woman?
00:51:59He doesn't even know who I've written here.
00:52:00No way. Isn't that the chairwoman of the Todd group?
00:52:01Isn't that the chairwoman of the Todd group?
00:52:03I can't believe you'd throw away such a major deal.
00:52:07All for some woman.
00:52:08She saved my life, Mom.
00:52:10She's not just a woman.
00:52:11I don't know how you could throw away such a major deal.
00:52:13She's only after your money and the Todd name.
00:52:14Jason, what's he doing here?
00:52:15And who's that woman?
00:52:16He doesn't even know who I've written here.
00:52:18No way.
00:52:19Isn't that the chairwoman of the Todd group?
00:52:20I can't believe you'd throw away such a major deal.
00:52:25All for some woman.
00:52:26She saved my life, Mom. She's not just some woman.
00:52:31Some woman? You could have just written her a check and called it a day.
00:52:35Yeah, I have my reasons. So stay out of it.
00:52:38What's she done to make you so obsessed?
00:52:41She's only after your money and the top name.
00:52:45That's all it was. It'd be easier.
00:52:47What?
00:52:47Nothing, Mom. Look, just what you were afraid of won't happen.
00:52:51Okay, she doesn't even know who I really am.
00:52:53But when you say her, see her, won't say anything.
00:52:59Okay? Yeah?
00:53:04Only you could fool something this obvious.
00:53:06Yeah, all right. And don't you have a meeting?
00:53:08Come on, go, go, go.
00:53:18Oh, hey, are you, uh, are you done with work?
00:53:20The chairwoman of the Todd group.
00:53:26How do you know her?
00:53:27Don't.
00:53:30You were laughing with her?
00:53:36What are you talking about? No, no.
00:53:38I, I just, I ran into her and I thought maybe I'd help you secure the Todd team.
00:53:46Oh, I'm sorry.
00:53:48So I was with.
00:53:49Yeah.
00:53:51But, I have good news.
00:53:53I secured the Todd group team.
00:53:55No way, that's huge.
00:53:57I honestly didn't even think my studio would be in the running for it.
00:54:00Yeah, well, you deserve it.
00:54:02Come on.
00:54:03So, uh, where do you want to go?
00:54:06Studio?
00:54:07Yep.
00:54:08Where do you want to go?
00:54:09Studio.
00:54:16To us and to our company for nailing that Todd group collaboration.
00:54:20You know what?
00:54:21Cheers, everyone.
00:54:22Woo!
00:54:22Woo!
00:54:22Woo!
00:54:22Cheers!
00:54:24Vanessa, you're a genius.
00:54:26You really made it happen with the Todd group.
00:54:29And that's not all.
00:54:30We had calls from big brands that want to work with us, too.
00:54:34Well, tomorrow's a big shoot.
00:54:35So let's crush it.
00:54:36More deals are just around the corner.
00:54:39Woo!
00:54:40Okay, drinking is fun and all, but let's switch it up.
00:54:44Truth or dare?
00:54:54All right, truth.
00:54:56Do you have a girlfriend?
00:55:00Not yet.
00:55:03Ah, not yet.
00:55:05Does that mean there's one on the horizon?
00:55:08That's your next question.
00:55:15Looks like you're not off the hook.
00:55:17So, is there anyone you have your eye on?
00:55:24Yeah.
00:55:26Yeah, I do.
00:55:26All right, all right.
00:55:33Quit tearing at me.
00:55:34Just please spin the bottle again.
00:55:42Oh, what?
00:55:42So, this is the master bedroom?
00:55:44Okay.
00:55:45All right.
00:55:46I thought this was off-limits.
00:55:47Not anymore.
00:55:48No?
00:55:48No.
00:55:49No.
00:55:49No.
00:55:49No.
00:55:49No.
00:55:49No.
00:55:50No.
00:55:51No.
00:55:51No.
00:55:52No.
00:55:53No.
00:55:53No.
00:55:54No.
00:55:55No.
00:55:56You're welcome.
00:56:01No.
00:56:01All right, death.
00:56:02Oh, God.
00:56:03Oh, God.
00:56:04Oh, God.
00:56:05Oh, God.
00:56:08Oh, God.
00:56:09Oh, God.
00:56:13Oh.
00:56:15Oh, God.
00:56:15Oh, God.
00:56:24He's passionate, and he knows how to make a girl feel special.
00:56:43Why aren't we prepping yet? It's almost time to shoot.
00:56:46We've been waiting for over an hour.
00:56:48What's the hold up inside?
00:56:50Are you Vanessa?
00:56:52Yes, that's me.
00:56:53Hi, Mr. Bailey.
00:56:56Can we get started?
00:56:58Just keep waiting.
00:57:00Can you see?
00:57:01I'm not ready.
00:57:03But we said we'd start at 9, and it's past that, so what are we waiting for?
00:57:09If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:57:13I don't understand why Mr. Todd partners with all these small studios.
00:57:18I think the studios might be small, but we can handle ourselves against a big company.
00:57:23You think we can compare with the big boys?
00:57:27What do you have?
00:57:29Pretty face?
00:57:32Or did you...
00:57:32You slept your way into this job.
00:57:36Huh, shocking.
00:57:43A big company like the Todd Group can't get timing right.
00:57:49Or show basic respect to its partners.
00:57:51If that's how it's going to be, we're out.
00:57:53Oh, you're leaving so soon.
00:57:57I've hit the nail on the head, and you're feeling guilty.
00:58:01See, you can't take the heat.
00:58:03If you want the chute to keep going, I suggest that you beg me for it, and nicely.
00:58:08Your mouth is fucking foul.
00:58:14Consider that free mouthwash.
00:58:15No need to beg you.
00:58:17You bitch!
00:58:17Just you wait!
00:58:18I'll...
00:58:18Yo, Mr. Todd.
00:58:27Long time to see you.
00:58:28Um, do you want to tour the studio?
00:58:32Where's everybody from Vanessa's studio?
00:58:34When they meant to shoot today?
00:58:35It was a total disaster.
00:58:38She had to wait a little bit longer, and then she splashed water on the floor and left.
00:58:42What?
00:58:43You drove her away?
00:58:45To Mr. Knight.
00:58:47I didn't...
00:58:48This is truly outrageous.
00:58:54What's our next move, Vanessa?
00:58:56Let's just head back for now.
00:59:01Miss Clark, I'm so sorry for the trouble.
00:59:04It's on us at the Todd Group for dropping the ball with our team.
00:59:08Edwin's been let go.
00:59:09We'd be so grateful if you'd reconsider and come back for the shoot.
00:59:20Great!
00:59:21Okay, thank you.
00:59:22You're all done.
00:59:24Well, I think we've had it.
00:59:26Stunning.
00:59:26Amazing.
00:59:28We'll see you later.
00:59:29Bye, guys.
00:59:30Miss Clark!
00:59:31Hi.
00:59:32Um, I just wanted to come by personally and apologize for what happened earlier on.
00:59:39Um, I hope that doesn't change your view on the Todd Group.
00:59:42No way.
00:59:42I'm really appreciative to the Todd Group for this opportunity.
00:59:46Good.
00:59:46Good.
00:59:48And Mr. Todd is, uh, very impressed with your skills.
00:59:54You'd afford to see what you do next.
00:59:55I really appreciate your help today.
00:59:59The shoot turned out way better than I expected.
01:00:01Good.
01:00:01I'm glad.
01:00:03And, uh, if you need any help in the future, just let me know.
01:00:10Danny's been stepping up for me, helping out more than I expected.
01:00:14So, uh, how was today?
01:00:21Smooth sailing?
01:00:23Hey.
01:00:25Oh, I'm sorry.
01:00:26What did you say?
01:00:27I asked how today was.
01:00:28You seem kind of out of it.
01:00:31It's nothing.
01:00:34I'm probably just overthinking, but, uh, I think Danny might have a crush on me.
01:00:39Wait, what?
01:00:45I think Danny might have a crush on you.
01:00:48Wait, what?
01:00:50Yeah, he's always coming in, like, last minute to save me.
01:00:54I mean, why else would he be so attentive?
01:00:57Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:01:01Swooning?
01:01:02Yeah.
01:01:03I don't like Danny at all.
01:01:06Well, then who do you like?
01:01:09I like.
01:01:14You're trying to trap me into saying something.
01:01:16Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:01:21Like, I want to be with you.
01:01:23Like, forever.
01:01:26You not see that?
01:01:34Hi.
01:01:34Hi.
01:01:39But come on, I know you feel something for me, too.
01:01:47I guess...
01:01:48I am kind of it.
01:01:51I want to take the longest trip with you.
01:01:58The one that starts right when we say I do.
01:02:05From Mary Hall...
01:02:06Guess what?
01:02:13The TARD group loved our promo shot.
01:02:18Our studio is making waves.
01:02:21We've got brands lining up to collaborate with us.
01:02:24You guys are killing it at the moment.
01:02:26So, I say we head to the shooting gallery.
01:02:28You're the best.
01:02:29Woo!
01:02:30Woo!
01:02:30Woo!
01:02:31Woo!
01:02:37Oh, my God!
01:02:39The shooting stuff is way harder than it looks.
01:02:41If I'd have known, I would have chosen something less intense.
01:02:45Eh, don't worry.
01:02:46I'll show you the ropes.
01:02:48Ha, ha, ha!
01:02:50Look who's trying to be a sharp shooter.
01:02:53Well, if you think you can do better, why don't you give it a shot?
01:02:57Seriously, you think you can stack up against Blaine?
01:03:00He's got the second best aim in the city, right after Mr. Todd.
01:03:05Mr. Todd?
01:03:07Yeah, this place is owned by Mr. Todd.
01:03:09He's got the top score, but watch out.
01:03:13Blaine's stunning for that record.
01:03:16You didn't know that, no, Vanessa?
01:03:18And what, you just thought you'd stroll in here and...
01:03:23embarrass yourself?
01:03:24He, he, he.
01:03:27You think you can beat the record?
01:03:30Aye.
01:03:33You can't even beat me.
01:03:35Ha!
01:03:36Oh!
01:03:43Ha!
01:03:43Oh, very confident.
01:03:47All right, then.
01:03:48How's about we make ourselves a little deal?
01:03:51You lose, you run over your portion of the Todd Group's partnership to me, eh?
01:03:57So, when you can't win fair and square meters, you're just cheating!
01:04:01Classic Blaine.
01:04:04Come on, let's go.
01:04:05No, no, no, no, no.
01:04:06I can take you on.
01:04:08But if you lose, what's your game plan?
01:04:11Lose?
01:04:12Ha, ha!
01:04:13Lose me!
01:04:13You think you can just walk in here and break the record like it's a walk in the park?
01:04:21I see.
01:04:22Oh, all right, very confident.
01:04:26My goodness, I have never seen somebody so eager to get embarrassed.
01:04:31You can't even swing that thing, man.
01:04:34I'm not buying it either.
01:04:36But how about this?
01:04:37If you beat Blaine, Vanessa can take any project.
01:04:43I'm not really sure about this.
01:04:44You don't have to do it to the approval of me.
01:04:47Lose, your boyfriend's got this.
01:04:51Ooh!
01:04:58Baby, you're on fire!
01:05:01Ah, yes.
01:05:03Even better than last time.
01:05:05Indeed.
01:05:06You know something?
01:05:07I think you should just throw in the towel.
01:05:10Save yourself a bit of embarrassment.
01:05:13Not a chance.
01:05:15I believe in Jason.
01:05:17Oh, no.
01:05:18Oh, no.
01:05:31Did I just see that?
01:05:49Ten shots.
01:05:50Ten hits.
01:05:51Ah, we just broke the record.
01:05:53Someone just beat Mr. Todd's record.
01:05:55Beat Mr. Todd's record.
01:05:57How's that even possible?
01:05:59How's that possible?
01:06:00Who are you?
01:06:02Breaking Mr. Todd's record and sharing his last name.
01:06:06Could he be?
01:06:09How are you so good?
01:06:10You just shattered Mr. Todd's record.
01:06:13It's nothing.
01:06:14I just picked it up in college.
01:06:16You know, I was shooting champ every year.
01:06:19Okay.
01:06:20I'm definitely overthinking this.
01:06:22He's just a regular guy.
01:06:24There's no way he could be Mr. Todd.
01:06:26Remember.
01:06:27You owe us a project.
01:06:29Why should I?
01:06:30It's projects I bust in my box.
01:06:31No way.
01:06:34You've obviously cheated.
01:06:36You've obviously done something for the dorms.
01:06:38A thing right at that.
01:06:39Not a chance either, Vince.
01:06:41Why is it really that hard to just admit someone's better, Blaine?
01:06:47I'm going to get you two.
01:06:55You're so good.
01:06:57I thought Blaine and Abby were going to explode.
01:06:59You know, look, I'm done letting them push you around.
01:07:02Yeah, you're the best.
01:07:04You know, today's been my lucky day.
01:07:06I learned how to shoot and secured projects for free.
01:07:09Well, what if Abby goes back on a deal?
01:07:12Then I'll snatch the projects from her.
01:07:14Line gets under my skin.
01:07:17What if you find out I've been hiding something?
01:07:22I dare you to try me.
01:07:24If Vanessa discovers I've been keeping my true identity a secret,
01:07:28will she walk away?
01:07:29I need it if it's over soon.
01:07:37Vanessa.
01:07:42What's going on?
01:07:43I'm here to apologize.
01:07:47Come back with me.
01:07:49I've saved a spot for you at the Clark Group.
01:07:51You kicked me out.
01:07:53Remember, Dad?
01:07:56I've been much happier since I left, so why would I come back?
01:07:59The Clark Group is struggling.
01:08:01We need your talent.
01:08:03Sounds like you can't handle it, Abby.
01:08:06If Dad's here begging for my help, things must be bad.
01:08:10Vanessa, what will it take to bring you back?
01:08:21I'll give you half the company's shares.
01:08:23How does that sound?
01:08:24Dad, are you serious?
01:08:25That's not fair.
01:08:26I'll think about it.
01:08:32Excellent.
01:08:33Give it some serious thought.
01:08:35I'll be waiting for you at the Clark Group.
01:08:39Get out my fucking way.
01:08:40The shares are meant for me, Vanessa.
01:08:42Just wait.
01:08:43I'll bet you, you never enjoy them.
01:08:45You know, I like your car.
01:08:55It's a smooth ride, like you.
01:09:01Stop it.
01:09:02Are you sure you can't come to dinner?
01:09:06No, look, I can't.
01:09:07I've got something to do tonight, but call me when you're done, and I'll pick you up.
01:09:12What could you possibly have to do at night?
01:09:14You better not have another client.
01:09:25You want to wear that damn again?
01:09:26Good.
01:09:27You better keep it at night.
01:09:38Okay.
01:09:39Dress up in my garment, feeling no shit.
01:09:42Sorry.
01:09:43Come on.
01:09:44Oh, my God.
01:10:14Is this Vanessa Clark?
01:10:25I'm calling about Jason.
01:10:27He's been in a car accident.
01:10:28You need to come to the hospital immediately.
01:10:33I'm here for Jason.
01:10:34He was in a car accident.
01:10:35Where is he?
01:10:38He's down the wall with your left.
01:10:40Thanks.
01:10:45Jason, are you okay?
01:10:47Are you seriously hurt?
01:10:50No, I'm fine.
01:10:51Just a scratch.
01:10:54Nothing major.
01:10:55Thank God.
01:10:57You scared the life out of me.
01:10:59How did this happen?
01:10:59Someone cut the brakes, Vanessa.
01:11:05This was your car.
01:11:07They're aiming for you.
01:11:11It's Abby.
01:11:12It has to be.
01:11:14It's all about the shares.
01:11:15She's trying to take me out.
01:11:18I'm so sorry.
01:11:20It's all my fault you got her.
01:11:22I promise I'll get to the bottom of this.
01:11:25Oh, my God.
01:11:27You all right, dear?
01:11:31You all right, dear?
01:11:34Uh, Mrs. Todd, what are you doing here?
01:11:37Oh, you must be here to see Mr. Todd, right?
01:11:46The nurse just told me he's across the hall.
01:11:48Yeah, yeah, he's fine.
01:11:51Just a few scratches.
01:11:58Wait.
01:11:59Mr. Todd got in a car accident, too?
01:12:03Yeah, yeah, that's right.
01:12:05I'm sorry.
01:12:06Um, so, so you and Mr. Todd in a car accident at the same time?
01:12:14Yeah.
01:12:15Crazy coincidence, huh?
01:12:17Should I go and see him?
01:12:18He's been so good to the studio, I...
01:12:20Ow!
01:12:21Are you okay?
01:12:22Where does it hurt?
01:12:23Should I call someone?
01:12:24No, no, I just, I need, I need you.
01:12:28You know, a spoonful of sugar.
01:12:31Even now you're talking nonsense.
01:12:33I'm glad you're safe.
01:12:36Okay, if this was you,
01:12:37I don't know what I'd do.
01:12:43You're so stupid.
01:12:45Look, it's late.
01:12:47I'll go get you something to eat.
01:12:48Just rest, okay?
01:12:50I have a question.
01:13:10Okay.
01:13:10How would you feel if, like, someone close to you told you a lie?
01:13:19Depends on the lie.
01:13:21If they had good reason?
01:13:24Um, I mean, I'd still be upset.
01:13:27A lie's a lie.
01:13:29They just really have to make it up to me.
01:13:31Uh, why are you asking?
01:13:33Are you lying to me?
01:13:34No, no, I'm just, um, just wondering.
01:13:41Wondering if you want to go out sometime.
01:13:44I mean, we've not been on a real date since we got together.
01:13:46That's true.
01:13:48Okay, so we'll go on one after you've been discharged.
01:13:52All right, deal.
01:13:52I'll, uh, I'll make a plan.
01:13:55All right.
01:13:57Surprise me.
01:13:58Surprise you?
01:13:59Mm-hmm.
01:14:04You're so dumb.
01:14:06It's your hair.
01:14:07Mm-hmm.
01:14:12Where are we?
01:14:14Jason, why all the suspense?
01:14:17Yeah.
01:14:22Oh, my God.
01:14:29He's in.
01:14:29You like him?
01:14:30Yeah.
01:14:31Yeah.
01:14:40You really know how to treat a woman, don't you?
01:14:45Vanessa, I can't keep hiding this from you.
01:14:48Tonight, I'll tell you everything.
01:14:50And then, I'll propose.
01:14:57Vanessa.
01:15:02I love you.
01:15:05And I want to be with you forever.
01:15:12I love you, too.
01:15:13Actually, there's something that I've been, like, dying to tell you, and...
01:15:23Oh, my gosh.
01:15:24They're so pretty.
01:15:25You're so pretty.
01:15:38Vanessa.
01:15:39I've got a secret, okay?
01:15:41And...
01:15:42Okay.
01:15:44I hope that you won't be upset.
01:15:45You're really hiding something?
01:15:47Just say it, Ernie.
01:15:50Actually
01:16:00I am
01:16:02Shit
01:16:19Jason, Grandpa is very ill, you need to come home now
01:16:27Um, I've got some like personal stuff that I have to handle, can you head home?
01:16:32So you, you can't stay tonight?
01:16:35What's going on that's so urgent?
01:16:37It's really important, but I'll fill you in when I'm home, alright?
01:16:42Okay
01:16:44I don't get it, what's the rush?
01:16:49I don't get it
01:16:55So this is your urgent matter?
01:16:57Comforting the other woman?
01:16:59What's really between you and Mrs. Todd?
01:17:02Why the closeness?
01:17:19What?
01:17:23Hey Vanessa, are you in there?
01:17:32Hey Alison, yeah, hey, have you seen Vanessa? She at the office?
01:17:36She wanted me to tell you, you're fired
01:17:38What? Seriously? Why?
01:17:40Yeah, she seemed really upset. Good luck, okay?
01:17:44Upset? Hey Alison, hey!
01:17:46Hey Alison, hey!
01:17:58Hey Vanessa, hey!
01:18:00Hey, what's going on?
01:18:01Hey, everything was fine yesterday, what happened?
01:18:04You're asking me?
01:18:05You were with some other woman, and you're asking me what's wrong?
01:18:09W-When was I ever-
01:18:15Mrs. Todd? No, I can explain that-
01:18:17I saw it with my own eyes!
01:18:19I don't need you to explain, just let go!
01:18:21No, I'm not moving!
01:18:22Let go!
01:18:23Come on, Vanessa. Don't start feeling sorry for a playboy.
01:18:35The Todd group is hosting a photography competition, Max Bud.
01:18:40Where's we gonna chance at a long-term strategic partnership?
01:18:44A long-term partnership?
01:18:46If I can nail this competition, my studio's future is set.
01:18:50Future is set.
01:18:53And it's a run, and it's a run!
01:18:54I've just got people ready to do this.
01:18:58And it's the run!
01:18:59All the new videos, please come back in the picture!
01:19:04Of course, stay away and leave!
01:19:05I'm sorry!
01:19:06What is it for?
01:19:08Vanessa, what brings you to the national photo contest, hosted by the Todd Group?
01:19:12Aren't you just a little ashamed to show your face here?
01:19:15Ashamed?
01:19:16Please.
01:19:18Speaking of shame, look in the mirror.
01:19:21This is a national contest?
01:19:23Abby, remember? Better not play any plagiarism stunts.
01:19:27You'll be blacklisted quicker than you can cry about it.
01:19:30You bitch. Go ahead. Say one word, I dare you.
01:19:34Welcome, ladies and gentlemen, to the annual photo contest of the Todd Group.
01:19:38Just wait. When the results are in, I'll make sure you're crushed beneath my feet.
01:19:42Oh, I'll be right here, eagerly waiting for the fallout.
01:19:46Let's kick things off by welcoming our first contestants.
01:19:53Hey, everyone. The photos I'm sharing today are from my incredible travels.
01:20:04This should have a breath take. I give it 98 points out of 100.
01:20:09I'm in love with this. This far is truly a star on the rise. 99 points.
01:20:14Vanessa, get ready to be beneath my feet.
01:20:19I need to report this work.
01:20:21Vanessa, are you seriously doing this out of spite?
01:20:24This photo clearly shows signs of AI generation
01:20:27and stealing the work of the renowned photographer Feliciano Bowe.
01:20:33You're lying. This is a setup.
01:20:37I have the original shot right here.
01:20:40What's your excuse now, Abby?
01:20:42Don't listen to her. She's just out to get me.
01:20:45Two photos don't prove anything.
01:20:49Yeah, I heard they're not exactly the best of buds.
01:20:52And now this is ruining the competition.
01:20:55The judges have thoroughly vetted this work.
01:20:57Miss Vanessa Clark, please do not disrupt the competition.
01:21:01But this is clearly AI generated.
01:21:03I want a judge to review this.
01:21:05Come on, sis.
01:21:06Everyone knows that you're just jealous and trying to make me look bad.
01:21:09Give it a rest.
01:21:13Vanessa, please do not disrupt the competition.
01:21:16You see, I had the Todd Group's tech team run the numbers.
01:21:20Abby's work?
01:21:22Total AI generation.
01:21:25Now that breaks the rules.
01:21:26So, I'm announcing Abby's disqualification
01:21:30and banning her from working with the Todd Group
01:21:32and any of their associates.
01:21:35Jason?
01:21:36What's he doing here?
01:21:38Who do you think you are?
01:21:39You can't just ban me.
01:21:40The Todd Group tech team isn't your personal squad.
01:21:44Get a load of this guy.
01:21:46Some stripper playing Mr. Todd.
01:21:49Imagine that.
01:21:50Ha, ha, ha, ha.
01:21:54Get a load of this guy.
01:21:56Some stripper playing Mr. Todd.
01:21:59Imagine that.
01:22:02Mr. Rogers, he's here to cause chaos.
01:22:05Get him out of here fast.
01:22:07Using AI to cheat, hmm?
01:22:09Seems like you're the real troublemaker, yeah?
01:22:11Shit.
01:22:12It looks like Jason's really got Mr. Todd backing him.
01:22:15Even Mr. Rogers is in his corner.
01:22:17Mr. Rogers, that man is a male stripper.
01:22:21It's all for this fucking shit.
01:22:23The judges here have been bribed by Abby.
01:22:26I mean, she's ruining the contest and the whole industry.
01:22:29I mean, the Todd Group's not going to touch this.
01:22:36I'm looking for Abby Clark.
01:22:37You're under arrest on the suspicion of attempted murder.
01:22:41Yeah.
01:22:42No, you've mistaken me for someone else.
01:22:44Easy.
01:22:45Let me go.
01:22:46I didn't kill anyone.
01:22:47I'm being framed.
01:22:48It's Vanessa.
01:22:49She's setting me up again.
01:22:50You mess with my car.
01:22:52You put lives at risk.
01:22:53Do I need to show everyone the proof, Abby?
01:22:55I can't believe she'd go this far against her own sister.
01:23:00Sister?
01:23:01They're half-sisters, remember?
01:23:05You're going to take this.
01:23:07You're going to take this, you bitch!
01:23:16Flynn, help me.
01:23:18Officer and I had nothing to do with this.
01:23:20It was all Abby.
01:23:22Flynn!
01:23:23I'm grateful, Jeff.
01:23:24I did everything for you.
01:23:25How could you betray me like this?
01:23:32Are you okay?
01:23:32Did she hurt you?
01:23:33Don't touch me.
01:23:35Okay, look, Vanessa.
01:23:36There's something I need to say, and it's not me.
01:23:38No need for explanations.
01:23:40I already know what's going on.
01:23:43You're cozying up to Mrs. Todd, right?
01:23:45The tech team is all ears when you're around.
01:23:48No, no, no, Vanessa.
01:23:48You got this wrong.
01:23:50Mrs. Todd is my mom.
01:23:51Like my mom.
01:23:53What?
01:23:55So, so Jason Todd, the CEO of the Todd Group.
01:24:01Is it fun to play games with me, Jason?
01:24:04Watching me get played like some sort of idiot?
01:24:07Hey, hey, just listen!
01:24:08I don't need your explanation!
01:24:11Don't follow me!
01:24:12He knew I can't stand Miles.
01:24:24Yet he strung me along like a puppet.
01:24:26I can't believe I fell for it.
01:24:27I can't believe I fell for it.
01:24:31You think you can just walk away, did you?
01:24:35It's a chance.
01:24:36It's not a chance.
01:24:39It's not a chance.
01:24:42Oh, woman, Vanessa, my kid.
01:24:45You have fucked up my life.
01:24:50And now, you, my darling, are only to pay.
01:24:55Calm down, stop.
01:25:17What's this, Vanessa?
01:25:18Vanessa!
01:25:18Who are you?
01:25:20What the hell?
01:25:35Is Blaine out of his mind?
01:25:37He can't seriously be trying to burn me alive.
01:25:39Help!
01:25:40Is anyone there?
01:25:41I'm trapped!
01:25:44It's scary this way.
01:25:47Vanessa!
01:25:47What are you there?
01:25:48Jason!
01:25:49Jason, please come in and help me!
01:25:51I'm trapped!
01:25:53Sorry it took you so long.
01:25:55Are you okay?
01:25:56I thought I lost you.
01:25:57Hey, hey, hey, hey, hey, hey, hey, hey!
01:25:59Come on, let's get out of here!
01:26:13Hey, hey, you're awake, hey.
01:26:16Are you okay?
01:26:17You hurt?
01:26:18Yeah, I'm okay.
01:26:21But what were you thinking, rushing into the fire like that?
01:26:25Look, if something happened to you, I would lose my mind.
01:26:29Don't think playing the hero makes me forget that you lied to me.
01:26:35Look, I messed up.
01:26:36I didn't know who I was.
01:26:38I know that.
01:26:38I'm sorry.
01:26:39I'm sorry.
01:26:41Could you give us a moment?
01:26:42Yeah, of course.
01:26:43Thanks.
01:26:47Look, you can hate me if you want.
01:26:51Don't look away from me.
01:26:52You had a million chances to tell me who you really were.
01:26:55But you kept me in the dark.
01:26:58You made me think that you and Mrs. Todd were together.
01:27:01The only person that I love is you.
01:27:05Then why are you hiding your identity?
01:27:07And then stick around?
01:27:10This wasn't just some love at first sight thing, was it?
01:27:13You still don't remember who I am, do you?
01:27:25You really don't remember who I am, do you?
01:27:26Oh, my God.
01:27:36Are you okay?
01:27:38Can you get up?
01:27:40Come on, stay with me.
01:27:43It was you.
01:27:51You were the one I saved from the fire.
01:27:55I've been looking for you.
01:27:57For years.
01:28:02There was so much smoke and fire.
01:28:06But I didn't see anything except your arm.
01:28:11And when I met you at the club,
01:28:14I saw the scar on your arm.
01:28:18I knew it was you.
01:28:21Jason, you don't owe me anything.
01:28:24I'm not here because you saved me.
01:28:26I'm not here because I love you.
01:28:30I'm not here because I love you.
01:28:38Vanessa.
01:28:39I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm not here because I'm here because I'm not here because I'm not here because I'm
01:29:09You
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