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Do Me My Sexy Male Stripper - FullMovie By ReelPulse.Studios
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Short filmTranscript
00:00:00Oh
00:00:19Hey, baby, tell me who do you love me me or Vanessa? Oh
00:00:25Yeah, and as is she is
00:00:31Since you got a little scar
00:00:36Are you on the other?
00:00:55Please, don't stop on my account.
00:01:07I've never filmed a porno, especially not one starring my own boyfriend and sister.
00:01:15Alright, give me the camera.
00:01:17Come on now, delete that shit.
00:01:18Why?
00:01:20You always said you wanted fame.
00:01:22This will make you go super viral.
00:01:23Vanessa, name's the company's top model.
00:01:28If this gets out, we're all finished.
00:01:31Dad's never going to forgive you.
00:01:33Now give me that damn camera!
00:01:37Fine.
00:01:39Wise.
00:01:41Wise.
00:01:42Because you know what?
00:01:44Shooting sexually explicit content of your boyfriend and your sister,
00:01:49that's probably going to damage your career a lot more than it will.
00:01:53Wise.
00:01:58Oh!
00:01:59Vanessa!
00:02:00Oh!
00:02:02Ah!
00:02:02Oh my face!
00:02:04Well, Blaine, you got what you wanted.
00:02:06It's over!
00:02:07Girl, you were the one who turned Blaine from nothing to a top model.
00:02:22And now he's messing about with Abby?
00:02:23I don't get how he could do that to you.
00:02:26Doesn't matter.
00:02:27We've already separated.
00:02:29It's because you've not been with enough guys.
00:02:31I've got the perfect stripper lined up for you.
00:02:38He's a real wizard in the bedroom.
00:02:39This.
00:02:50Adam.
00:02:50Just hang tight.
00:02:52It'll be your suit.
00:02:56Speaking of, Dad looks like the guy I booked.
00:02:59So just wait there.
00:03:01He'll be wearing a suit and tie.
00:03:04He's going to blow your mind.
00:03:07Cassidy, I work with the most beautiful people in the world.
00:03:10It takes a true stunner to impress me.
00:03:13You can keep him.
00:03:14Mr. Todd, there's still no updates on the woman with a scar on her arm.
00:03:31We're running out of bleeds.
00:03:35Look, just expand the search radius.
00:03:37Okay, I need to find her.
00:03:38Now.
00:03:42You're late.
00:03:42That's not very professional.
00:03:45Yeah, excuse me.
00:03:46I'm in a rush.
00:03:46You shouldn't be so rude to your customers.
00:03:48Look, I'm losing my patience.
00:03:54It's you.
00:03:56Yes.
00:03:57It's me.
00:04:00So.
00:04:01Are we fucking here?
00:04:02Or do you want to go to have a town?
00:04:08Finally.
00:04:09I found you.
00:04:12What's your name?
00:04:33It doesn't matter.
00:04:36Fine.
00:04:38I'm the best.
00:04:38I found you.
00:05:11Oh, my God.
00:05:32Are you okay?
00:05:34Can you get up?
00:05:36Come on, stay with me.
00:05:42Okay, come on, come on.
00:05:47Come on.
00:05:51I'll get you out of here.
00:05:56From now on, I'll look out for you.
00:06:04Morning.
00:06:06Morning.
00:06:06Morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:18Well, you certainly know how to charm a woman.
00:06:21And please her.
00:06:22Last night was, um, it was really good.
00:06:37Here's a little something for you.
00:06:42I don't want your money.
00:06:44Why are you...
00:06:44No.
00:06:45Keep it.
00:06:46You earned it.
00:06:50Wait a minute.
00:06:53You don't remember me?
00:06:57You don't remember me?
00:07:01I'm the one...
00:07:02Sorry.
00:07:03One second.
00:07:06Yeah?
00:07:07What's up?
00:07:07Vanessa, bad news.
00:07:09Blaine's throwing a tantrum about the shoot.
00:07:11What should I do?
00:07:13Um, okay, calm down.
00:07:15I'm on my way.
00:07:17Shit.
00:07:18This is for the Todd group shoot.
00:07:19If this goes sideways,
00:07:21that nightmare Mr. Todd is going to be on my case again.
00:07:24Me?
00:07:25A nightmare?
00:07:26Right, um...
00:07:28Thank you for last night.
00:07:30I will see you, I guess.
00:07:32Nanny, yeah.
00:07:46All right.
00:07:47Find out which studio Vanessa's at, okay?
00:07:59Vanessa!
00:08:00Thank goodness, Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:05I'm sure you know how to handle that spoiled brat.
00:08:08Yeah, I'll handle it.
00:08:09Blaine, are you seriously going to throw away this deal?
00:08:13It's not like I want to.
00:08:15You broke my arm.
00:08:17And you tell me how I'm meant to shoot
00:08:20if I can't even strike the pose.
00:08:24If you said I broke your brain,
00:08:26I'd believe you.
00:08:27What's that got to do with your arm, though?
00:08:29Give her a rest, will you, love?
00:08:31How's this?
00:08:33If you publicly apologize to me?
00:08:38Not happening.
00:08:40It's on you, remember.
00:08:42Today's the last day for shooting.
00:08:43If you can't pull this off,
00:08:44can you really deal with the Todd group's wrath?
00:08:49Today's the last day for shooting.
00:08:50If you can't pull this off,
00:08:51can you really deal with the Todd group's wrath?
00:08:54Vanessa, if we lose the Todd group as a client,
00:08:56our company's in serious trouble.
00:08:59There must be some other models available.
00:09:01I reached out.
00:09:02All the top models are booked today.
00:09:05Christ, fine.
00:09:06I'll apologize.
00:09:08Blaine, I'm so sorry.
00:09:09Can you come back for the shoot?
00:09:10Oh, you know,
00:09:12I would really like to,
00:09:13but there is one little stipulation.
00:09:17Abby here has got to be behind the camera.
00:09:21Abby is an amateur photographer.
00:09:23She's not ready for the Todd group.
00:09:25Blaine and I went over all the details last night.
00:09:28The Todd group are going to love it.
00:09:29So you two are just here to cause trouble?
00:09:35As if you haven't messed me about enough already?
00:09:47Since this shoot is a bust,
00:09:49I might as well take the heat.
00:09:52So your arm's broken?
00:09:53Yeah.
00:09:54You can't move it?
00:09:54No.
00:09:56Oh, looks like it's working perfectly fine.
00:09:58It's you.
00:10:10You know what?
00:10:12I'm not doing the shoot period.
00:10:13Do you know why?
00:10:15Because I want to see
00:10:16how you clean up this little mess.
00:10:22If you won't shoot, Blaine,
00:10:24I'll find someone who will.
00:10:28If you won't shoot, Blaine,
00:10:31I'll find someone who will.
00:10:34Or are you going to find a new model
00:10:36in like two seconds?
00:10:45Guess what?
00:10:47Here's my new model.
00:10:50Wait, what, me?
00:10:51I'll pay double the standard rate.
00:10:55Just help me out.
00:10:56I'm desperate.
00:11:00Yeah, okay.
00:11:00All right.
00:11:01Awesome.
00:11:02You're going to be great.
00:11:03You two can scram now.
00:11:05You really think you can just snatch
00:11:06somewhere off the street
00:11:07to replace Blaine?
00:11:09Modeling isn't just about looking pretty.
00:11:11He might freeze up
00:11:13and make a fool of himself
00:11:14in front of the camera.
00:11:15Vanessa, he might have the looks,
00:11:17but he's got no experience.
00:11:19This flops,
00:11:20we might lose the Todd group
00:11:21as a client.
00:11:23I wouldn't be where I am now
00:11:25if I didn't take a few risks.
00:11:26Let's start with this.
00:11:35Keep his makeup natural.
00:11:37Highlight his features
00:11:38and contours.
00:11:40Let's make him glow.
00:11:42Got it?
00:11:47Sticky forever.
00:11:48Where's he out yet?
00:11:49He's probably pissing his pants.
00:11:51He's not a star.
00:11:52Unlike Blaine.
00:11:54It's a hamster.
00:11:56And I'm very, very sexy.
00:11:59And I just don't believe
00:12:01it's some random nobody
00:12:03off the street
00:12:04if you're close tonight.
00:12:05No?
00:12:06Yeah, of course.
00:12:26Damn, he's gorgeous.
00:12:43It's not just his face.
00:12:45His whole vibe
00:12:46screams tough model.
00:12:47He could steal anyone's spotlight.
00:12:48Oh, for fuck's sake.
00:12:51Anyone can look good
00:12:52with a bit of makeup
00:12:53and a blazer
00:12:54with no shirt.
00:12:56Come on.
00:12:57I want to see.
00:12:57I want to see
00:12:58how he crashes and burns
00:13:00when the lights start flashing.
00:13:02That's what I want to see.
00:13:04That's what I want to see.
00:13:08Better than I expected.
00:13:11It's okay to be a little nervous
00:13:12before your first shoot,
00:13:14but I'm here.
00:13:16Just trust me.
00:13:18You're going to be great.
00:13:19Okay, light.
00:13:23Let's shoot.
00:13:25Yeah.
00:13:27So sweet.
00:13:29Okay.
00:13:30That's so good.
00:13:32Really.
00:13:35Open up your shirt a little bit.
00:13:37Yeah.
00:13:38Wow.
00:13:39Maybe pick up the magazine
00:13:41and we'll look through there.
00:13:42Yeah.
00:13:43You're a black model.
00:13:45You're so good.
00:13:47Okay, that's it.
00:13:48Joyce, let's get his next look ready.
00:13:59This is the L.A. premium brand shoot, Blaine.
00:14:02Sort of taking you to the next level.
00:14:04It's too bad.
00:14:05You're such a whiny little bitch.
00:14:08You both messed up.
00:14:10Big time.
00:14:18Oh, I can't believe
00:14:31that this shoot has just landed
00:14:33on this random gobshine slap.
00:14:36Could you do something about it?
00:14:38Chill.
00:14:39I'm working on it.
00:14:40No way he's new.
00:14:42Look at him go.
00:14:43His outfit is practically perfect.
00:14:45It's like made for him.
00:14:47It's going to sell out in no time.
00:14:49I used to put Blaine on pedestal,
00:14:50but he's nowhere near it now.
00:14:51Exactly.
00:14:52He was the company's top guy,
00:14:54but now he's got outshone by a newbie.
00:14:57Wow, babe.
00:14:58You've crushed it.
00:15:00These shots are turning out
00:15:02better than anyone would have expected.
00:15:04Are you sure you're not
00:15:05thinking of ditching your job,
00:15:07mother?
00:15:08Hey, look.
00:15:08I'm just glad I didn't screw it up.
00:15:11I was actually wondering,
00:15:12are you free tonight?
00:15:14I was thinking we could go on
00:15:15like an actual...
00:15:16Ah, is this yours?
00:15:18Your phone's been going off.
00:15:19Oh, thanks.
00:15:27Six-pack strippers.
00:15:31Guess we know how he pays his bills.
00:15:32Dude's a stripper.
00:15:37A cheap one, too.
00:15:41He's got that serious looper.
00:15:43He's in that line of work.
00:15:46Vanessa's pretty cozy
00:15:47with that male stripper.
00:15:49Could she be...
00:15:50He's regular.
00:15:51Who knew she would be living
00:15:53that kind of life behind the scenes?
00:15:59You have no shame.
00:16:01And I thought you were a professional
00:16:03bringing a stripper to work.
00:16:08Nothing short of fucking embarrassing, love.
00:16:12Don't show me
00:16:14in that professionalism, Wayne.
00:16:15Oh, it concerns him now.
00:16:18When the dog group finds out
00:16:20you need to use a stripper
00:16:21for their campaign,
00:16:23think they'll be cool with that?
00:16:24Is the chute still not wrapped?
00:16:28Why are you guys dragging your feet?
00:16:30Mr. Dale,
00:16:31the chute's gone.
00:16:32The photographer insisted on using
00:16:33a stripper as their model.
00:16:35This could really hurt
00:16:38the dog group's image.
00:16:40What?
00:16:41A stripper?
00:16:44He's the photographer.
00:16:46Where's this guy?
00:16:48Bring him here.
00:16:49That's them.
00:16:51Look, it has nothing to do with him.
00:16:54It's all on me.
00:16:54No one messes with the
00:16:58Todd group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:04Mr. Todd.
00:17:08Mr. Todd.
00:17:10You didn't tell me
00:17:11you were coming in tonight.
00:17:13The hell?
00:17:14Why did he just call you
00:17:15Mr. Todd?
00:17:17No, no, no.
00:17:17You've misheard him.
00:17:19She mentioned hating Mr. Todd before.
00:17:21If she figures out who I really am,
00:17:23she won't come near me at all.
00:17:25What he meant to say was
00:17:27Mr. Todd doesn't judge people
00:17:28on their occupations, right?
00:17:31Exactly.
00:17:36This guy's got it all.
00:17:37He perfectly embodies
00:17:39the brand's executive vibe.
00:17:43I'm sure Mr. Todd would be
00:17:45delighted with his work.
00:17:46Lawrence, you have an eye for talent.
00:17:53I'll show you the shots
00:17:54he absolutely nails his outfit.
00:17:56How could he not?
00:17:58The brand is perfectly made for the...
00:18:00Mr. Lawrence,
00:18:05by the way,
00:18:06I was the original model
00:18:08and if this shoot
00:18:08had been done with me,
00:18:10if I was given a chance
00:18:11it would have been
00:18:11a lot fucking better.
00:18:16Exactly.
00:18:17Blaine's a pro.
00:18:18He's lightiest
00:18:18ahead of these amateurs.
00:18:21Aren't you the ones
00:18:21who turned it down?
00:18:24Let me get backtrack now.
00:18:27But if you guys
00:18:28can't show some respect,
00:18:31what's the point
00:18:31being a pro?
00:18:33You're messing up the shoot.
00:18:35What?
00:18:35Both of you,
00:18:37get out.
00:18:38Lawrence,
00:18:38I'm Abby Clark.
00:18:40Get them out.
00:18:41Just listen.
00:18:42You're a man.
00:18:43I'm a stripper.
00:18:52Mr. Dale,
00:18:53you should take a look
00:18:53at these photos.
00:18:55No need.
00:18:56I was just stopping by
00:18:56to take a quick look.
00:18:58I'll let you get back to it.
00:19:02Why are the Todd group reps
00:19:03being so nice
00:19:05all of a sudden?
00:19:06Are they usually that bad?
00:19:08You have no idea
00:19:10how picky Mr. Todd is.
00:19:12He is a total perfectionist,
00:19:15moody,
00:19:16just asshole.
00:19:18Okay,
00:19:19there was one time
00:19:19everything was arranged
00:19:21on set,
00:19:21but he nitpicked
00:19:22every single tiny detail.
00:19:25He had me pulling
00:19:25all my letters.
00:19:26And one time,
00:19:27he fired someone.
00:19:29Just randomly,
00:19:30out of the blue
00:19:30because he was in a bad mood.
00:19:32So yeah,
00:19:32I don't like him at all.
00:19:34He's a jerk.
00:19:34I swear to God,
00:19:37if I ever meet him,
00:19:38I'm gonna give him
00:19:39a piece of my mind.
00:19:40Maybe it was a
00:19:41misunderstanding?
00:19:44You've never met this guy.
00:19:45And you're singing
00:19:46these things?
00:19:48Yeah,
00:19:49don't bring him up again.
00:19:51She's got the wrong
00:19:51impression here.
00:19:52I need to fix this.
00:19:54These shots are amazing.
00:19:56Have you ever thought
00:19:58about ditching your job
00:19:59from huddling?
00:20:00Ditching my job?
00:20:01Well, yeah,
00:20:02you can't be a stripper
00:20:02forever, right?
00:20:04What?
00:20:05No, no,
00:20:05Vanessa,
00:20:06I am not a stripper.
00:20:07Luke, come on.
00:20:08You've got the look,
00:20:10you've got the charm,
00:20:11you kill it in front
00:20:12of a camera.
00:20:14I'll sign you up.
00:20:15Whatever deal you want.
00:20:17Really?
00:20:19Whatever deal I want.
00:20:20So,
00:20:30this is it.
00:20:32Are you sure
00:20:32you're cool with
00:20:33staying here?
00:20:35Um,
00:20:36yeah,
00:20:37not really feeling it.
00:20:38You got any other options?
00:20:40Nope.
00:20:42Master bedroom's
00:20:43off-limits,
00:20:43obviously.
00:20:45This place isn't
00:20:46a mansion.
00:20:47I don't know why
00:20:47you insist on
00:20:48staying here.
00:20:49Well, I switched jobs
00:20:50for you.
00:20:51I don't have
00:20:51anywhere to go.
00:20:53Come on,
00:20:53hide my back here.
00:20:57Alright, look.
00:20:59If I'm being honest,
00:21:00I'd, uh...
00:21:02Rather stay with me.
00:21:04Stop.
00:21:05I don't have
00:21:06anywhere to go.
00:21:07Come on,
00:21:08hide my back here.
00:21:12Alright, look.
00:21:14If I'm being honest,
00:21:15I'd, uh...
00:21:17Rather stay with me.
00:21:19Stop.
00:21:21I'm your boss now.
00:21:23You gave me a roof.
00:21:25Alright, I'll pay it back.
00:21:27Yeah, well, you're not a stripper anymore.
00:21:29See, you can't stop with that life.
00:21:31Alright.
00:21:32Just get some rest, okay?
00:21:34We have somewhere to be tomorrow.
00:21:36Where are we going?
00:21:37We'll find out when we get there.
00:21:39Mr. Todd,
00:21:49Ms. Clark sent over
00:21:50the L.A.'s final promo shots.
00:21:52Want to take a look?
00:21:53I have to admit,
00:21:54you've got a knack
00:21:55for this modeling thing, sir.
00:21:56Photos turned out amazing.
00:21:58No, no, no.
00:21:59Listen, just get someone else
00:22:00to redo the shoot, okay?
00:22:01What about Ms. Clark?
00:22:03I don't know.
00:22:04Tell her that the brand
00:22:05postponed the campaign
00:22:06or something.
00:22:07But look,
00:22:07these photos cannot leak, okay?
00:22:10If they do,
00:22:11people might figure out
00:22:12who I really am.
00:22:13Right?
00:22:14Figure out what?
00:22:15Um, my secret side job, yeah.
00:22:24Um, I'm worried that
00:22:25it might cause you some problems.
00:22:29Uh, why did Jim come back?
00:22:32Read your mind?
00:22:34Want to stay another night with me?
00:22:37Sweet dreams.
00:22:45All right, what's going on?
00:22:49Why are we here?
00:22:50Clothes.
00:22:50Duh.
00:22:51You're my new model.
00:22:53I need you to look sharp.
00:22:55Welcome.
00:22:56Hi.
00:22:57These two.
00:22:58Okay, we need these ASAP.
00:23:01Why can't they?
00:23:01Absolutely.
00:23:02Um, just a sec.
00:23:06Wait, wait, wait.
00:23:08Hold on.
00:23:10I want to buy those outfits.
00:23:12Mr. White,
00:23:13what brings you here?
00:23:14I'm afraid we'll have to
00:23:18prioritise Mr. White's order.
00:23:20Yours will have to wait.
00:23:22But we ordered first.
00:23:23Isn't it first come, first serve?
00:23:26In this world, please.
00:23:29Lane's at the top.
00:23:32So yeah,
00:23:33he comes first.
00:23:41So,
00:23:42you're waiting or not?
00:23:44Is this how you treat your customers?
00:23:47Yeah, I'd like to talk to your manager.
00:23:48Manager's tied up.
00:23:50If you insist on causing trouble,
00:23:51I'll have security to show you out.
00:23:53What seems to be the problem?
00:23:57It's them.
00:23:58They're trying to mess up Mr. White's order.
00:24:17Mr.
00:24:17Yeah,
00:24:18you start talking now.
00:24:19Of course.
00:24:26You're done.
00:24:28Fired.
00:24:30Now get out.
00:24:30I am so sorry about all this.
00:24:40We'll get your order processed right away
00:24:42and throw in
00:24:43an 100% discount for your trouble.
00:24:45How does that sound?
00:24:46What a load of shit!
00:24:58That's Matt!
00:24:59He's a no-name,
00:25:00no-fame,
00:25:01and you're treating him like this?
00:25:02How we run this place
00:25:03is not your concern.
00:25:05From now on,
00:25:06the two of you
00:25:07are blacklisted.
00:25:10Don't expect
00:25:11any future collaborations
00:25:13with us.
00:25:18Right.
00:25:19What a day, huh?
00:25:32Yeah.
00:25:33Abby and Blay
00:25:33were practically glowing with envy.
00:25:35You've got my back,
00:25:36but are you not worried
00:25:37about pissing off the brand?
00:25:39No.
00:25:39No?
00:25:40No, not at all.
00:25:41No, there's plenty
00:25:42of other luxury brands out there.
00:25:43No.
00:25:49What are you looking at?
00:25:58I'm just
00:25:58looking at you.
00:25:59I feel the weight
00:26:02behind my eyes
00:26:05Leaning towards
00:26:09the color that lies within
00:26:12I've been waiting
00:26:17I've been waiting
00:26:20It's late.
00:26:24We have work tomorrow.
00:26:26We should get some rest.
00:26:29Good morning.
00:26:40Thought you might want
00:26:41to start your day right.
00:26:54Get a grip, Vanessa.
00:26:56He's your model now.
00:26:57Now it's some wild fling.
00:26:59Good morning.
00:27:04So, you made all this?
00:27:08Thought you might be hungry.
00:27:11Try it.
00:27:22Yeah?
00:27:23Yeah, it's better than I expected.
00:27:25Wow, confident.
00:27:28Yeah, I don't get used to it.
00:27:33You try it.
00:27:37Really?
00:27:39Is that what it's going to be like
00:27:41having you in my house?
00:27:43Well, thank you.
00:27:44Good morning, everyone.
00:27:53Good morning, Vanessa.
00:27:55Wait a sec.
00:27:56Isn't that the same guy you brought in
00:27:57a few days ago?
00:28:00Yeah.
00:28:00He's my new mom.
00:28:01Hey, guys.
00:28:02I'm Jason.
00:28:03I look forward to working with you all.
00:28:04I thought you said your name was Errol.
00:28:10I said to him.
00:28:11So, you two arrived together.
00:28:14Well, are you living together now?
00:28:16Oh, Joy, seriously.
00:28:17Let's just get this done.
00:28:19Okay, are the cameras ready?
00:28:21She really signed that cool boy into the company.
00:28:24Just wait.
00:28:26This is going to be fun to watch.
00:28:32Vanessa, over here now.
00:28:36All right, everyone.
00:28:38Take five.
00:28:44It's one thing messing around in your personal life,
00:28:47but bringing a stripper into the company.
00:28:49Be ready to deal with the fallout if this backfires.
00:28:55Dad, I didn't pull this out of thin air.
00:28:58Jason is talented.
00:28:59Talented.
00:29:01He's playing you with smooth talk.
00:29:05I've let you run things your way,
00:29:07but hiring him,
00:29:09that's where I draw the line.
00:29:11I'm going to fire him now.
00:29:13I'm not going to fire him.
00:29:14I promise he's really talented.
00:29:20Just look at him.
00:29:22You're really going to take sides against your father?
00:29:25Sis, Dad's only trying to protect the company's reputation.
00:29:29Just do what's right.
00:29:31And let him go.
00:29:33Abby, stay out of this.
00:29:34It's none of your business.
00:29:38Dad, can you please just trust me for once?
00:29:41I've been pulling in projects first for years.
00:29:43Dad, when another client, Vertex Group,
00:29:45finds out you've let her use a stripper for the shoot,
00:29:48they're going to flip.
00:29:49Abby's got a point.
00:29:51Either he goes,
00:29:53or Abby and Blaine take over.
00:29:55Your choice.
00:30:00Either he goes,
00:30:02or Abby and Blaine take over.
00:30:04Your choice.
00:30:05I appreciate it, Dad.
00:30:06I've always let the Vertex Group shoot.
00:30:09And you're just going to let Abby take it just like that?
00:30:12You took it for granted, Vanessa.
00:30:15Don't blame Abby.
00:30:17Abby, if you think you can steal this shoot from me,
00:30:19you better know how to handle it.
00:30:23You know what, actually?
00:30:24Let's make this interesting.
00:30:28Let's split into teams.
00:30:29If the Vertex manager choose the winner,
00:30:31you want a competition?
00:30:33Fine by me.
00:30:34Just don't cry if you lose.
00:30:35What would I be losing?
00:30:38Him when I was an amateur.
00:30:41And he's going to run circles around him.
00:30:43We'll see.
00:30:45Hey.
00:30:46You good?
00:30:47Yeah, I'm fine.
00:30:50All right, listen.
00:30:51The Vertex shoots in three days.
00:30:54You got a plan yet?
00:30:55No.
00:30:56Not yet.
00:30:56All right, well,
00:30:59Vertex is all about the bold jewelry design, right?
00:31:03So,
00:31:04why don't we work with that?
00:31:06Like this.
00:31:11Oh, yeah, that's it.
00:31:14Based on the idea around the Eternal Night Rose.
00:31:16You know, dark, edgy.
00:31:18Allison can pull off some really killer outfits.
00:31:22Eternal Night Rose?
00:31:25It sounds cool,
00:31:26but will I look right in that?
00:31:28Are you kidding?
00:31:30Black is your vibe.
00:31:32Look, this is going to be great.
00:31:33Can you just please trust me?
00:31:37Dark theme, huh?
00:31:39Nice move, Vanessa.
00:31:40But I'm still going to outshine you.
00:31:48Still forcing that stripper to be a model, huh?
00:31:55This is getting embarrassing.
00:31:57Maybe you'll worry about yourself for months.
00:32:01I can't wait to see you crash and burn today.
00:32:13Hi.
00:32:14I'm Abby Clark,
00:32:15the lead photographer for this project.
00:32:16Vanessa Clark.
00:32:19Good to see everyone.
00:32:20At Vertex,
00:32:21we only care about results.
00:32:25I trust both of you will deliver.
00:32:34My shoot is inspired by Vertex's latest feature,
00:32:38Eternal Night Rose.
00:32:41Centered around the themes
00:32:42of darkness and the duality of man.
00:32:46This works for me.
00:32:53Definitely fits the brand.
00:32:59This is stunning.
00:33:02I'm already seeing the partnership potential.
00:33:04My little faces.
00:33:16Didn't we both guys do the same thing?
00:33:18Well, what do you know?
00:33:29We both also went for the Eternal Night Rose theme.
00:33:33No, are you serious?
00:33:35You copied me.
00:33:37But I decided to take it a step further.
00:33:39I've gone for a more gothic theme.
00:33:43Creating a real sensual beauty.
00:33:45Darker, more sensual.
00:33:50I know our customers are going to love this.
00:33:52These are absolutely incredible.
00:34:01The detail, the mood, it's...
00:34:04It's all perfect.
00:34:09The model nails it.
00:34:11It brings the right kind of balance.
00:34:13The right energy.
00:34:14With him,
00:34:15you can actually see the jewelry.
00:34:16Not just the model.
00:34:17This set fits our brand to a T.
00:34:21It's both.
00:34:23The other,
00:34:24previous one,
00:34:26just doesn't have the same influence.
00:34:30This has got me on.
00:34:33Looks like you might have to pull your kisses.
00:34:35All right.
00:34:39Well, after our discussion,
00:34:40we're all in agreement.
00:34:45We'll go with the second set.
00:34:48Miss Vanessa Clark.
00:34:50Looking forward to collaborating with you.
00:34:52Amazing.
00:34:53Thank you so much.
00:34:54Love you.
00:35:01God.
00:35:02You know,
00:35:03you really can't steal what someone just has.
00:35:07Naturally.
00:35:10True creativity comes from within, sis.
00:35:14Better luck next time.
00:35:18Right.
00:35:19I'm off.
00:35:21To celebrate.
00:35:23Have a good day.
00:35:29Look at you.
00:35:31Come on.
00:35:32I knew you had it.
00:35:33You're my lucky charm.
00:35:36So, what are we,
00:35:37uh, celebrating?
00:35:38I was thinking I'd take you out.
00:35:40I know the best sushi restaurant.
00:35:42What, just sushi?
00:35:43What else were you expecting?
00:35:45I don't know.
00:35:46Something a little more, uh,
00:35:48exciting.
00:35:51Take it early, then.
00:35:53All right, fine.
00:35:53Hey, wait.
00:35:54Hey, wait.
00:35:54Hey, wait.
00:36:03Hi, Miss Vanessa.
00:36:03Cassie!
00:36:04Oh, my God.
00:36:05I missed you so much.
00:36:08Oh, this is Cassie, my bestie.
00:36:10Hi, nice to meet you.
00:36:10Hi, nice to meet you too.
00:36:11It's you.
00:36:12It's so nice.
00:36:13Nice to meet you.
00:36:14I thought you were so mysterious about that.
00:36:16Oh, my God, you.
00:36:18Looks like you've upgraded.
00:36:20So, come on, Spill.
00:36:21How did you two meet?
00:36:22How long has this been going on?
00:36:26That stripperoo.
00:36:28The other night, that,
00:36:29that wasn't him.
00:36:36That stripperoo.
00:36:37The other night, that,
00:36:38that wasn't him.
00:36:40No way.
00:36:41The guy that I hired just called me
00:36:43and said he couldn't find you.
00:36:45I assumed you'd bailed or something.
00:36:48Look, to be fair,
00:36:50you were the one,
00:36:51you know,
00:36:51coming on to me that night,
00:36:53but,
00:36:54yeah,
00:36:55you mixed me up with someone else.
00:36:58But you,
00:36:59you were the one
00:36:59who was asking me
00:37:00to do the whole thing.
00:37:02That's enough.
00:37:03That's enough of that.
00:37:05Um,
00:37:05maybe
00:37:06it's a sign,
00:37:08Vanessa.
00:37:10I mean,
00:37:10it's not bad.
00:37:12Why don't you give him a shot?
00:37:14Yeah, it's,
00:37:14it's not like that.
00:37:17He's just my model.
00:37:25Oh,
00:37:26looks like everyone's gone to lunch,
00:37:27so we can just go.
00:37:28Hey.
00:37:29Jason,
00:37:30what are you doing?
00:37:32Vanessa,
00:37:32what are we?
00:37:35Like,
00:37:37are you seriously telling me
00:37:38there's nothing between us?
00:37:40What are you talking about?
00:37:42You know exactly
00:37:43what I'm talking about.
00:37:45Vanessa,
00:37:55we've got a problem.
00:37:57The Vertex group announced
00:37:58their collaboration
00:37:58with the Clark group.
00:38:00Yeah,
00:38:00I know.
00:38:01They picked my pitch earlier.
00:38:03I didn't think
00:38:03they'd move this fast,
00:38:04though.
00:38:05They did use your photos,
00:38:07but Abby's
00:38:07the official photographer.
00:38:08What?
00:38:12Hey!
00:38:18You better knock
00:38:20this Vertex deal
00:38:21out of the park.
00:38:23Don't let your old man down.
00:38:25I won't, Dad.
00:38:27I've got this.
00:38:31Ever thought of knocking,
00:38:33Vanessa?
00:38:33What's this, huh?
00:38:35Couldn't come up with your own ideas,
00:38:36so I had to steal mine.
00:38:37Is that what we're doing now,
00:38:39Abby?
00:38:40That's enough.
00:38:41I don't know
00:38:41what you're talking about.
00:38:44This wasn't her doing,
00:38:45it was mine.
00:38:47What are you saying?
00:38:49Abby's fresh.
00:38:50She needs this
00:38:51hyper-profile project
00:38:52to boost her career.
00:38:54I made the call,
00:38:55and she's getting it.
00:38:57Are you serious?
00:38:59That was my idea.
00:39:00Why does she take
00:39:01all the credit?
00:39:02It's all staying
00:39:03in the family, Vanessa.
00:39:05Whether it's Abby
00:39:06or you,
00:39:07the company benefits.
00:39:09We're family.
00:39:11Don't be so selfish.
00:39:14Selfish?
00:39:17Do you know
00:39:18how many hours
00:39:18my team spent
00:39:19working on this project?
00:39:21As chairman
00:39:22of this company,
00:39:23my word is final.
00:39:26If you have a problem
00:39:27with that,
00:39:28we'll have to leave.
00:39:30It's fun.
00:39:34I don't want to
00:39:35work here anymore,
00:39:36anyway.
00:39:44Vanessa,
00:39:44are you really leaving?
00:39:46It's your company.
00:39:48Yeah, but
00:39:48there's more
00:39:49out there for me.
00:39:51Don't worry,
00:39:51it won't affect you guys.
00:39:53Oh, I'm coming with you.
00:39:54I've literally
00:39:55had it with this place.
00:39:56Way too much drama.
00:39:59Count me in.
00:40:00I only sign off
00:40:01because of you,
00:40:01Vanessa.
00:40:02I'm not staying here
00:40:03without you.
00:40:04I've been itching
00:40:05to start out
00:40:06on my own.
00:40:06Let's start a studio.
00:40:08We're with you,
00:40:09Vanessa.
00:40:09I'm with you as well.
00:40:10Yeah.
00:40:11You guys!
00:40:12Hey, what about me?
00:40:15I switched jobs
00:40:15for you, remember?
00:40:17You owe me one.
00:40:18All right.
00:40:20I will let you go.
00:40:22Let's start a studio together.
00:40:26Yay!
00:40:28Woo!
00:40:30All right,
00:40:30let's get out of here.
00:40:31Dad,
00:40:48Dad,
00:40:48those people who are purists
00:40:50were really letting Vanessa
00:40:51take them?
00:40:52They're loyal to Vanessa.
00:40:53If they want to go,
00:40:57there's not much
00:40:58I can do to stop them.
00:41:00So she's just going to go off
00:41:01and compete against us now?
00:41:03Don't worry.
00:41:04I'll make sure people know.
00:41:06If they work with her,
00:41:07they're crossing us.
00:41:09She'll learn quickly.
00:41:10Without us,
00:41:12she won't get far.
00:41:13Since we've launched
00:41:20the Phoenix Studios,
00:41:21we haven't landed
00:41:22a single deal.
00:41:24Every brand we've reached out to
00:41:26either thinks we're amateurs
00:41:27or flat out ignores us.
00:41:30How do we fix this?
00:41:33Just,
00:41:34just trust me.
00:41:35I'll figure something out.
00:41:37That's it for today.
00:41:39Meeting dismissed.
00:41:43You all right?
00:41:50My father's told
00:41:52every big brand
00:41:53not to work for me.
00:41:56If we don't learn
00:41:57something soon,
00:41:58Phoenix will die
00:41:59before it's even taken off.
00:42:01Hey, come on.
00:42:03It's going to get better.
00:42:05But it's late.
00:42:08You should go home
00:42:08and get some rest.
00:42:11No.
00:42:13No, I can't give up
00:42:13that easy.
00:42:16You go ahead, though.
00:42:18I'll make some more calls.
00:42:21All right.
00:42:22So, can I see Mr. Scott?
00:42:38No.
00:42:39Just five minutes of his time.
00:42:40He has already made it clear
00:42:41he's not interested in your studio.
00:42:44Please don't come back.
00:42:45Sis,
00:42:46without the family behind you,
00:42:47you've really hit rock bottom, huh?
00:42:49It's none of your business, Abby.
00:42:54Look at this.
00:42:56An invite to the Todd Group banquet.
00:42:59They're announcing their collaboration
00:43:01with the Clark Group there.
00:43:03Too bad you're not invited.
00:43:06The Todd Group banquet?
00:43:08Why didn't I think of that?
00:43:11Don't get too excited.
00:43:13The Todd Group is picky
00:43:14with their photographers.
00:43:14I'm not sure you're up to it.
00:43:26What's going on here?
00:43:29Oh, I'm...
00:43:30I'm making invites
00:43:32to the Todd Group banquet.
00:43:34Well, pretty convincing, right?
00:43:36I'm just hoping
00:43:37they don't notice
00:43:37it's fake.
00:43:39Wait, why?
00:43:42Why?
00:43:43Yeah, why?
00:43:44Because it's the Todd Group.
00:43:47There's gonna be major players
00:43:48from all over the place.
00:43:50I could land some
00:43:51killer collaborations from this.
00:43:53Yeah, but you know
00:43:54that's risky, right?
00:43:57Yeah.
00:43:58Of course I know.
00:44:01But...
00:44:01I'm all out of options.
00:44:05It's this or nothing.
00:44:07So, are you coming with me?
00:44:12With me?
00:44:13To the Todd Group banquet?
00:44:16Yeah?
00:44:18Uh...
00:44:18Yeah, I...
00:44:20No, I actually...
00:44:22I have something
00:44:22I need to handle that day.
00:44:25But to answer your question,
00:44:27yeah, that does look...
00:44:29real.
00:44:32I'm just...
00:44:33I gotta...
00:44:34Yeah.
00:44:34Yeah.
00:44:37This is my shot.
00:44:45If this doesn't work,
00:44:47my studio's done.
00:44:53Invitation, please.
00:44:57Invitation, please.
00:44:58Go ahead.
00:45:12Mr. Todd?
00:45:13She's going inside.
00:45:16That was...
00:45:17way too easy.
00:45:18Did I just pull this off?
00:45:20Guess the Todd Group's
00:45:21security isn't as tight
00:45:22as her reputation.
00:45:29Vanessa!
00:45:31Why the hell are you here?
00:45:32What?
00:45:32You get to waltz in and I don't?
00:45:34How did she get an invite?
00:45:36You didn't...
00:45:36sneak in,
00:45:38did you?
00:45:38I'm too busy for this, Abby.
00:45:40Court red-handed, huh?
00:45:42You really think
00:45:43you can crash the Todd Group's
00:45:44banquet
00:45:45without an invitation?
00:45:45Yeah.
00:45:46Yeah.
00:45:46It's fake.
00:45:55Let's try, though.
00:46:00Vanessa!
00:46:01Did you really sneak in
00:46:03with a fake invite?
00:46:05A fake invite?
00:46:07She must really be desperate.
00:46:09Can you believe that?
00:46:10No one will want
00:46:11to work with her
00:46:12after this.
00:46:14What makes you so sure
00:46:15it's fake?
00:46:16Well,
00:46:17because the real ones
00:46:18have got a code
00:46:19right here in the corner.
00:46:22Yours?
00:46:23It's missing.
00:46:25Care to explain?
00:46:28Mrs. Simpson!
00:46:31Just the man I need.
00:46:32How can I help?
00:46:34Someone crashed the party.
00:46:36Can you help her
00:46:36find the door?
00:46:39Let me see.
00:46:40I'm afraid
00:46:46if you don't have
00:46:47a legitimate invitation,
00:46:49you'll have to be.
00:46:55Miss Clark!
00:46:57Just, just,
00:46:58wait a second.
00:46:59Um,
00:47:00Danny Rogers,
00:47:02Mr. Todd's
00:47:03personal assistant.
00:47:06And sent here
00:47:07to collection.
00:47:08Are you sure
00:47:08you didn't mix
00:47:09things up,
00:47:10Mr. Rogers?
00:47:11She wasn't invited.
00:47:13She snuck in
00:47:13with a fake invite.
00:47:16Look,
00:47:18there's no number.
00:47:20Miss Clark here
00:47:21is one of
00:47:22Mr. Todd's
00:47:23honoured guests.
00:47:25The reason why
00:47:26it doesn't have
00:47:26a code on there
00:47:27is because
00:47:27I personally
00:47:28sent her
00:47:29the invitation.
00:47:29she's
00:47:32Mr. Todd's
00:47:33honoured guest.
00:47:36How the heck
00:47:37is that even
00:47:37possible?
00:47:39Who is she?
00:47:41Why does she get
00:47:41to be one of
00:47:42Mr. Todd's
00:47:42VIPs?
00:47:43Even Mr. Rogers
00:47:44is giving her
00:47:45respect.
00:47:45That bitch
00:47:58always steals
00:47:59my spotlight.
00:48:09After careful
00:48:10consideration,
00:48:11we've chosen
00:48:12our partner
00:48:12for the upcoming
00:48:13season.
00:48:14Let's get to the
00:48:14moment we've all
00:48:15been waiting for.
00:48:18Mr. Simpson,
00:48:21there better not be
00:48:21any slip-ups.
00:48:23Remember our
00:48:24little deal?
00:48:25Chill out,
00:48:25Miss Clark.
00:48:28Everything's locked
00:48:28in.
00:48:30I do the business
00:48:31deals around here.
00:48:33No one can
00:48:33change my mind
00:48:34unless it's
00:48:35Mr. Todd.
00:48:37And he doesn't
00:48:38usually get
00:48:39involved in this.
00:48:40Good to know.
00:48:42Vanessa,
00:48:42no matter how
00:48:43hard you crash
00:48:44this banquet,
00:48:45you'll always be
00:48:46in my shadow.
00:48:47Once I nail
00:48:47this partnership
00:48:48with the Todd
00:48:49group,
00:48:49let's see how
00:48:50you deal
00:48:50with the fallout.
00:48:52The partner
00:48:52for the Todd
00:48:53group is...
00:48:54Thank you
00:48:56Todd group
00:48:57for selecting
00:48:58Phoenix Studios.
00:49:03What?
00:49:06How is this
00:49:06happening?
00:49:13How is this
00:49:14happening?
00:49:17What makes
00:49:17your thing
00:49:18shape me part
00:49:18of the Todd
00:49:19group?
00:49:20The Queen
00:49:20didn't just
00:49:21watch me.
00:49:22Congratulations.
00:49:23I got a project
00:49:26that might get
00:49:27your eyes.
00:49:28Well,
00:49:29look at you.
00:49:32Didn't you say
00:49:32everything was
00:49:33set?
00:49:35Are you
00:49:35playing me?
00:49:36No!
00:49:38No, I...
00:49:39Danny,
00:49:42what the hell
00:49:43happened?
00:49:44There's no
00:49:45mistake.
00:49:46The Todd
00:49:47group chose
00:49:47Vanessa's
00:49:48studio to be
00:49:49our partner.
00:49:49you're corrupt,
00:49:53Colin.
00:49:54So you're
00:49:55out.
00:50:04Danny, come on.
00:50:06I messed up,
00:50:07but I won't do it
00:50:08again.
00:50:10After all I've done
00:50:11for you,
00:50:11can you not cut me
00:50:12some slack?
00:50:13Mr. Todd is
00:50:14cutting you some
00:50:15slack by not
00:50:16calling the police.
00:50:17So, are you
00:50:20leaving on your
00:50:20own, or do I
00:50:22need to call
00:50:23security?
00:50:28Miss Clark,
00:50:29if you'd like to
00:50:29follow me, our
00:50:30contracts are
00:50:31ready.
00:50:32Let's make this
00:50:33official.
00:50:39Miss Clark,
00:50:41there's the
00:50:41contract.
00:50:42Have a look
00:50:43through.
00:50:43If everything's in
00:50:44order, then feel
00:50:45free to sign.
00:50:45So, um,
00:50:48what made the
00:50:49Todd group sign
00:50:50with the
00:50:50Phoenix Studios?
00:50:52Temple?
00:50:53It's your talent.
00:50:55It speaks for
00:50:56itself.
00:50:57Well, you
00:50:58won't be
00:50:58disappointed.
00:51:08Excuse me,
00:51:09may I ask
00:51:10who that is?
00:51:11Oh, that is,
00:51:13uh, Mrs. Todd,
00:51:15um, Mr. Todd's
00:51:16mother.
00:51:17She's the
00:51:17chairwoman.
00:51:18After Mr. Todd's
00:51:19father passed, she
00:51:20took over just to
00:51:21keep the business
00:51:23thriving.
00:51:24That's really
00:51:24impressive.
00:51:33How come he looks
00:51:34just like Jason?
00:51:35Jason?
00:51:35Jason?
00:51:35Jason?
00:51:35Jason?
00:51:35Jason?
00:51:35Jason?
00:51:35Jason?
00:51:36Jason?
00:51:36Jason?
00:51:37Jason?
00:51:37Jason?
00:51:37Jason?
00:51:38Jason?
00:51:38Jason?
00:51:38Jason?
00:51:39Jason?
00:51:39Jason?
00:51:40Jason?
00:51:40Jason?
00:51:41Jason?
00:51:42Jason?
00:51:43Jason?
00:51:44Jason?
00:51:45Jason?
00:51:45Jason?
00:51:46Jason?
00:51:46Jason?
00:51:47Jason?
00:51:47Jason?
00:51:48Jason?
00:51:48Jason?
00:51:49Jason?
00:51:49Jason?
00:51:50Jason?
00:51:51Jason?
00:51:52Jason?
00:51:53Jason?
00:51:54Jason?
00:51:55Jason?
00:51:56Jason?
00:51:57Jason?
00:51:58Jason?
00:51:59Jason?
00:52:00Jason?
00:52:01Jason?
00:52:02Jason?
00:52:03Jason?
00:52:04Jason?
00:52:05Jason?
00:52:06Jason?
00:52:07Jason?
00:52:08Jason?
00:52:09What's he doing here? And who's that woman?
00:52:12She doesn't even know who I really am.
00:52:15No way. Isn't that the chairwoman of the Todd Group?
00:52:21I can't believe you'd throw away such a major deal. All for some woman.
00:52:27She saved my life, Mom. She's not just some woman.
00:52:31Some woman? You could have just written her a check and called it a day.
00:52:35I have my reasons. So stay out of it.
00:52:38What's she done to make you so obsessed?
00:52:41She's only after your money and the Todd name.
00:52:45That's all it was. It'd be easier.
00:52:47What?
00:52:47Nothing, Mom. Look, just what you were afraid of won't happen.
00:52:51Okay, she doesn't even know who I really am.
00:52:54You say her, you see her.
00:52:57I won't say anything. Okay? Yeah?
00:53:04Only you could fool something this obvious.
00:53:06Yeah, all right. And don't you have a meeting?
00:53:08Come on, go, go, go.
00:53:18Oh, hey. Are you, uh, are you done with work?
00:53:22The chairwoman of the Todd Group.
00:53:26How do you know her?
00:53:27Don't.
00:53:28You were laughing with her.
00:53:36What are you talking about? No, no.
00:53:39I, I just, I ran into her and I thought maybe I'd help you secure the Todd deal.
00:53:44Oh, I'm sorry. So I was with.
00:53:49Yeah.
00:53:50But I have good news.
00:53:52I secured the Todd Group deal.
00:53:55No way. That's huge.
00:53:57I honestly didn't even think my studio would be in the running for it.
00:54:00Yeah, well, you deserve it.
00:54:02Come on.
00:54:04So, uh, where do you want to go?
00:54:06Studio?
00:54:07Yeah.
00:54:07Or do you want to go with Christine Fee?
00:54:16To us and to our company for nailing that Todd Group collaboration.
00:54:20You know what? Cheers, everyone.
00:54:22Woo!
00:54:22Woo!
00:54:22Cheers!
00:54:24Vanessa, you're a genius.
00:54:26You really made it happen with the Todd Group.
00:54:29And that's not all.
00:54:30You had calls from big brands that want to work with us, too.
00:54:33Well, tomorrow's a big shoot.
00:54:35So let's crush it.
00:54:36More deals are just around the corner.
00:54:39Woo!
00:54:40Okay, drinking is fun and all, but let's switch it up.
00:54:44Truth or death?
00:54:54Alright, truth.
00:54:56Do you have a girlfriend?
00:55:02Not yet.
00:55:03Ah, not yet.
00:55:05Does that mean there's one on the horizon?
00:55:08That's your next question.
00:55:15Looks like you're not off the hook.
00:55:17So, is there anyone you have your eye on?
00:55:24Yeah.
00:55:26Yeah, I do.
00:55:26All right, all right.
00:55:33Quit staring at me.
00:55:34Just please spin the bottle again.
00:55:42Oh, what?
00:55:42So, this is the master bedroom?
00:55:44Okay.
00:55:45All right.
00:55:46I thought this was off-limits.
00:55:47Not anymore.
00:55:48No?
00:55:48No.
00:55:49No.
00:56:01Look at all I want to do.
00:56:02Oh, God.
00:56:03I think I'm out of it.
00:56:04I think I'm out of it.
00:56:05I think you're out of it.
00:56:06No.
00:56:09So, let's go.
00:56:12Wow.
00:56:12Okay.
00:56:12He's passionate, and he knows how to make a girl feel special.
00:56:42Why aren't we prepping yet? It's almost time to shoot.
00:56:46We've been waiting for over an hour. What's the holdup inside?
00:56:50Are you Vanessa?
00:56:52Yes, that's me. Hi, Mr. Bailey.
00:56:56Can we get started?
00:56:58Just keep waiting. Can you see? I'm not ready.
00:57:03But we said we'd start at 9, and it's past that, so what are we waiting for?
00:57:09If you can't be patient, you really think you're ready for a partnership with the Todd Group.
00:57:13I don't understand why Mr. Todd partners with all these small studios.
00:57:18I think the studios might be small, but we can handle ourselves against the big companies.
00:57:23You think we can compare with the big boys?
00:57:27What do you have? Pretty face?
00:57:31Boy, did you...
00:57:34You slept your way into this job.
00:57:42Huh. Shocking.
00:57:44A big company like the Todd Group can't get timing right.
00:57:48Or show basic respect to its partners.
00:57:51If that's how it's gonna be, we're out.
00:57:53Oh, you're leaving so soon.
00:57:56I've hit the nail on the head, and you're feeling guilty.
00:58:00See, you can't take the heat.
00:58:02If you want the chute to keep going, I suggest that you beg me for it, and nicely.
00:58:12Your mouth is fucking foul. Consider that free mouthwash. No need to beg.
00:58:16You bitch! Just you wait, I'll...
00:58:25Yo, Mr. Todd, long time to see!
00:58:29Um, do you want a tour of the studio?
00:58:32Where's everybody from Vanessa's studio?
00:58:34Weren't they meant to shoot today?
00:58:36It was a total disaster.
00:58:38She had to wait a little bit longer, and then she splashed water on the floor and left.
00:58:42What?
00:58:43You drove her away?
00:58:44To... Mr... I...
00:58:47I didn't...
00:58:53This is truly outrageous.
00:58:54What's our next move, Vanessa?
00:58:56Let's just head back for now.
00:59:01Miss Clark, I'm so sorry for the trouble.
00:59:04It's on us at the Todd Group for dropping the ball with our team.
00:59:07Edwin's been let go.
00:59:09We'd be so grateful if you'd reconsider and come back for the shoot.
00:59:14Great! Okay, thank you. You're all done.
00:59:22Well, I think you got it.
00:59:25Stamming.
00:59:26Amazing.
00:59:27We'll see you later.
00:59:28Bye, guys.
00:59:30Miss Clark!
00:59:31Hi.
00:59:32Um...
00:59:34I just wanted to come by personally and apologize for what happened earlier on.
00:59:39I hope that doesn't change your view on the Todd Group.
00:59:41No way. I'm really appreciative to the Todd Group for this opportunity.
00:59:46Good. Good.
00:59:48And Mr. Todd is, uh, very impressed with your skills.
00:59:53We'd afford to see what you do next.
00:59:56I really appreciate your help today.
00:59:58The shoot turned out way better than I expected.
01:00:00Good.
01:00:01I'm glad.
01:00:02And, uh, if you need any help in the future, just let me know.
01:00:10Danny's been stepping up for me.
01:00:12Helping out more than I expected.
01:00:14So, uh, how was today?
01:00:20Smooth sailing?
01:00:23Hey.
01:00:25Oh, I'm sorry. What did you say?
01:00:26I asked how today was. You seem kinda... out of it.
01:00:30It's nothing.
01:00:34I'm probably just overthinking, but, uh...
01:00:37I think Danny might have a crush on me.
01:00:40Wait, what?
01:00:45I think Danny might have a crush on you.
01:00:48Wait, what?
01:00:50Yeah, he's always coming in, like, last minute to save me.
01:00:54I mean, why else would he be so attentive?
01:00:57Look, I swear, if you start swooning over other guys, I'm gonna turn green.
01:01:01Swooning?
01:01:02Yeah.
01:01:03I don't like Danny at all.
01:01:06Well, then who do you like?
01:01:10I like...
01:01:14You're trying to trap me into saying something.
01:01:16Well, yeah, I've been very obvious about how I feel about you, Vanessa.
01:01:21Like, I wanna be with you. Like, forever.
01:01:26You not see that?
01:01:34Hi.
01:01:39Come on.
01:01:40I know you feel something for me, too.
01:01:47I guess...
01:01:50I am kind of empty.
01:01:51I wanna take the longest trip with you.
01:01:58The one that starts right when we say I do.
01:02:04From Mary Hall...
01:02:06Guess what?
01:02:07The Todd Group loved our promo shot.
01:02:12Our studio is making waves. We've got brands lining up to collaborate with us.
01:02:24You guys are killing it at the moment, so I say we head to the shooting gallery.
01:02:27You're the best!
01:02:28Woo!
01:02:29Woo!
01:02:30Woo!
01:02:35Oh, my God!
01:02:38This shooting stuff is way harder than it looks.
01:02:41If I'd have known, I would have chosen something less intense.
01:02:45Eh, don't worry. I'll show you the ropes.
01:02:46Ha, ha, ha, ha!
01:02:49Look who's trying to be a sharp shooter.
01:02:53Well, if you think you can do better, why don't you give it a shot?
01:02:56Seriously? You think you can stack up against Blaine?
01:02:59He's got the second best aim in the city, right after Mr. Todd.
01:03:04Mr. Todd?
01:03:05Yeah, this place is owned by Mr. Todd.
01:03:09He's got the top score, but watch out.
01:03:12Blaine's gunning for that record.
01:03:15You didn't know that, no Vanessa?
01:03:18I don't know what, you just thought you'd stroll in here and embarrass yourself?
01:03:26You think you can beat the record?
01:03:30Aye.
01:03:32You can't even beat me.
01:03:35Ha!
01:03:36Oh!
01:03:42Ha!
01:03:44Oh, very confident.
01:03:47Alright then, how about we make ourselves a little deal?
01:03:51You lose, you hand over your portion of the Todd Greaves partnership to me, eh?
01:03:57So, when you can't win fair and square, you were such a cheating!
01:04:01Classic Blaine.
01:04:03Come on, let's go.
01:04:04No, no, no, no, no.
01:04:05I can take you on.
01:04:07But if you lose, what's your game plan?
01:04:11Lose?
01:04:12Lose me!
01:04:13You think you can just walk in here and break the record like it's a walk in the park?
01:04:21I'll see.
01:04:22Oh, alright, very confident.
01:04:26My goodness, I have never seen somebody so eager to get embarrassed.
01:04:32You can't even swing that thing, man.
01:04:34I'm not buying either.
01:04:35But how about this?
01:04:36If you beat Blaine, Vanessa can take any project from me.
01:04:41I'm not being sure about this.
01:04:43You don't have to do it just to prove it for me.
01:04:46Lose, your boyfriend's got this.
01:04:49Ooh!
01:04:50Baby, you're on fire!
01:04:51Ah, yes.
01:04:52Even better than last time.
01:04:53Indeed.
01:04:54You know something?
01:04:55I think you should just throw in the towel.
01:04:56Save yourself a bit of embarrassment.
01:04:58Not a chance.
01:04:59I believe in Jason.
01:05:00Oh.
01:05:01Oh.
01:05:02Oh.
01:05:03Oh.
01:05:04Oh.
01:05:05Oh.
01:05:06Oh.
01:05:07Oh.
01:05:08Oh.
01:05:09Oh.
01:05:10Oh.
01:05:11Oh.
01:05:12Oh.
01:05:13Oh.
01:05:14Oh.
01:05:15Oh.
01:05:16Oh.
01:05:17Oh.
01:05:18Oh.
01:05:19Oh.
01:05:20Oh.
01:05:21Oh.
01:05:22Oh.
01:05:23Oh.
01:05:24Whoa.
01:05:25Oh my God.
01:05:47That was kind of a grenade.
01:05:48Yes, I am.
01:05:49Didn't you see that?
01:05:5010 shots, 10 hits?
01:05:51Aha.
01:05:52You just broke the record.
01:05:53Someone just beat Mr. Todd's record.
01:05:56Beat Mr. Todd's record? How's that even possible?
01:05:59How's that possible? Who are you?
01:06:02Breaking Mr. Todd's record and sharing his last name.
01:06:06Could he be?
01:06:09How are you so good? You just shattered Mr. Todd's record.
01:06:13It's nothing. I just picked it up in college.
01:06:16You know, I was shooting champ every year.
01:06:19Okay, I'm definitely overthinking this.
01:06:22He's just a regular guy. There's no way he could be Mr. Todd.
01:06:26Remember, you owe us a project.
01:06:29Why should I? It's projects I've lost in my box to secure.
01:06:33No way. You've obviously cheated.
01:06:36You've obviously done something for the gums of something like that.
01:06:39Not a chance I would lose.
01:06:41Why is it really that hard to just admit someone's better, Blaine?
01:06:47I'm gonna get you, Tim.
01:06:52You're so good!
01:06:57I thought Blaine and Abby were gonna explode.
01:07:00Now look, I'm done letting them push you around.
01:07:02Yeah, you're the best.
01:07:04You know, today's been my lucky day.
01:07:06I learned how to shoot and secured projects for free.
01:07:09Well, what if Abby goes back on a deal?
01:07:11Then I'll snatch the projects from her.
01:07:14Line gets under my skin.
01:07:17What if you find out I've been hiding sometimes?
01:07:22I dare you to try me.
01:07:24If Vanessa discovers I've been keeping my true identity a secret,
01:07:28will she walk away?
01:07:29I need to tell her soon.
01:07:31Vanessa.
01:07:42What's going on?
01:07:43I'm here to apologize.
01:07:47Come back with me.
01:07:49I've saved a spot for you at the Clark Group.
01:07:51You kicked me out.
01:07:53Remember, Dad?
01:07:54I've been much happier since I left.
01:07:58So why would I come back?
01:07:59The Clark Group is struggling.
01:08:01We need your talent.
01:08:03Sounds like you can't handle it, Abby.
01:08:06If Dad's here begging for my help,
01:08:08things must be bad.
01:08:10You.
01:08:14Vanessa.
01:08:17What will it take to bring you back?
01:08:21I'll give you half the company shares.
01:08:23How does that sound?
01:08:24Dad, are you serious?
01:08:25That's not fair.
01:08:30I'll think about it.
01:08:32Excellent.
01:08:33Give it some serious thought.
01:08:35I'll be waiting for you at the Clark Group.
01:08:39Get out my fucking voice.
01:08:40The shares are meant for me, Vanessa!
01:08:42Just wait.
01:08:43I'll make sure you never enjoy them.
01:08:54You know, I like your car.
01:08:55It's a smooth ride, like you.
01:09:01Stop it.
01:09:02Are you sure you can't come to dinner?
01:09:06No, look, I can't.
01:09:07I've got something to do tonight.
01:09:08But call me when you're done,
01:09:10and I'll pick you up.
01:09:11What could you possibly have to do at night?
01:09:15Better not have another client.
01:09:20Shh.
01:09:25I'm aware of the energy.
01:09:26Good.
01:09:27Better keep it that way.
01:09:28Good.
01:09:43Good.
01:09:44Yeah.
01:09:44I don't know.
01:10:14This is Vanessa Clark. I'm calling about Jason. He's been in a car accident. You need to come to the hospital immediately.
01:10:33I'm here for Jason. He was in a car accident. Where is he?
01:10:38He's down in the hall to your left.
01:10:40Thanks.
01:10:45Jason, are you okay? Are you seriously hurt?
01:10:50No, I'm fine. Just a scratch. Nothing major.
01:10:55Thank God. You scared the life out of me. How did this happen?
01:10:59Someone cut the brakes, Vanessa. This was your car. They're aiming for you.
01:11:11It's Abby. It has to be. It's all about the stairs. She's trying to take me out.
01:11:16I'm so sorry. It's all my fault you got hurt. I promise I'll get to the bottom of this.
01:11:25My God. You all right, dear?
01:11:31You all right, dear?
01:11:33Mrs. Todd, what are you doing here?
01:11:40Oh, you must be here to see Mr. Todd, right?
01:11:46The nurse just told me he's across the hall.
01:11:48Yeah, he's fine.
01:11:51Just a few scratches.
01:11:52Wait. Mr. Todd got in a car accident, too?
01:12:03Yeah, yeah, thanks. That's right.
01:12:07So, so you and Mr. Todd in a car accident at the same time?
01:12:14Yeah. Crazy coincidence, huh?
01:12:16Should I go and see him? He's been so good to the studio.
01:12:20Ow!
01:12:21Are you okay?
01:12:22Where does it hurt? Should I call someone?
01:12:24No, no, I just, I need, I need you.
01:12:28You know, a spoonful of sugar and all.
01:12:31Even now, you're talking nonsense.
01:12:33I'm glad you're safe.
01:12:36Okay, if this was you,
01:12:37I don't, I don't know what I'd do.
01:12:43You're so stupid.
01:12:44Look, it's late.
01:12:47I'll go get you something to you.
01:12:48Just rest, okay?
01:13:07I have a question.
01:13:10Okay.
01:13:10How would you feel if, like, someone close to you
01:13:14told you a lie?
01:13:19Depends on the lie.
01:13:21And if they had good reason?
01:13:24Um, I mean, I'd, I'd still be upset.
01:13:27A lie's a lie.
01:13:29They just really have to make it up to me.
01:13:31Uh, why are you asking?
01:13:33Are you lying to me?
01:13:34No, no, I'm just, um,
01:13:37just wondering.
01:13:41Wondering if you want to go out sometime.
01:13:44I mean, we've not been on a real date
01:13:45since we got together.
01:13:46That's true.
01:13:48Okay, so, we'll go on one
01:13:50after you've been discharged.
01:13:52All right, deal.
01:13:53I'll, uh, make a plan.
01:13:55All right.
01:13:57Surprise me.
01:13:58Surprise you?
01:13:59You're so dumb.
01:14:06It's your hair.
01:14:07Mm-hmm.
01:14:08Where are we?
01:14:14Jason, why all the suspense?
01:14:17Ready?
01:14:18Yeah.
01:14:18Oh, my God.
01:14:29You like him?
01:14:30Yeah.
01:14:30Yeah.
01:14:40You really know how to treat a woman, don't you?
01:14:42Vanessa, I can't keep hiding this from you.
01:14:48Tonight, I'll tell you everything.
01:14:51And then, I'll propose.
01:14:57Vanessa.
01:15:02I love you.
01:15:05And I want to be with you forever.
01:15:07I love you, too.
01:15:17Actually, there's something that I've been, like,
01:15:20dying to tell you, and...
01:15:23Oh, my gosh, they're so pretty!
01:15:25Vanessa, I've got a secret, okay?
01:15:41And...
01:15:42Okay!
01:15:44I hope that you won't be upset.
01:15:45You're really hiding something?
01:15:47Just say it, Ernie.
01:15:50Actually...
01:15:51You and me.
01:15:54Falling in love every day
01:15:56Till we're both on in great
01:15:58Yeah, it's you.
01:16:00I am...
01:16:01Oh, shit.
01:16:06Shit.
01:16:08Oh, man.
01:16:09Jason, Grandpa's very ill. You need to come home now.
01:16:27Um, I've got some, like, personal stuff that I have to handle. Can you head home?
01:16:32So you... you can't stay tonight? What's going on is so urgent.
01:16:37It's really important, but I'll fill you in when I'm home. All right? Go here.
01:16:42Okay.
01:16:44But I don't get it. What's the rush?
01:16:55So this is your urgent matter? Comforting the other woman?
01:16:59What's really between you and Mrs. Todd?
01:17:02Why the closeness?
01:17:07What?
01:17:23Hey, Vanessa, are you in there?
01:17:24Hey, Allison. Yeah. Hey, have you seen Vanessa? Is she at the office?
01:17:36She wanted me to tell you. You're fired.
01:17:39What? Seriously? Why?
01:17:41Yeah. She seemed really upset. Good luck, okay?
01:17:45Upset? Hey, Allison. Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:47Hey.
01:17:48Hey.
01:17:48Hey.
01:17:48Hey.
01:17:54Hey, Vanessa. Hey. Hey, what's going on? Hey, everything was fine yesterday. What happened?
01:18:04You're asking me? You were with some other woman, and you're asking me what's wrong?
01:18:09When was I ever...
01:18:10Mrs. Todd? No, I can explain. That's really not...
01:18:17I saw it with my own eyes. I don't need you to explain. Just let go.
01:18:21No, I'm not moving.
01:18:22Let go!
01:18:31Come on, Vanessa. Don't start feeling sorry for a playboy.
01:18:34The Todd Group is hosting a photography competition, Vex Bud. Where's we get a chance at a long-term
01:18:42strategic partnership?
01:18:44A long-term partnership? If I can nail this competition, my studio's future is set.
01:18:50Future is set.
01:19:04Creep?
01:19:07Vanessa, what brings you to the National Photo Contest hosted by the Todd Group?
01:19:11Aren't you just a little ashamed to show your face here?
01:19:14Ashamed? Please.
01:19:17Speaking of shame, look in the mirror.
01:19:20This is a national...contest? Abby, remember?
01:19:24Better not play any plagiarism stunts.
01:19:27You'll be blacklisted quicker than you can cry about it.
01:19:30You bitch. Go ahead. Say one word, I dare you.
01:19:34Welcome, ladies and gentlemen, for the annual photo contest of the Todd Group.
01:19:38Just wait. When the results are in, I'll make sure you're crushed beneath my feet.
01:19:42Oh, I'll be right here, eagerly waiting for the fallout.
01:19:46Let's kick things off by welcoming our first contestants.
01:19:55Hey, everyone. The photos I'm sharing today are from my incredible travels.
01:20:00This shot is breathtaking. I give it 98 points out of 100.
01:20:09I'm in love with this. It's as far as truly a star on the rise. 99 points.
01:20:14Vanessa, get ready to be beneath my feet.
01:20:19I need to report this work. Vanessa, you're seriously doing this out of spite.
01:20:24This photo clearly shows signs of AI generation
01:20:27and stealing the work of the renowned photographer Feliciano Bowe.
01:20:34You're lying. This is a setup.
01:20:38I have the original shot right here.
01:20:40What's your excuse now, Abby?
01:20:42Don't listen to her. She's just out to get me.
01:20:46Two photos don't prove anything.
01:20:48Yeah, I heard they're not exactly the best of buds.
01:20:52And now this is ruining the competition.
01:20:55The judges have thoroughly vetted this work.
01:20:57Miss Vanessa Clark, please do not disrupt the competition.
01:21:01But this is clearly AI generated. I want a judge to review this.
01:21:05Come on, sis. Everyone knows that you're just jealous and trying to make me look bad.
01:21:09Give it a rest.
01:21:12Vanessa, please do not disrupt the competition.
01:21:16You see, I had the Todd Group's tech team run the numbers.
01:21:20Abby's work, total AI generation.
01:21:24Now that breaks the rules.
01:21:27So, I'm announcing Abby's disqualification and banning her from working with the Todd Group and any of their associates.
01:21:34Jason? What's he doing here?
01:21:38Who do you think you are? You can't just ban me.
01:21:40The Todd Group tech team isn't your personal squad.
01:21:44Get a load of this guy. Some stripper playing Mr. Todd.
01:21:49Imagine that.
01:21:54Get a load of this guy. Some stripper playing Mr. Todd.
01:21:59Imagine that.
01:22:00Mr. Rogers, he's here to cause chaos.
01:22:05Get him out of here, fast.
01:22:08Using AI to cheat, hmm?
01:22:10Seems like you're the real troublemaker here.
01:22:12Shit. It looks like Jason's really got Mr. Todd backing him.
01:22:16Even Mr. Rogers is in his corner.
01:22:18Mr. Rogers, that man is a male stripper.
01:22:22What's all for for this?
01:22:24Shit.
01:22:26The judges here have been bribed by Abby.
01:22:27I mean she's ruining the contest and the whole industry.
01:22:29I'm gonna talk to you so I'm gonna touch this.
01:22:36I'm looking for Abby Clark.
01:22:38You're under arrest on the suspicion of attempted murder.
01:22:41Yeah.
01:22:42No, you've mistaken me for someone else.
01:22:44Easy.
01:22:45Let me go.
01:22:46I didn't kill anyone, I'm being framed!
01:22:48It's Vanessa, she's setting me up again!
01:22:50You mess with my car!
01:22:52You put lives at risk!
01:22:53Do I need to show everyone the proof, Abby?
01:22:56I can't believe she'd go this far against her own sister.
01:23:00Sister?
01:23:01They're half-sisters, remember?
01:23:02They're half-sisters, remember?
01:23:06I'm gonna begin to get you!
01:23:13You're contagious, you bitch!
01:23:16Blaine?
01:23:17Help me!
01:23:19Officer, I had nothing to do with this.
01:23:20It was all Abby.
01:23:21Lee!
01:23:22I've been grateful, Jeff!
01:23:23I've done everything for you!
01:23:24How could you betray me like this?!
01:23:28Are you okay?
01:23:29Did she hurt you?
01:23:30Don't touch me!
01:23:32Okay, look Vanessa, there's something I need to say and it's not-
01:23:34No need for explanations.
01:23:35I already know what's going on.
01:23:37You're cozying up to Mrs. Todd, right?
01:23:38The tech team is all ears when you're around!
01:23:40No, no, no, Vanessa, you got this wrong.
01:23:41Mrs. Todd is my mom.
01:23:42Like my mom.
01:23:44What?!
01:23:45So?
01:23:46So Jason Todd, the CEO of the Todd Group.
01:23:48Is it fun to play games with me, Jason?
01:23:51Watching me get played like some sort of idiot?
01:23:54Hey, hey, just listen!
01:23:56Mom, I don't need your explanation!
01:23:58How did you do it?
01:23:59What are you doing?
01:24:00Hey, what are you doing?
01:24:01How did you do it?
01:24:02What are you doing?
01:24:03I'm doing it!
01:24:04You're playing games with me, Jason!
01:24:05I'm playing games with me!
01:24:06I don't want to play games with me!
01:24:08I don't want to play games with you!
01:24:09I don't need your explanation!
01:24:11Don't follow me!
01:24:22He knew I can't stand Miles.
01:24:24Yet he strung me along like a puppet.
01:24:26I can't believe I fell for it.
01:24:32You think you can just walk away, did you?
01:24:36It's a chance.
01:24:37Not a chance.
01:24:43Oh, Vanessa, my dear.
01:24:46You have fucked up my life.
01:24:50And now, you, my darling, are going to pay.
01:25:07Calm down. Stop pushing me, Vanessa.
01:25:17LESSA!
01:25:18Who are you?
01:25:19Who are you?
01:25:27What the hell?
01:25:36Is Blaine out of his mind? He can't seriously be trying to burn me alive.
01:25:38Help! Is anyone there? I'm trapped!
01:25:44Scared me. It's me.
01:25:46Vanessa!
01:25:47Are you there?
01:25:48Jason!
01:25:49Jason, please come in and help me. I'm trapped.
01:25:52Sorry it took you so long. Are you okay?
01:25:55I thought I lost you.
01:25:56I thought I lost you.
01:25:57Hey, hey, hey!
01:25:58Hey!
01:25:59Hey! Come on, let's get out of here!
01:26:02Hey, hey, you're awake, hey.
01:26:03Are you okay? You hurt?
01:26:17Yeah, I'm okay.
01:26:18But what were you thinking, rushing into the fire like that?
01:26:23Look, if something happened to you, I would lose my mind.
01:26:29Don't think playing the hero makes me forget that you lied to me.
01:26:35Look, I messed up. I didn't know who I was. I know that.
01:26:41Sorry, could you give us a moment?
01:26:42Yeah, of course.
01:26:43Thanks.
01:26:47Look, you can hate me if you want.
01:26:51But don't walk away from me.
01:26:53You had a million chances to tell me who you really were.
01:26:56But you kept me in the dark.
01:26:58You made me think that you and Mrs. Todd were together.
01:27:03The only person that I love is you.
01:27:05Then why are you hiding your identity?
01:27:08And then stick around?
01:27:10This wasn't just some love at first sight thing, was it?
01:27:18You still don't remember who I am, do you?
01:27:25You really don't remember who I am, do you?
01:27:27Oh my god.
01:27:28Are you okay?
01:27:29Can you get up?
01:27:30Come on, stay with me.
01:27:31Come on.
01:27:32Come on.
01:27:33Come on.
01:27:34Come on.
01:27:35Come on.
01:27:36Come on.
01:27:37Come on.
01:27:38Come on.
01:27:39Come on.
01:27:40Come on.
01:27:41Come on.
01:27:42Come on.
01:27:44It was you.
01:27:46You were the one I saved from the fire.
01:27:49I've been looking for you.
01:27:50For years.
01:27:51There was so much smoke and fire that I didn't see anything except your arm.
01:27:55And when I met you at the club, I saw the scar on your arm.
01:27:59I knew it was you.
01:28:00I knew it was you.
01:28:01I knew it was you.
01:28:02Jason.
01:28:03You don't owe me anything.
01:28:04I'm not here because you saved me.
01:28:05I'm a liar, but I didn't see anything except your arm.
01:28:11And when I met you at the club, I saw the scar on your arm.
01:28:18I knew it was you.
01:28:21Jason, you don't owe me anything.
01:28:24I'm not here because you saved me.
01:28:28I'm here because I love you.
01:28:35Vanessa.
01:28:43Marry me.
01:28:51Yeah, I'll marry you.
01:29:05You.
01:29:11You.
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