Skip to playerSkip to main contentSkip to footer
Hot Movie
  • yesterday
Drama alerts? Join Telegram today -> https://t.me/+asu37g_3t0k1OTA9

Welcome everyone to my channel. This is my home to share good movies. Hope you will have interesting experiences. Follow me and Let's enjoy entertaining movies together now. Love and Respect!
Transcript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:09In the middle of the night.
08:21Enjoy the view?
08:23No, I, um...
08:25I just didn't want it to disturb you.
08:27I don't mind if you stare.
08:28Sorry, sir. I was just interested in your build.
08:33The building. The build of the mansion that we're building to work on today.
08:41What time are we leaving for?
08:42Car leave's in ten minutes.
08:44Great. I'll be ready.
08:46How much further?
09:00Patience, Miss Brooks.
09:11Oh, my God.
09:16Hey, Foxy. I got something that'll keep that jaw clenched.
09:22Wow. Original.
09:23Mr. Mercer, we didn't know you was coming in today.
09:26Get off my property.
09:28What?
09:29You're fired. Leave.
09:31Oh, the hell?
09:31I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:38If I collapse your loan...
09:39Wait, did he just stand up for me?
09:42Sir, how about you?
09:44Continue your work with Miss Brooks, and I'll handle it.
09:46Come on.
09:51Everything's nearly finished.
09:53I'm going to have a team come in and make some final measurements over here,
09:56and I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:07Seeing her in my house gives me a strange feeling.
10:10It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:15Wow, an elevator?
10:23By the way, what you did out there, thank you.
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:31Your first task for the client.
10:39I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:52The client would like this room transformed into their BDSM chambers.
11:00I hope she doesn't see right through me.
11:06So, how would you do it?
11:10Uh, um...
11:12Paint me a picture.
11:14Right.
11:16Uh, over here I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right, right.
11:45Of course.
11:46Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh, this would be a great place to mount wall cuffs.
12:01I'm drowning in the heat
12:07Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:28I won't ask twice.
13:31I won't ask twice.
13:38Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:17May I have this dance?
15:27Oh.
15:30Sterling.
15:32I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:42I was thinking maybe you would benefit from a designer who really knows you, your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:04You know you can come to me if you need anything.
16:16Get your hands off of her!
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:27Ha ha ha ha ha!
16:31Get him out of here.
16:31It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Yeah, you're okay.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:52Crazy night, huh?
16:54Ha ha ha.
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:17Oh!
17:17Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:51Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel, excuse me.
18:19I have work to do.
18:20I have work to do.
18:29Hmm, this hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night, and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe.
19:42I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:12Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:41I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs.
21:13By tomorrow morning.
21:13You're welcome.
21:27I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:38Is this you?
21:39And my parents.
21:40They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:05It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:23No, not you.
22:25From this.
22:26Well...
22:27I need to keep track of you.
22:30I mean, what if...
22:32Sterling...
22:32I'm not your parents.
22:36They'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06Yeah.
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:39Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:53It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be intentional.
24:13Intentional.
24:13Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Miss Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:39Oh, the client's a family man.
24:42We don't discuss the client.
24:45Only satisfy their needs.
24:49Would you like to see your designs?
24:50Is it not what you thought?
25:10No, it's...
25:12It's not that.
25:13It...
25:14The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing they put up, uh...
25:23cuts signal.
25:24What?
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No, you're not supposed to ask about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:24Sir, your 7 o'clock is waiting upstairs.
26:50Tuck your shirt in, sir.
27:02I know.
27:10I know.
27:11I know.
27:13Ah!
27:14Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down!
27:18Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie!
27:28What are you doing home?
27:29What am I doing?
27:30This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:53Okay.
27:53Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24What was I thinking?
28:46Got you now, bitch.
29:08I found her address.
29:16Sterling.
29:29Sterling.
29:30Can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment
30:16of architecture, we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer
30:37Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks, in my office immediately.
31:09Are you sure you want me in there, or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep, but when I woke up, they weren't in
31:28my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches, something you won't
31:44have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:05Anything I should know, sir?
32:07She can't be trusted.
32:08And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:19Miss Brooks.
32:21What are you doing here?
32:23Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me?
32:33Not to.
32:35You're not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard, Thursday.
33:22Let's go inside.
33:37Let's go inside.
33:40Let's go inside.
33:45Let's go inside.
33:50Let's go inside.
33:51Eyes like knives, you cut right through. Every look says what you do. Pull me under, soft and deep. You're the secret I can't keep. Breath on glass, you trace my name. No one else can play this game. You don't ask, you just take. And I give, and I pray.
34:17Well, hello. I'm here for Mr. Brooks. I'm sorry, what exactly is this for? I'm the treatment nurse. I'll be taking him to his appointment for today. Oh, Mr. Brooks doesn't have an appointment today. I can assure you he does. Well, thank you for coming. Can I bring Crumpet? Yes, Mr. Brooks. Bring the cat.
34:47Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back. Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
35:12You can't do this. But see, I already have, sweetheart. Give me the designs. Tell Sterling, and your sweet old pappy dies. And your little cat, too. Your choice.
35:23I've been reviewing project management assets. You're four days late on the Hudson property. The client is not happy. Mr. Mercer is not happy. Pick it up or I'll give your work to her. She's three days ahead.
35:36Is that a personal email?
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:02Who the fuck are you?
36:04Your worst nightmare.
36:06Baby!
36:08I'm so glad you made it. I set all this up for you.
36:12This better work.
36:16No, no, you won't eat.
36:18No, no, you won't eat.
36:34Show me the video.
36:55Yes, sir.
36:56She knew how to evade the cameras.
37:02I can't identify her, but we knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:23Cecilia!
37:24Cecilia!
37:25Cecilia!
37:26Sterling!
37:27You're not working from home today?
37:28What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:32I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason, that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:05I'm trusting you right now.
38:12I know.
38:13I know.
38:28What the hell is going on?
38:30I know.
38:31I know.
38:32I know.
38:33I know.
38:34I know.
38:35How many thingsuit is going on?
38:36How many thingsuit are here, please?
38:37How many thingsuites areла?
38:38How many thingsuit in her life?
38:39How many thingsuit is quite kasutkate?
38:40How many thingsuit all theseoutils do?
38:48Good girl.
38:51Right on time.
38:52Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:57Come on, Cecilia, do it.
39:06Sterling Mercer's legacy designs.
39:09Just like I asked.
39:11Oh, Sterling, you won't even know what hit you.
39:14Now let my grandfather go.
39:16He's all yours.
39:17A deal is a deal, pretty lady.
39:21Oh, my head's in.
39:24Oh.
39:25Cece, don't.
39:26Get out of here.
39:28Look, look.
39:40I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:55You really know how to tie the room together, darling.
40:00Sterling has my location.
40:01You have no idea what you're in for.
40:03Oh.
40:04But I think I do.
40:05You see, when that timer goes off, you and that little tracker and this entire place will
40:08go bye-bye and then that will pave way for the construction site of all hail designs.
40:24He'll find me.
40:25He'll find me.
40:26And when he does?
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video, no one's coming to save you.
40:35Screw you.
40:37Screw both of you.
40:39Oh.
40:40Oh.
40:41But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear, is the contact for Sterling's project
40:54mansion.
40:55What?
40:56What?
40:57Why does that matter?
40:58Well, once I have the contact, I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names attached to any property.
41:12That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:22I don't know.
41:25Will you remember?
41:29Trust me.
41:30Even if I did, I wouldn't tell you.
41:35No!
41:36So, tell me.
41:45Who is the client?
41:48He took care of my family.
41:50I'm never going to sell him out.
41:55Unless you forget, sweetheart.
41:58You already gave me the plans.
42:01So, therefore, you are already a betrayer.
42:04Promise?
42:05I don't know anything.
42:08Hmm.
42:09Well, I can see that you're a lady of your word, which makes it kind of harder to believe
42:14you.
42:15So, tell you what.
42:17This is how it's going to go.
42:20You're going to tell me, and then you, Pappy, and little Kitty can go free.
42:27While Mercer Designs burns to the ground.
42:31Or, I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:45Decisions, decisions, darling!
42:46Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know, please!
42:49Just don't touch him!
42:50I'll tell you!
43:01Tell me...
43:03everything.
43:05I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private.
43:13Very secretive.
43:15She only talks to Sterling.
43:17She's an older, conservative woman.
43:21Liar!
43:23That night that I dosed Sterling with that sleeping elixir,
43:27I found your little project mansion, and that newly built BDSM room.
43:32Oh, and then all the plans that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:44I drugged him!
43:50And then, I ransacked his mail.
43:53That's where I found you, your address,
43:58and your little cat, too.
44:03Well then...
44:05Looks like you chose...
44:07Oh!
44:09Oh, I'm sorry, my sweetness, but...
44:12Our short little affair is over.
44:15Excuse me.
44:17Well...
44:18Obviously, I don't need your services any longer.
44:21Besides...
44:22I don't...
44:25Do...
44:26Witnesses.
44:32Sterling!
44:33Help me, please!
44:34Sterling, wait!
44:35It's a trap!
44:36Sterling, please!
44:37You have to help me!
44:38Watch out!
44:39Tell me how to disarm it!
44:48Now!
44:51Black wire!
44:59You little bitch!
45:00No more stop!
45:01Put down the knife!
45:03She kidnapped me!
45:04I've been waiting here for hours for you!
45:06Put down the knife!
45:07Come on, let me at her one last time!
45:09She betrayed you!
45:11She's the one who gave up the Legacy One on the third floor!
45:15Wait, how do you know about the Legacy One project?
45:17That was confidential.
45:18That little bitch!
45:19She told Vincent everything!
45:21No!
45:22She's lying!
45:23No!
45:24It's all because of her!
45:28She drugged you!
45:29No, I didn't, you bitch!
45:31When I thought I saw you with that woman?
45:34Then now you lost the designs.
45:36No!
45:37No, that wasn't me!
45:38Okay, Vincent made me do it!
45:39He said he threatened my family!
45:41I had no other choice!
45:44I don't believe you.
45:46Arrest her!
45:47No!
45:48No!
45:50No!
45:51Stop the knife!
45:52No!
45:53No!
45:54No!
45:55Vincent!
45:56Please!
45:57You have the right woman!
45:58I'm silent!
45:59No!
46:00Anything you say can't move against you and it's going to fall!
46:02No!
46:03Get this, my sir!
46:04Wait, no, no, I'm timeless!
46:05I'm so sorry!
46:06It's okay.
46:07It's okay.
46:08It's okay.
46:09But I gave him your designs.
46:10I didn't know what else to do.
46:11I was trying to save them.
46:12I didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent, we'll be able to touch the project.
46:25I'm so happy you found me.
46:26I thought...
46:27We'll always find you.
46:29How?
46:30Because I know you.
46:31That moment in the parking lot, I knew from your eyes that you needed me.
46:44I will always keep you safe.
46:45Hey!
46:46Hey!
46:47Hey!
46:48Would you two take it someplace else?
46:49Sorry, Patti.
46:50I'll take you and Crump at home.
46:51Oh, thank goodness you're okay.
46:52I want to tell you something, sweetheart.
46:53I love Agnes.
46:54I love Agnes.
46:55I really mean it.
46:56Okay, Pappy.
46:57Just get some rest.
46:58I mean it, Cece.
46:59When a man knows, he knows.
47:00Agnes, it's been a long time since I've met someone as caring as you.
47:07And I'd like you to be my wife.
47:08Yes!
47:09I love you, Agnes.
47:10I love you, Agnes.
47:11You're okay.
47:12I want to tell you something, sweetheart.
47:13I love Agnes.
47:14I really mean it.
47:15Okay, Pappy.
47:16Just get some rest.
47:17I mean it, Cece.
47:18When a man knows, he knows.
47:21Agnes, it's been a long time since I've met someone as caring as you.
47:28And I'd like you to be my wife.
47:31Yes!
47:33I love you, Agnes.
47:36Marley, what are you doing here?
47:46Miss Brooks.
47:48Mind coming with me?
47:49Will you give me a second?
47:51I want to change first.
48:06Do we?
48:12Love you.
48:16Oh, my God.
48:18I know you're going to hear you!
48:25Oh, my God.
48:27Yes!
48:28Oh!
48:29This is really beautiful
48:40We work well together
48:44I'm glad you think so, Cecilia
48:46Yes, Sterling?
48:52I have something I need to tell you
48:54About?
48:58There isn't
48:59A legacy, Kalaya
49:00Well, there is, but
49:02It's not who you think
49:05I don't follow
49:08It's me
49:12What?
49:13This, this is my legacy
49:16Come here
49:19I need to show you something
49:21I made this for you
49:31Wait, one second
49:33I thought if we put them next to each other
49:46It would create balance
49:48But then you came in
50:05You're kind
50:08Old
50:10Intuitive
50:12Sterling
50:13Beautiful
50:15You gave this place a soul
50:19Cecilia Brooks
50:23Would you share the love we built together?
50:28Yes
50:32Yes, Sterling
50:34I said yes to you
50:45To forever too
50:47To every dream
50:50We're walking through
50:53Do you think
50:54Have you ever met the love we built together?
50:56I need to look at your love with you
50:56I did not see you
50:57This game
50:58No
50:59Nothing
51:00Just
51:00Jason
51:00I